Thomas Louden Movies

In this romantic musical, a clever young adman decides to create the perfect woman as none of his models quite measure up. To do so, he uses the best parts of several different women's photographs and deftly blends them together. Liking what he sees, he decides he must continue his search in hopes of finding the real McCoy. ~ Sandra Brennan, All Movie Guide

Elizabeth MacDonald (Claudette Colbert) is a newly married corporate librarian in 1918 Baltimore working for a chemical company owned by the Hamilton family and managed by Larry Hamilton (George Brent). Just as she is celebrating the armistice and anticipating the return of her husband John (Orson Welles), she learns he was killed in action, just days before the cease fire. Pregnant with their child and alone in the world, she is taken in by Larry Hamilton, who has loved her from afar and is driven by sympathy for her plight. She has her baby, a boy named Drew, and she and Larry marry, raising the child as his own and never telling the boy of his real father. Meanwhile, in an Austrian hospital, a horribly wounded and disfigured American officer (Welles) without any identification insists to the doctor treating him (John Wengraf) that he be allowed to die. The doctor saves his life, but the shock of his injuries and the strain of his recovery causes him to lose his memory, and he ends up adopting a new identity. Cut to 1939, and the outbreak of the Second World War in Europe. Drew (Richard Long) is about to graduate from college and wants to join his fraternity brothers, who are planning on going to Canada, signing up with the Royal Canadian Air Force, and heading to England to fly against the Germans. Drew is not yet 21, however, and needs the permission of his parents, but Elizabeth is appalled by the notion of losing Drew to war the same way that she lost John.

Into their family comes a visitor, Erich Kessler (Welles), a crippled, ailing Austrian refugee and chemical expert hired by Hamilton's company, who arrives in Baltimore with his young daughter Margaret (Natalie Wood). Kessler starts to recognize places in the city, including the home where Elizabeth lived, and when they meet, despite her discomfort at having an Austrian army veteran in the house, she does her best to welcome him. Elizabeth also starts to notice little aspects of Kessler that remind her vaguely of John. But much as she is haunted by these strange similarities, she is appalled when Kessler seems to encourage Drew to pursue his goal of fighting the Nazis. Even Kessler's presence in their home, despite his genial and deferential manner, is a vexation to Elizabeth, bringing the horror of the war and what the Nazis represent into their midst and making Drew even more fervent in his desire to join up and fight. When Margaret displays terrible fears and nightmares, it comes out that she isn't really Kessler's child at all, but the daughter of the doctor who saved his life (he and his wife had been executed by the Nazis).

Larry, meanwhile, must watch from the sidelines, not aware of Kessler's real identity and unable to resolve the conflict between his admiration for Drew's intentions and his love for his wife. When Drew decides to ignore his parents' wishes and go to Canada and enlist without their permission, Kessler follows and stops him (despite his own weakened condition), and brings the young man home. A confrontation ensues upon their return, and Kessler explains to her that, whomever she thinks he might have been, the past has passed. Elizabeth finds the strength and courage to face the future, and the coming of the new war and what it may bring. ~ Bruce Eder, All Movie Guide

In this a briefcase containing four wills is found next to the unconscious body of a man. He lies beside a plane crash. Each of the wills is made out to the man. Meanwhile a recent widow and a man work together to get the money her husband died for. They almost get it when they are accosted by the man who was found lying beside the planed. He claims to be a Nazi spy who is trying to get the money and use it to escape to Germany. The couple captures the spy and donates the money to their government. ~ Sandra Brennan, All Movie Guide

Two Girls and a Sailor is another of those all-star, no-plot wartime musicals turned out by the bushel basket in the 1940s. Its lack of nuance does not lessen its entertainment value in the least. Gloria DeHaven and June Allyson play a couple of well-meaning sisters who stage their own USO shows in their apartment for the benefit of visiting servicemen. They'd like to expand their show, so GI Van Johnson, who happens to be a millionaire, buys an empty factory and has it converted into a canteen. A trivial love triangle develops, but who cares? Bring on the stars! In the case of Two Girls and a Sailor, the celebrity lineup includes Jimmy Durante, Lena Horne, Jose Iturbi, Xavier Cugat, Grace Allen (performing her immortal "Concerto for Index Finger"), Harry James, Helen Forrest, and, in an amusing uncredited cameo, Buster Keaton (Also: keep a sharp eye out for Ava Gardner) ~ Hal Erickson, All Movie Guide

Monty Woolley plays an irascible Englishman who insists that he dislikes children. While on a vacation in France, the Nazis invade the country. Reluctantly, Woolley agrees to transport several French children into England. As the flight to freedom becomes more treacherous, Woolley grows fonder of his young charges and vows that they'll be kept safe. The group is detained by German officer Otto Preminger, who finally allows Woolley and the children safe passage--provided they take Preminger's niece to England as well. Pied Piper was based on a novel by British author Nevil Shute. ~ Hal Erickson, All Movie Guide

Republic's "Three Mesquiteers" western series hopscotched all over the calendar, with some entries taking place in the present, others in the far-distant past. As indicated by its title, Covered Wagon Days is a period piece, with heroes Stony Brooke (Robert Livingston), Rusty Joslin (Raymond Hatton) and Rico Rinaldo (Duncan Renaldo) riding into a silver mining camp. The villains keep busy by smuggling the valuable ore across the border, and to add insult to injury have framed Rico's brother Carlos (Paul Marion) on a murder charge. This time it takes only 56 minutes for the Mesquiteers to rout the villains and allow justice to triumph. As always, Covered Wagon Days is enhanced by excellent production values, thoroughly transcending the film's pinchpenny budget. ~ Hal Erickson, All Movie Guide