Jack Lotz Movies
This stylish combination of expressionistic horror and deadpan black comedy centers on the activities of a beautiful female vampire on the streets of New York City. Playing fast and loose with the Dracula legend, the film examines the legendary count's children, particularly the alluring and mysterious Nadja (Elina Lowensohn). At the film's beginning, Nadja is celebrating her father's demise and hoping to begin a new life. She hopes that this life will include Lucy (Galaxy Craze), a spunky young woman that she seduces after an encounter in a New York bar. Unfortunately, Lucy is already married, to the nephew of eccentric vampire hunter Van Helsing (Peter Fonda), who disposed of Nadja's father and has now set his sights on capturing the daughter. Matters are further complicated when Nadja's brother Edgar (Jared Harris), a vampire who wishes to give up his blood-sucking nature, also becomes involved. Gorgeously shot by cinematographer Jim Denault in a mixture of 35mm black-and-white and low-budget Pixelvision video, the film resembles a combination of the surrealist visions of co-producer David Lynch and the quirky humor and stylized sensibility of Hal Hartley. The convoluted narrative sometimes fails to gel, and the self-conscious, arty approach will not appeal to audiences looking for conventional thrills, but those with a taste for the unusual may find the film an appealing contemporary spin on a familiar legend. ~ Judd Blaise, All Movie Guide
- Starring:
- Elina Löwensohn, Suzy Amis, (more)
- 1990
- R
In this actioner, Eddie Baker is brutally murdered by drug dealers. Later expatriate, reformed drug-dealer Superfly is conned into returning to the US from Paris by federal drug agents. He then must let his former cronies know that he wants back into the drug business. Superfly hasn't been a dealer for over twenty-years, and doesn't realize that drug dealing has become a deadly game. His sudden reappearance rouses the suspicion of the two crooked cops controlling the city's drug flow. They are unsure which side of the law he is on and are not anxious to allow him a piece of the action. Fortunately for "Fly" a good buddy fills him in on modern drug trafficking. He decides to go back to Paris, but then the US agents force him to change his plans. Later Superfly is beaten by the drug lord's men and his lady friend is shot. Now nothing will prevent the enraged hero from getting his revenge. ~ Sandra Brennan, All Movie Guide
- Starring:
- Nathan Purdee, Margaret Avery, (more)
Johnny Walker (Mickey Rourke) is a punch-drunk and alcoholic cowboy pugilist who gives boxing one last shot in Asbury Park, New Jersey. He meets Wesley Pendergrass (Christopher Walken), the smooth-talking hood who tries to talk Johnny into helping in the heist of a jewelry store. Johnny considers the offer but elects to enter the ring to help Ruby (Debra Feuer) and her financially troubled arcade with the prize money. He agrees to the bout despite the fact that a blow to his fractured temple bone could kill him. Music is provided by Eric Clapton and Michael Kamen. ~ Dan Pavlides, All Movie Guide
- Starring:
- Mickey Rourke, Christopher Walken, (more)
Martin Scorsese's brutal character study incisively portrays the true rise and fall and redemption of middleweight boxer Jake La Motta, a violent man in and out of the ring who thrives on his ability (and desire) to take a beating. Opening with the spectacle of the over-the-hill La Motta (Robert De Niro) practicing his 1960s night-club act, the film flashes back to 1940s New York, when Jake's career is on the rise. Despite pressure from the local mobsters, Jake trusts his brother Joey (Joe Pesci) to help him make it to a title bout against Sugar Ray Robinson the honest way; the Mob, however, will not cave in. Jake gets the title bout, and blonde teenage second wife Vickie (Cathy Moriarty), but success does nothing to exorcise his demons, even as he channels his rage into boxing. Alienating Vickie and Joey, and disastrously gaining weight, Jake has destroyed his personal and professional lives by the 1950s. After he hits bottom, however, Jake emerges with a gleam of self-awareness, as he sits rehearsing Marlon Brando's On the Waterfront speech in his dressing room mirror: "I coulda been a contender, I coulda been somebody." Working with a script adapted by Mardik Martin and Paul Schrader from La Motta's memoirs, Scorsese and De Niro sought to make an uncompromising portrait of an unlikable man and his ruthless profession. Eschewing uplifting Rocky-like boxing movie conventions, their Jake is relentlessly cruel and self-destructive; the only peace he can make is with himself. Michael Chapman's stark black-and-white photography creates a documentary/tabloid realism; the production famously shut down so that De Niro could gain 50-plus pounds. Raging Bull opened in late 1980 to raves for its artistry and revulsion for its protagonist; despite eight Oscar nominations, it underperformed at the box office, as audiences increasingly turned away from "difficult" films in the late '70s and early '80s. The Academy concurred, passing over Scorsese's work for Best Director and Picture in favor of Robert Redford and Ordinary People, although De Niro won a much-deserved Oscar, as did the film's editor, Thelma Schoonmaker. Oscar or no Oscar, Raging Bull has often been cited as the best American film of the 1980s. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Robert De Niro, Cathy Moriarty, (more)
