Lionel Barrymore Movies
Like his younger brother John, American actor Lionel Barrymore wanted more than anything to be an artist. But a member of the celebrated Barrymore family was expected to enter the family trade, so Lionel reluctantly launched an acting career. Not as attractive as John or sister Ethel, he was most effectively cast in character roles - villains, military officers, fathers - even in his youth. Unable to save what he earned, Barrymore was "reduced" to appearing in films for the Biograph Company in 1911, where he was directed by the great D.W. Griffith and where he was permitted to write a few film stories himself, which to Lionel was far more satisfying than playacting. His stage career was boosted when cast in 1917 as Colonel Ibbetson in Peter Ibbetson, which led to his most celebrated role, Milt Shanks in The Copperhead; even late in life, he could always count on being asked to recite his climactic Copperhead soliloquy, which never failed to bring down the house. Moving on to film, Barrymore was signed to what would be a 25-year hitch with MGM and begged the MGM heads to be allowed to direct; he showed only moderate talent in this field, and was most often hired to guide those films in which MGM wanted to "punish" its more rebellious talent. Resigning himself to acting again in 1931, he managed to cop an Academy Award for his bravura performance as a drunken defense attorney in A Free Soul (1931), the first in an increasingly prestigious series of movie character parts. In 1937, Barrymore was crippled by arthritis, and for the rest of his career was confined to a wheelchair. The actor became more popular than ever as he reached his sixtieth birthday, principally as a result of his annual radio appearance as Scrooge in A Christmas Carol and his continuing role as Dr. Gillespie in MGM's Dr. Kildare film series. Barrymore was aware that venerability and talent are not often the same thing, but he'd become somewhat lazy (if one can call a sixtyish wheelchair-bound man who showed up on time and appeared in at least three films per year "lazy") and settled into repeating his "old curmudgeon with a heart of gold" performance, save for the occasional topnotch part in such films as It's a Wonderful Life (1946) and Down to the Sea in Ships (1949). Denied access to television work by his MGM contract, Barrymore nonetheless remained active in radio (he'd starred in the long-running series Mayor of the Town), and at one point conducted a talk program from his own home; additionally, the actor continued pursuing his hobbies of writing, composing music, painting and engraving until arthritis overcame him. On the day of his death, he was preparing for his weekly performance on radio's Hallmark Playhouse; that evening, the program offered a glowing tribute to Barrymore, never once alluding to the fact that he'd spent a lifetime in a profession he openly despised. ~ Hal Erickson, All Movie Guide- 1936
The Gorgeous Hussy purports to be based on the life of Margaret "Peggy" O'Neill, the controversial wife of early 19th-century politician John Eaton, who served as cabinet minister during the Andrew Jackson presidency. Snubbed by the Washington elite because of her questionable background as a tavernkeeper's daughter, "Pothouse Peg" is championed by her longtime friend Jackson, who chooses to ignore the gossip-mongers and the scandal-provokers of the era. He even stands by Peggy's side when one of her admirers (Melvyn Douglas) is ignominiously killed by his enemies. Some historians believe that the "gorgeous hussy" and Jackson were themselves lovers, but this is never hinted at in the film, which is described in a foreword as "fiction founded upon historical fact." Joan Crawford wears an exhausting succession of gorgeous gowns as Peggy Eaton, but she can't do much to enliven her sketchily written role; one is aware that she brings disgrace to everyone she meets, but one is hard-pressed to understand why. Much better within the framework is Lionel Barrymore as Jackson, Beulah Bondi as "Old Hickory"'s pipe-smoking wife, Rachel, and Sidney Toler (two years away from Charlie Chan) as Daniel Webster. James Stewart is also in the film as one "Rowdy" Dow, a role he later chose to forget. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Crawford, Robert Taylor, (more)
Greta Garbo enjoyed one of her greatest triumphs in this glossy adaptation of Alexandre Dumas' oft-filmed romantic tragedy. Here, Garbo stars as Marguerite Gauthier, who is born into humble circumstances but in time becomes Dame aux Camille, one of the most glamorous courtesans in Paris. Camille is kept by the wealthy and powerful Baron de Varville (Henry Daniell), but after many years of earning a good living from her beauty without finding true love, Camille's heart is stolen by Armand (Robert Taylor), a handsome but slightly naive young man who doesn't know how she came by her fortune. Armand is just as attracted to Camille as she is to him, and she's prepared to give up the Baron and his stipend to be with Armand. However, Armand's father (Lionel Barrymore) begs Camille to turn away from his son, knowing her scandalous past could ruin his future. Realizing the painful wisdom of this, Camille rejects Armand, who continues to pursue her even as Camille contracts a potentially fatal case of tuberculosis. Remarkably, even though this was one of Garbo's greatest commercial and critical successes, she would make only three more films before her retirement in 1941; Camille, however, would be filmed several more times following this version (most memorably by elegant sexploitation auteur Radley Metzger in 1969's Camille 2000). ~ Mark Deming, All Movie Guide
- Starring:
- Greta Garbo, Robert Taylor, (more)
- 1935
Previously filmed in 1921 and 1926, this venerable 1911 David Belasco stage play provides a good, if slightly risible, vehicle for Lionel Barrymore. Greedy businessman Peter Grimm (Barrymore) returns from the dead in spirit form to correct all the mistakes he made during his lifetime. The old man is particularly anxious to atone for forcing his adopted daughter Catherine (Helen Mack) into a marriage of convenience with his callow nephew Frederik (Allen Vincent). His mission on earth accomplished, Grimm is reunited in the hereafter with his sickly grandson William (George Breakston Jr.), whose death is supposed to be a high point in poignancy (and would have been, had not the audience been fully aware from the first reel that the kid was going to eventually kick the bucket). Throughout the final reels, the "ghostly" Peter Grimm is filmed through a gauze-diffused filter, suggesting that someone has smeared Vaseline on the camera lens. ~ Hal Erickson, All Movie Guide
- Starring:
- Lionel Barrymore, Helen Mack, (more)
- 1935
Mark of the Vampire is Tod Browning's remake of his own 1927 thriller London After Midnight, which unfortunately no longer exists. The sudden appearance of ghostly vampires in a remote mittel-European community is seemingly tied in with an old, unsolved murder case. Police inspector Neumann (Lionel Atwill) and occult expert Prof. Zelen (Lionel Barrymore) investigate, with the full cooperation of leading citizen Baron Otto (Jean Hersholt). For awhile, it looks as though the vampires -- Count Mora (Bela Lugosi) and his chalky-faced daughter Luna (Carroll Borland) -- will continue to hold the community in thrall, but the truth behind their mysterious activities is revealed midway through the film, whereupon the story concentrates on identifying the well-concealed murderer. In the original London After Midnight, Lon Chaney played both Count Mora and Prof. Zelen, which should provide a clue as to the film's incredible outcome. ~ Hal Erickson, All Movie Guide
- Starring:
- Lionel Barrymore, Bela Lugosi, (more)
Shirley Temple's first costume picture -- and one of her best pictures of any kind -- was 1935's The Little Colonel. The story begins in 1870, when unreconstructed Southerner Colonel Lloyd (Lionel Barrymore) disowns his daughter Elizabeth (Evelyn Venable) when she stubbornly marries damn-Yankee Jack Sherman (John Lodge). Several years pass, during which time the Shermans' daughter, Lloyd (Temple), dubbed "the little colonel," is born. When Jack and Elizabeth suffer a series of financial reverses, they are compelled to move into a small cottage owned by Elizabeth, near her father's estate. As tenacious and opinionated as her grandpa, little Lloyd befriends the crusty old codger and tries to effect a reunion between the colonel and Elizabeth. Her efforts at first meet with failure, but when the ailing Jack is imperiled by all-around villain Swazey (Sidney Blackmer) does the colonel race to the rescue, with the "little colonel" leading the way. The film's brief Technicolor finale, long missing from TV prints, was restored in the mid-'80s. Why Fox felt that Technicolor was needed is a mystery; Shirley Temple's name in and of itself was the principal drawing card of The Little Colonel, while Temple's famous stair-dance duet with Bill "Bojangles" Robinson was worth the admission price in itself. ~ Hal Erickson, All Movie Guide
- Starring:
- Shirley Temple, Lionel Barrymore, (more)
- 1935
The stringent censorship imposed upon Hollywood of the mid-1930s dictated that gangsters could no longer be the "heroes" in any crime film. Public Hero No. 1 reflects this restriction. G-Man Chester Morris poses as a crook to infiltrate the notorious Purple Gang, a band of hoodlums which preys upon other hoodlums. Orchestrating the jailbreak of the Gang's leader (Joseph Calleia), Morris joins him in a Dillinger-like flight across the country. The bloody denouement, which occurs in a vaudeville theatre, is likewise drawn from the Dillinger saga (that particular gentleman was of course killed in front of a movie house). Also featured in Public Hero No. 1 is Jean Arthur as the heroine (a comic role) and Lionel Barrymore as a drunken gang doctor. The film was remade as The Getaway in 1942. ~ Hal Erickson, All Movie Guide
- Starring:
- Lionel Barrymore, Jean Arthur, (more)
- 1935
Playwright Eugene O'Neill's only comedy, Ah, Wilderness! was filmed by MGM in 1935. Impressionable turn-of-the-century lad Eric Linden, whose knowledge of the ways of the world has come from French novels, is anxious to taste life to the fullest. Linden's father Lionel Barrymore sternly advises the boy to be good and be careful, while Barrymore's shiftless, bibulous brother-in-law Wallace Beery (replacing MGM's first choice, W.C. Fields) encourages Linden to get out, get drunk and get...you know what. After a frightening encounter with lady of the evening Helen Flint (a surprisingly frank characterization for a Production Code film), Linden runs home, nursing a monster hangover the next day. The boy eventually accepts the sedate affections of his childhood sweetheart Jean Parker, while a chastened Beery promises to mend his ways--and Barrymore decides to be more of a father and less of an autocrat to his son. Ah, Wilderness would be musicalized (and bowdlerized) by MGM as the 1947 film Summer Holiday. ~ Hal Erickson, All Movie Guide
- Starring:
- Lionel Barrymore, Wallace Beery, (more)
David Copperfield was MGM's major Christmas release for its 1934-1935 season and also the first of producer David O. Selznick's major "literary" films for that studio. While a great deal of editing and streamlining was necessary to distill Charles Dickens' massive novel into 133 minutes of screen time, the end result was so successful that only the nittiest of nitpickers complained about the excised characters and events. Freddie Bartholomew plays the young Copperfield, who, after the death of his mother (Elizabeth Allan), is cruelly mistreated by his stepfather, Mr. Murdstone (Basil Rathbone). David's life brightens when he meets the ever-in-debt Mr. Micawber (W.C. Fields), and he is sheltered by Micawber's large and loving family until Micawber is carted off to debtor's prison. Forced once more to seek a home, David makes his way to the Dover estate of his Aunt Betsey (Edna May Oliver), where he meets another colorful cast of characters, none more so than the childlike Mr. Dick (Lennox Pawle). When Murdstone arrives, insisting that David be returned to him, Aunt Betsey and Mr. Dick form a united front to protect the boy. Flash-forward several years: the grown David (now played by Frank Lawton) is attending school, where he meets the lovely Agnes Wickfield (Madge Evans). David discovers that Agnes' businessman father (Lewis Stone) is under the thumb of the "'umble" prevaricator Uriah Heep (Roland Young) and the equally disreputable Steerforth (Hugh Williams). With the help of Mr. Micawber-who in a weak moment has taken a job working side-by-side with Heep-David proves Heep's treachery and rescues the Wickfields. By rights, he should marry Agnes, but David impulsively weds the empty-headed Dora (Maureen O'Sullivan). Only after Dora's death does David come to his senses, realizing that Agnes is the true love of his life. Originally, Charles Laughton was slated to play Micawber, but he pulled out of the production, worried that he wouldn't be funny enough. The casting of W.C. Fields was an inspired choice: although he injects his own established screen personality at every opportunity, Fields was born to play Micawber. Likewise, second-billed Lionel Barrymore fits his portrayal of crusty old Dan Peggoty like a glove. In fact, there isn't a false bit of casting in the whole production, and this, as much as Selznick's sumptuous production values, is the key to David Copperfield's enormous success. ~ Hal Erickson, All Movie Guide
- Starring:
- W.C. Fields, Lionel Barrymore, (more)
- 1934
Carolina, a melodrama directed by Henry King, follows a young woman's attempt to restore a southern plantation back to its pre-Civil War glory. Joanna Tate (Janet Gaynor), originally travels from her home in Pennsylvania to the plantation in order to collect her deceased father's belongings. Though he didn't own the plantation himself, he had worked there as a farmer for a number of years. Once she arrives, Joanna (Gaynor) finds that the actual plantation owner, Bob Connelly (Lionel Barrymore), is a Civil War veteran who, despite his dogged determination to return his farmland to what it was before the war, has fallen to alcoholism. Least expected, however, was the love that would develop between Joanna and the plantation's handsome young heir, Will Connelly (Robert Young). Joanna and Connelly (Young) eventually marry, and the farm is successfully restored through their dedication and hard work. ~ Tracie Cooper, All Movie Guide
- Starring:
- Janet Gaynor, Lionel Barrymore, (more)
- 1934
This Side of Heaven is an early, muted example of what would refine itself into the "screwball comedy" genre. Lionel Barrymore plays an accountant, who's also the head of a large family consisting principally of dizzy buffoons. Not only that, but the Barrymore clan is selfish, totally unappreciative of Dad's efforts in their behalf. But when Barrymore is falsely accused of embezzlement, the family members rally to his aid and prove their hidden worth. Amazingly, all the problems in This Side of Heaven are ironed out within a 24-hour span (and 78 minutes' screen time). ~ Hal Erickson, All Movie Guide
- Starring:
- Lionel Barrymore, Fay Bainter, (more)
- 1934
Originally titled Eadie was a Lady, this Jean Harlow vehicle was slated for release under the title Born to be Kissed, but the new Production Code vetoed this "suggestive" cognomen. After a brief and uncomfortable period as One Hundred Percent Pure, the film was finally shipped to theaters as The Girl From Missouri. Harlow plays Eadie, a sexy gold-digger who promises to remain chaste until she finds a wealthy husband. Travelling to New York in the company of her best friend Kitty (Patsy Kelly), Eadie manages to keep that promise, though for a while it looks as though she'll succumb to the charms of playboy T. R. Paige Jr. (Franchot Tone). Once Paige has proven that his intentions are basically honorable, Eadie must break down the resistance of T. R. Paige Sr. (Lionel Barrymore), who is dead-set against his son's romance and intends to frame the girl in a compromising position. She gets even with Paige Sr. by framing him, but there's still a couple of reels to go before the happy ending. Except for some provocative costuming, Jean Harlow's character is essentially decent, thereby "cleansing" some of the more risque elements of this enjoyable romantic comedy. The film's best line is delivered by Patsy Kelly who, when propositioned by an elderly roue, snarls "Look at this! Death takes a holiday!" ~ Hal Erickson, All Movie Guide
- Starring:
- Jean Harlow, Lionel Barrymore, (more)
This fifth film version of Robert Louis Stevenson's Treasure Island boasts an all-star MGM cast, headed by Wallace Beery as Long John Silver and Jackie Cooper as Jim Hawkins. The screenplay, by John Lee Mahin, John Howard Lawson and Leonard Praskins, remains faithful to the Stevenson original...up to a point. The story begins when drunken old sea dog Billy Bones (Lionel Barrymore) drags himself into the seaside pub managed by Jim and his mother (Dorothy Peterson). After Billy is killed by the scurrilous Blind Pew (William V. Mong) and his henchmen, Jim discovers that the deceased ex-pirate carries a treasure map on his person. Together with Dr. Livesey (Otto Kruger) and Squire Trelawny (Nigel Bruce), Jim books passage on a ship captained by Alexander Smollett (Lewis Stone); their destination is the "treasure island" depicted on the map. Smollett doesn't like the voyage nor the crew, and not without reason: ship's cook Long John Silver has rounded up the crew from the dregs of the earth, fully intending to mutiny and claim the treasure for himself. A further plot complications awaits both treasure-seekers and pirates in the person of half-mad island hermit Ben Gunn (Chic Sale) who's already found the treasure and has stashed it away for himself. Towards the end, the plot strays from the Stevenson version in detailing the ultimate fate of ruthless-but-lovable Long John Silver. While consummately produced, Treasure Island suffers from overlength and a mannered performance by Jackie Cooper. Disney's 1950 remake with Robert Newton and Bobby Driscoll is far more satisfying. ~ Hal Erickson, All Movie Guide
- Starring:
- Wallace Beery, Jackie Cooper, (more)
- 1933
In this romantic comedy, a middle-aged woman married to a much older man begins a harmless flirtation with an artistically inclined gigolo after she mistakes him for her long-lost lover. Unfortunately, the opportunist really loves the woman's daughter. He is also smitten with another woman. Romantic mayhem ensues when the artist's true identity is revealed. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lionel Barrymore, Alice Brady, (more)
- 1933
Adapted from John Balderston's successful stage fantasy (itself based on a story by Henry James), Berkeley Square is the story of a modern-day London scientist (Leslie Howard), who is romantically fascinated by the 18th century. A freak accident propels Howard back to 1784, where he assumes the identity of one of his own ancestors. Howard falls in love with his distant cousin Helen (Heather Angel), while his other relatives regard the time-traveller as a "sorcerer" due to his disturbing knowledge of future events. Gradually, Howard is disillusioned by the squalor and bigotry of the 18th century. He bids farewell to Helen, explaining that he will actually be born years after her death but that they will be reunited "in God's time". Returning to the present, Howard discovers that Helen died young without ever marrying. He renounces his own fiancee and determines to live out his life as a bachelor, to be united with his true love in death. Long considered a lost film, Berkeley Square was rediscovered in the mid 1970s. The film had already been remade in 1951 as the Tyrone Power vehicle I'll Never Forget You. ~ Hal Erickson, All Movie Guide
- Starring:
- Leslie Howard, Heather Angel, (more)
- 1933
Lionel Barrymore plays a Marshall Field-like Chicago businessman who emerges from the wreckage of the 1871 fire to build a department-store empire. Barrymore is aided by his Jewish manager Gregory Ratoff, who despite his business acumen is never made a full partner. The store magnate's four children grow up to be disappointments, preferring to squander dad's money and refusing to enter his business. Manager Ratoff realizes that Barrymore's offspring are worthless, and quietly buys up their shares of the store in order to save the business from ruin, emerging with full charge of Barrymore's empire. Only when Barrymore is on the verge of death do his children rally around him and promise to make something of themselves. A well-made 20th century equivalent to King Lear, Sweepings was remade less effectively as Three Sons in 1939. ~ Hal Erickson, All Movie Guide
- Starring:
- Lionel Barrymore, Alan Dinehart, (more)
- 1933
This suspense drama was based on a novel by Antoine de Saint-Exupery. Riviere (John Barrymore), who operates an air delivery service, is fanatical in his dedication to service, putting prompt delivery before the safety of his men or his fleet after receiving a contract to help transport the mail. Riviere's risk-taking earns him the contempt of his pilots, including Jules (Clark Gable), who, despite his misgivings, does his best to satisfy Riviere's punishing schedule. When Jules is lost after a dangerous mission, Riviere has to tell his wife (Helen Hayes) that her husband has died, but despite losing another pilot (William Gargan), Riviere responds by demanding that more pilots be called up to ensure that the letters will be delivered on time. ~ Mark Deming, All Movie Guide
- Starring:
- John Barrymore, Helen Hayes, (more)
Based on the Broadway hit by George S. Kaufman and Edna Ferber, Dinner at Eight is a near-flawless comedy/drama with an all-star cast at the peak of their talents. Social butterfly Mrs. Oliver Jordan (Billie Burke) arranges a dinner party that will benefit the busines of her husband (Lionel Barrymore). Among the invited are a crooked executive (Wallace Beery), who is in the process of ruining Jordan; his wife (Jean Harlow), who is carrying on an affair with a doctor (Edmund Lowe); a fading matinee idol (John Barrymore), who has squandered his fortune on liquor and is romantically involved with the Jordan daughter (Madge Evans); and a venerable stage actress (Marie Dressler), who since losing all her money has become a "professional guest." Nothing goes as planned, due to various suicides, double-crosses, compromises, fatal illness, and servant problems. But dinner is served precisely at eight. The script by Herman Mankiewicz, Frances Marion, and Donald Ogden Stewart is a virtual enclyopedia of witty lines and scenes, right down to the unforgettable closing gag. ~ Hal Erickson, All Movie Guide
- Starring:
- Marie Dressler, John Barrymore, (more)
- 1933
Lionel Barrymore plays one of those selfless general practitioners that seem to exist exclusively in the movies in One Man's Journey. Though his efforts go unappreciated by his patients and even by his own family, the far-from-wealthy Dr. Eli Watt (Barrymore) continues to dedicate his life to medicine, ultimately inspiring his son Jimmy (Buster Phelps as a child, Joel McCrea as an adult) to follow in his footsteps. As a result of his tireless efforts to pull his community through a deadly epidemic, Dr. Watt is at last honored at a testimonial dinner, where his richer and more famous colleagues lift their glasses in praise of our hero. Of course, Watt also finds time to patch up the romance between his son Jimmy and Jimmy's sweetheart Joan (Frances Dee, Mrs. Joel Crea in real life). One Man's Journey was remade by director Garson Kanin as A Man to Remember (1938) -- a rare instance in which a remake was actually better than the original. ~ Hal Erickson, All Movie Guide
- Starring:
- Lionel Barrymore, May Robson, (more)
- 1933
Based on the play by Sidney Howard (of Gone with the Wind and Dead End fame), Christopher Bean is a showcase for the magnificent Marie Dressler. She plays Abby, the poor but proud housekeeper of a small-town doctor (Lionel Barrymore), his wife (Beulah Bondi), and their children. Years before the story proper begins, Abby had been a close friend of Christopher Bean, a local painter who was treated as a pariah by the community because of his drunken misbehavior. After his death, however, Bean was acknowledged as a genius, and his paintings became extremely valuable. One of Bean's best works is a portrait that he painted of Abby -- and she refuses to part with it at any price, despite the entreaties of her avaricious employers. Sadly, Christopher Bean was Marie Dressler's final film; she died of cancer not long after its completion. ~ Hal Erickson, All Movie Guide
- Starring:
- Marie Dressler, Lionel Barrymore, (more)
- 1933
Based on a novel by Phil (State Fair) Stong, The Stranger's Return is one of the most accomplished projects of director King Vidor, and one of the few MGM films of its period to display anything like a "personal touch." Miriam Hopkins stars as a bored Manhattanite who visits her family farm in Iowa. Her grandfather Lionel Barrymore, an irascible Civil War vet, rules over the farm with the help of a drunken but reliable handyman (Stu Erwin). Barrymore's stepdaughter Beulah Bondi and her lazy husband Grant Mitchell are hostile towards Hopkins, a state of affairs not helped when Miriam strikes up a friendship with the farmer husband (Franchot Tone) of a popular local girl (Irene Hervey). Hopkins redeems herself in the eyes of the community through standing by her grandfather when the greedy stepdaughter inaugurates a sanity hearing in order to wrest away his property. Wisely, Hopkins also ends her relationship with Tone, who leaves with his wife to accept a teaching post. In lesser hands, The Stranger's Return would have descended into dime-novel melodrama; thanks to King Vidor's sensitivity towards his characters, and his obvious love of the farmland that sustains them, the film transcends its plottage. The result is a classic awaiting rediscovery. ~ Hal Erickson, All Movie Guide
- Starring:
- Lionel Barrymore, Miriam Hopkins, (more)
- 1933
A shopkeeper suffers after he is laid off during the Depression in this drama adapted from the English play Service. He had worked at that shop for over 40 years. It was a family tradition to work at that shop. But now, his boss is selling the shop to a lower-priced rival, and the poor man and his family are left to cope with the devastating loss. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lionel Barrymore, Benita Hume, (more)
- 1932
It's hard to separate fact and fancy from the many accounts of what happened on the set when all three of the fabulous Barrymores -- Ethel, John and Lionel -- appeared together for the only time in Rasputin and the Empress. As for the end result, John offers the subtlest (!) performance as Russian Prince Paul Chegodieff; Lionel throws all caution to the four winds in the role of "Mad Monk" Rasputin; and Ethel comes off as rather artificial as Empress Alexandra (Ethel was more appealing in her character roles of the 1940s and 1950s). The plot covers the years 1913 through 1918, during the tumultuous final years of the Romanov regime in Russia. When young Prince Alexis (Tad Alexander), a hemophiliac, hovers near death after an accident, the royal physicians regretfully predict an imminent demise. At the advice of Prince Paul's impressionable sweetheart Natasha (Diana Wynyard), Alexandra and her husband, Czar Nikolai (Ralph Morgan), call in the mysterious Rasputin to look after Alexis. Using hypnosis, Rasputin is able to "cure" the boy-and to slowly gain control over the royal family. Prince Paul, concerned that Rasputin's despotic misuse of his new-found authority will cause the people to revolt, does his best to discredit the oily holy man, but to no avail. When Natasha is raped by Rasputin, Paul attempts to shoot the miscreant down. But Rasputin, who has taken the precaution of wearing a bullet proof vest, is not so easily killed off. In a last, desperate measure, Paul and his cohorts try to poison Rasputin to death-and even this doesn't work. Only a climactic fight to the death puts an end to Rasputin's reign. Alas, the damage has already been done, and the royal family is doomed to be toppled from power...and, ultimately, to be shot down like dogs by the Bolsheviks. Perhaps it's true that the three Barrymores spent more time trying to upstage one another than concentrating on the script at hand, but we wouldn't have it any other way. When seen today, Rasputin and the Empress seems rather choppy in spots, with isolated lines of dialogue and sometimes whole scenes completely missing. This is due to a million-dollar lawsuit brought against MGM by Prince Yusupov, the man who really engineered Rasputin's assassination. The Prince wasn't offended by being depicted as a murderer, but he was distressed when MGM suggested that his wife had been raped by Rasputin. As a result, Rasputin and the Empress was withdrawn from distribution, and all prints were later bowdlerized when released to television. Also as a result, all future Hollywood films were obliged to carry the "Any resemblance to actual persons, living or dead, is purely coincidental" disclaimer. ~ Hal Erickson, All Movie Guide
- Starring:
- John Barrymore, Ethel Barrymore, (more)
Based on Vicki Baum's novel and produced by Irving Thalberg, this film is about the lavish Grand Hotel in Berlin, a place where "nothing ever happens." That statement proves to be false, however, as the story follows an intertwining cast of characters over the course of one tumultuous day. Greta Garbo is Grusinskaya, a ballerina whose jewels are coveted by Baron von Geigern (John Barrymore), a thief who fancies Flaemmchen (Joan Crawford), a stenographer and the mistress of Preysing (Wallace Beery), businessman boss of Kringelein (Lionel Barrymore), a terminally ill bookkeeper who is under the care of alcoholic physician Dr. Otternschlag (Lewis Stone). Grand Hotel won Best Picture at the 1932 Academy Awards. ~ Matthew Tobey, All Movie Guide
- Starring:
- Greta Garbo, John Barrymore, (more)
"So much for Carlotta" muses the head of German Espionage (Lewis Stone), shortly after secret agent Karen Morley is put to death. Morley's successor is exotic dancer Mata Hari (Greta Garbo), an enigmatic woman of Javanese-Dutch ancestry who seldom thinks twice about luring some poor swain to his doom. Assigned to intercept allied war messages, Mata Hari romances garrolous-general Lionel Barrymore. She falls in love for the first and only time in her life when she meets dazzlingly handsome lieutenant Ramon Novarro. Barrymore finds out about the affair and threatens to expose both Mata and Novarro as spies, whereupon Ms. Hari shoots Barrymore dead. She arranges for Novarro to leave the country lest he be implicated in the murder. He is subsequently blinded in an airplane crash, setting the stage for Garbo's now-famous "Let me be your eyes" scene. Mata Hari is tried and sentenced to death, but is permitted a few final precious moments with Novarro, allowing him to go on believing that he is in a military hospital rather than a prison cell, and that his beloved is dying of a mysterious ailment rather than facing a firing squad. The debate still rages among film buffs as to whether Greta Garbo does her own dancing in Mata Hari, or whether that's her double in the long shots. There is no question, however, that the condemned prisoner in the first reel who refuses to betray Mata to his captors is none other than Mischa Auer. ~ Hal Erickson, All Movie Guide
- Starring:
- Greta Garbo, Ramon Novarro, (more)
- 1932
Perhaps most noteworthy for the first onscreen performance by future Academy Award winner Hattie McDaniel, this politcal melodrama from director Charles Brabin stars Lionel Barrymore as Jefferson Keane, a widowed US Senator who suddenly finds himself sought after by Consuela, a beautiful young woman played by Karen Morley. Smitten by her, Keane marries Consuela, unaware of the fact that she is in cahoots with a powerful lobbyist and is only pretending to be in love. After Consuela persuades Keane to take a bride for his vote on a water-rights bill, he suddenly finds himself embroiled in a scandal that he cannot escape. The aforementioned McDaniel plays a maid. ~ Matthew Tobey, All Movie Guide
- Starring:
- Lionel Barrymore, Karen Morley, (more)
