Lionel Barrymore Movies

Like his younger brother John, American actor Lionel Barrymore wanted more than anything to be an artist. But a member of the celebrated Barrymore family was expected to enter the family trade, so Lionel reluctantly launched an acting career. Not as attractive as John or sister Ethel, he was most effectively cast in character roles - villains, military officers, fathers - even in his youth. Unable to save what he earned, Barrymore was "reduced" to appearing in films for the Biograph Company in 1911, where he was directed by the great D.W. Griffith and where he was permitted to write a few film stories himself, which to Lionel was far more satisfying than playacting. His stage career was boosted when cast in 1917 as Colonel Ibbetson in Peter Ibbetson, which led to his most celebrated role, Milt Shanks in The Copperhead; even late in life, he could always count on being asked to recite his climactic Copperhead soliloquy, which never failed to bring down the house. Moving on to film, Barrymore was signed to what would be a 25-year hitch with MGM and begged the MGM heads to be allowed to direct; he showed only moderate talent in this field, and was most often hired to guide those films in which MGM wanted to "punish" its more rebellious talent. Resigning himself to acting again in 1931, he managed to cop an Academy Award for his bravura performance as a drunken defense attorney in A Free Soul (1931), the first in an increasingly prestigious series of movie character parts. In 1937, Barrymore was crippled by arthritis, and for the rest of his career was confined to a wheelchair. The actor became more popular than ever as he reached his sixtieth birthday, principally as a result of his annual radio appearance as Scrooge in A Christmas Carol and his continuing role as Dr. Gillespie in MGM's Dr. Kildare film series. Barrymore was aware that venerability and talent are not often the same thing, but he'd become somewhat lazy (if one can call a sixtyish wheelchair-bound man who showed up on time and appeared in at least three films per year "lazy") and settled into repeating his "old curmudgeon with a heart of gold" performance, save for the occasional topnotch part in such films as It's a Wonderful Life (1946) and Down to the Sea in Ships (1949). Denied access to television work by his MGM contract, Barrymore nonetheless remained active in radio (he'd starred in the long-running series Mayor of the Town), and at one point conducted a talk program from his own home; additionally, the actor continued pursuing his hobbies of writing, composing music, painting and engraving until arthritis overcame him. On the day of his death, he was preparing for his weekly performance on radio's Hallmark Playhouse; that evening, the program offered a glowing tribute to Barrymore, never once alluding to the fact that he'd spent a lifetime in a profession he openly despised. ~ Hal Erickson, All Movie Guide
1941  
 
When MGM decided to move up-and-coming star Laraine Day out of the "Dr. Kildare" series, the studio did so in a startlingly dramatic fashion. In Dr. Kildare's Wedding Day, Dr. Jim Kildare (Lew Ayres) and nurse Mary Lamont (Laraine Day) are finally able to exchange their marital vows. Alas, the honeymoon ends abruptly when poor Mary is struck down and killed by a speeding truck (hopefully, it is safe to give away this plot twist at this late date). Numbed by grief, Kildare is snapped out of his doldrums by his crusty mentor Dr. Gillespie (Lionel Barrymore), who urges the young medico to honor Mary's memory by continuing to help others. The grimmer aspects of Dr. Kildare's Wedding Day are offset by several comic subplots, one of which involves an orchestra leader (Nils Asther) who suffers buzzing in his ears due to his eating habits! ~ Hal Erickson, All Movie Guide

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Starring:
Lew AyresLionel Barrymore, (more)
1941  
 
In this episode of the popular medical series, Kildare finds himself involved in a dispute between to competing hospitals. The trouble begins when an intern rushes a beautiful girl to Kildare's hospital. She has a shard of glass imbedded in her heart. The girl survives the surgery, and the intern is promptly fired for bringing her to the wrong hospital. Meanwhile the girl falls for Kildare, but he is still grieving over his late fiance who died during "Dr. Kildare's Wedding Day." ~ Sandra Brennan, All Movie Guide

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Starring:
Lew AyresLionel Barrymore, (more)
1941  
 
In this crime drama, a ruthless gangster's son is soon following in his father's footsteps. When his daddy kills an FBI agent and a cabby, the boy sees it all. Fortunately the courts intervene and send the lad off to live with a family of farmers. Country living agrees with the boy and soon with the family's loving support is completely reformed. When his father reappears to bring him home, the boy uses a gun to chase him off the property. ~ Sandra Brennan, All Movie Guide

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Starring:
Edward ArnoldMarsha Hunt, (more)
1941  
 
The 1924 George Gershwin stage hit Lady Be Good was brought to the screen by MGM; any resemblance (beyond the Gershwin score) to the original play is purely accidental. The MGM scriveners came up with a new story concerning married songwriters Ann Sothern and Robert Young, who can't live with each other and can't live without each other. Top billing goes to dancing star Eleanor Powell, who certainly deserves it. Red Skelton is around and about as well, inserting a few much-needed laughs. While such Gershwin songs as "So Am I", "Fascinating Rhythm" and "Hang on Me" are well showcased, the hit of the evening is a new song by Jerome Kern and Oscar Hammerstein II, the Oscar-winning "The Last Time I Saw Paris". Our favorite scene: Ann Sothern and Robert Young composing "Lady be Good" out of thin air in two minutes flat! ~ Hal Erickson, All Movie Guide

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Starring:
Eleanor PowellAnn Sothern, (more)
1941  
 
Lionel Barrymore and Ronald Reagan star, respectively, as grandfather Henry Jones and grandson Gil Jones, two proprietors of a Mexican ranch, in The Bad Man. Gil is overjoyed to discover that his childhood sweetheart, Lucia (Laraine Day) has returned to town, but feels slightly dismayed by her marriage to Morgan Pell (Tom Conway), a Manhattan businessman. Later that day, Mexican outlaw Pancho Lopez (Wallace Beery rides into town and causes trouble for the good folks by rustling all of their cattle and injuring Gil. Meanwhile, Morgan admits to Lucia that he's worried about the possibility of her still being in love with Gil, but she reassures him that this isn't the case, and reminds him of her undying commitment to their marriage. One month later, Mr. Hardy (Henry Travers, a banker, arrives at the ranch, and acts suspiciously by revealing his overeagerness to foreclose. In a desperate move, Henry makes a feeble attempt to stave off Hardy's actions by trying to convince Gil to marry Hardy's daughter, Angela (Nydia Westman). Meanwhile, "Red" Giddings (Chill Wills secretly pines for Angela, who is the great love of his life.
Morgan then crops up and offers $20,000 for the ranch, alerting Henry to an ulterior motive -- he gets Morgan and Hardy to confess their suspicion of oil on the property. Gil hastily signs the deed that gives the ranch over to Morgan. Just when matters cannot seem to get any worse, Lopez turns up once again and takes everyone hostage, except for Gil, who has trekked off to the barn. Lopez makes none-too-subtle advances to Lucia and indicates his warm feelings toward Henry, as well as his innate dislike of Morgan and Hardy. When Henry decides to play off of this dislike by informing Lopez of both men's attempts to wrangle the ranch away from him, a bidding war ensues, and Lopez craftily attempts to determine how much ransom he can get for his captives. Gil then draws a gun on him, but is overcome by Lopez's men; Lopez prepares to hang Gil, but suddenly recognizes Gil as the same man who saved his life several years earlier. He then works toward fixing the financial problems that are plaguing the Joneses, and the romantic problems that are plaguing Gil, Lucia, Red and Angela. Based on a war-horse stage play by Porter Emerson Browne, The Bad Man had been previously filmed in 1923 and 1930; Boris Karloff starred as a Chinese warlord in a thinly disguised 1937 reworking of The Bad Man, titled West of Shanghai. ~ Hal Erickson, All Movie Guide

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Starring:
Wallace BeeryLionel Barrymore, (more)
1940  
 
Appointed resident assistant at the Byng State Hospital by his mentor Dr. Leonard Gillespie (Lionel Barrymore), young Doctor James Kildare (Lew Ayres) has every reason to celebrate. His euphoria, however, is short-lived: Kildare is forced to return to his hometown when his general-practitioner father (Samuel S. Hinds) collapses from overwork. At first, the townsfolk are suspicious of Kildare's "newfangled" medical methods. But when the young medico is able to diagnose the malady afflicting Leading Citizen George Winslow (George Lockhart), Kildare is wholeheartedly accepted by his new flock. But will Dr. Kildare stay home, or will he return to the Big City for new adventures? Hint: there were still four "Kildare" episodes to go before Lew Ayres left the series in 1942. ~ Hal Erickson, All Movie Guide

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Starring:
Lew AyresLionel Barrymore, (more)
1940  
 
Dr. Kildare's Crisis is actually one suffered by his fiancee, nurse Mary Lamont (Laraine Day). Mary's financier brother Douglas Lamont (Robert Young) is subject to unpredictable seizures, and for a while it seems that he is suffering from hereditary epilepsy. This being 1940, Douglas' affliction carries an onus which seriously threatens the impending marriage between Mary and Jim Kildare (Lew Ayres); after all, who knows how their children will turn out? But by using an unorthodox therapeutic method, Dr. Kildare proves that Douglas' medical condition was borne of an accident rather than a genetic disorder. The final diagnosis is rendered by crusty Dr. Gillespie (Lionel Barrymore), who thereby manages to justify his appearance in the film in the very last reel. ~ Hal Erickson, All Movie Guide

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Starring:
Lew AyresLionel Barrymore, (more)
1940  
 
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This fourth entry in MGM's "Dr. Kildare" series once again stars Lew Ayres as Kildare, Laraine Day as his sweetheart Mary Lamont, and Lionel Barrymore as crusty Dr. Gillespie. In this outing, surgeon Gregory Lane (Sheppard Strudwick) begins pitching woo at Mary himself, much to Kildare's dismay. But when Lane is accused of incompetence in the wake of an unsuccessful surgery, it is Kildare who proves that his rival is blameless. One of the film's subplots involves an emotionally disturbed patient who is cured via shock therapy-a dubious procedure that held more water in 1940 than it does today. The usual comedy relief is provided by the usual Nat Pendleton and Marie Blake. ~ Hal Erickson, All Movie Guide

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Starring:
Lew AyresLionel Barrymore, (more)
1939  
 
Originally designed for exhibition at the 1939 World's Fair, Land of Liberty is a 137-minute compendium of filmclips from past American historical epics. The project was sponsored by the Motion Picture Producers & Distributors of America, Inc. and supervised by Cecil B. DeMille, who also edited the film with the assistance of his crack Paramount production staff. The narration was written by old DeMille hands Jeannie MacPherson and Jesse Lasky Jr. and spoken by a talented team of uncredited announcers (one of whom sounded suspiciously like old C. B. himself). Clips from such Hollywood productions as America (1924), Abraham Lincoln (1930), Alexander Hamilton (1931), Show Boat (1936), Man of Conquest (1939) and DeMille's own The Plainsman (1936), The Buccaneer (1938) and Union Pacific (1939) are woven together into a chronological continuity, tracing American history from the Revolutionary War to the "present," which is largely represented by newsreel footage of President Roosevelt, the TVA project, and other current personalities and events. In later years, Land of Liberty was redistributed on the classroom circuit, with new footage added from historical dramas of the 1940s and 1950s. ~ Hal Erickson, All Movie Guide

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1939  
 
The Movies March On was Number 12, volume 9 of Louis de Rochemont's March of Time series. Narrated by the stentorian Westbrook Van Vorhees, this fascinating documentary manages to squeeze 40 years of filmmaking into a mere two reels. Beginning with the once scandalous The Kiss (1898), the film jumps ahead to one of the first "story" films, Edison's The Great Train Robbery (1903, directed by Edwin S. Porter). Next is offered a cross-section of the great D. W. Griffith's Biograph films followed by snippets of such past luminaries as Mary Pickford, William S. Hart, Charlie Chaplin, Theda Bara, Greta Garbo and John Gilbert. In 1927, The Jazz Singer ushers in the talkie era, which is represented by snippets from films as diverse as All Quiet on the Western Front and the Mickey Mouse vehicle Steamboat Willie. After a round-up of recent cinematic achievements, Van Vorhees signs off with his customary "Time?.MARCHES ON!" Though undeniably superficial, The Movies March On at least never adopts a condescending tone when reviewing the silent era, which sets it apart from most summaries of its kind. ~ Hal Erickson, All Movie Guide

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Starring:
Mary PickfordLionel Barrymore, (more)
1939  
 
Originally filmed in Sepiatone, Let Freedom Ring is a satisfying Nelson Eddy musical with patriotic overtones. Set in the years following the Civil War, the story focuses on the battle of wills between Harvard-educated idealist Steve Logan (Eddy) and bullying railroad magnate Jim Knox (Edward Arnold). Launching a newspaper aimed at combatting Knox's engulf-and-devour tactics (could the villain be intended as a frontier Hitler?) Logan is disowned by his wealthy family and frozen out by his society friends. But with the help of woman-of-the-people Maggie Adams (Virginia Bruce), Logan sticks to his guns and perserveres. Let Freedom Ring goes out of its way to erase Eddy's "Singing Capon" image by having him engage in as much virile physical activity as possible, including a well-staged fistic bout with the gargantuan Victor McLaglen. Fey comedy relief is provided by Charles Butterworth, who does the most with the least material. ~ Hal Erickson, All Movie Guide

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Starring:
Nelson EddyVirginia Bruce, (more)
1939  
 
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In this third installment of MGM's "Dr. Kildare" series, Dr. James Kildare (Lew Ayres) comes to the rescue when his supervisor/mentor Dr. Gillespie (Lionel Barrymore) nearly collapses from overwork. Gillespie is seeking a permanent cure for pneumonia, and must ask Kildare for assistance when the task proves beyond his physical ability. The older doctor eventually does collapse, and the diagnosis is cancer. Gillespie recovers, while Kildare finds his hands full in juggling both the pneumonia cure and the case of a woman (Helen Gilbert) suffering from psychosomatic blindness. But what's the "secret" of Dr. Kildare? Well...that's a secret (until you see the film). ~ Hal Erickson, All Movie Guide

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Starring:
Lew AyresLionel Barrymore, (more)
1939  
 
The second of MGM's "Dr. Kildare" series, Calling Dr. Kildare finds the title character (Lew Ayres) transferred to Blair General's downtown outpatient clinic by his crusty superior Dr. Gillespie (Lionel Barrymore). It is Gillespie's hope that Kildare will gain valuable experience by working in less than ideal circumstances. A wounded gangster stumbles into the clinic; he is treated by Kildare, who is almost immediately tagged as the criminal's accomplice by the police. Kildare clears himself after burrowing through several subplots and the sporadic comedy relief of ambulance jockey Nat Pendleton. Calling Dr. Kildare was primarily a showcase for MGM's new starlet Lana Turner, here playing the gangster's cute sister. ~ Hal Erickson, All Movie Guide

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Starring:
Lionel BarrymoreLew Ayres, (more)
1939  
 
Old Gramps (Lionel Barrymore) is not about to go gentle into that good night when Mr. Brink (Cedric Hardwicke), who sometimes travels under the name of the Grim Reaper, comes calling. Through a ruse, Gramps chases Brink up a tree in his garden, rendering the mysterious stranger helpless. As a result, no one dies throughout the world, and disease and misery runs rampant. Dispassionately, Mr. Brink decides to "reach" Gramps through his beloved grandson (Bobs Watson). He talks the boy into climbing the tree and then suffering a crippling fall. Realizing that the only way he can stem his grandson's pain is by surrendering to Mr. Brink, Gramps does so--and discovers that Crossing Over wasn't as painful as he thought. Together with his grandson, who has likewise expired, Gramps joyfully strolls into a most pastoral-looking Heaven. The final shots of Lionel Barrymore walking into Paradise under his own power represent a triumph of misdirection and special effects. In truth, the wheelchair-confined Barrymore was placed on a treadmill, and merely simulated his walking movements as a process screen enhanced the illusion; for long shots, a double was used. While Barrymore's performance naturally dominates On Borrowed Time, Cedric Hardwicke is equally effective in the role of Mr. Brink (his favorite role). A great early vignette finds a consumptive motorist (Hans Conried) offering Brink a lift; the latter waves the motorist on, politely saying "No, not yet." On Borrowed Time was based on the novel by Lawrence Edward Watkin and the popular Broadway play version by Paul Osborne. ~ Hal Erickson, All Movie Guide

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Starring:
Lionel BarrymoreCedric Hardwicke, (more)
1938  
NR  
Test Pilot is one of those irresistible MGM potboilers of the 1930s that coast along on sheer star power. Clark Gable plays a courageous test pilot, who compromises his achievements with his frequent bouts of drinking. Gable's mechanic, Spencer Tracy, does what he can to keep his boss out of trouble. While testing a new aircraft, Gable is forced to land on a Midwestern farm, where he meets and falls in love with Myrna Loy. Gable and Loy marry, whereupon he is fired by his boss Lionel Barrymore, who is of the opinion that flying and dames don't mix. Gable goes off on another bender, compelling Loy to leave him. Once more, Tracy comes to Gable's rescue by reuniting the couple and arranging for Barrymore to give Gable his job back. Later, Gable and Tracy are assigned to test a huge army bomber. Something goes wrong, and the plane goes into a dive. The self-sacrificing Tracy sees to it that Gable is saved from a flaming death--at the cost of his own life. Gable is so devastated by Tracy's death that it looks as though he'll never fly again. But with Loy's help, Gable regains his self-confidence. As one can see, there's little in Test Pilot that hasn't been done before. But with Clark Gable, Spencer Tracy and Myrna Loy at the controls, the film proved a real audience-pleaser in 1938. In fact, it's still pretty good today. ~ Hal Erickson, All Movie Guide

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Starring:
Clark GableMyrna Loy, (more)
1938  
NR  
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Moss Hart and George S. Kaufman's whimsical Pulitzer Prize-winning Broadway play You Can't Take It With You was transformed into a paean to populism by director Frank Capra and screenwriter Robert Riskin. This is the story of the zany Sycamore household, presided over by Grandpa Vanderhof (Lionel Barrymore), a former businessman who has turned his back on commerce to enjoy life. At the Sycamores', everyone does just what he or she pleases. Penny Sycamore (Spring Byington), Grandpa's daughter, has become a novelist because someone delivered a typewriter to her home by mistake. Penny's husband makes firecrackers in his basement with the help of Mr. DePinna (Halliwell Hobbes), an iceman who showed up at the Sycamore doorstep one day and never left. Their daughter, Essie (Ann Miller), imagines that she's a prima ballerina, even though her dour teacher, Boris (Mischa Auer), assesses her work with, "Confidentially, it steenks!" Essie's husband, Ed (Dub Taylor), who'd rather play a xylophone than work, spends his free time selling Essie's candy, wrapping each package in paper from a used printing press that dispenses anarchistic slogans. The one normal member of the household is Alice Sycamore (Jean Arthur), in love with wealthy Tony Kirby (James Stewart).

Naturally, when the stuffy, aristocratic Kirbys come to the Sycamores' for dinner, the event is a disaster, capped with the arrest of everyone in the household. Hart and Kaufman's third act found the previously judgmental Kirby softening his attitude toward the freewheeling Sycamore clan, admitting that he's never had so much fun in his life. Screenwriter Riskin altered the focus of the play by throwing out the third act and concentrating upon Tony Kirby's father, Kirby Sr., who as played by Edward Arnold is transformed from a stock stuffed shirt into a ruthless, grasping tycoon, eager to buy up every house on the Sycamores' block to make room for a munitions plant. The film thus became the story of Kirby's regeneration at the hands of the carefree Sycamores. Enough of the play's screwball elements are retained to compensate for Riskin's speechifying and plot distortions (though the softening of one of the play's vital ingredients, Grandpa's refusal to pay his income tax, borders on the sacrilegious). You Can't Take It With You earned several Academy Awards, including Best Picture and Best Director (Capra's third Oscar). ~ Hal Erickson, All Movie Guide

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Starring:
Jean ArthurLionel Barrymore, (more)
1938  
 
Though not the first Dr. Kildare film ever made, this is the first entry in MGM's long-running series set at Blair General Hospital. With the ink still wet on his diploma, Dr. Kildare is faced with a difficult decision: should he return home to work in his father's quiet country practice, or work at exciting, New York-set Blair General Hospital? Though his parents and his girlfriend are against it, Kildare chooses the latter and promptly gets into trouble after one of his first patients, a prominent politician dies. All kinds of turmoil follows as Kildare tries to clear his name and treat his other patients. Just as it seems like the strong-willed Kildare's career is to die on the vine, curmudgeonly but always capable Dr. Gillespie becomes his mentor. For trivia buffs, the first Dr. Kildare film was Interns Can't Take Money made in 1937 for Paramount. ~ Sandra Brennan, All Movie Guide

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Starring:
Lew AyresLionel Barrymore, (more)
1938  
 
A Yank at Oxford was filmed in England at MGM's "sister studio", Elstree. Robert Taylor plays Lee Sheridan, an arrogant young American scholar/athlete who intends to show the "Brits" a thing or two while attending Oxford University. His abrasive attitude grates against the Oxonian students, who retaliate by subjecting Sheridan to a rather humiliating hazing. Romance enters the picture in the form of Molly Beaumont (Maureen O'Sullivan), the sister of Sheridan's chief academic rival Paul Beaumont (Griffith Jones). When Paul faces disgrace over a breach of student ethics, Sheridan nobly shoulders the blame, simultaneously endangering his own future at Oxford and proving that he's really a "right guy" underneath. All is forgiven during the annual rowing competition against Cambridge, with Sheridan coming through in jolly good fashion. Cast as campus vamp Elsa Craddock is the stunningly beautiful Vivien Leigh, still two years away from Gone With the Wind. A Yank at Oxford was remade in 1984 as Oxford Blues, and mercilessly lampooned by Laurel & Hardy in 1940's A Chump at Oxford. ~ Hal Erickson, All Movie Guide

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Starring:
Robert TaylorLionel Barrymore, (more)
1937  
G  
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A boy learns life-changing lessons about the importance of friendship and the dignity of labor in this adventure saga based on a story by Rudyard Kipling. Young Harvey Cheyne (Freddie Bartholomew) is the working definition of a spoiled brat; the only child of a wealthy widowed businessman, Harvey has everything he needs, but never stops asking for more, convinced he can get anything if he yells, pouts, or throws the right tantrum. Even other boys his age are disgusted with his antics, and when he accompanies his father on an ocean cruise, he finds he has no friends to play with. After wolfing down six ice-cream sodas, Harvey gets sick to his stomach and while vomiting over the side of the ship, he falls into the drink. He is rescued by Manuel (Spencer Tracy), a Portuguese old salt who drags him on board a Gloucester fishing boat where he's a deck hand and doryman. Harvey shows no gratitude to Manuel for saving his life and demands to be taken home immediately; Manuel and the crew, not the least bit sympathetic, inform him that once they've filled the ship's hold with fresh catch, they'll return to shore, and not a moment sooner. Over the next few weeks, Harvey grows from a self-centered pantywaist into a young man who appreciates the value of a hard day's work, and in Manuel he finds the strength, guidance, and good sense that he never got from his father. Spencer Tracy earned an Academy Award for his performance in Captains Courageous and even sings a bit; the story was parodied years later (with a few rather drastic changes) in the Chris Elliott vehicle Cabin Boy. ~ Mark Deming, All Movie Guide

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Starring:
Spencer TracyFreddie Bartholomew, (more)
1937  
 
Based on Aurania Rouveyrol's Broadway play Skidding, A Family Affair is a gentle comedy/drama centering around the Hardy family of Carvel (a small, idealized American town). Judge Hardy (Lionel Barrymore) hopes to be re-elected, but his campaign is put in jeopardy by his opposition of a wasteful public works program. The Judge's position is also threatened by his daughter's (Julie Haydon) unexplained separation from her husband. In the supporting cast, incidental to the plotline, was Mickey Rooney as Judge Hardy's teenage son Andy, Spring Byington as the Judge's wife, and Cecilia Parker as his younger daughter Marian. MGM head Louis B. Mayer sensed series potential in A Family Affair, and the result was the long-running and profitable "Hardy Family" series. Julie Haydon's character was written out of all subsequent "Hardy" films, Lewis Stone and Fay Holden replaced Lionel Barrymore and Spring Byington as Judge and Mrs. Hardy, and Mickey Rooney was elevated from the supporting cast to full leading man status as the effervescent Andy Hardy. ~ Hal Erickson, All Movie Guide

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Starring:
Lionel BarrymoreCecilia Parker, (more)
1937  
 
MGM's Navy Blue and Gold prettily dresses up some of the oldest cliches in the "military cadet" movie genre. The film charts the progress of three Annapolis "plebes," all played by actors in the age range of 24 to 30. Wisecracking Roger Ash (Robert Young) is a cynic, wide-eyed Richard Gates Jr. (Tom Brown) is overeager), and reclusive Truck Cross (James Stewart) harbors a dark secret. When not going about their appointed duties, Ash and Cross battle over the attentions of heroine Patricia (Florence Rice), Gates' sister. All the while, Captain Skinny Dawes (Lionel Barrymore), the traditional crusty old seafarin' man with a heart of gold, tries to instill the love of Honor, Duty and Country in all three heroes. The plot is resolved in a climactic football game, with everyone showing his true colors (blue and gold, of course!) Many of the plot devices and stereotypical characters in Navy Blue and Gold would continue to resurface in similar films for the next five decades -- even in the R-rated Officer and a Gentleman (1980). ~ Hal Erickson, All Movie Guide

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Starring:
Robert YoungJames Stewart, (more)
1937  
 
Jean Harlow offers her final screen performance in this witty and -- in retrospect -- quite moving racetrack comedy-drama co-starring Clark Gable and Walter Pidgeon. When her father dies shortly after losing his horse farm to Duke Bradley (Gable), Carol Clayton (Harlow) refuses the handsome bookmaker's offer to forget the debt and instead vows to pay him back in full. She even forbids her stockbroker fiancé, Harley Madison (Pidgeon), to make wagers that may benefit Duke, but promises to marry him once her champion horse wins at Saratoga. But against all the odds, Carol falls in love with Duke and when he appears in danger of ruination, she finds herself rooting for the competitor to win the all-important race. Saratoga, which was finished using both onscreen and voice doubles for Jean Harlow, was partially filmed on-location at Lexington and Louisville, KY, and in Saratoga Springs, NY. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Jean HarlowClark Gable, (more)
1936  
 
Set in the French trenches, this WWI melodrama was cowritten by William Faulkner and directed by Howard Hawks. Hard-drinking Captain La Roche (Warner Baxter) delivers the same hollow speech to each wave of fresh soldiers assigned to his command, only to see them senselessly slaughtered by the Germans. La Roche's new officer is chipper Lieutenant Denet (Fredric March), who doesn't comprehend the futility of his assignment. Both men fall for beautiful nurse Monique La Coste (June Lang), who prefers Denet. La Roche's troops welcome "Private Moran" (Lionel Barrymore), the eldest private in the army and a grizzled veteran. In reality, Moran is La Roche's father. In a battle, La Roche is blinded. His father helps him direct artillery fire at the front, but both men are slain. Although he has won the girl and La Roche's command, Denet is forced to give the same pointless speech to his doomed recruits. Although Hawks had directed an earlier film of the same title, The Road to Glory (1936) was not a remake of that picture, but of a popular French war movie, Les Croix des Bois (1932), from which studio executives cannibalized combat footage for use in the new version. ~ Karl Williams, All Movie Guide

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Starring:
Fredric MarchWarner Baxter, (more)
1936  
NR  
Falsely convicted Lionel Barrymore escapes from Devil's Island with fellow prisoner H.B. Walthall. A brilliant scientist, Walthall reveals to Barrymore that he has developed a process to shrink human beings. Upon Walthall's death, Barrymore makes his way back to the old scientist's lab, intending to use Walthall's formula to exact vengeance on those who have wronged him. He does so, clearing his name and securing the future happiness of his daughter Maureen O'Sullivan (who believes that Barrymore is dead) in the process. But Barrymore's crazed assistant Rafaela Ottiano isn't satisfied. "We'll make the whole world small!" she hisses, forcing Barrymore to kill her and destroy the formula. To save his daughter from scandal, Barrymore disappears into the night, the implication being that he plans to commit suicide at the first opportunity. The excellent miniature work in The Devil Doll (much of it accomplished with outsized sets, a la the Laurel and Hardy comedy Brats) successfully takes the viewers' minds off the rather silly plot. Director Tod Browning was always stronger with atmosphere than with plot and dialogue, and this film is no exception. Far less logical than the miniaturization process is Barrymore's decision to disguise himself as an old woman, since this transparent guise wouldn't convince a 2-year-old in real life. Based on the novel Burn, Witch, Burn by Abraham Merritt, The Devil Doll was scripted by several hands, including Erich Von Stroheim. ~ Hal Erickson, All Movie Guide

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Starring:
Lionel BarrymoreMaureen O'Sullivan, (more)
1936  
 
Based on the novel by MacKinlay Kantor, this 1936 drama from director Richard Thorpe stars Lionel Barrymore as Springfield Davis, an avid fox hunter in the Ozarks who relies on his loyal dog, Bugle Ann, to aid in his hunt. When curmudgeonly shepherd Jacob Terry (Dudley Digges) puts up a fence around his sheep, he announces that he'll shoot any dog that comes near his flock, despite the fact that Bugle Ann and the other hunting dogs haven't ever bothered the sheep. Fearful that the dogs could be injured by it in the darkness of night, the fence sets off a feud between the hunters and Jacob, which doesn't bode well for Davis's son Bengy and Terry's daughter Camden who have fallen in love. The situation comes to a head one night, when Bugle Ann suddenly turns up missing. ~ Matthew Tobey, All Movie Guide

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Starring:
Lionel BarrymoreMaureen O'Sullivan, (more)

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