Livio Lorenzon Movies

There isn't much disagreement as to whether this spaghetti western is styled after the Director Sergio Leone's Clint Eastwood blockbuster, The Good, The Bad, and The Ugly. Ace High, directed by Giuseppe Colizzi, and filmed in Almeria, Spain, is missing at least two ingredients that could possibly lift it up to its predecessor, and they're Eastwood and Colizzi. The plot fits: An outlaw Cat Stevens (Mario Girotti) is saved from the noose and is then hunted by his saviors when he goes back to crime. But Stevens is on a hunt of his own, pursuing three roamers who'd sent him to prison years before. ~ All Movie Guide

With a forced marriage imminent, the daughter of the late emperor is thankfully saved by Hercules. ~ All Movie Guide

In this sword-and-sandal fantasy, Goliath must rescue twenty-four virgins who are being sent as a tribute to an evil conqueror. First the hero liberates one of the women. He then teams up with two other titans to save the rest. Action, adventure, and romance ensue. ~ Sandra Brennan, All Movie Guide

In this exciting adventure, the son of the famous pirate returns from exile to exact vengeance upon those who killed his father. Along with his pirate band, he commandeers a galleon and sets sail to find his father's betrayer. They find him, but the guilty party tries to save himself by explaining that the pirate's sister, who has been presumed dead, is working for a relative of the governor. The pirate then sets off to save her; this results in his being accused of kidnapping. Fortunately, a beautiful countess, falls in love with him and tries to save him. Unfortunately, he rejects her and she angrily betrays him. More mayhem ensues until the brave pirate leader is able to save his beloved women. ~ Sandra Brennan, All Movie Guide

Buffed bodybuilder Steve Reeves, in his first sword-and-sandal epic since Hercules, stars as Emiliano, who seeks revenge when his village is destroyed and his father killed by marauding barbarians. Taking the name "Goliath," Emiliano straps on an animal mask and fur-covered loincloth for his raids on the enemy camps, as well as romancing the chieftain's daughter (Chelo Alonso). More brutal than most similar films, this exciting adventure from veteran director Carlo Campogalliani also features Livia Lorenzon and a brief appearances by King Kong star Bruce Cabot. ~ Robert Firsching, All Movie Guide

Vittorio Gassman and Alberto Sordi don ill-fitting military uniforms in this anecdotal Italian service comedy. They play a couple of World War I soldiers, adept at sidestepping duty and responsibility, but courageous to the core when in a pinch. The film strives for the boisterous feel of What Price Glory, but at 118 minutes the material wears rather thin. Still, the reputation of director Mario Monicelli helped this uneven production win a Golden Lion award at the Venice Film Festival. Originally released in Italy in 1959 as La Grande Guerra, The Great War was distributed in the U.S. two years later. ~ Hal Erickson, All Movie Guide

This somewhat inaccurate biography of Russia's power-hungry "Mad Monk" concentrates on the attempts on Rasputin's life, including the (almost un-) successful one carried out by a prince. ~ Steve Huey, All Movie Guide

In this 16th-century swashbuckler, the trouble begins when a sea captain is unjustly sentenced to hang by the evil ruler of the Duchy of Doruzzo and his daughter. Meanwhile, the comely lass who believes herself the doomed captain's daughter is about to be sold to a harem when they are freed by a handsome hero whom the captain hopes will marry his daughter. Father and daughter then become pirates, and the hero is obligated to catch them, but when he falls in love with the girl, he switches allegiance and helps her attack the ruler's palace. The two then lead the other pirates, and the angry peasants in a revolt, resulting in the eventual death of the ruler, who confesses on his deathbed that the female pirate (the captain's supposed daughter) is his real daughter and heir to the Duchy; he then goes on to tell her that years before he had ordered the captain to kill her, but he refused and raised her instead. This confession so angers the other daughter that she goes into a convent; meanwhile the pirate lovers prepare for their wedding. ~ Sandra Brennan, All Movie Guide

The Continental cast and scenes of intense violence may earmark Texas, Addio as a spaghetti Western, but the plot of this Italian/Spanish production unspools very much like its Hollywood counterpart. Django star Franco Nero's character provides the link; his two-fisted, taciturn Texas sheriff, Burt Sullivan, is cut from the same unwavering in-his-duty cloth as Gary Cooper's lawmen as he crosses the border to bring wealthy and sadistic Mexican crime boss Cisco Delgado (José Suárez) to justice for the murder of his father. Sullivan's body count may be staggeringly high by the film's fade-out, but his kills are strictly in defense of himself, his greenhorn brother, Jim (Cole Kitosch, aka Alberto Dell'Acqua or Robert Widmark), or later, a group of Mexican revolutionaries led by lawyer Luigi Pistilli that attempts to overthrow Delgado's corrupt regime. Director Ferdinando Baldi (whose Western curriculum vitae includes the more European-flavored Blindman [1971] and Get Mean [1975], with American ex-pat actor Tony Anthony) makes excellent use of the Almeira, Spain, locations (well photographed by future Trinity Is Still My Name director Enzo Barboni); and if his pacing is occasionally draggy, he more than makes up for it with a wealth of well-staged brawls and shoot-outs. His script (written with Django co-scribe Franco Rossetti) is lean and solid, with a hint of noir in its central dark secret regarding Delgado's relationship with Sullivan's family. ~ Paul Gaita, All Movie Guide

In the last and the best installment of his so-called "Dollars" trilogy of Sergio Leone-directed "spaghetti westerns," Clint Eastwood reprised the role of a taciturn, enigmatic loner. Here he searches for a cache of stolen gold against rivals the Bad (Lee Van Cleef), a ruthless bounty hunter, and the Ugly (Eli Wallach), a Mexican bandit. Though dubbed "the Good," Eastwood's character is not much better than his opponents -- he is just smarter and shoots faster. The film's title reveals its ironic attitude toward the canonized heroes of the classical western. "The real West was the world of violence, fear, and brutal instincts," claimed Leone. "In pursuit of profit there is no such thing as good and evil, generosity or deviousness; everything depends on chance, and not the best wins but the luckiest." Immensely entertaining and beautifully shot in Techniscope by Tonino Delli Colli, the movie is a virtually definitive "spaghetti western," rivaled only by Leone's own Once Upon a Time in the West (1968). The main musical theme by Ennio Morricone hit #1 on the British pop charts. Originally released in Italy at 177 minutes, the movie was later cut for its international release. ~ Yuri German, All Movie Guide