Ethel Barrymore Movies

In this gentle, non-melodramatic drama, an elderly, wealthy widow will not leave her apartment even after her building is slated to be converted into a dormitory by the university that purchased it. She refuses to leave because she is convinced that her son, who disappeared 27 years before after being expelled from the college, will comeback. The university lets her stay and she becomes the house "Nana" for the students that live there. When an ex-Marine moves in, the woman is sure that he is her grandson as he has the same name as her son. She begins helping the young man with his personal and academic life. Just before his father is to arrive for a visit, the woman dies. She never knows that the boy is not her grandson. ~ Sandra Brennan, All Movie Guide

The 1955 NBC TV special Remember...1938 would be worth seeing again (if indeed a kinescope exists) if only for its once-in-a-lifetime cast. Put together by Herbert Bayard Swope Jr. as a nostalgic tribute to the last year before WWII, the Sunday-afternoon special was hosted by comedian Groucho Marx. Recalling and recreating the big events of 1938 were Ethel Barrymore, performing a scene from her stage hit Whiteoaks; pianist Oscar Levant, offering a medley of the year's top tunes; newscaster H.V. Kaltenborn, recapping the world events of the year; and sportscaster Ted Husing, articulating a rundown of 1938's athletic events. Also on hand were comic Jonathan Winters in a sketch, and singer Sue Carson, who imitated the year's popular singers. Rounded off with a clip from a vintage Deanna Durbin musical film, Remember...1938 was the sort of remarkable entertainment fare that was par for the course in the golden age of live television. ~ Hal Erickson, All Movie Guide

A genuine novelty, MGM's Main Street to Broadway offers the modern viewer a rare behind-the-scenes glimpse of the 1953 theatrical scene. The main plot concerns aspiring playwright Tony Monaco (Tom Burton), who pins his future on the possibility that Tallulah Bankhead will star in his first Broadway production. Along the way, Tony imagines that Tallulah has fallen in love with him, but faithful girlfriend Mary Craig (Mary Murphy) hangs around to pick up the pieces. Except for an amusing sequence in which Bankhead imagines herself as the sweet ingenue in a domestic comedy, the storyline can be dispensed with. The principal attraction of Main Street to Broadway is its glittering array of Manhattanite guest stars, including Ethel and Lionel Barrymore, Gertrude Berg, Shirley Booth, Helen Hayes, Leo Durocher, Fay Emerson, Joshua Logan, Mary Martin, Lilli Palmer and John Van Druten. In the film's best scene, Richard Rodgers and Oscar Hammerstein Jr. come up with an "instant song"--the now-forgotten "There's Music in You"--then perform it for the amusement of their friends, with Rodgers on the piano and Hammerstein rendering the vocals! ~ Hal Erickson, All Movie Guide

An abundance of subplots are expertly woven together by screenwriter/director Richard Brooks in Deadline - USA. Humphrey Bogart stars as crusading editor Ed Hutcheson, whose newspaper is on the verge of closing thanks to the machinations of the mercenary daughter (Audrey Christie) of Mrs. Garrison (Ethel Barrymore), the paper's owner. Though he and his staff will all be out of work within a few days, Hutcheson intends to go out with a bang, exposing the criminal activities of "untouchable" gang boss Rienzi (Martin Gabel). Despite numerous disappointments and setbacks, Hutcheson achieves a pyrrhic victory as the film draws to a close. Throughout the story, the many pressures brought to bear upon a big-city newspaper--political, commercial, etc.--are realistically detailed, as is the relationship between Hutcheson and his ex-wife Nora (Kim Hunter). The cast of Deadline USA is uniformly excellent, from featured players Warren Stevens, Jim Backus, Paul Stewart Fay Baker and Ed Begley to such unbilled performers as Tom Browne Henry, Raymond Greenleaf, Tom Powers, and Kasia Orzazewski (essentially reprising her unforgettable characterization in Call Northside 777). ~ Hal Erickson, All Movie Guide

Glenn Ford plays a convict who breaks out of a 19th century Nevada prison in the company of several less handsome inmates. When they enter a snowbound California village, they find that all the men have left to prospect for silver; only the women remain. The village is known as Convict Lake because, years earlier, $40,000 of stolen money was hidden somewhere in the area. Town matriarch Ethel Barrymore seems to know where it is, but she ain't talkin'. After recovering the money, the convicts are forced to shoot it out with the returning menfolk. All prisoners are rounded up by the law except for Glenn Ford, who has fortuitously been cleared of false charges, allowing him a fadeout embrace with costar Gene Tierney. ~ Hal Erickson, All Movie Guide

Comprised of eight unrelated episodes of inconsistent quality, this anthology piece of American propaganda features some of MGM Studios' best directors, screenwriters and actors; it is narrated by Louis Calhern. Stories are framed by the lecture of a university professor. In one tale a Boston resident becomes angry when the census forgets to record her presence. Another sketch chronicles the achievements of African Americans while still another pays tongue-in-cheek tribute to Texas. ~ Sandra Brennan, All Movie Guide

One of the more palatable of Hollywood's anti-communist tracts of the late 1940s-early 1950s was MGM's The Red Danube. Janet Leigh plays Maria Buhlen, an Eastern Bloc ballerina who seeks political asylum in the British-occupied zone of Vienna. Maria's plight turns into a political tug-of-war involving a British colonel (Walter Pidgeon) and a Soviet colonel (Louis Calhern). Their ideological hagglings spill over into spiritualism, as represented by Mother Superior Ethel Barrymore, and romance, as personified by Maria's ardent suitor Major John McPhimister (Peter Lawford). Like earlier anti-Red cinematic exercises, The Red Danube failed to connect at the box office. ~ Hal Erickson, All Movie Guide

Based loosely on the Dostoyevsky novel, The Gambler stars Gregory Peck as a sensitive 19th-century Russian author. His "great sin" is gambling, which starts when he attempts to rescue aristocratic Ava Gardner from the gaming tables. He succeeds, only to lose himself to gambling fever, which costs him his friends, his reputation and his talent. Director Robert Siodmak was never happy with the screenplay for The Great Sinner, constant revisions bloated the film's rough-cut running time to nearly six hours! After Siodmak pared the film down, MGM insisted that the director reshoot the love scenes. Siodmak refused, thus the new sequences were filmed sans screen credit by Mervin LeRoy. ~ Hal Erickson, All Movie Guide

All of his life, Danny Hawkins (Dane Clark) has been taunted and mistreated by most of the people around him, enduring innumerable beatings and other humiliations as a boy because his father was a murderer who died on the gallows. He finds it not much better as an adult, living with his aunt in the small Virginia town of Woodville -- especially when he is contending for the attentions of young schoolteacher Gilly Johnson (Gail Russell) with his boyhood tormentor Jerry Sykes (Lloyd Bridges), whose bullying and arrogance are made worse (and more galling) by the fact that he's the son of the town banker (and its richest man). Sykes picks a fight with Danny and loses for the first time, but he dies in the process. Knowing how the town thinks of him because of his father, Danny tries to hide the body. But for all of his bitterness over how he's been treated, he can't truly escape the feelings of guilt over what he's done -- nor can he escape his fear of what people will probably think. For a time, his new romance with Gilly distracts him, but he's unable to put it out of his mind for long, especially when he's forced to join his good friend Mose (Rex Ingram) on a raccoon hunt that takes them right to the pond where the body is hidden. Soon the sheriff (Allyn Joslyn) is investigating, and he can't help but confer with the one man in town whose judgment he respects nearly as much as his own -- Danny. And when Danny's deaf-mute friend, Billy (Harry Morgan), unknowingly uncovers a key piece of evidence, Danny is pushed almost to the breaking point. He's driven by his own instincts to run away, and invite almost certain capture or death, but Gilly and the sheriff see this as a chance for Danny not only to free himself of the torment over what he's done but from the past that has haunted him and blighted his life -- if only they can reach him and make him understand. ~ Bruce Eder, All Movie Guide

A woman trying to solve the mystery of a friend's murder finds that she may be the next victim in this suspense story set in turn-of-the-century London. Belle Adair (Peggy Cummins) is a struggling showgirl willing to use her charms to snare an eligible bachelor. When her roommate is murdered, Belle's suspicions turn to Michael Drego (Victor Mature), the wealthy but mysterious gentlemen whom the late woman had been dating. Belle pulls some strings and gets an invitation to dine at the estate that Michael shares with his mother, Lady Sterling (Ethel Barrymore); she learns that Michael has a new fiancée, Audrey (Patricia Medina). When Audrey later dies under suspicious circumstances, Inspector Clinner (Vincent Price) from Scotland Yard is assigned to investigate, and he finds himself protecting Belle when the murderer begins following her trail. Keep an eye peeled for horror movie great George Zucco, who plays Craxton. ~ Mark Deming, All Movie Guide

Based on a novel by Robert Hichens, The Paradine Case concerns Anna Paradine (Alida Valli), on trial for the murder of her wealthy husband. British barrister Anthony Keane (played by the aggressively American Gregory Peck) takes on the case-and in the process, falls in love with Anna, despite being married himself. Despite his client's protests, Keane summons Anna's lover, unkempt stableman Andre Latour (Louis Jourdan), hoping to prove in court that Latour was the killer. Only after a series of stunning upsets does Keane realize that, for the first time in his career, he has allowed his heart to rule his head. In a typically perverse Hitchcockian development, the film's most unpleasant character, an autocratic, vindictive judge played by Charles Laughton, is one of the few who can see through Anna's facade. Hitchcock had wanted Greta Garbo to play Anna Paradine, and indeed a screen test was filmed, but Garbo ultimately declined. At the time of filming, Hitchcock was enamored with uninterrupted, 10-minute takes (later used to the extreme in Rope); thus, the Old Bailey courtroom set where much of the action takes place was designed to accommodate multiple cameras and elaborately conceived crane movements. Such techniques were cumbersome in 1947, and as a result the over-illuminated set ended up costing $70,000, jacking up the film's overall budget to a whopping $3 million (quite a pretty penny in those days). The film was a box-office disappointment, spelling the end of the always-rocky association between Alfred Hitchcock and producer David O. Selznick. ~ Hal Erickson, All Movie Guide

It's hard to separate fact and fancy from the many accounts of what happened on the set when all three of the fabulous Barrymores -- Ethel, John and Lionel -- appeared together for the only time in Rasputin and the Empress. As for the end result, John offers the subtlest (!) performance as Russian Prince Paul Chegodieff; Lionel throws all caution to the four winds in the role of "Mad Monk" Rasputin; and Ethel comes off as rather artificial as Empress Alexandra (Ethel was more appealing in her character roles of the 1940s and 1950s). The plot covers the years 1913 through 1918, during the tumultuous final years of the Romanov regime in Russia. When young Prince Alexis (Tad Alexander), a hemophiliac, hovers near death after an accident, the royal physicians regretfully predict an imminent demise. At the advice of Prince Paul's impressionable sweetheart Natasha (Diana Wynyard), Alexandra and her husband, Czar Nikolai (Ralph Morgan), call in the mysterious Rasputin to look after Alexis. Using hypnosis, Rasputin is able to "cure" the boy-and to slowly gain control over the royal family. Prince Paul, concerned that Rasputin's despotic misuse of his new-found authority will cause the people to revolt, does his best to discredit the oily holy man, but to no avail. When Natasha is raped by Rasputin, Paul attempts to shoot the miscreant down. But Rasputin, who has taken the precaution of wearing a bullet proof vest, is not so easily killed off. In a last, desperate measure, Paul and his cohorts try to poison Rasputin to death-and even this doesn't work. Only a climactic fight to the death puts an end to Rasputin's reign. Alas, the damage has already been done, and the royal family is doomed to be toppled from power...and, ultimately, to be shot down like dogs by the Bolsheviks. Perhaps it's true that the three Barrymores spent more time trying to upstage one another than concentrating on the script at hand, but we wouldn't have it any other way. When seen today, Rasputin and the Empress seems rather choppy in spots, with isolated lines of dialogue and sometimes whole scenes completely missing. This is due to a million-dollar lawsuit brought against MGM by Prince Yusupov, the man who really engineered Rasputin's assassination. The Prince wasn't offended by being depicted as a murderer, but he was distressed when MGM suggested that his wife had been raped by Rasputin. As a result, Rasputin and the Empress was withdrawn from distribution, and all prints were later bowdlerized when released to television. Also as a result, all future Hollywood films were obliged to carry the "Any resemblance to actual persons, living or dead, is purely coincidental" disclaimer. ~ Hal Erickson, All Movie Guide