Perry Lopez Movies

The Two Jakes is the much-delayed and rather convoluted sequel to the 1975 classic Chinatown. Released in 1990 after an abortive stab at shooting that began in the mid-'80s, the film was the subject of a creative feud between its principals, star Jack Nicholson, producer Robert Evans, and screenwriter Robert Towne. Private eye Jake Gittes (Jack Nicholson) is a middle-aged war hero, paunchy, snobbish about his golf game, and about to marry a lovely and much younger woman. Then a fleeting reference to a woman he once loved that he heard on a wire recording plunges him into a past he has tried to escape. It comes while he was spying on a philandering wife (Meg Tilly) and her paramour in her motel room for her husband, Jake Berman (Harvey Keitel). Then Berman shocks Gittes when he shoots his wife's lover. Gittes is doubly stunned when he learns that Berman was partners with the dead man in a subdivision that may contain huge oil deposits. So now Gittes wonders, was it justifiable homicide or murder? The answer lies in the wife (Madeleine Stowe) of the dead man, her shady oil baron friend (Richard Farnsworth), and in the past he has tried to avoid. ~ Nick Sambides, Jr., All Movie Guide

Ex-football player Carl Weathers stars in this violent action film as Detroit policeman Jericho Jackson. The dedicated but brutal cop is plunged into nefarious doings concerning a crooked industrialist (Craig T. Nelson) and his drug-addicted girlfriend (pop-singer Vanity), breaking many people's bones before solving the case. Sharon Stone stands out in a cast of genre veterans including Nicholas Worth, Sonny Landham, and Robert Davi. Heavy on the sex and violence, this film harkens back to the glory days of 1970s blaxploitation, but is a bit too mean-spirited to be as much fun. ~ Robert Firsching, All Movie Guide

"You may think you know what you're dealing with, but believe me, you don't," warns water baron Noah Cross (John Huston), when smooth cop-turned-private eye J.J. "Jake" Gittes (Jack Nicholson) starts nosing around Cross's water diversion scheme. That proves to be the ominous lesson of Chinatown, Roman Polanski's critically lauded 1974 revision of 1940s film noir detective movies. In 1930s Los Angeles, "matrimonial work" specialist Gittes is hired by Evelyn Mulwray (Faye Dunaway) to tail her husband, Water Department engineer Hollis Mulwray (Darrell Zwerling). Gittes photographs him in the company of a young blonde and figures the case is closed, only to discover that the real Mrs. Mulwray had nothing to do with hiring Gittes in the first place. When Hollis turns up dead, Gittes decides to investigate further, encountering a shady old-age home, corrupt bureaucrats, angry orange farmers, and a nostril-slicing thug (Polanski) along the way. By the time he confronts Cross, Evelyn's father and Mulwray's former business partner, Jake thinks he knows everything, but an even more sordid truth awaits him. When circumstances force Jake to return to his old beat in Chinatown, he realizes just how impotent he is against the wealthy, depraved Cross. "Forget it, Jake," his old partner tells him. "It's Chinatown." Reworking the somber underpinnings of detective noir along more pessimistic lines, Polanski and screenwriter Robert Towne convey a '70s-inflected critique of capitalist and bureaucratic malevolence in a carefully detailed period piece harkening back to the genre's roots in the 1930s and '40s. Gittes always has a smart comeback like Humphrey Bogart's Sam Spade and Philip Marlowe, but the corruption Gittes finds is too deep for one man to stop. Other noir revisions, such as Robert Altman's The Long Goodbye (1973) and Arthur Penn's Night Moves (1975), also centered on the detective's inefficacy in an uncertain '70s world, but Chinatown's period sheen renders this dilemma at once contemporary and timeless, pointing to larger implications about the effects of corporate rapaciousness on individuals. Polanski and Towne clashed over Chinatown's ending; Polanski won the fight, but Towne won the Oscar for Best Screenplay. Chinatown was nominated for ten other Oscars, including Picture, Director, Actor, Actress, Cinematography, Art Direction, Costumes, and Score. ~ Lucia Bozzola, All Movie Guide

Like M*A*S*H and Catch-22, both released the same year, this military comedy takes place in an earlier war but is really a thinly disguised treatise on the modern-day insanity and avariciousness then unfolding in Vietnam. Clint Eastwood stars as Kelly, a former lieutenant whose illusions about the glory of war, if he has any, are lost when he is busted in rank for following some poorly considered orders in World War II France. After capturing a friendly German officer, Kelly learns the whereabouts of millions of dollars in gold bars, earmarked to finance a military payroll. Taking advantage of a three-day liberty, Kelly assembles a motley trio of fellow soldiers to help him sneak behind enemy lines and retrieve the booty. They include Big Joe (Telly Savalas), a gruff sergeant; Crapgame (Don Rickles), a supply sergeant already enriching himself as a black marketer and con man; and the hippie-like tank commander Oddball (Donald Sutherland). Since crossing into enemy-held territory means heading in the opposite direction of the retreating Allies, Kelly and his men encounter armed resistance. Receiving word of their campaign, the vain General Colt (Carroll O'Connor) mistakes the quartet of freelancing scam artists for all-American heroes. ~ Karl Williams, All Movie Guide

Vic Powers (Lloyd Bridges) leads a specialized rescue unit known as the Flying Fish. When an American economics professor is kidnapped by a malevolent Latin American dictator, the call goes out to recover the victim. The unit is equally adept in or out of the water. Ricardo (Nico Minardos) is the resident beachcomber recruited to provide the team with valuable information vital to recovering the missing professor. The specialized unit travels by air, land and sea to meet their objective and races against time to avoid an international incident that could tip the balance of power in favor of the dictator. ~ Dan Pavlides, All Movie Guide

James Stewart and Dean Martin are atypically cast as outlaws in Bandolero! The film begins as Dee Bishop (Martin) and his gang are about to be hanged. The Scripture-spouting executioner turns out to be Dee's brother Mace (Stewart), who helps the desperadoes escape. They are pursued by a sheriff (George Kennedy), whose lady friend (Raquel Welch) has the hots for Dee. The brothers try to go straight, but before they can make up their mind they find themselves surrounded by Mexican bandidos and are forced to team up with the sheriff to fight them off. ~ Hal Erickson, All Movie Guide

A group of South American exiles living in Miami assembles a plan to invade and liberate their homeland (the country is not identified, but viewers can draw their own conclusions). Unfortunately, there is a traitor in the would-be liberators' midst. Disguising himself a soldier of fortune, Erskine (Efrem Zimbalist Jr.) infiltrates the group in hopes of exposing the mole--and convincing the freedom fighters not to embark upon a futile mission that will cost all of them their lives. This episode marks the last appearance of Lynn Loring as Erskine's daughter Barbara. ~ Hal Erickson, All Movie Guide

George Washington McLintock (John Wayne) has a saddlebag full of trouble. The owner of the largest ranch in the territory, which also includes a mine and a lumber mill that he built up himself, should be a happy, fulfilled man, but he isn't. His wife, Katherine (Maureen O'Hara), walked out on him two years ago without a word of explanation and has been living back east and running in very fancy circles. He's getting older, a fact of which he's constantly reminded as friends around him decline in health. He's being challenged by their sons, eager to make their mark on the territory, and by the homesteaders who are pouring in with the support of the government, hoping to farm on land that's just barely adequate for cattle to graze on; he's got government officials underfoot, including an inept Indian agent (Strother Martin) and a corrupt land agent (Gordon Jones); the thick-headed, longwinded territorial governor, the honorable Cuthbert H. Humphrey (Robert Lowery), and the government back east are trying to push the Indians -- whose chiefs are some of McLintock's oldest enemies and his best and most honored friends -- by shipping them off to a reservation, where they'll be cared for like old women; and to top it all off, Katherine is coming back to secure a divorce and take custody of their 17-year-old daughter, Rebecca (Stefanie Powers), who's been at school back east and no longer likes anything to do with the West, any more than her mother does. All of that -- plus the presence of a young hired hand (Patrick Wayne) who's interested romantically in McLintock's daughter -- is the setup for a sprawling comedy Western with serious overtones, part battle-of-the-sexes and part political tract.

McLintock! was made mostly to keep John Wayne's production company solvent in the wake of the losses incurred from the production of The Alamo. Wayne needed a film that could be made quickly and have mass appeal, and he got more than he bargained for in James Edward Grant's screenplay, which owed a little to both The Taming of the Shrew and The Quiet Man. Shot in the spring of 1963 and premiered in late November of that year, McLintock! proved to be one of the star's most popular and successful films of the '60s. It was a prized possession of the Wayne estate and was held unavailable for all of the '80s and beyond until they missed the copyright renewal in 1991 -- after that, it emerged in numerous substandard videocassette and DVD editions. There was an authorized VHS edition from MPI in the early '90s, and there were legitimate showings on WTBS, but until 2005 there was no decent quality DVD version. Late that year, Paramount Home Video, working under license from the Wayne estate, released a beautiful letterboxed DVD edition loaded up with extras. ~ Bruce Eder, All Movie Guide

Edmond O'Brien became the latest actor to try his hand at directing in Man-Trap (he'd previous functioned as codirector on 1957's Shield for Murder). Jeffrey Hunter stars as an impressionable fellow whose old marine buddy (David Janssen) talks him into a questionable business venture. Hunter joins Janssen in a plot to hijack nearly four million dollars from the Mob. The results are far from beneficial, either for Hunter or his alcoholic, promiscuous young wife (Stella Stevens). Man-Trap was adapted from John D. MacDonald's novel Taint of the Tiger. ~ Hal Erickson, All Movie Guide

Tensely directed by Don Siegel, Flaming Star is the grittiest of Elvis Presley's post-Army films. Elvis plays Pacer Burton, a half-breed youth in the old West, torn between loyalty to the whites, as represented by his father (John McIntyre), and the Indians, represented by his mother (Dolores Del Rio). A series of brutal Kiowa raids, and the subsequent reprisals by the white settlers, sorely test Pacer's fortitude. Though offered moral support from his loved ones, Pacer is forced to work things out himself. The film was based on a novel by Clair Huffaker. ~ Hal Erickson, All Movie Guide

Tennis player Walter Richmond (Robert Horton) finds a perfect doubles partner in the shapely form of attractive young widow Laura Gild (Betsy Von Furstenberg). As the two get to know each other better, the insatiably curious Walter begins asking questions about Laura's dear, departed husband. It would have been far better, however, if Walter had kept his curiosity to himself. ~ Hal Erickson, All Movie Guide

The conflict between duty and conscience is explored in the WWII drama The Deep Six. Alan Ladd stars as Naval gunnery officer Alec Austin, a Quaker whose sincere pacifist sentiments do not sit well with his crew members. When he refuses to fire upon an unidentified plane, the word spreads that Austin cannot be relied upon in battle (never mind that the plane turns out to be one of ours). To prove that he's worthy of command, Austin volunteers for a dangerous mission: the rescue of a group of US pilots on a Japanese-held island. The ubiquitous William Bendix costars as Frenchy Shapiro (!), Austin's Jewish petty officer and severest critic. If the film has a villain, it is Keenan Wynn as ambitious Lt. Commander Edge, who seems to despise anyone who isn't a mainline WASP.The Deep Six was based on a novel by Martin Dibner. ~ Hal Erickson, All Movie Guide

The Steel Jungle is the prison where most of this film takes place. Perry Lopez heads the cast as two-bit bookie Ed Novak, who goes to jail rather than squeal on his Syndicate higher-ups. Novak's silence exacts a toll on his wife Frances (Beverly Garland), who is expecting a child. The longer he remains in prison, the more Novak becomes aware that the mob has deserted him--and the more he's willing to spill what he knows. Fellow prisoner Steve Marlin (Ted De Corsia) intends to see that Novak keeps his mouth shut permananently. Produced independently, The Steel Jungle was distributed by Warner Bros. ~ Hal Erickson, All Movie Guide