Raymond J. Barry Movies

Director Joan Micklin Silver's follow-up to her acclaimed debut, Hester Street, is a more ambitious film that manages to be both an entertaining comedy and a pointed look at the corrupting power of money on an idealistic enterprise. Writer Fred Barron's characters are all associated with a weekly alternative newspaper in Boston, modeled after the Phoenix. (Silver did once work on the Village Voice, but this enterprise is several rungs below that esteemed paper.) Harry (John Heard) is an ambitious reporter romantically involved with Abbie (Lindsay Crouse), the paper's star photographer. Michael (Stephen Collins) is a writer trying to work on a novel and stay faithful to his loving wife, Laura (Gwen Welles), while Max (Jeff Goldblum), the paper's rock critic, shamelessly uses his job to try to pick up women. Lynn (Jill Eikenberry), a typist who is the paper's mother-hen figure, is also its most principled employee. When a publishing mogul (Lane Smith) buys the paper and promises changes that will compromise its aggressive political stance in favor of more "lifestyle" articles, Lynn resigns, and it's clear to the group that their carefree days are behind them. ~ Tom Wiener, All Movie Guide

A New York wife learns about the satisfactions of single life in this landmark 1970s "woman's film." Unlike her dysfunctional friends, vibrant Erica (Jill Clayburgh) seems to have it all: a nice Upper East Side home, a well-adjusted teenage daughter (Lisa Lucas), a job at a Soho art gallery, and a loving husband, Martin (Michael Murphy). Erica falls apart, however, when Martin leaves her for a younger woman. Finally, at her female therapist's urging, Erica ventures out into the world of singlehood, finding solace in female bonding and even casual sex. As she adjusts to her new life, Erica realizes that she likes her freedom and independence. But when she falls in love with sensitive bearded artist Saul (Alan Bates), Erica must decide whether to turn down a lucrative job to spend the summer with her man in Vermont or forge ahead with her new existence. One of a group of new "women's pictures" made in the wake of post-1960s feminism, including Alice Doesn't Live Here Anymore (1974) and The Turning Point (1977), An Unmarried Woman updated the genre's concern with relationships and love by turning the heroine's unwedded status into a positive growth experience. The great female stars of the past like Joan Crawford and Bette Davis may be gone, as Erica and her friends mourn, but so is the all-consuming suffering of classical weepies, as writer/director Paul Mazursky ends the film on a note of reserved affirmation. While some critics (including feminists) complained that Saul was too much of a romantic fantasy, An Unmarried Woman was praised for Clayburgh's performance, and earned Oscar nominations for Best Picture, Best Actress, and Best Screenplay. A hit with 1978 audiences, An Unmarried Woman provoked viewer debate over Erica's final choice and its meaning for women. Either way, An Unmarried Woman astutely pointed to how far the new 1970s woman had come -- and how far she still needed to go. ~ Lucia Bozzola, All Movie Guide

Filmed in quasi-documentary fashion, the made-for-TV The Face of Rage is set in a rehabilitation facility. Here a group of rapists are required to confront their victims face-to-face. The film concentrates on the bitter verbal sparring session between assaulter Richard (Graham Bechel) and assaultee Rebecca (Dianne Weist). Director Donald Wrye co-wrote the screenplay for Face of Rage with Hal Sitowicz, drawing much of the dialogue from real-life transcripts. The film was first aired as an "ABC Theatre" presentation on March 20, 1983, preceded with an all too appropriate "parental guidance" proviso. ~ Hal Erickson, All Movie Guide

This teen thriller by Richard Tuggle involves an innocent young man being mistaken for a drug dealer and thief by both the good and the bad guys. Daryl Cage (Anthony Michael Hall) sets off to visit his brother and sister-in-law in L.A. but picks up the wrong bag at the airport baggage claim -- one loaded with 10 kilos of heroin. Before Daryl has a chance to find out what's inside, murder and mayhem are unleashed and even the police take potshots at him. So he teams up with Dizz (Jenny Wright), a fellow passenger on his flight, and disguises himself as a street-wise but slick operator. Cage then dodges death at the hands of the sadistic Roy Gaddis (Jeff Kober) and tries to convince the police of his innocence. ~ Eleanor Mannikka, All Movie Guide

A U.S. senator who is planning an upcoming election instructs his aid to escort his troublesome daughter to a reform school so he will not be embarrassed during the campaign. The aid (Martin Sheen), with the company of his friend (Alan Ruck), set off on a road trip with the headstrong daughter (Kerri Green) and find their hands full in this light comedy. ~ Kristie Hassen, All Movie Guide

The second of three films by co-writer/director Oliver Stone to explore the effects of the Vietnam War (Platoon and Heaven and Earth are the others), Born On The Fourth Of July tells the true story of Ron Kovic (Tom Cruise), a patriotic, All-American small town athlete who shocks his family by enlisting with the Marines to fight in the Vietnam War. Once he is overseas, however, Kovic's gung-ho enthusiasm turns to horror and confusion when he accidentally kills one of his own men in a firefight. His downfall is furthered by a bullet wound that leaves him paralyzed from the chest down. He returns home, spends an appalling, nightmarish stint in a veterans' hospital, and follows an increasingly disillusioned and fragmented path that ultimately leaves him drunk and dissolute in Mexico. However, Kovic somehow turns himself around and pulls his life together, becoming an outspoken anti-war activist in the process. The film is long but emotionally powerful; many consider it Stone's best work and Cruise's best performance. Both were nominated for Oscars, as was the film itself, but only Stone, who co-wrote the film with Kovic from the latter's book, won for Best Director. ~ Don Kaye, All Movie Guide

With his All-American good looks, Cliff (Michael Dolan) has had easy access to the sorts of groups that appealed to him as he traveled around the U.S., mostly Klan and neo-Nazi organizations. He is bitter about his childhood, during which his parents bickered constantly. Now, at 22, he has come back to Pocohantas, Virginia to try and make some peace with his past, if he can, and is disturbed to find that his parents are just finalizing their divorce. His mother (Tess Harper) is taking it particularly badly, having sunk into an alcoholic stupor, and his father (Raymond J. Barry) is getting it on with a new girlfriend (Karen Allen). While steeling himself for a confrontation with his parents, the scary-attractive lad spends some time catching up on things with his old girlfriend (Gillian Anderson). Then, just when one might have expected some long-awaited violence to take place, this slow-paced and almost universally unpopular film unveils a surprise ending. Based on a stage play by Chris Ceraso, the film's highlight seems to be Gillian Anderson's brief appearance. ~ Clarke Fountain, All Movie Guide

In this better-than-average kick-boxer foray, Brandon Lee (son of famed martial-arts film star, Bruce Lee) stars as a young art student who happens to witness a drug murder and is placed in protective custody by federal agents. It's not too long before he realizes that the only real protection he can count on is his own martial-arts training. This film is rated R for violence, sex and profanity. ~ All Movie Guide

An affair turns murderous when a student becomes obsessed in this made-for-television drama. Susan Lucci stars as Vivian Conrad, the philandering and spoiled wife of a businessman (Barry Bostwick). After having a fling with a college student named Mark Templeton (Patrick Van Horn), Vivian becomes the focus of his dangerous obsession. When her husband Justin finds out and forces the two to end all contact, Mark's love-hate rage comes to its full fruition. ~ Bernadette McCallion, All Movie Guide

Caroline and Lloyd (Judy Davis and Kevin Spacey) are a married couple constantly at each other's throats, masters at crafting acid-tongued barbs at the other's expense. Indeed, they are so obsessed with belittling each other that they never stop -- not even at gunpoint. Such is the premise of the acerbic comedy The Ref, which shows what happens when this quarrelsome duo is taken hostage. The gunman is Gus (Denis Leary), a thief on the run from the police, who kidnaps the couple as an insurance policy, planning to use their home as a hideout. But their incessant bickering proves more than Gus bargained for, forcing him -- for the sake of his own sanity -- into the unenviable role of peacemaker. To make things even worse for Gus, he discovers that he has taken the couple hostage the night of their big Christmas party, and the guests are already on the way. Not wanting to leave Lloyd and Caroline unattended, Gus opts to attend the party, pretending to be the couple's marriage counselor. This naturally leads to a series of comic confusions, as the hostage crisis and marital tensions head towards their inevitable conclusion. ~ Judd Blaise, All Movie Guide

The lurid title of this black comedy comes from a New York Post headline for the story on which this film is based. It begins in a seedy bar late at night where a small crowd of customers disinterestedly eye the listless gyrations of Candy, a topless dancer. Among the customers are a corporate lawyer, two obnoxious young men, and a wheelchair-bound man. Suddenly a gunman, an ex-con, enters to rob the joint. The bartender resists and is immediately shot in the head. The gunman, alternately charming and totally insane, holds the rest hostage making them do his bidding as he tries to decide whether or not to kill them. The story is shot in real-time, and the minutes tick agonizingly by. At one point he makes them all dance, and at another forces them to play "Truth or Dare" in which they must reveal their dirtiest little secrets. The situation really intensifies when fellow dancer and lover of Candy, Letitia, comes in, and the gunman decides he must extract the damning bullet from the bartender's head. ~ Sandra Brennan, All Movie Guide

Based on a novel by John Grisham, this drama deals with a man trying to come to terms with his family and their ugly secrets. Adam Hall (Chris O'Donnell) is a successful attorney based in Chicago who travels to Mississippi to look into the case of Sam Cayhall (Gene Hackman). An outspoken racist and member of the Ku Klux Klan, Cayhall was convicted in the early '60s of the murder of a Jewish civil rights lawyer and his children. Pending a last-minute appeal, it looks as if Cayhall will finally go to the electric chair, and Adam has arrived to see what he can do. It hardly seems like the sort of case Adam would normally be involved with, until we discover Adam's secret: he is actually Cayhall's grandson, and despite his misgivings about the man's racist views, he wants to see if he can spare his life. Cayhall, however, has little use for Adam and even less regard for his legal skills. As Adam spends time with his Aunt Lee (Faye Dunaway), who witnessed Cayhall's execution of a black man years ago, he gets a more complete and disturbing picture of Cayhall's race hatred and the terrible toll it has taken on his family and the community. The Chamber marked the acting debut of former baseball and football star Bo Jackson. ~ Mark Deming, All Movie Guide

This short-lived TV drama series is set in Hawaii where the surfing Connolly clan, headed by widow Ciel Connolly (Bo Derek), has to contend with evil millionaire developer Gardner Poole (Lee Horsley), who's hated by his rebel daughter Kate (Jacinda Barrett). Land-grabber Poole has his eye on Ciel and also on her struggling cattle ranch. Meanwhile, Ciel's surfer sons Cole (William Gregory Lee) and Kelly (Brian Gross) chase after waves and women. Cinematographer John Aronson is responsible for the impressive Hawaiian location shots. The series premiered October 17, 1998 on NBC. ~ Bhob Stewart, All Movie Guide