Nia Long Movies

Although this bloody, relentlessly weird South African production purports to be a modern-day treatment of the works of Edgar Allan Poe (most promotional materials list the author's name above the title), it actually bears so little relation to Poe's writing that it makes Roger Corman's Poe "adaptations" seem meticulously loyal by comparison. The story involves a young psychologist whose arrival at the creepy Ravenscroft Institute for troubled girls is followed by the disappearance of several students. Tormented by a series of grotesque nightmares involving a deranged killer, the heroine eventually learns of the bizarre goings-on within the school's hallowed halls. Some oddball touches and outlandish performances from Robert Vaughn and Donald Pleasence (in a bad wig) make this film just campy enough to be entertaining. Alert viewers can spot John Carradine in his final role. ~ Cavett Binion, All Movie Guide

Director John Singleton's debut chronicles the trials and tribulations of three young African-American males growing up in South Central Los Angeles. When young Tre (Cuba Gooding Jr.), a bright underachiever, begins to show signs of trouble, his struggling professional mother (Angela Basset) sends him to live with his father (Lawrence Fishburne), a hard-nosed, no-nonsense disciplinarian. There he befriends Ricky (Morris Chestnut), a burgeoning football star, and Doughboy (Ice Cube, in a standout performance), a would-be gang banger. Over the years, each chooses his own path: Tre seems bound for college; Ricky is a blue-chip running back with his pick of schools; Doughboy is a dope dealer and bona fide gangster who drifts in and out of the county juvenile facility. All is well until, without warning, a rival gang chases down Tre and Ricky with tragic results. Doughboy immediately prepares for revenge, forcing Tre to decide whether to jeopardize his future and, perhaps, his life for the price of revenge and self-respect. Sometimes riveting, Boyz'N the Hood is not without its problems. The film tries to cram every single issue facing the black community into an hour and a half of screen time, making the film seem at times forced. The symbolism seems forced as well, and the film is often unbearably heavy-handed. Also, the characterization often relies on cardboard cut-outs; every white character in the film is a one-dimensional bigot, and the black police officer with whom Tre and his father deal is even worse than his Caucasian counterparts. Still, the unevenness of the film is redeemed by some moments of true brilliance. ~ Jeremy Beday, All Movie Guide

To prove his worth to Lisa (Nia Long), Will decides to become a celebrity journalist. Though his proposed book "The Stars at Night" goes nowhere, he manages to get an autographed photo of TV talk host Jay Leno sold to a tabloid newspaper. Unfortunately, the photo is doctored to make Leno look like a jerk--and before long, Will is facing an enormous libel suit! In addition to Jay Leno, screenwriter-novelist John Ridley (later the "auteur" of the hit movie Barbershop) also appears as himself. ~ Hal Erickson, All Movie Guide

Will (Will Smith) finally realizes that he is truly, madly, deeply in love with Lisa (Nia Long). Unfortunately, the truth does not dawn on him until he is out on a date with another girl! A secondary storyline involves fitness guru Susan Powter ("Stop the Insanity"), who endeavors to show Will how it feels to walk in his Uncle Philip's shoes by forcing our hero to wear a fatsuit. (Curiously, this episode has been removed from the Fresh Prince of Bel-Air package distributed to British television). ~ Hal Erickson, All Movie Guide

Nia Long makes her first series appearance as Will's latest hearthrob, Lisa Wilkes. Upon seeing Lisa for the first time, Will (Will Smith) uses all of his patented make-out lines on her, and is amazed at how quickly she falls for him. Little does Will realizes that Lisa is undergoing a sorority initiation which requires her to kidnap and "torture" our wide-eyed hero! Elsewhere, Geoffrey (Joseph Marcell) considers legal action against the Banks family when he is injured on the job; and with the help of a certain sports celebrity, Philip (James Avery) learns a valuable lesson when he disdains the "ugly" golf shirt purchased for him by Hilary (Karyn Parsons). ~ Hal Erickson, All Movie Guide

Hard-core rapper Ice Cube, after appearing in such hard-hitting films as Boyz 'N the Hood and Higher Learning, played his first comic role in this picture he co-wrote with frequent musical collaborator DJ Pooh. Craig (Ice Cube) manages to get fired on his day off (though he claims it's through no fault of his own) and spends the day hanging out with his buddy Smokey (Chris Tucker) and trying to avoid his father (John Witherspoon), who wants him to find another job immediately. Smokey (whose name might have something to do with his tremendous fondness for marijuana) has even more serious problems; he was given $200 worth of weed to sell by Big Worm (Faizon Love), but he ended up smoking it instead, and if he can't come up with the money by the end of the day, he'll be in a world of hurt (and will put Craig in the same place just for being his friend). And Deebo (Tom "Tiny" Lister, Jr.), a gargantuan bully who roams the neighborhood on his bicycle, has it in for Craig, while Craig tries his best just to stay out of his way. As one would expect, Friday features a strong hip-hop soundtrack, featuring tracks by such artists as Dr. Dre, Cypress Hill, Mack 10, and Funkdoobiest, as well as old-school R&B selections from The Isley Brothers, Roger, and Rose Royce. ~ Mark Deming, All Movie Guide

While heading to his pre-wedding stag party, Will (Will Smith) is trapped in an elevator with Carlton (Alfonso Ribeiro) and Jazz (Jeff Townes). Unfortunately, the two other guys are in the middle of an argument, so Will zones out and begins to recall (as the song goes) "all the girls he's loved before." Yes, this is another Fresh Prince of Bel-Air clip show, with highlights from previous episodes and a smattering of heretofore unseen outtakes. ~ Hal Erickson, All Movie Guide

When Will (Will Smith) and Lisa (Nia Long) announce their engagement, Philip (James Avery) offers to pay for their honeymoon--provided that the couple see a relationship counselor before taking any further action. Just as Philip expects, both Will and Lisa discover that they are polar opposites in many respects, forcing them to seriously reconsider their wedding plans. At the same time, they must also put up with another couple that has shown up in the counselor's office--the eternally squabbling George and Louise Jefferson, played (as ever!) by Sherman Hemsley and Isabel Sanford). Elsewhere, Hilary (Karyn Parsons) tries to hire Geoffrey (Joseph Marcell) away from her family. This is the first of three consecutive episodes in which series regulars Daphne Maxwell Reid (Vivian) and Ross Bagley (Nicky) do not appear. ~ Hal Erickson, All Movie Guide

The proverbial tangled web of deceit proves to be all but inextricable when both Will (Will Smith) and Lisa (Nia Long) make up stories as to why they can't go out on a scheduled date. As "luck" would have it, both of them end up at the same party, and both have a lot of 'splainin' to do. But Will and Lisa's prevarications pale in comparison to the lie told by Ashley (Tatyana M. Ali), who is discovered dallying in a cloakroom with a football player when she's supposed to be somewhere else entirely. ~ Hal Erickson, All Movie Guide

On the eve of his wedding to Lisa (Nia Long), Will (Will Smith) begins to wonder if he's ready for marriage. Oh, he still loves Lisa--but it has just dawned on him that he hardly knows the girl. Elswehere, Will's mom Vy (Vernee Watson-Johnson) and Lisa's dad Fred (John Amos) discover that they enjoy yelling at each other; and it's splitsville for Jazz (Jeff Townes) and his wife Jewel when he discovers her secret. This last episode of The Fresh Prince of Bel-Air's fifth season also marks the final series appearance of Nia Long. ~ Hal Erickson, All Movie Guide

This hit domestic comedy-drama concerned the fortunes of an extended African-American family recalled through the eyes of young narrator Ahmad (Brandon Hammond). Ahmad's world revolves around his grandmother, Big Mama Joseph (Irma P. Hall) and her three daughters: workaholic attorney Teri (Vanessa Williams), newlywed salon owner Bird (Nia Long), and Ahmad's housewife mom, Maxine (Vivica A. Fox). Each sister is in turmoil. Teri has lost patience for her husband Miles (Michael Beach), who wants to quit the law and take up music. Bird doesn't realize that her husband Lem (Mekhi Phifer) is about to be humiliated by her ex-boyfriend (Mel Jackson). And while Maxine's relationship with her husband Kenny (Jeffrey D. Sams) is going well, her relationship with her jealous sister Teri needs fixing. These conflicts boil over at Big Mama's traditional Sunday dinners, where the matriarch plays peacemaker. The ritual faces extinction, however, when Big Mama suffers a stroke -- but Ahmad is waiting in the wings to take her place. Soul Food launched the directing career of Milwaukee, Wisconsin, native George Tillman, Jr., who based the script on his own family experiences. In the summer of 2000, Soul Food was spun off into a cable TV series. ~ Karl Williams, All Movie Guide

In this action thriller, a talented singer's career takes off and she decides to change record companies. Unfortunately for her, the ruthless company executives decide that they would rather see her dead than switch. Soon after, she is found dead of a drug overdose and her manager/cousin is the one left holding the pill bottle. Totally innocent, he launches his own investigation while simultaneously trying to stay out of jail. ~ Sandra Brennan, All Movie Guide