Raymond J. Barry Movies

A young man struggles to overcome a physical handicap in this drama based on a true story. Matt Hamill (Theodore Conley) was born to a single mother (Susan Gibney), who was told her young son was bright, talented, and entirely deaf. Without a father to rely on, young Matt turns to his grandfather Stanley (Raymond J. Barry) as his male role model; Stanley encourages the boy not to allow his deafness to hold him back, and urges him to take up wrestling. Matt shows tremendous promise as a wrestler, but while the sport helps him build confidence and muscle, he isn't sure how to deal with others, particularly girls. After graduating from high school, Matt (now played by Russell Harvard) attends Purdue on a wrestling scholarship, but he's forced to leave school due to poor grades. However, he has an opportunity to redeem himself when his wrestling skills earn him an invite to the Rochester Institute of Technology, a school with a special program for deaf and hard-of-hearing students. For the first time, Matt has peers who are also deaf, and he befriends his roommate Jay (Michael Anthony Spady) and falls for pretty coed Kristi (Shoshannah Stern). But it's a challenge for the lifelong loner to open up to other people and admit his weaknesses, and he also has to learn a new way of communicating by using American Sign Language after spending his life as a lip-reader. The Hammer (aka Hamill) was based on the life of Matt Hamill, a three-time NCAA wrestling champion who has gone on to become a successful mixed-martial-arts competitor. Due to its subject matter and large hearing-impaired audience, the film was exhibited as Open Caption (with onscreen readable text) in theaters. ~ Mark Deming, Rovi

Actor Craig Sheffer makes his feature directorial debut with this ensemble comedy featuring Ron Livingston, Rob Schneider, Jennifer Esposito, and Michael Clarke Duncan, and following a harried group of characters through twenty-four hours in a typical Los Angeles day. Quite a bit can happen over the course of a single day in L.A., and when smooth-talking scam artist Johnny (Livingston) decides to throw a bachelor party for his best friend Bill (Schneider) the events of the day take a decidedly bizarre turn. As the festivities get underway, the appearance of a transvestite prostitute, a trigger-happy ex-con, and a notorious porn king signal that this isn't going to be your typical night on the town. ~ Jason Buchanan, Rovi

Oscar-nominated filmmaker Todd Field teams with novelist Tom Perrotta to adapt Perrotta's acclaimed novel concerning the suburban malaise experienced by a handful of small-town individuals whose intersecting lives converge in a variety of surprising, and sometimes ominous, ways. Kate Winslet, Jennifer Connelly, and Patrick Wilson star in a cinematic adaptation that doesn't aim so much to simply reproduce the book for the screen as it does to re-imagine the written word by exploring new possibilities for the characters and situations originally presented in Perrotta's 2004 best-seller. Sarah (Winslet) is a suburban outsider who, unlike the other playground moms, isn't afraid to approach the dreamy but long-absent father whom smitten housewives have taken to calling the "Prom King." Long days at the local community pool with their respective children soon find Sarah becoming acquainted with local husband and father Brad (Patrick Wilson) -- who seems to share in her seething discontentment with life in their quaint commuter town. An English literature major who never envisioned a fate as a soccer mom, Sarah has a growing dissatisfaction with her successful husband (Gregg Edelman) that parallels Brad's increasing frustration with his inability to pass the bar and connect with his wife, Kathy (Jennifer Connelly), a successful documentary filmmaker. It's not long before the dejected pair is meeting for a series of illicit afternoon trysts as their unsuspecting spouses work and their children lie quietly napping. Meanwhile, after the community is riled by the return of a convicted sex offender (Jackie Earle Haley) who leaves the concerned parents scrambling to protect their young ones, an attempt made by Sarah and Brad to legitimize their clandestine relationship by dining together with their respective spouses begins to awaken Kathy's suspicions about the fidelity of her husband. ~ Jason Buchanan, Rovi

A young man struggles to hold his family together while keeping his own life on track in this independent drama. P.J. Lee (Thomas Guiry) is a teenager growing up in a decaying industrial town in Illinois. Few kids have it easy where P.J.'s from, but he has it harder than most -- his parents split up several years ago, and P.J.'s father, Carl (John Heard), is in jail on vehicular manslaughter charges he's not likely to shake. P.J.'s big brother, Ben (Clayne Crawford), is married and has a life of his own, through his fondness for booze and other women suggests he's following the same sorry path as his dad. P.J.'s mother, Marianne (Laurie Metcalf), is remarried to a police officer, Randall (James McDaniel), and they have little to offer him other than a chance to join the police academy. When P.J. loses his job as a busboy, he finds he can no longer pay the rent on his house, and has a falling out with his girlfriend, Amy (America Ferrera), who works at the same diner. With nowhere else to go, P.J. moves in with his uncle Vic (Raymond J. Barry), but he soon begins to buckle under Vic's "straighten up and fly right" attitude. The first feature film from writer and director Brian Jun, Steel City was enthusiastically received during its premiere screening at the 2006 Sundance Film Festival. ~ Mark Deming, Rovi

The third installment of screenwriter Peter Greenaway's anticipated 16-episode story finds Tulse Luper, the protagonist, whittling away his time in jail. (In the previous episode, Tulse had been arrested in a bathroom just prior to the German invasion of Belgium in 1940.) Without the company of either of his two lovers, Tulse's favorite activity is posting fictional accounts on his wall in hopes of foretelling his own future, thus cementing his status around prison as a top storyteller. Unfortunately for Tulse, his jailers are less concerned with his innocence than they are with using him for their own nefarious purposes, and do their best to fabricate evidence that Tulse is, in fact, a fascist sympathizer. The cast includes JJ Feild, Drew Mulligan, Debbie Harry, Isabella Rossellini, and Jack Wouterse. ~ Tracie Cooper, Rovi

Can a new marriage survive meddling friends, disapproving families, and some of the worst accommodations in Europe? That's the question posed in this broad comedy. Tom Leezak (Ashton Kutcher) is a regular guy who likes sports and beer and tries to make ends meet working as a nighttime radio traffic reporter. Sarah McNerney (Brittany Murphy) is a beautiful young woman from a wealthy and privileged family who is trying to make a name for herself as a writer. Tom and Sarah have seemingly nothing in common, but that doesn't stop them from falling in love. Sarah's family doesn't much care for Tom's boorish ways, and Tom's buddies think Sarah is too highbrow for him, but, if anything, this makes the couple all the more determined to be together, and they decide to get married and head off to Italy for a month-long honeymoon despite the pleas of those closest to them. However, even after the knot is tied, Sarah's former beau, Peter Prentiss (Christian Kane), is dead set upon breaking up the happy couple, though as it turns out, a seemingly endless stream of bad luck and post-marital jitters may do the job for him. Just Married was written by Sam Harper, who claims to have loosely based the script on his own experiences on an ill-starred European honeymoon with his wife; fortunately, the couple's marriage survived the experience. ~ Mark Deming, Rovi

The old man who lives across the street, Walter Ohlinger (Raymond J. Barry), invites his neighbor, Ron Kobeleski (Dylan Haggerty), over because he has a secret that he's never told anyone: He claims he was the grassy knoll assassin who shot John F. Kennedy and wants Haggerty to document his confession. He has the bullet casing which he saved and says there is one witness left alive who can prove his story. The two search for the man that hired Ohlinger, but are thwarted by mysterious forces who seemingly wish to keep Ohlinger's story suppressed. Interview With the Assassin is shot almost completely from the perspective of Haggerty's video camera and it ties in a number of well-known Kennedy-assassination-related conspiracy theories, though doesn't mix them all up like Oliver Stone's JFK. ~ Adam Bregman, Rovi

A mother is drawn into a sinister web of blackmail while trying to protect her son in this drama. Margaret Hall (Tilda Swinton) is a wife and mother of three living in Lake Tahoe, whose husband is a Naval officer stationed in the Atlantic ocean. Margaret's oldest son, teenaged Beau (Jonathan Tucker), is gay and has become involved with Darby (Josh Lucas), a disreputable older man whom Margaret does not trust. Margaret confronts Darby and tells him to stay away from her son, but Darby isn't easily dissuaded, and he comes by the house late one night, leading to a fight between Beau and Darby. The next morning, Margaret discovers Darby's body on the beach, with an anchor piercing his chest. Not sure what to do, Margaret hauls Darby's body out to sea, and dumps it where she hopes it will not be found. Margaret tries to get her life back to normal, until a man named Alek (Goran Visnjic) appears at her door. Alek appears to know something about Darby's death, and he definitely knows about Beau's relationship with him; in fact, he has a videotape of Beau and Darby having sex, and he's prepared to make it public unless she'll pay him $50,000. Margaret is in no position to pay the money, but is desperate to protect her son and attempts to reason with Alek. Surprisingly enough, in time it works, and Alek withdraws his request for blackmail money. However, Nagle (Raymond Barry), a local crime boss whom Alek works for, is not nearly so generous. The Deep End was adapted from a novel by Elizabeth Sanxay Holding, The Blank Wall, which was previously filmed by Max Ophuls as The Reckless Moment. ~ Mark Deming, Rovi

This short-lived TV drama series is set in Hawaii where the surfing Connolly clan, headed by widow Ciel Connolly (Bo Derek), has to contend with evil millionaire developer Gardner Poole (Lee Horsley), who's hated by his rebel daughter Kate (Jacinda Barrett). Land-grabber Poole has his eye on Ciel and also on her struggling cattle ranch. Meanwhile, Ciel's surfer sons Cole (William Gregory Lee) and Kelly (Brian Gross) chase after waves and women. Cinematographer John Aronson is responsible for the impressive Hawaiian location shots. The series premiered October 17, 1998 on NBC. ~ Bhob Stewart, Rovi

One of the most highly touted projects of the 1997-1998 TV season, Four Corners was introduced by CBS as a four-part miniseries, debuting February 24, 1998. Ann-Margret heads the cast as Amanda "Maggie" Wyatt, the headstrong widowed matriarch of a once-powerful California rancing family. Despite the encroachment of housing developments and ski resorts, Maggie is determined to keep Four Corners up and running. Unfortunately for her, Maggie's son Alex (Doug Wert) has evinced sympathy for the land developers; also, her best friend Carlota Alvarez (Sonia Braga) has cast her lot with a group of local migrant workers. In other intrigues, Maggie's amorous daughter Kate (Megan Ward) still hopes to get her lunchhooks into Carlotta's son Tomas (Kamar De Los Reyes), and never mind that he has become a priest; and Maggie's foreman Sam (Raymond J. Barry must deal with the return of his jailbird son Caleb (Justin Chambers). The plan was to follow the pattern set by the classic prime time soap opera Dallas by introducing Four Corners as a limited series, then go to a full weekly program once it had won the viewers' hearts. But those hearts turned cold in a hurry--and as a result only three of the four completed episodes had been telecast when CBS abruptly axed the project on March 3, 1998. Since that time, Four Corners has been rebroadcast as a two-part TV movie by the Lifetime cable network, under the title Homestead. ~ Hal Erickson, Rovi

Although "flub" is defined as "to make a mess of," the word "flubber" is a contraction from "flying rubber." In this remake of the 1961 comedy-fantasy The Absent Minded Professor, Robin Williams takes on the role created by Fred MacMurray and later executed by Harry Anderson on television, while the 1961 film's Flubber with anti-gravity properties has now been digitally reincarnated as a translucent green, pulsating, bouncing blob that loves to dance the mambo. Absent-minded college professor Philip Brainard (Williams), employed at a near-bankrupt university, creates the formula for Flubber, yet he can't remember to show up for his own wedding to university-President Sara Jean Reynolds (Marcia Gay Harden). His rival, Wilson Croft (Christopher McDonald), plots to steal Sara and the Flubber from Brainard. Rich, corrupt businessman Chester Hoenicker (Raymond Barry) tries to force Brainard to pass his failing son Bennett (Wil Wheaton), but he soon takes an interest in Flubber after hearing about it from his flunkies (Clancy Brown, Ted Levine). After using Flubber to fly over clouds in his 1963 T-Bird, Brainard realizes Flubber can also improve the performance of the school's pathetic basketball team. Jodi Benson is the voice of Weebo, Brainard's talking, flying household robot, with a video display of Disney clips at odd moments. Many gags are embellishments from the 1961 film, with John Hughes (Home Alone) rewriting the original Bill Walsh screenplay (based on Samuel Taylor's short story, "A Situation of Gravity"). Though Walsh died in 1975, he received posthumous credit for this script. Filming began October 8,1996 in San Francisco. ~ Bhob Stewart, Rovi

Tim Robbins' second directorial effort (after the political satire Bob Roberts) was this drama based on a true story, which explores the issue of capital punishment. Sister Helen Prejean (Susan Sarandon) is a nun and teacher living in rural Louisiana. One day, she receives a letter from Matthew Poncelet (Sean Penn), who is scheduled to be executed soon for the rape and murder of two teenagers. After meeting Matthew, Sister Helen agrees to serve as spiritual counselor and see what she can do to stay the execution. However, Matthew's claims of innocence seem shaky at best, and it's clear he's a reprehensible, amoral racist. When it becomes obvious that Matthew's sentence will be carried out, Sister Helen offers what comfort she can to Matthew, but also tries to guide him to an open admission of the extent of his crimes and an acceptance of divine forgiveness, telling him "I want the last face you see to be the face of love." Susan Sarandon won an Oscar for her performance as Sister Prejean, and Sean Penn was similarly nominated for Best Actor as Matthew. ~ Mark Deming, Rovi

Pittsburgh Penguins owner Howard Baldwin was the producer of Sudden Death, and the action is set in his hockey arena, in which the Penguins are playing the Chicago Blackhawks. Pittsburgh fire inspector Darren McCord (Jean-Claude Van Damme) is attending the game with his two children. He's quit fighting fires because of a tragedy a few years earlier involving a child he couldn't save. Also at the game is the vice-president of the United States (Raymond Barry), who is the target of a terrorist plot. The terrorist leader, an insane ex-CIA agent named Joshua Foss (Powers Boothe), has masterminded a scheme to hold the vice-president hostage in his luxury suite while demanding that payments be transferred to his account electronically at the end of each period of the game. If he doesn't get his money, he will kill one member of the vice-president's party at the end of each period, and at game's end he will order ten bombs hidden in the arena to be detonated with all 17,000 fans present. McCord discovers the plot while his daughter Emily (Whittni Wright) is kidnapped by the terrorists too. McCord must dispatch the villains and find the bombs, while saving all the hostages. Luckily, he is adept at martial arts. He fights one henchman dressed in a Penguins mascot outfit in the arena's kitchen, and another terrorist on the arena's retracting dome. At one point, McCord switches identities with a player, is sent into the game, and scores a goal. Director Peter Hyams also directed Van Damme in the blockbuster Timecop. ~ Michael Betzold, Rovi