Tom London Movies

"Wild Bill" Elliott heads the all-star (by B-flick standards, at any rate) western Hidden Valley Outlaws. Elliott does battle with a cartel of ruthless landgrabbers, who are victimizing settlers throughout the Southwest. With such formidable villains as Roy Barcroft, Kenneth Duncan, Leroy Mason and Bud Geary to contend with, he certainly has his hands full. Anne Jeffreys provides the romantic interest, while George "Gabby" Hayes makes with the usual "Consarn it"s and "Gol'durn whippersnapper"s. It's uncanny how much sheer entertainment value Republic Studios was able to pack into a mere 56 minutes. ~ Hal Erickson, All Movie Guide

The Yellow Rose of Texas is, at least in the case of this Roy Rogers vehicle, both the title of a song and the name of a fancy showboat. Rogers plays a frontier insurance investigator who is assigned to locate a company payroll stolen several years earlier. Working undercover, Roy poses as a singer on the aforementioned "Yellow Rose of Texas." The showboat's owner, Betty Weston (Dale Evans), is the daughter of the man who was arrested for the robbery. She's convinced that her dad is innocent, and Roy proves that she's right by capturing the genuine culprit. Running seven reels as opposed to the usual six, The Yellow Rose of Texas was marketed as a "special" by canny Republic Pictures. ~ Hal Erickson, All Movie Guide

Code of the Prairie was among the first of cowboy star Sunset Carson's vehicles for Republic Pictures. There is nothing extraordinary about the plot, in which Carson, wrongly accused of a crime, vanquishes the villains with a spectacular (and undoubled) display of fisticuffs. What is unusual is the billing. Comedy relief Smiley Burnette is actually billed above nominal leading man Sunset Carson, proof positive of Burnette's enormous popularity with western fans. Burnette's top-dog status in the Carson series would continue until 1945, when he left Republic to join Charles Starrett at Columbia Pictures. ~ Hal Erickson, All Movie Guide

In his third western for Republic Pictures, Allan Lane plays Tex Jordan, a cattle rancher en route to sell his stock to cattle baron Jack Hatfield (Roy Barcroft). But in the town of Sundown, our hero finds that the omnipotent Hatfield has been squeezing the small ranchers in general and Tex's friend Andy Craig (Jack Kirk) in particular. Andy, who threatens to blow the whistle on Hatfield's unfair business practices, is shot by persons unknown and Tex promises his dying friend to care for a young daughter, Little Jo (Twinkle Watts). Appealing the case to the governor (Herbert Rawlinson), Tex is made a special investigator but due to a lack of physical evidence, Hatfield continues his reign of terror almost unopposed. Until, that is, Tex and sidekick Chihuahua (Duncan Renaldo) concoct a plan to trap the evil empire builder. Sheriff of Sundown reunited Allan Lane with Linda Stirling, his co-star in the contemporary Republic serial The Tiger Woman (1944). ~ Hans J. Wollstein, All Movie Guide

Originally, producer Harry Sherman's Woman of the Town was slated for Paramount release, but that studio was overloaded with product, so the film was deferred to United Artists. Nonetheless, the finished product has the "look" of a Paramount, right down to the presence of character actor Albert Dekker in a leading role. Dekker plays Bat Masterson, who after failing to secure a job as a newspaper reporter becomes marshal of Dodge City. Preferring socializing to peacekeeping, Masterson falls in love with Dora Hand (Claire Trevor), the obligatory golden-hearted chorus girl whose concern for the welfare of her fellow citizens at time reaches Madonna-like dimensions. When Dora is shot down cattle baron King Kennedy (Barry Sullivan), Masterson begins taking his job seriously. After taking care of Kennedy, Masterson determines to enshrine the memory of Dora, whose efforts to clean up Dodge City were largely ignored by the "decent" townsfolk. Our favorite bit in Woman of the Town has the frontier newspaper editor advising an aspiring girl reporter (Beryl Wallace) to stick to her gossip column-whereupon we're informed that the lady is Louella Parsons! ~ Hal Erickson, All Movie Guide

In this western, fake settlers make themselves at home on an ex-ranger's ranch and drive him away. A shady newspaper publisher and a gambler then conspire to take over the land. Fortunately, another ranger endeavors to help his pal. Enlisting the aide of his fellow rangers, they get oust the homesteaders. The publisher and the gambler shoot each other and the retired ranger gets his ranch back. ~ Sandra Brennan, All Movie Guide

In this western a pugnacious cowboy tries to prevent a city-slicker from conning the local ranchers and the utility company. The hero believes the man is really a murderer. To find out for sure, the hero and his assistant pretend to be cons on the lam. The hero is soon accused of the murder. Now he must escape and bring justice to the real killer. ~ Sandra Brennan, All Movie Guide

Man from Rio Grande stars Don "Red" Barry as movie cowboy star Lee Grant. The plot finds Grant coming to the rescue of 8-year-old skating star Twinkle Watts (playing herself), who is being cheated out of an inheritance by scheming John King (Harry Cording). What follows is an unsettling mixture of traditional shoot-'em-up fare and ice-capades stunting. Twinkle Watts was an acquired taste, to say the least, but Republic insisted upon featuring the nimble-footed tyke in the next three Don "Red" Barry westerns. Perhaps as a result, the Barry series came to an abrupt end in late 1943. ~ Hal Erickson, All Movie Guide

Bob Kane's 1939 Detective Comics superhero The Batman came to the screens in serial form courtesy of Columbia Pictures and producer Rudolph C. Flothow. In time-honored serial fashion, Flothow chose Lewis Wilson for the title role, a relative newcomer, but one with an amazing facial resemblance to the cartoon character. Wilson's athletic ability, however, left a lot to be desired and Douglas Croft, cast as young sidekick Robin, the Boy Wonder, looked too old for his role, especially when doubled by a hairy-legged stunt man. For censorship purposes, the serial Bruce Wayne was not a lone Gotham millionaire crusader but gainfully employed by the Unites States government. Said government is terrorized by evil Dr. Daka (J. Carroll Naish), an emissary from Emperor Hirohito complete with atom-smasher ray guns and a device that turns its wearers into zombies. (The device, placed on the skull of its victim, resembles something from a child's Erector set.) Batman and Robin are aided by lovely Linda Page (Shirley Patterson), whose uncle (Gus Glassmire) becomes one of Dr. Daka's first victims. From the Bat Cave, the three crusaders and Wayne's butler, Alfred (William Austin), venture forth to battle the forces of evil in general and a scenery-chewing Naish in particular -- travelling in a convertible and not the later so familiar batmobile. It takes them 15 chapters and a race through an amusement park to finally destroy the evil Daka and the title of the concluding chapter, "Doom of the Rising Sun," must have brought a ray of hope to a war-weary populace. The Batman was directed by Lambert Hillyer, a veteran who knew something about bats from having previously helmed Dracula's Daughter. The serial was popular enough to merit a sequel, although it would take six more years until Columbia debuted The New Adventures of Batman and Robin (1949). ~ Hans J. Wollstein, All Movie Guide

Carson City Cyclone stars Don "Red" Barry as a frontier lawyer with the deceptively mild-mannered monicker of Gilbert Phalen. After an argument with his judge/banker father (Noah Beery), Gilbert finds himself the Number One suspect when his dad is murdered. Endeavoring to prove his innocence and bring the guilty party to justice, Gilbert is forced to assume the guise of a fearsome outlaw. An awful lot happens in the course of the film's 57 minutes, and most of it happens to the hero. Featured in the cast are such reliable Republic-western heavies as Roy Barcroft and Bud Osborne. ~ Hal Erickson, All Movie Guide

This late entry in Republic's long-running "Three Mesquiteers" series stars Bob Steele, Tom Tyler and Jimmy Dodd as, respectively, Tucson Smith, Stony Brooke and Lullaby Johnson. This time out, the Mesquiteers try to help young Tim Clay (John James), who's been framed for murder by villains who want to gain possession of Clay's ranch property. While Tim sits helplessly in jail, the bad guys move in, forcing the neighboring ranchers to pay exorbitant prices for Clay's water supply. As usual, the Mesquiteers don't stage a counteroffensive until they've got enough legal evidence to do so, but when they do swing into action, watch out! Not the best of the "Three Mesquiteers" epics, Santa Fe Scouts is also far from the worst. ~ Hal Erickson, All Movie Guide

Like many of Johnny Mack Brown's western vehicles of the 1942-43 season, Tenting Tonight on the Old Camp Ground draws its title from a popular song. Brown plays Wade Benson, head of a road-building project in the wild frontier. In their efforts to sabotage Benson's efforts, the villains lure his workers into the raucous saloon owned by dance-hall girl Kay Randolph (Jennifer Holt). But when the baddies resort to murder, Kay aligns herself with Benson, saving the day for both the road project and an ancillary government mail contract. Since Johnny Mack Brown could hardly qualify as a singer (as his later attempts at carrying a tune in his Monogram films would prove), the film's title song is warbled by Jimmy Wakely. ~ Hal Erickson, All Movie Guide