Barbara London Movies

Terrence McNally's stage play Frankie and Johnny in the Clair de Lune was a two-character piece, which starred Kathy Bates and F. Murray Abraham on Broadway. Garry Marshall's film version of the McNally play streamlines the title to Frankie and Johnny, expands the dramatis personae to include at least a dozen fascinating characters, and "glamorizes" the decidedly unglamorous Frankie and Johnny in the forms of Michelle Pfeiffer and Al Pacino (their first co-starring stint since Scarface). Purists carped at the changes, but overall the film is likeable enough to transcend these carps. While serving an 18-month sentence on a forgery charge, Johnny (Al Pacino) discovers the joys of cooking and classical literature. Upon his release, he is hired by gruff but good-hearted New York diner owner Nick (played by Garry Marshall "regular" Hector Elizondo). Also working for Nick is a waitress named Frankie (Michelle Pfeiffer). When Johnny expresses interest in Frankie, she keeps him at arm's length, her mistrust of men stemming from an unmentioned but obviously traumatic experience in her past. Eventually, however, Frankie and Johnny do get together, their curious relationship setting the stage for a dramatic denouement wherein both lovers bare their souls. The bulk of the original McNally play is concentrated in the film's final 20 minutes; the rest of the picture is a kaleidoscope of comic and poignant vignettes and quick-sketch character studies. Of the newly minted characters, the standout is Nathan Lane in the traditional "gay best friend/severest critic" role: he plays the character so effectively that one forgets he's essentially a cliché. As for the stars, Al Pacino is ideally cast as Johnny, but Michelle Pfeiffer, superb though she is, seems a bit ill at ease as the emotionally tattered Frankie; she totally wins the audience's hearts, however, in the film's memorable bowling-alley sequence. Smoothing over the rough spots in Frankie and Johnny is the evocative musical score by Marvin Hamlisch. ~ Hal Erickson, All Movie Guide

Comprised of classic teen movie elements scattered like croutons over a salad, this undistinguished high school drama involves several inconsequential stories at once, set in a seven-day period before the beginning of school. Tom Drake (Christopher Penn, Sean's brother) is a high-school wrestler who loves Eileen (Jenny Wright), but she is more than just a little dubious about their relationship. Since her lecherous boss (Rick Moranis) will not leave her alone, men are at a low ebb in her life. Bill Conrad (Eric Stoltz) is a friend of Tom's who has already graduated and who asks him to share his apartment for awhile to help him out financially. Bill then decides to split with his girlfriend Anita (Lea Thompson), who is suddenly too young for his new status as a high-school grad. Miffed at his rejection, Anita starts a liaison with David Curtiss (Hart Bochner), without knowing that David is married and a father. Other than Bill's 15-year-old brother Jim (Ilan Mitchell-Smith), who follows a Vietnam vet around in adulation, the entire focus of the film is on teen love relationships played by twentysomethings from the vantage point of tensomethings, more or less. ~ Eleanor Mannikka, All Movie Guide

The most narratively loose of Robert Altman's '70s films, California Split details the haphazard lives of two compulsive gamblers searching for that ever-elusive big score. Newly single and soon-to-be-unemployed Bill (George Segal) joins live-wire pal Charlie (Elliott Gould), as the pair moves from Fruit Loops with Charlie's hooker roommates Sue (Gwen Welles) and Barbara (Ann Prentiss) to bets on horses, backroom card games, boxing, and basketball. They make it to Reno, but Bill comes to realize that even the big score may not be the answer to the meaning (or meaninglessness) of life. For Charlie, however, that's all there is. ~ Lucia Bozzola, All Movie Guide

Jennie (Susan Strasberg) travels to San Francisco to locate her hippie brother Steve (Bruce Dern). She meets Stoney (Jack Nicholson) in a coffeehouse and he helps her look for Steve, who Stoney has seen in his various attempts to start a rock & roll band. Stoney and his pals transform the square girl into a swinging hippie chick, complete with a mod miniskirt. Along with their buddy Dave (Dean Stockwell), they search for Steve amidst the psychedelic splendor of the Haight-Ashbury hippie haunts. Dave is killed by a car when he wanders around in an STP-induced stupor. LSD, marijuana, and the good and the bad sides of hippie life are illustrated with non-judgmental accuracy. The soundtrack of the movie is a musical gem, complete with the international smash "Incense and Peppermints" by the Strawberry Alarm Clock. (The group reached the top of the charts with the song in October 1967.) Also on hand are the Seeds, although they don't get to perform their best-known song, "Pushin' to Hard." (Seeds lead singer Sky Saxon would gain as much notoriety as an acid casualty as he would from his musical ability.) Also adding music are the Storybook and Cryque Boenzee. The latter group contained Rusty Young and George Grantham, who would join with former Buffalo Springfield members Richie Furay and Jim Messina from the legendary, long-lived country-rock band Poco. This time-capsulized gem was produced by Dick Clark, the world's oldest teenager. ~ Dan Pavlides, All Movie Guide

This independent New York film takes place in the bohemian coffeehouse hangout in Greenwich Village. A trio of robbers knock off a bank, but to perish in the ensuing gun battle with police. The surviving crook stumbles into the basement of some beatnik performers who take him in. When they discover the hunted man is carrying $90,000 in cash, their distaste for money quickly changes to greed. The coffee shop owner (Lionel Stander) and his girlfriend Angel (Barbara London) join the beatniks, a drunken doctor, and the police who all want the money. Angel talks the wounded crook into leaving with her, waiting for an opportunity to seize the loot. This film was produced, written, directed and edited by Larry Moyer. ~ Dan Pavlides, All Movie Guide