Michael Lombard Movies

When the disemembered head and arm of a female murder victim is found in a junkyard, the SVU team launches an extensive search for the killer. Several false leads later, a man comes forth with a confession--but this is not the end of the story, which involves a black-market ring specializing in illegal body parts. The plot takes a poignant turn when it is determined that the dead woman's missing kidney is about to be donated to an ailing youngster. This case is especially fascinating to Detective Munch (Richard Belzer), if for no other reason than it reunites him with attractive, hearing-impaired medical investigator Amy Solwey (Marlee Matlin). ~ Hal Erickson, All Movie Guide

A 17-year-old suffers a fatal heart attack which results in a major traffic accident. This tragedy leads to a morass of legal complications involving the sale of faulty pacemakers. Assistant D.A.'s Stone (Michael Moriarty) and Robinette (Richard Brooks) must determine who, at the end of the day, is truly to blame: the dead youth's doctor, the pacemaker salesman, or the manufacturer. ~ Hal Erickson, All Movie Guide

A doctor dabbles in magical resurrection with horrific consequences in this supernatural thriller adapted from the novel by Stephen King. When Dr. Louis Creed (Dale Midkiff) and his family move from Chicago to an old farmhouse in rural Maine, their only concern is the busy highway that flanks their new home. Louis' family -- wife Rachel (Denise Crosby), daughter Ellie (Blaze Berdahl), and toddler Gage (Miko Hughes) -- soon meet kindly old duffer Jud Crandall (Fred Gwynne), who introduces them all to the local attractions, including a pet cemetary built on the remains of a Native American burial ground. When Rachel and the kids head off to visit Louis' in-laws, Ellie's cat gets flattened by a truck. Jud counsels Louis to bury it in the old Indian portion of the cemetary; the next day, it returns from the dead, carrying with it the stink of the earth and a decidedly bad attitude. Shortly thereafter, Louis is tempted to use the cemetary's magical powers again when his son suffers a tragic accident. A snarling kitty, it turns out, is nothing compared to the horror of a little boy with no soul and a taste for scalpels. In addition to adapting his own novel for the screen, writer King appeared in a brief cameo as the minister presiding over Gage's funeral. Director Mary Lambert would return with Pet Sematary Two. ~ Brian J. Dillard, All Movie Guide

This made-for-TV film was originally titled simply Clinton & Nadine when it made its debut on May 28, 1988. Andy Garcia plays Clinton, who is eager to find his brother's murderer. To do so, he enlists the aid of Nadine (Ellen Barkin), a high-priced call girl. Clinton and Nadine get sucked into a plot to smuggle guns to the Contra forces in Nicaragua. The credited screenwriter for the film, Willard Walpole, was actually Robert Foster, who wasn't happy with the film and insisted his real name be removed from the credits. Clinton & Nadine was produced for the HBO cable service. The film is unrated, but contains heavy doses of violence and sexual suggestiveness. ~ Hal Erickson, All Movie Guide

Richard Condon's delicious black comedy was lovingly translated to the screen by legendary director John Huston in one of his last movies. The Prizzis are a powerful family of mobsters, as devoted to their code of honor as they are to bending laws and breaking skulls. Charley Partanna (Jack Nicholson), a Prizzi hit man, is not quite so honorable, at least where affairs of the heart are concerned. While attending a mob wedding, he throws over his longtime sweetheart Maerose Prizzi (Anjelica Huston) in favor of gorgeous Irene Walker (Kathleen Turner). Supposedly a tax consultant, Irene is actually a paid killer like Charley--and this endears her to him all the more. But when it turns out that Irene has betrayed the Prizzis, Charley finds himself on the horns of a dilemma: does he kill Irene or marry her? Fortuitously, Irene helps Charley make up his mind by attempting to kill him. The film's strongest suit is its matter-of-fact approach to Charley and Irene's profession; in the movie's most memorable scene, the two lovers calmly discuss their dinner plans while disposing of the corpse of their latest victim. Nominated for eight Academy Awards, including Best Picture and Best Director, Prizzi's Honor won Best Supporting Actress for Huston's daughter Anjelica, playing the "art imitates life" role of Nicholson's cast-off girl friend. The win made Anjelica, John, and Walter Huston the only three generations of one family all to win Oscars. ~ Hal Erickson, All Movie Guide

Trying to recreate the screwball comedy success of his collaborations with Peter Bogdanovitch, actor Ryan O'Neal headlined this sporadically funny mixture of light farce and social satire. O'Neal stars as Bobby, an intellectual English professor who leaves his job when his father Jack (Jack Warden) appeals to him for help. A garment manufacturer, Jack is in serious debt to humongous loan shark Eddie (Richard Kiel), and he desperately needs his business to provide the capital to pay Eddie back. Completely by accident, Bobby invents the solution to his dad's problem: see-through denim blue jeans with strategically placed holes in the rear that expose one's backside. The fickle public goes mad over the "sexy" new style, and the money starts flowing in, but Bobby exacerbates his father's problems greatly when he falls for and begins dating the amorous Lira (Mariangela Melato), whose husband is none other than Eddie. So Fine was the feature directorial debut of popular Blazing Saddles (1974) writer Andrew Bergman, who would wait eight years before getting behind the camera again with the much more successful The Freshman (1990). ~ Karl Williams, All Movie Guide

In the conclusion of a two-part story (originally telecast as a single "TV movie"), glamorous socialite Kendall Warren (Lauren Bacall) insists upon helping Jim (James Garner) track down the mysterious assailant who has been trying to kill her--and to find out why she has been thus targetted. This case hits a snag when the most likely suspect, gangster Tommy Minnette (Carmine Caridi), ends up murdered himself. And what has become of Princess Irene (Dana Wynter), the woman who hired Jim to protect Kendall in the first place? ~ Hal Erickson, All Movie Guide

Written by Loring Mandel, Breaking Up stars Gena Rowlands as a middle-aged housewife who, after 16 years of marriage, is asked for a divorce by husband Granville van Dusen. Once overcoming the shock and the bitterness, Rowlands must determine the future course for herself and her two children. Her efforts to set up her own fashion design business and to enter the dating pool are almost as traumatic as the initial separation. Adding to the dilemma is an increasingly large rift between Rowlands and her teen-age daughter, who holds her mom responsible for the marital discord. Breaking Up was telecast January 2, 1978 as an ABC Theatre presentation. ~ Hal Erickson, All Movie Guide

A trenchant satire of "trash TV," Network seems to grow only more relevant with each passing year. Howard Beale (Peter Finch), the dean of newscasters at the United Broadcasting System, is put out to pasture because he "skews old." Network executive Max Schumacher (William Holden), Howard's best friend, is forced to deliver the bad news. Beale can't stomach the idea of losing his 25-year post as anchorman simply because of age, so in his next broadcast he announces to the viewers that he's going to commit suicide on his final program. Network head Frank Hackett (Robert Duvall) is all for kicking Beale out then and there, but when it looks as though the UBS is going to have its greatest ratings ever on the night of Beale's self-destruction, ambitious programming exec Diana Christensen (Faye Dunaway) talks Hackett into treating that fateful final telecast as a special event. Naturally, Beale doesn't go through with it -- but he does begin rambling about the horrible state of the world in general and television in particular. He concludes his tirade by admonishing his viewers to "Go to the window and shout as loud as you can: 'I'm mad as hell and I'm not going to take it anymore!'" With that, Howard Beale becomes the hottest TV personality in America, and Diana becomes the network's fair-haired girl. She draws up plans to treat the nightly news broadcast as garish entertainment (complete with a psychic), all built around the rants of Beale, billed as "The Mad Prophet of the Airwaves." Network won Oscars for Paddy Chayefsky's screenplay as well as for three of four acting categories -- Dunaway for Best Actress, Peter Finch for Best Actor (in the only posthumous Oscar yet awarded), and Beatrice Straight for Best Supporting Actress, in one of the shortest-screen-time performances ever to win an Oscar. ~ Hal Erickson, All Movie Guide

In 1970, Elliot Gould was the hottest male star in Hollywood; by 1975, he was making do with indifferent projects like Who?. This interesting British/German sci-fier, also known as Man Without a Face, Prisoner of the Skull and The Man With the Steel Mask, and also under the title Robo Man. Gould's role as an American government official is secondary to the character played by Joseph Bova. While visiting the Soviet Union, scientist Bova is involved in a serious car accident. The Russian surgeons perform emergency life-saving surgery by replacing most of Bova's body parts with electronic devices. Thus when he returns home, Bova is to all intents and purposes a cyborg. It is up to Gould to find out if our reconstituted hero has been transformed into a Soviet spy. After several rondelay dialogue scenes and silly car chases, Who? ends on a quiet, pensive note-perhaps the most effective scene in the whole picture. Adapted from the well-regarded novel by Algis Budrys. ~ Hal Erickson, All Movie Guide