Herbert Lom Movies
Born Herbert Charles Angelo Kuchacevich ze Schluderpacheru, Herbert Lom enjoyed a successful acting career in his native Czechoslovakia, principally in theater. He made his screen debut in Zena Pod Krizem (1937) and made one more movie in Czechoslovakia before emigrating to England in 1938. He acted at The Old Vic in London, among other companies, before turning to British films, where his good looks, cultured accent and mannerisms, and intense eyes got him cast in such unusual roles as Napoleon Bonaparte (in The Young Mr. Pitt) in between slightly more anonymous parts. Lom's real breakthrough role was in Compton Bennett's 1946 psychological drama The Seventh Veil, as Dr. Larsen, the psychiatrist treating neuroses of the pianist portrayed by Ann Todd. Lom might have become a kind of Eastern (or Middle) European successor to Charles Boyer, but he was too good an actor to limit himself to romantic parts; instead, he was more like a Czech Jean Gabin. Lom often played highly motivated villains in the 1950s and '60s, most notably in Jules Dassin's Night and the City (1950), in which he brought surprising humanity to the role of a brutal, vengeful gangster, and Sidney Gilliat's State Secret (1950). He reprised the role of Napoleon in King Vidor's sprawling 1956 production of War and Peace, and was a memorably humane, well-spoken Captain Nemo in the Ray Harryhausen production of Mysterious Island (1961); he also played the title role in a 1962 production of The Phantom of the Opera, but Lom's best movie during this period -- despite having some of his shortest screen time -- was Anthony Mann's El Cid, in which he played the Muslim leader Ben Yussuf. He counter-balanced this work with a newly revealed flair for comedy, utilized in the Pink Panther movies, starting with A Shot in the Dark, where his long-suffering bureau chief Dreyfus was forever dreading Inspector Clouseau's latest blunder. He was also Simon Legree in the 1965 German musical production of Uncle Tom's Cabin (as Onkel Tom's Hütte). During the late '60s and '70s, he began appearing in horror films of various types, following a path similar to that blazed by his British-born contemporary Michael Gough. He has kept his hand in gentler and more complex roles, however, including that of the sardonically humorous Soviet bureau chief in Ronald Neame's Hopscotch (1980), and David Cronenberg's The Dead Zone (1983). ~ Bruce Eder, All Movie Guide
- 1976
- PG
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Most Inspector Clouseau fans regard The Pink Panther Strikes Again as the best of the clumsy Parisian detective's "comeback" films of the 1970s. Driven insane by the stupidities of Clouseau (Peter Sellers), ex-inspector Dreyfuss (Herbert Lom) transforms into a master criminal. Kidnapping the inventor of a death ray, Dreyfuss threatens to use the demon device indiscriminately unless Clouseau is offered as a "sacrifice." A hunted man, Clouseau is forced to adopt one transparent (but hilarious) disguise after another. He is rescued from being incinerated by Dreyfuss when Soviet spy Olga (Leslie Ann Down) falls in love with him and strives to protect him. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Sellers, Herbert Lom, (more)

- 1975
- G
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After several years at loggerheads with one another, director Blake Edwards and star Peter Sellers reteamed for the slapstick fiesta The Return of the Pink Panther. It looks as though wizard cat-burglar Sir Charles Litton, played by David Niven in the original 1964 Pink Panther but here essayed by Christopher Plummer, is back in business. Dispatched to the Swiss resort town of Gstaad by his long-suffering superior Inspector Dreyfuss (Herbert Lom), Clouseau adopts a series of easily penetrable (and hilarious) disguises to get the goods on Sir Charles and his wife Claudine (Catherine Schell). If you remember A Shot in the Dark, you'll recall that Clouseau's ineptitude turned Inspector Dreyfuss into a twitching homicidal maniac. The same thing happens here, paving the way for the sequel, The Pink Panther Strikes Again. And, as with all the "Panther" movies, we are treated to the insinuating theme music by Henry Mancini, and the animated opening and closing titles. Return of the Pink Panther earned $17 million on its initial release. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Sellers, Christopher Plummer, (more)
An Italian-French-Spanish version of the much-filmed Agatha Christie story, this film is strangely set in Iran, not Great Britain. Ten guests are invited to a remote desert inn and informed that the mysterious host has described in a nursery rhyme how they will all die during the gathering. One by one, the characters, played by such Continental stars such as Elke Sommer and singer Charles Aznavour as well as Britons Oliver Reed and Richard Attenborough, dwindle in number, each in accordance with a verse of the nursery rhyme, until only a few remain. The final characters then plot to ensnare the criminal mastermind behind the weekend of mayhem. ~ Michael Betzold, All Movie Guide
- Starring:
- Oliver Reed, Elke Sommer, (more)
This creepy, atmospheric horror film from England's Amicus Productions dispenses with much of the tongue-in-cheek presentation of their popular '70s horror anthologies (such as Asylum and Dr. Terror's House of Horrors) in favor of a more adult-oriented approach. The story begins in the 18th century, as a young stable hand tries to prevent nobleman Fengriffen (Herbert Lom) from raping a young servant girl -- who happens to be the stable hand's wife -- and for this transgression has his hand lopped off. Flash forward to the present, where Fengriffen's ancestor (Ian Ogilvy) and his wife (Stephanie Beacham), now living on the ancestral estate, are haunted by the servant's vengeful spirit, as well as the severed hand itself, which roams the gloomy corridors of the mansion. Most video versions are taken from the TV print, which is missing some scenes of violence and nudity. ~ Cavett Binion, All Movie Guide
- Starring:
- Peter Cushing, Herbert Lom, (more)
This tepid supernatural melodrama involves the former director of a mental hospital (Robert Hardy) who inherits the estate of one of his patients -- a house which was once the site of multiple murders. He also stands to inherit a substantial sum of gold... if only he can locate the treasure, which is hidden somewhere on the premises. Before long, Christopher Lee, Joan Collins and Herbert Lom catch the scent, aiming to do a bit of prospecting themselves. As the search progresses, Hardy's mental state begins to degrade, apparently as a result of the malevolent spirits which haunt the mansion, driving him to commit murder. Despite the prominent billing of Joan Collins (at the peak of her popularity on TV's Dynasty) for the video release, she and horror stalwart Lee have rather insignificant roles in this routine thriller. ~ Cavett Binion, All Movie Guide
Four short stories by master of macabre Robert Bloch are related by the inmates of a mental institution. In the first story, Richard Todd murders his wife and cuts her body into little pieces -- but that doesn't stop her from seeking revenge. In the second, Peter Cushing orders crooked tailor Barry Morse to weave a coat from a magic fabric in order to bring Cushing's son back from the dead (this one was previously dramatized on the TV series Thriller). The third story stars Charlotte Rampling as a schizophrenic whose "doppelganger" is manifested in the person of Britt Ekland. The final tale involves demented toymaker Herbert Lom and his army of killer robots. Robert Bloch himself adapted his original source material for the screen. Asylum was also known as House of Crazies. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Cushing, Britt Ekland, (more)
The fourth film to explore Edgar Allan Poe's classic tale, this clever adaptation takes some rather broad liberties with the source material. A flamboyant Jason Robards plays Cesar Charron, owner of a Grand Guignol theatre in 19th-century Paris, who is launching a stage adaptation of "Murders in the Rue Morgue" -- much to the dismay of his young daughter Madeleine (Christine Kaufmann), who is tormented by nightmares filled with images from the play. A spate of gruesome murders among the theatre's regular stable of actors leads Charron to suspect the return of his deranged, disfigured former partner René Marot (Herbert Lom), who had been presumed dead after the murder of Charron's wife. Madeleine's nightmares eventually come true when Marot makes his presence known and reveals his intentions to her on the eve of the production's opening night. Director Gordon Hessler's creative handling of the dreams-vs.reality premise is rendered a bit confusing thanks to AIP's sloppy re-editing, but the overall production is still effectively chilling. ~ Cavett Binion, All Movie Guide
The classic story of evil by Oscar Wilde is a plodding, campy, trashy production that gives the viewer moments of unintentional laughter. Dorian Gray (Helmut Berger) is the vain young Englishman who sells his soul to the devil to remain eternally youthful in appearance. His portrait is being painted by Basil (Richard Todd), much to the delight of his first true love Sybil (Marie Liljedahl). Lord Henry Wolton (Herbert Lom )is Dorian's partner in collaborating with evil. Gray remains the same but the picture reflects his image to show the ravages of old age and time. The drama, mystery and psychology of the original book is absent from this poorly made remake done 25 years earlier. Herbert Lom goves the only noteworthy performance of the film. ~ Dan Pavlides, All Movie Guide
- Starring:
- Helmut Berger, Richard Todd, (more)
Made for TV, Mister Jerico stars Patrick Macnee as smooth con artist Dudley Jerico. Marty Allen, the brillo-haired member of the Allen and Rossi comedy team, is good for a few laughs as Jerico's sidekick. The pair are in Malta to pull off a spectacular scam. Millionaire Herbert Lom is covetous of the mate for his priceless "Gemini diamond," and Jerico drops subtle hints suggesting he's the man to supply the elusive gem. The publicity packet for Mister Jerico assured that we'd see "a comic run of fake and real gems, mixed identities, and pell-mell chases." What we never saw was the weekly series for which Mister Jerico was so obviously the pilot film. ~ Hal Erickson, All Movie Guide
Released as Mark of the Devil to U.S. theaters (accompanied by complimentary barf-bags for squeamish patrons with urpy tendencies), this gory torture-fest was produced in Germany under the title of Hexen bis aufs Blut Gequält (Witches Tortured Till They Bleed). The story is comprised of equal parts Ken Russell's The Devils and Michael Reeves' sardonic Witchfinder General (aka The Conqueror Worm). It involves the demented Count Cumberland (Herbert Lom), an Austrian nobleman who implements the witch-hunting policies of the Inquisition as a means of obtaining land, riches, and nubile young wenches -- particularly the lovely Vanessa (Olivera Vuco), who has been accused of heresy and witchcraft. Cumberland's accomplice in the torture and terror, Baron Christian Von Mem (Udo Kier), realizes too late that his mentor is the true evil stalking the land, not the terrified innocents whose "trials" are a mockery of justice. Christian is sacrificed to the enraged villagers during the inevitable revolt at the film's climax, while the Count makes a hasty escape -- thus enabling the birth of a sequel, Mark of the Devil Part 2. Both films were repackaged in the mid-70's and released in time to join the ranks of the European demon-possession subgenre (American release ads proudly proclaimed "Damn The Exorcist!"). The barf-bags were not entirely unjustified for this graphically sadistic exercise which assaulted audiences with explicit scenes of torture, including the removal of one poor victim's tongue. ~ Cavett Binion, All Movie Guide
- Starring:
- Herbert Lom, Olivera Vuco, (more)
This doggedly faithful adaptation of Bram Stoker's novel about a vampiric nobleman was helmed by cult director Jesus Franco. Despite its textual loyalty and atmospheric photography by Manuel Merino, the film -- a co-production from Spain, Italy, Germany, and Liechtenstein -- is plodding and dull. Even Christopher Lee (in an uncharacteristically weak performance as Dracula), Klaus Kinski (as the mad Renfield), and seven credited screenwriters cannot make this confused, distant film worthwhile. Cult filmmaker Bruno Mattei edited the Italian version, and scenes were later used in Calvin Floyd's In Search of Dracula. Among several different versions are prints running 100, 98, and 86 minutes. Franco appears as a servant to Professor Van Helsing (Herbert Lom), and though certainly literate, the film nevertheless fails as both horror and drama. ~ Robert Firsching, All Movie Guide
- Starring:
- Christopher Lee, Klaus Kinski, (more)

- 1969
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A previously unknown planet is discovered within our solar system, orbiting on the far side of the sun exactly opposite the position of the Earth, and at precisely the same speed. The European space agency Eurosec, headed by Jason Webb (Patrick Wymark), whose solar probe made the discovery, decides to send a manned mission to investigate, teaming America's top astronaut Glenn Ross (Roy Thinnes) and British astro-physicist John Kane (Ian Hendry). Their voyage aboard the space vehicle Phoenix is supposed to take six weeks, but when the ship returns to orbit in only three weeks -- ending in a crash of their landing vehicle that kills Kane -- Eurosec can only conclude that Ross has engaged in some sort of sabotage. The astronaut is at a loss as to how they could have done a round-trip in just three weeks, until he makes a startling discovery -- that everything that he sees, from the layout of rooms and buildings to all of the writing around him, is reversed, left to right and right to left. It takes Ross, amid his confusion, to arrive at the only possible conclusion -- that he and Kane did, indeed, journey to the new planet, and that world is a duplicate of Earth (and visa versa) down to the last molecule, a perfect mirror-image; and that world dispatched its own mission, with its own Ross and Kane. He and Webb, and Eurosec, scarcely have time to absorb the implications of this discovery -- if true -- as they prepare for a return flight for Ross, despite enormous risks and some potentially very dangerous unknowns in getting him back to the Phoenix. ~ Bruce Eder, All Movie Guide
- Starring:
- Roy Thinnes, Patrick Wymark, (more)
Jesus Franco's campy women's prison film, though both stereotypical and rare to find in its original version, is worthwhile for genre devotees primarily due to an outstanding cast. Mercedes McCambridge is unintentionally hilarious as sadistic lesbian warden Thelma Diaz, spitting tacky dialogue with exuberant venom in a performance so overbearing that it verges on classic. The plot is standard for the genre, as three women (Maria Rohm, Elisa Montes, Luciana Paluzzi) are sentenced to an island prison off the Panamanian coast, only to encounter torture, rape, and lesbianism. When sympathetic Warden Caroll (Maria Schell) replaces Diaz, the prisoners assume that conditions will improve, but their agony only worsens until they decide to escape. Rosalba Neri co-stars, and Herbert Lom runs the corrupt men's prison nearby. 99 Mujeres was heavily censored in various prints, with versions running anywhere between 70 and 108 minutes. Edits running 84, 86, and 94 minutes are most commonly available. ~ Robert Firsching, All Movie Guide
- Starring:
- Maria Schell, Mercedes McCambridge, (more)
In this jungle adventure, a downed Yankee flier must make his way alone through the dense Amazon jungle. At one point, he finds himself surrounded by unfriendly natives. He is just about to lose his life when a beautiful white woman, who is revered by the natives as a goddess, swoops down from the trees and saves his neck. The word of the jungle girl's existence gets around and the girl suffers dire consequences when she suddenly finds herself pursued by a wicked carney, a scientist, and the enraged natives, who believe she has betrayed them by rescuing the pilot. ~ Sandra Brennan, All Movie Guide
Insurance investigator Richard Cutting (Patrick O'Neal) is summoned to look into the sinking of some ships owned by wealthy shipping-magnate Curt Valayan (John Gielgud). Traveling to Switzerland, he interviews the owner and finds that his henchmen Matt (Herbert Lom) and the Big Man (Leon Greene) may be on Curt's payroll but are definitely looking out for their own interests. One agent has already been killed, and the local police inspector Ruff (Oscar Homolka) briefs Richard on the situation. Dominique (Joan Hackett) is on her way to provide some valuable information before being violently murdered. Richard tries to keep himself alive in a foreign country as he tries to solve the crimes in this dramatic mystery. ~ Dan Pavlides, All Movie Guide
- Starring:
- Patrick O'Neal, Joan Hackett, (more)
Yul Brynner stars as the legendary Mexican revolutionary Pancho Villa in this 1968 epic that was originally written by Sam Peckinpah, who hoped to direct it. But studio bosses instead hired Buzz Kulik and cut the script. Villa is commanded by General Huerta (Herbert Lom) and assisted by the sadistic Fierro (Charles Bronson). Captain Francisco Ramirez (Frank Wolff) is a counter-revolutionary leader for whom an American pilot, Lee Arnold (Robert Mitchum), is smuggling guns from Texas. While Arnold is in a small village waiting for his place to be fixed, he sees Ramirez's troops attack the village and get routed by Villa. The rebels arrest Arnold for gun-running and sentence him to face a firing squad. He works a deal to save his skin by agreeing to fly missions for the revolutionaries. While Villa's men attack a train, Arnold bombs government troops with grenades. Arnold's aerial support saves Villa when he is sent on a doomed mission by Huerta, who is vying with Villa for power. Arnold escapes to Texas and Villa is arrested for disobeying Huerta's orders. Villa eventually escapes, finds Arnold in Texas, and convinces him to fight again for the revolution, which is now targeting Huerta, who has assassinated the Mexican president and taken power. ~ Michael Betzold, All Movie Guide
- Starring:
- Yul Brynner, Robert Mitchum, (more)
The Man from UNCLE comes to the big screen in this spy thriller comprised of episodes from the popular television series. The story centers around the attempts of evil THRUSH operatives who endeavor to abduct a professor who has developed a formula for turning salt water into gold. ~ Sandra Brennan, All Movie Guide
Siegfried's wife Kriemhild (Maria Marlow) seeks vengeance after she learns of her husband' death. ~ All Movie Guide
- Starring:
- Karin Dor, Herbert Lom, (more)
Director Harald Reinl takes this epic sword-and-sorcery fantasy from the 12th-century Teutonic legend and from the 1924 Fritz Lang silent classic. Siegfried (Uwe Beyer) is a heroic warrior who bathes in dragon's blood to become nearly invincible. ~ Dan Pavlides, All Movie Guide
- Starring:
- Uwe Beyer, Rolf Henniger, (more)
Films like Bang, Bang, You're Dead helped kill the movie career of Tony Randall in the mid-1960s. Randall plays an innocent oil company representative who gets tied up with a gang of crooks in Morocco. The head criminals, played by Herbert Lom and Klaus Kinski, plunge Randall into the middle of a complex espionage scheme involving the Red Chinese. There is one good scene in a massage parlor, but otherwise the film isn't wacky enough to be funny or intriguing enough to be taken seriously. Produced by the indefatigable Harry Alan Towers, who exercises his usual prerogative of hiring so many "guest stars" that hopefully the audience won't notice the plot deficiencies, Bang, Bang, You're Dead was sneaked out to theatres under several titles: Bang, Bang, Bang! Marrakesh, Our Man in Marrakesh, and I Spy You Spy. ~ Hal Erickson, All Movie Guide
- Starring:
- Tony Randall, Senta Berger, (more)
Ideal and reality clash in this humorous tale of the heist that could have been. As scheming career cat burglar Harry Dean (Michael Cane) prepares to steal a priceless statue from the world's richest man, he seeks out the assistance of Eurasian showgirl Suzy Chang Shirley Maclaine). Though the likeable rogue's plan seems foolproof as he conveys the details to his partner Ram (Robert C. Carmel), the execution proves a detailed study in Murphy's Law. Constantly reinventing the plan as his originally ideal spirals ever more out of control, it seems as if Harry's heist is destined to fail. ~ Jason Buchanan, All Movie Guide
- Starring:
- Shirley MacLaine, Michael Caine, (more)
Ingrid Thulin plays a Polish inmate of the Dachau concentration camp who is liberated at the end of the war. Presumed dead, Ingrid returns to visit her husband (Maximillian Schell) She finds that his grief was fleeting at best; his new mistress is his "deceased" wife's daughter (Samantha Eggar) from a previous marriage. Since Ingrid's identity is masked by plastic surgery, she subtly re-enters their life without undue stress for either husband or daughter. But when the husband figures out the ruse, he murders his young paramour in the bathtub (a moment lavishly exploited in the print ads for this film) and plots to kill Ingrid for her money. A textbook case of implausibility, Return from the Ashes was adapted from an equally unbelievable novel by Hubert Monteilhet. ~ Hal Erickson, All Movie Guide
- Starring:
- Maximilian Schell, Samantha Eggar, (more)
Set in Kentucky during the slavery days of the Old South, this adaptation of the novel by Harriet Beecher Stowe tells of the workings of the underground railroad, a secretive system formed by whites and blacks which allowed slaves to escape into the northern states. This drama, directed in Yugoslavia by Hungarian Geza Radvanyi, tends to stray from the original story and contains many contradictions to historical fact. ~ Kristie Hassen, All Movie Guide
- Starring:
- John Kitzmiller, O.W. Fischer, (more)
A murder has been committed at the palatial Parisian residence of Benjamin Ballon (George Sanders). All the evidence points to sexy, wide-eyed housemaid Maria Gambrelli (Elke Sommer). Police inspector Dreyfuss (Herbert Lom) is prepared to make an arrest -- and then the gloriously, monumentally inept Inspector Clouseau (Peter Sellers) arrives on the scene. Clouseau may have difficulty getting through the day without falling into ponds, knocking people cold with opened doors, and pocketing flaming cigarette lighters, but his instincts are right on target when he decides that Mme. Gambrelli is being framed by someone else in the Ballon household. Even as the murder victims pile up, Clouseau is determined to prove Mme. Gambrelli's innocence. As he cuts a bumbling, destructive swath through Paris, Clouseau drives Dreyfuss literally insane. This fact leads to the literally explosive climax, and to the ultimate vindication of Mme. Gambrelli. While we first met Inspector Clouseau in The Pink Panther, Shot in the Dark is the film that truly established the Clouseau mythos: the festive clumsiness, the convoluted dialogue ("You shot him in a rit of fealous jage!"), the Fractured French ("A beump on zee head!"), the twitching lunacy of poor Inspector Dreyfuss, the unexpected "judo lessons" of Clouseau's houseboy Kato (Burt Kwouk), and of course the hilariously macabre jokes involving dead or seriously injured bystanders. You'd never know it, but A Shot in the Dark was inspired by a standard three-act stage comedy by Harry Kurnitz, which in turn was adapted from the French play L'Idiote by Marcel Achard. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Sellers, Elke Sommer, (more)
Filmed on location in Paris, Disney's Horse Without a Head stars Jean-Pierre Aumont as police-inspector Sinet. The inspector's well-ordered existence is turned upside down by a group of youngsters who insist upon racing their headless toy horse up and down the streets of Paris. Villainous Herbert Lom decides to take advantage of the kids' innocent faces by hiding a key in the headless horse--a key to a deserted factory, where he has squirreled away 10 million stolen francs. Among the child actors in this breezy adventure is a young Pamela Franklin. Released theatrically in Europe, A Horse Without a Head was originally telecast in two parts on September 29, 1963 and Oct 6, 1963 as the third-season opener of Disney's Wonderful World of Color TV anthology. ~ Hal Erickson, All Movie Guide





















