Pat Logan Movies
- 1991
- Add Bloodsucking Pharaohs in Pittsburgh to QueueAdd Bloodsucking Pharaohs in Pittsburgh to top of Queue
This daffy, hit-and-miss gore comedy was apparently conceived as a parody of Herschell Gordon Lewis' splatter landmark Blood Feast, which, frankly, represents too easy a target. There are no actual Pharaohs involved, only a crazed figure in a fez who roams the streets of Pittsburgh slicing, axing and chainsawing naughty ladies of the night, then absconding with various stolen body parts. The killings mimic the M.O. of a Las Vegas-based occult serial killer who was shot dead by a slouchy cop (Joe Sharkey) more than a decade ago -- a cop who has been haunted by the case ever since. A trip to Pittsburgh's Egyptian district leads our hero and a butt-kicking meter maid (Susann Fletcher) smack into the killer's hideout, where a bloody battle to the death ensues. It's clear the filmmakers intended this to be either a wild, Airplane!-style take on splatter movies or a frenetic, comic gorefest a la Peter Jackson's Dead Alive, but the story and direction lack wit or creativity enough for either one. Nevertheless, there are some outstanding moments of grim humor (particularly a subplot involving a quit-smoking clinic) and audacious makeup effects from local boy Tom Savini. Some promotional materials have replaced director Dean Tschetter's name with familiar DGA pseudonym "Alan Smithee." ~ Cavett Binion, All Movie Guide
In the tradition of This Is Spinal Tap, producer/ director/ star Tim Robbins' Bob Roberts is a satire disguised as a documentary. Robbins plays the titular Roberts, a wealthy, well-connected young man running for a senatorial seat in Pennsylvania. On the surface, Roberts is an ingratiating glad-hander, a sincere believer in the restoration of such intangibles as national pride, family values, etc. But the longer Roberts is followed about by documentary filmmaker Brian Murray, the more we become aware that the candidate is a textbook case of cynicism and contempt. Only Giancarlo Esposito, a reporter for an underground newspaper, is willing to dig beneath Roberts' veneer--a habit that leads to the film's ironic conclusion. Several well-known actors make cameo appearances as TV commentators, notably Tim Robbins' longtime partner Susan Sarandon. Bob Roberts started out as a Tim Robbins-directed short subject for the TV series Saturday Night Live, then was expanded into a $4 million feature. ~ Hal Erickson, All Movie Guide
- Starring:
- Tim Robbins, Giancarlo Esposito, (more)
Makeup wizard Tom Savini's color remake of George A. Romero's 1968 classic follows the original almost shot-for-shot, so quality comparisons are somewhat pointless. The film was clearly made for younger viewers who refuse to watch black-and-white films, no matter how good they may be. The result is passable, but the very fact that the original was made 22 years before makes this version seem almost dated in its restraint. By the time of its release, Romero had already geometrically raised the gore quotient with Dawn of the Dead (1978) and Day of the Dead (1985), so Savini's starting back at square one further lessened the impact of this pointless retread. If this version has anything to offer, it is Patricia Tallman's engaging lead performance as a gun-toting independent woman, one of this film's few elements not lifted wholesale from Romero. ~ Robert Firsching, All Movie Guide
- Starring:
- Tony Todd, Patricia Tallman, (more)
