Ramon Fernandez Movies

A lonesome widower and college economics professor finds his mundane existence suddenly shaken up when he befriends a pair of illegal immigrants, one of whom has recently been threatened with deportation by U.S. immigration authorities, in the sophomore feature from The Station Agent director Tom McCarthy. Years after losing his wife, 62-year-old Walter Vale (Richard Jenkins) has also lost his passion for writing and teaching. In an effort to fill the empty void that his life has become, Walter makes a half-hearted attempt to learn to play classical piano. Later, when Walter's college sends him to a conference in Manhattan, he is surprised to discover that a young couple has moved into his seldom-used apartment in the city. Tarek (Haaz Sleiman) and his Senegalese girlfriend Zainab (Danai Gurira) have fallen victims to an elaborate real-estate scam, and as a result they no longer have a place to call home. When Walter reluctantly allows the couple to remain in his apartment, talented musician Tarek insists on repaying his host's kindness by teaching him to play the African drum. Over the course of Walter's lessons, the ageing academic finds his spirits revitalized while gaining a newfound appreciation for New York jazz clubs and Central Park drum circles. Later, Tarek is arrested in the subway and threatened with deportation after police learn that he is an undocumented citizen. Suddenly, in his attempt to help his new friend, Walter's passion for life is unexpectedly awakened. When Tarek's radiant mother Mouna (Hiam Abbass) arrives in the city in search of her son, that passion turns to romance -- something that Walter had previously thought he would never experience again. ~ Jason Buchanan, All Movie Guide

Tim Robbins, Bridget Moynahan, and William Hurt star in writer/director Henry Bean's topical urban comedy following one man's quest for a little peace and quiet in the big city. The noise was bothersome when David Owen (Robbins) first moved to New York City, but back in those early days it was almost endearing in an odd sort of way; a forgivable manifestation of urban vitality, or so he had led himself to believe. These days the incessant barking of car alarms, traffic, and frustrated commuters seems to be driving David insane, never allowing him the opportunity to concentrate or focus on the task at hand. While this distraction is at first only bothersome on a superficial level, however, the thing that really riles David is that he is completely powerless to remedy the problem. As the days go on and the noise on the street seems to amplify in David's ears, he makes the decision to take up arms against the unseen intruder. Initially, David is content to simply let the air out of tires or leave notes on windshields when the owners of cars fail to turn off their alarms. When this approach fails to yield acceptable results, David's subversive urban sabotage techniques quickly evolve into full-blown acts of vandalism. Eventually, David is caught in the act and arrested by the police. After spending a night in jail, David confesses to his wife that he is in fact the urban folk hero who has come to be known by the public as "The Rectifier" for his repeated attempts to hold those responsible for urban noise pollution accountable for their auditory transgressions. When his wife voices concern about such extreme and irrational behavior, David dutifully agrees to give up his career as a noise-fighting vigilante. But try as he might, David simply cannot repress his lingering urge to strike back against such a formidable enemy. ~ Jason Buchanan, All Movie Guide