Arthur Loft Movies

Warner Baxter plays Dr. Samuel Mudd, American history's most famous victim of circumstance. In 1865, Dr. Mudd, a known Confederate sympathizer, sets the broken leg of a mud-caked stranger who stumbles into his home. The injured man turns out to be John Wilkes Booth, and Mudd is accused of conspiring to murder President Lincoln. Sentenced to hang with the genuine conspirators, Mudd finds his sentence commuted to life imprisonment at the very last moment. He is shipped to Shark Island, a brutal penal colony. Subject to the cruelties of a guard (John Carradine) who hates Mudd because of his "complicity" in Lincoln's death, the doctor suffers the torments of the damned, while outside Shark Island his wife (Gloria Stuart) campaigns desperately to get her husband pardoned. During a Yellow Fever breakout on Shark Island, Dr. Mudd performs heroically to save the survivors. For his humanitarian efforts, Mudd is finally released and reunited with his wife. While the script glosses over the fact that Dr. Mudd had never been officially pardoned by the US government (the pardon wouldn't be granted until years after this film was made), Prisoner of Shark Island strives long and hard to exonerate the man for whom the phrase "your name is mud!" was coined. Dr. Samuel Mudd's story was retold in the 1952 feature Hellgate, with Sterling Hayden as a (fictional) doctor, and in the 1980 TV movie The Ordeal of Dr. Mudd, starring Dennis Weaver in the title role. ~ Hal Erickson, All Movie Guide

A lesser but still effective entry in the mid-1930s "prison" cycle, Parole catalogues the many problems facing prisoners who've served their debt to society. The story concentrates on Russ Whalen (Henry Hunter), one of several parolees trying to find work on the outside. The "ex-con" onus forces some of these men to return to crime, but Russ keeps his nose clean and finally finds success. Also given attention are the many abuses in the parole system, which in 1936 frequently favored those with the right connections. Of historical significance, Parole represents the film debut of Anthony Quinn, in a 45-second bit as a prisoner named Zingo Browning. ~ Hal Erickson, All Movie Guide

Legion of Terror was the first in a cycle of "exposé" films inspired by the upsurge in such hate groups as the KKK, the Silver Shirts and the Black Legion. The titular vigilante organization, which cloaks its extortionist motivations in the guise of patriotism, has a habit of sending mail bombs to its enemies -- and that's how Postal Inspector Frank Marshall (Bruce Cabot) becomes involved in the story. Before Marshall is able to expose the Legion of Terror for the cowards that they are, the group has murdered Don Foster (Ward Bond), the brother of Marshall's sweetheart Nancy (Marguerite Churchill). The film closes with an admonition to the audience to avoid getting suckered in by similar phony "All American" organizations. Legion of Terror was released just before Warner Bros. similar (and superior) The Black Legion. ~ Hal Erickson, All Movie Guide

Maxwell Anderson combined the Sacco-Vanzetti story with elements of the still-unsolved disappearance of Judge Crater, and the result was the blank-verse theatrical piece Winterset. Burgess Meredith, Margo and Eduardo Cianelli repeat their Broadway roles, respectively playing the grown son of an executed political radical, the woman who loves and stands by Meredith, and a menacing gangster with plenty to hide. 15 years after the execution, Meredith endeavors to clear his father's name, and to that end seeks out the judge (Edward Ellis) who presided over the trial, now a drunken, guilt-ridden derelict. Screenwriter Anthony Veiller remove most of Anderson's flowery dialogue and substituted a happy ending for the original play's cynically tragic denouement. Neither of these changes hurt the property, and in fact were heartily endorsed by Maxwell Anderson himself. But depression-era audiences, too wrapped in their own current problems to shed tears over the long-dead Sacco and Vanzetti, stayed away from Winterset in droves. ~ Hal Erickson, All Movie Guide

Wallace Ford and Barbara Pepper have a field day playing Poverty Row versions of William Powell and Myrna Loy in this amusingly silly whodunit. Honeymooners Jimmy and Marjorie Flavin find that their Red Rock Tavern hostelry is not only home to a jewel smuggling gang but the site of a double murder. Since both the victims were seemingly bitten to death, the most obvious suspect is Silver Wolf, the part-wolf police dog owner by wheelchair-bound hotel proprietor Jamison (John Elliott) and his wife (Clara Kimball Young). But nothing is quite as it appears at first and the Flavins are quickly enmeshed in a conundrum worthy of -- well, Nick and Nora Charles. Produced by Mercury Pictures for release by Sam Katzman's Puritan Pictures Corp., Rogue's Tavern was filmed on standing sets at the former RKO Pathé studios. ~ Hans J. Wollstein, All Movie Guide

Released in the wake of the spooky The Big Calibre (1935), this Bob Steele Western featured the spectacle of a villain skinned alive as punishment for attempted rape. Scripted by director Robert North Bradbury (Steele's real-life father), Western Justice presented Steele as Ace, an apparent drifter coming to the aid of Rufe (Perry Murdock), who has been falsely accused of robbery. Searching for clues that will clear Rufe, Ace finds himself playing poker in a deserted cabin with Pancho Lopez (Julian Rivero, whose daughter died after being attacked by Clem Slade, the real robber, and the sheriff (Lafe McKee). The three of them agree to prospect together at Red Ford, AZ, where they find the community in the midst of a water dispute with nasty businessman John Brent (Jack Cowell). The latter's chief henchman proves to be none other than the wanted Clem Slade (Arthur Loft). Recognizing his daughter's betrayer, Pancho kills him in the gang's mountain hideout by skinning him alive. Ace, who reveals himself to be a lawman, captures Brent in an ambush and restores the town's water supply by dynamiting the mountain. ~ Hans J. Wollstein, All Movie Guide

Silent screen leading man Lawrence Gray stars in this low-budget thriller produced by legendary penny-pincher Sam Katzman. After selling his cargo of silk to merchant Nick Conrad (Bryant Washburn), Captain Matthews (John Elliott) is brutally robbed by a gang of thieves under Conrad's control. Fortunately, intrepid newspaper reporter Jerry Mason (Gray) manages to get hold of the money, which he hides in a sausage at the deli belonging to his friend Freddy (Fuzzy Knight). Just as the thieves descend on the deli, the sausage is purchased by police officer O'Brien (Fred Kelsey), and is thus out of their reach. Having decided to set sail on the Lottie Carson as soon as possible, Matthews and his daughter Lorraine (Sheila Mannors aka Sheila Bromley) are persuaded by Jerry to stash the money in Freddy's safe. But Conrad and his gang, who quickly descend on the defenseless couple, intercept a letter to Jerry from Matthews. Happily, Jerry and Freddy manage to arrive just in time at the Lottie Carson to save father and daughter from Conrad, who is summarily thrown overboard to his death. ~ Hans J. Wollstein, All Movie Guide

Based on an idea by Will Rogers, the story concerns the efforts by the President of the United States to get the public's mind off the Depression. To this end, he appoints Broadway impresario Lawrence Cromwell (Warner Baxter) to the new cabinet position of "Secretary of Amusement." Wasting no time, Cromwell sets about to nationalize the entertainment industry, organizing singers, dancers, actors and other variety artists into batallion-like touring units. Cromwell is fought at every turn by a cartel of wealthy industrialists, who've been profiting from the Depression and have no desire to see America pull itself upward. Happily, every effort to bribe or cajole Cromwell into giving up his mission is thwarted and the Department of Amusement goes on to help the the country at a time when its citizens most needed it. Among the highlights are an energetic "revival-meeting" musical number by Aunt Jemima (Theresa Gardella), and 6-year-old Shirley Temple's rendition of "Baby Take a Bow." Originally released at 80 minutes, Stand Up and Cheer was edited to 69 minutes for reissue, then to 65 minutes (removing most of Stepin Fetchit's scenes) for television: it was this last version which was computer-colorized in 1987. ~ Hal Erickson, All Movie Guide