Thomas Lockyear Movies

Elizabeth MacDonald (Claudette Colbert) is a newly married corporate librarian in 1918 Baltimore working for a chemical company owned by the Hamilton family and managed by Larry Hamilton (George Brent). Just as she is celebrating the armistice and anticipating the return of her husband John (Orson Welles), she learns he was killed in action, just days before the cease fire. Pregnant with their child and alone in the world, she is taken in by Larry Hamilton, who has loved her from afar and is driven by sympathy for her plight. She has her baby, a boy named Drew, and she and Larry marry, raising the child as his own and never telling the boy of his real father. Meanwhile, in an Austrian hospital, a horribly wounded and disfigured American officer (Welles) without any identification insists to the doctor treating him (John Wengraf) that he be allowed to die. The doctor saves his life, but the shock of his injuries and the strain of his recovery causes him to lose his memory, and he ends up adopting a new identity. Cut to 1939, and the outbreak of the Second World War in Europe. Drew (Richard Long) is about to graduate from college and wants to join his fraternity brothers, who are planning on going to Canada, signing up with the Royal Canadian Air Force, and heading to England to fly against the Germans. Drew is not yet 21, however, and needs the permission of his parents, but Elizabeth is appalled by the notion of losing Drew to war the same way that she lost John.

Into their family comes a visitor, Erich Kessler (Welles), a crippled, ailing Austrian refugee and chemical expert hired by Hamilton's company, who arrives in Baltimore with his young daughter Margaret (Natalie Wood). Kessler starts to recognize places in the city, including the home where Elizabeth lived, and when they meet, despite her discomfort at having an Austrian army veteran in the house, she does her best to welcome him. Elizabeth also starts to notice little aspects of Kessler that remind her vaguely of John. But much as she is haunted by these strange similarities, she is appalled when Kessler seems to encourage Drew to pursue his goal of fighting the Nazis. Even Kessler's presence in their home, despite his genial and deferential manner, is a vexation to Elizabeth, bringing the horror of the war and what the Nazis represent into their midst and making Drew even more fervent in his desire to join up and fight. When Margaret displays terrible fears and nightmares, it comes out that she isn't really Kessler's child at all, but the daughter of the doctor who saved his life (he and his wife had been executed by the Nazis).

Larry, meanwhile, must watch from the sidelines, not aware of Kessler's real identity and unable to resolve the conflict between his admiration for Drew's intentions and his love for his wife. When Drew decides to ignore his parents' wishes and go to Canada and enlist without their permission, Kessler follows and stops him (despite his own weakened condition), and brings the young man home. A confrontation ensues upon their return, and Kessler explains to her that, whomever she thinks he might have been, the past has passed. Elizabeth finds the strength and courage to face the future, and the coming of the new war and what it may bring. ~ Bruce Eder, Rovi

Jim Hetherton (Franchot Tone), the scion of an aristocratic rural English family, was traumatized from boyhood by a shooting accident and reaches adulthood as a sincere and dedicated pacifist -- like many of his generation in England. He makes his way through life as a schoolteacher with a promising future, and even ponders the possibility of marriage with Dora Bruckmann (Veronica Lake), the governess of his young nephew. But then the Second World War breaks out, which creates a crisis for Jim and his family and household. He decides that he can't a won't fight if it means killing another human being, and is accepted as a conscientious objector by the authorities. But in doing so, he is forced to give up his teaching position and take a job in farming, to contribute to the economic good at home. He soon finds himself being shunned by much of the village for his beliefs, and discovers that even amid a manpower shortage, securing a job to fulfill his service requirement is no easy matter. Meanwhile, his brother (John Sutton) is called up by the RAF, and his father (Henry Stephenson) joins the home guard. And Dora seems headed to an internment camp, until Jim marries her. But what neither he nor anyone else suspects is that Dora is actually an agent planted by the Germans, part of a team of fifth columnists working to undermine the British war effort. And her main concern is finding the location of a secret British airfield in the vicinity of the Hetherton estate. She manages to manipulate Jim by preying on his beliefs, and maneuvers him into potentially betraying his country. ~ Bruce Eder, Rovi

In this flag-waving adventure, the Masked Marvel helps keep the world safe for capitalism by taking on the evil Japanese agent Sakima who is trying to take over the World-Wide Insurance Company. The film was originally a 12-part serial. ~ Sandra Brennan, Rovi

Eric Knight's wartime novel This Above All was given the Tiffany treatment in the this 20th Century Fox big-budgeter. Tyrone Power plays Clive Briggs, a conscientious objector from humble origins, who deserts the British Army because he doesn't believe in fighting to preserve his country's oppressive class structure. But Briggs is no coward, and he performs admirably in rescuing air-raid victims. Through the love of Prudence Cathaway (Joan Fontaine), a doctor's daughter and member of the women's air corps, Briggs realizes that love of country supersedes all social outrage. This Above All ends with Briggs seriously wounded, though given a good chance to survive. In the original novel, the hero not only dies, but also has a censor-baiting love affair with the Prudence character (who, of course, is as pure as the driven snow in the film). ~ Hal Erickson, Rovi

This studio-bound jungle yarn is uplifted by the spirited performances of its stars. After the death of her aviator lover, beautiful Linda Stewart (Madeleine Carroll) marries wealthy sportsman Baron de Courland (Tulio Carminati) on the rebound. When the Baron arrives in Africa for a hunting expedition, he secures the services of jungle guide Jim Logan (Douglas Fairbanks Jr.) Sure as shootin', Linda and Jim fall in love with one another, prompting the sadistic Baron to plot an appropriate revenge. Lynne Overman does a Jimmy Finlayson impression as a Scottish "Trader Horn" type, while Billy Gilbert is terrific as a malaprop-laden trading post owner. Screenwriter Delmar Daves manages to inject a bit of Left Wing ideology in an early scene, which surprisingly (and happily for Daves) went unnoticed during the HUAC hearing in the late 1940s. ~ Hal Erickson, Rovi