Preston Lockwood Movies

Adaptation of Barbara Cartland's novel featuring a 17th century adventure romance between an aristocrat and an endangered noblewoman. ~ All Movie Guide

The owner of an Irish castle decides to attract visitors by falsely claiming that the building is haunted, only to have a pair of real ancestral spirits start causing trouble in this uneven attempt at fantasy-comedy. The story centers on Jack and Sharon (played by Steve Guttenberg and Beverly D'Angelo), naive American tourists who are initially unimpressed by the owner's attempts at fraud but become more interested in the real ghosts, Mary and Martin (played by Daryl Hannah and Liam Neeson). This is especially true for Jack, who falls in love with the beautiful Mary, despite several centuries' difference in their ages. After the film's initial unsuccessful release, people involved with the production blamed studio interference for damaging director Neil Jordan's original vision, although Jordan is better known as a director of quirky, dark dramas (Mona Lisa, The Crying Game, Interview With a Vampire, The Company of Wolves). For whatever reason, the end result was an awkward, forced comedy that more often than not falls flat, squandering a strong collection of talent. ~ Judd Blaise, All Movie Guide

Part of the British mystery series based on the books by Agatha Christie, Miss Marple: At Bertram's Hotel was first aired in 1986. Miss Jane Marple (Joan Hickman) takes a holiday at London's prestigious Bertram's Hotel. She senses criminal activity when Lady Bess Sedgwick (Caroline Blakiston) arrives on the scene. When a murder occurs, Miss Marple puts her holiday on hold to pursue another investigation. ~ Andrea LeVasseur, All Movie Guide

In this superficial interpretation of an intended suspense story and comedy, Robert Hays plays a TV anchor man on a flight to London who is duped by his attractive co-passenger (Pamela Stephenson) into thinking he is onto secret spying activities. After the plane lands, the newsman is unexpectedly accused of murdering his own wife. By the time Inspector Anthony Crisp (Jim Dale) gets into the picture, events have traveled a little farther into the bizarre (John Gielgud in black leather), too far to be saved by the good acting of the leads. ~ Eleanor Mannikka, All Movie Guide

The malignant telepathic force Mara, last heard from in the 19th-season adventure "Kinda," once again takes over the mind of Tegan (Janet Fielding), the traveling companion of the Doctor (Peter Davison). Under Mara's evil influence, Tegan hijacks the TARDIS and pilots the vessel to the planet Manussa -- where the denizens are celebrating the 500th anniversary of Mara's destruction. Written by Christopher Bailey, "Snakedance" launched its four-episode run on January 18, 1983. ~ Hal Erickson, All Movie Guide

In the conclusion to the four-part story "Snakedance," the Doctor (Peter Davison) prepares for a showdown with the malignant mind-force Mara on the planet Manussa. First, however, the Doctor must find the "still point" within himself. Even if he succeeds in this, is it too late to rescue Tegan (Janet Fielding), whose mind has been enslaved by the insidious Mara? Written by Christopher Bailey, "Snakedance, Episode 4" first aired on January 26, 1983. ~ Hal Erickson, All Movie Guide

Swordplay, secret messages, and the rustle of ballroom finery make this 1982 adaptation of The Scarlet Pimpernel a gala bash. Anthony Andrews heads the cast as English nobleman Sir Percy Blakeney, a conceited but amusing fop in the drawing rooms of British high society. But beneath his veneer of lacy impertinence is a man of bravado and derring-do. In disguise, he becomes the Pimpernel -- ta-da! -- and steals into France to rescue aristocrats condemned to the guillotine during the French Revolution. After each rescue, he leaves behind a scarlet pimpernel, a flower whose petals close at the approach of stormy weather. He also uses a signet ring engraved with a scarlet pimpernel to identify himself on the sealing wax of letters to compatriots. It is all jolly-good intrigue. Because he cloaks his schemes in great secrecy, not even his new wife Marguerite (Jane Seymour) realizes he is anything more than an innocuous dandy. Frustrated, the French send the ruthless Chauvelin (Ian McKellen) to England to serve as ambassador and ferret out the elusive Pimpernel. In a plot that ensnares Marguerite and closes the Pimpernel's petals, Chauvelin finally confronts his clever adversary, and it's en garde -- parry and thrust! ~ Mike Cummings, All Movie Guide

Two Catholic boarding school students (Dominic Guard and Dai Bradley) embark upon a carefully calculated campaign to drive their hated headmaster (Richard Burton) insane. The boys launch their scheme by cooking up the most bizarre and depraved of imaginary sins, then recite these infractions in the Confessional. This sadistic little game gets wildly out of hand, resulting in murder. It's a toss-up as to who is the most repulsive character; the headmaster or his two charges. One of a long line of 1970s stinkers barely redeemed by the presence of Richard Burton, Absolution was not released until 1988, long after Burton's death. ~ Hal Erickson, All Movie Guide

A poor commoner and a young prince each find out how the other half lives in this adventure story based on the classic tale by Mark Twain. Tom Canty (Mark Lester) is a young man from a laboring family who bears a striking resemblance to Prince Edward (also played by Lester), the son of King Henry VIII (Charlton Heston) and heir to his throne. Tom and Edward meet by chance, and they decide to exchange places briefly as a lark; Edward will get to live as an ordinary boy, and Tom will be able to enjoy the perks of royalty. But the two are separated before they can let everyone in on the joke, and Tom discovers as he pretends to be Price Edward that the castle is awash in corruption. Originally released as Crossed Swords, The Prince and the Pauper also features Oliver Reed, Raquel Welch, George C. Scott, and Rex Harrison. ~ Mark Deming, All Movie Guide

Michael Caine stars as an espionage agent whose young son is kidnapped. Complicating matters is the fact that the kidnappers (John Vernon and Delphine Seyrig) are Caine's own colleagues. They want to secure Caine's aid in rounding up a diamond smuggling ring, and they don't care who they have to hurt to do so. He agrees to go along, all the while searching for his missing son. Janet Suzman co-stars as Caine's estranged wife, who is compelled to join him in his search. Helmed by veteran filmmaker Don Siegel, The Black Windmill is based on Seven Days to a Killing, a novel by Clive Egleton. ~ Hal Erickson, All Movie Guide

Except for the omission of several passages in the original play, this 1970 adaptation of Julius Caesar faithfully retells Shakespeare's account of events surrounding the assassination of Caesar in 44 B.C. The film begins when Caesar John Gielgud is at the height of his power after conquering Pompey "the Great" in a civil war. Important senators worry that Caesar means to become king, diminish their power, and abolish their beloved Roman republic. Two senators, Cassius Richard Johnson and Brutus Jason Robards, hatch an assassination plot involving other disenchanted Roman citizens. Although a soothsayer warns Caesar of trouble ("Beware the ides of March") and his own wife reports ominous signs ("A lioness hath whelped in the streets; and graves have yawn'd, and yielded up their dead"), Caesar decides to go to the senate on the ides (March 15). Upon arrival, the conspirators greet him with daggers. In his funeral oration, Mark Antony Charlton Heston extols Caesar and incites the citizens against Brutus and the other conspirators. Brutus and Cassius flee Rome with their armies, but Antony and two other sympathizers track them down with their armies. When the tide turns against the conspirators, Brutus and Cassius commit suicide. As does Shakespeare's play, the film leaves the discerning viewer wondering who was the real villain -- Caesar, because of his ambition for power, or Brutus, because of his underhanded plot to maintain the status quo. ~ Mike Cummings, All Movie Guide