Gary Lockwood Movies

This is a '90s version of a good old fashioned B monster movie. It is set in a small rural town that is outwardly upright and peaceful and is inwardly rotten to the core. It seems that in its earliest years, the town fathers made a devil's bargain with a wandering warlock to insure good crops and prosperity for the residents. They soon came to regret the deal and decided to murder the magician and bury his bones in a field. The trouble begins in modern times when the hellish bones are inadvertently unearthed thereby freeing the warlock's evil spirit which immediately takes over a scarecrow and goes on an unequaled killing spree. The strawman's handiwork is discovered by young lovers Claire and Dillon. They soon find themselves pursued by the demonic creature, but eventually they knock the stuffing out of him and destroy the evil spirit, but not before more creative murders and mayhem ensue. ~ Sandra Brennan, Rovi

Jessica (Angela Lansbury) comes to the aid of Ellen Woer (Dee Wallace Stone), whom she'd previously helped to beat a murder rap. In the interim, Ellen has become owner of a diner, in which three patrons died of arsenic poisoning. While Jessica labors to find out what really happened, several disgruntled "locals", convinced that Ellen had actually been guilty of murder the first time around, aren't about to let her slip through the fingers of the law a second time--and no one is more vituperative (or profane) than the town's chief hothead, Edge Potter (Don Swayze). ~ Hal Erickson, Rovi

In this movie sequel to the two popular sci-fi adventure TV series, the bionic couple are reunited to stop a group of radicals from using Steve's bionic son to take over the United States. ~ Sandra Brennan, Rovi

When uptight FBI agent Joe Jennings (Beau Bridges) is forced to team up with reluctant local officer Benny Avalon (Bubba Smith), the two must learn to overcome their differences and work together to break up a drug smuggling operation. ~ Iotis Erlewine, Rovi

Life after WW III is chronicled in the grimly futuristic sci-fi drama. The story is set after a nuclear war. A small family tries to start their new lives, but find their endeavors thwarted by a band of radioactive mutants with a taste for human flesh. ~ Sandra Brennan, Rovi

This made-for-TV follow-up to 1980's The Girl, the Gold Watch and Everything stars Lee Purcell and Philip MacHale as Bonnie Lee Beaumont and Kirby Winter, roles created in the earlier film by Pam Dawber and Robert Hays. Once more, the hapless Kirby is the possessor of a magic watch that can stop time all around him--and once more, the watch causes him and his fiancee Bonnie Lee nothing but trouble. This time, hero and heroine are pitted against evil land baron Hoover Hess III (Burton Gilliam), who isn't above committing foul play to get what he wants. What Hoover wants, by the way, is a patch of valuable land owned by Bonnie Lee's mother (Carol Lawrence). Among the singular pleasures in this whimsical adventure yarn is the appearance of Jerry Mathers, Beaver Cleaver himself, as one of the bad guys! Based on characters created by John D. MacDonald, The Girl, the Gold Watch and Dynamite was first syndicated to local TV stations May 21, 1984, as part of the "Operation Prime Time" series. It was offered as both a 2-hour movie, and as a series of five half-hour programs. ~ Hal Erickson, Rovi

This made-for-TV effort stars Lindsay Wagner as Meg Laurel, an orphan who graduates Harvard Medical School and returns to treat the sick in her Appalachian hometown in the 1930s. ~ Jason Ankeny, Rovi

Several adult members of the same high-school graduating class have turned up dead, killed by an assailant who wields a zip gun and leaves the word "Monkey" scrawled at each crime scene. The viewer is soon apprised of the fact that the murderer is one Charley Belasco (Gary Lockwood), fresh out of prison after serving 20 years for a crime he'd committed to qualify for membership in a teenage gang. It is up to Stone (Mike Douglas) and Keller (Richard Hatch) to figure out where the vengeance-driven "Monkey" Belasco plans to strike next! ~ Hal Erickson, Rovi

When California and Texas are up for statehood, Kit Carson and his men run into opposition. ~ Rovi

This pilot for a 1974-75 CBS TV series focuses on an ex-Marine (Ken Howard) who returns to Depression-era America to find his sister, who is heading a gang. ~ John Bush, Rovi

This somewhat clunkily titled TV movie was an offshoot of producer Quinn Martin's series The FBI. Robert Foxworth plays Depression-era desperado Alvin Karpis, who for nearly five years eluded capture while committing bank robberies, kidnappings and murders. Karpis finally comes acropper when the FBI's J. Edgar Hoover (Harris Yulin) enters the case. Since this film was made long before Hoover became every filmmaker's favorite historical villain, he is depicted in shining-knight terms, a sharp contrast to the loathsome Karpis. Producer Martin had planned to produce six to nine additional TV-movies based on authentic FBI files, but dropped the project after only three entries. The FBI Vs. Alvin Karpis was first telecast November 8, 1974. ~ Hal Erickson, Rovi

Elizabeth Ashley, whose guest-star turn as a pathetic alcoholic on the sixth-season Mission:Impossible episode "Encounter" won her the praise of critics and viewers alike, again tackles a difficult and demanding role in the seventh-season entry "The Question." This time, Ashley is cast as IMF agent Andrea, who poses as an operative of the "Federal Intelligence Service" to find out if alleged defector Nicholas Varsi (Gary Lockwood) is telling the truth to his Federal captors. George O'Hanlon, best known to TV fans as the voice of cartoon favorite George Jetson, appears as Captain Douglas. First broadcast on January 19, 1973, "The Question" was written by Stephen Kandel. ~ Hal Erickson, Rovi

This gag-filled movie makes a stab at examining the women's liberation movement but never quite gets there. The effects of the movement are shown through a series of comic and romantic episodes between men and women. The story is loosely tied together as the research of Sheila Hammond (Jacqueline Bisset), a fashion magazine editor who is preparing an article on women's liberation. ~ Clarke Fountain, Rovi