Alexander Lockwood Movies

Phoebe (Mary Steenburgen) and Jason (Dudley Moore) are a pair of Broadway playwrights who are partners in their chosen profession, but in spite of a definite inclination, they remain unpartnered (for a long time) in any other way. Phoebe is an aspiring playwright from the Northwoods and Jason is just getting married when the two meet for the first time and decide to collaborate. As their relationship produces first a failure and then a string of successes, their repartée remains sharp and witty -- and their unrequited interest in each other gathers energy over a nine-year period, until some resolution is finally in sight. ~ Eleanor Mannikka, All Movie Guide

Steven Spielberg followed Jaws (1975), his first major box-office success, with this epic science fiction adventure about a disparate group of people who attempt to contact alien intelligence. Roy Neary (Richard Dreyfuss) is an electrical lineman who, while sent out on emergency repairs, witnesses an unidentified flying object, and even has a "sunburn" from its bright lights to prove it. Neary's wife and children are at first skeptical, then concerned, and eventually fearful, as Roy refuses to accept a "logical" explanation for what he saw and is prepared to give up his job, his home, and his family to pursue the "truth" about UFOs. Neary's obsession eventually puts him in contact with others who've had close encounters with alien spacecraft, including Jillian (Melinda Dillon), a single mother whose son disappeared during her UFO experience, and Claude Lacombe (celebrated French filmmaker François Truffaut), a French researcher who believes that we can use a musical language to communicate with alien visitors. Lacombe's theory is put to the test when a band of government researchers and underground UFO enthusiasts (including Neary) join for an exchange with alien visitors near Devil's Tower, Wyoming. In 1980, a "Special Edition" was released. While its primary selling point was the addition of scenes inside the alien spaceship, Spielberg claimed that he also cleaned up some choppy editing in the second act. ~ Mark Deming, All Movie Guide

Driving down a deserted Southern California highway at a safe and sane 55 miles per hour, David Mann (Dennis Weaver) steps on the pedal to pass a large gas trailer truck. Moments later, the truck is back, dangerously tailgating Mann before abruptly cutting him off. For the next 90 minutes, Mann and the never-seen truckdriver are pitted against one another in a motorized duel to the death. Author Richard Matheson conceived Duel after a similar experience with a reckless trucker. The story first appeared in Playboy magazine, then was picked up for adaptation by the producers of The ABC Movie of the Week. The director chosen to helm Duel on location in Soledad Canyon was a bright 23-year-old who'd shown promise on such series as Night Gallery and Columbo: Steven Spielberg. First telecast on December 18, 1971, Duel was so popular that a somewhat longer version (with added violence and profanity) was prepared for theatrical release in 1983. ~ Hal Erickson, All Movie Guide

The sequel to 1963's Misadventures of Merlin Jones finds young Mr. Jones (Tommy Kirk) still in college and still going out with Jennifer (Annette Funicello). In this movie, he must help football players pass their tests and invent a flying machine win a contest for the school. Funicello and the Beach Boys sing the title song. ~ John Bush, All Movie Guide

Housekeeper Nellie Conway (Joan Lovejoy) tells Perry Mason (Raymond Burr) that she thinks her boss Newton Bain (Harry Townes) is planning to kill his invalid wife Elizabeth (Shirley Mitchell). Investigating the situation, Perry finds that Mary may not be playing with a full deck. Later on, Elizabeth is indeed murdered--but it is Mary Douglas (Nancy Gates) who is charged with the crime. Comedian Jerry Van Dyke plays a rare dramatic role in this episode, which is based on Erle Stanley Gardner's 1951 "Perry Mason" novel The Case of the Fiery Fingers (previously filmed under its original title during Season One). ~ Hal Erickson, All Movie Guide

Recovering alcoholic William Sherwood (Peter Breck) falls off the wagon when he sees his wife Ruth (Janet Dey)--who was supposed to have died five years ago! Later, Sherwood finds Ruth's body--again--and calls Perry Mason (Raymond Burr) for help. He'll need all the help he can get: with his bloody fingerprints all over the murder scene, Sherwood is charged with his wife's murder (and she's dead for keeps this time). ~ Hal Erickson, All Movie Guide

This moody and controversial drama takes place in Depression-era New Orleans. Dove (Laurence Harvey) has traveled by bus from Texas to find his wayward lover Hallie (Capucine). He meets young Kitty Twist (Jane Fonda) as the two get off in the crescent city. Teresina (Anne Baxter) gives him a job at her small cafe. In his free time, Dove searches for Hallie and finds her at work as a prostitute in the Doll's House. Dove implores Hallie to return to him but she refuses. When the lecherous lesbian madame Jo (Barbara Stanwyck) discovers Dove's intentions towards Hallie, she has him beaten to a bloody pulp by her hired goons. He is found by Kitty, now a happy hooker at the Doll House, and is taken back to the cafe where the compassionate Teresina heals his physical and emotional wounds. The film taken from the novel by Nelson Algren is much tamer than the original text. The title track, sung by Brook Benton, was nominated for an Academy Award. The "black-cat stalking" opening and closing sequences (by designer Saul Bass) is a perfect little "film-within-a-film." This footage, with its superb lighting, framing, panning, and editing, should be appreciated by anyone who wants to know more about the art of cinematography. ~ Dan Pavlides, All Movie Guide

Although storekeeper Mrs. Gruber (Jesslyn Fax) has purchased a gun for protection, she finds herself incapable of pulling the trigger when she is robbed by a teenager named Jimmy Philips (Bob Paget). Not so timorous is Mrs. Gruber's customer Gerald R. Clarke (George Nader), who grabs the gun, chases Jimmy down, and shoots the boy to death -- managing to avoid arrest himself by claiming "self-defense." This leads to a fateful confrontation between Gerald and the dead boy's mother (Audrey Totter). ~ Hal Erickson, All Movie Guide

Bill Dermott (Ron Randell) is delighted when he receives a new pocket watch as a present from his wife Mary (Catherine McLeod). But "pleased" is not the operative word when, shortly afterward, Bill has a dream in which he sees a man planning to murder a woman. The dream occurs again and again until the pocket watch is broken, whereupon Bill, his curiosity aroused, has the timepiece repaired so he can find out who precisely is the killer--and who precisely is going to be killed. ~ Hal Erickson, All Movie Guide

While having lunch at the Plaza Hotel in New York, advertising executive Roger O. Thornhill (Cary Grant) has the bad luck to call for a messenger just as a page goes out for a "George Kaplan." From that moment, Thornhill finds that he has stepped into a nightmare -- he is quietly abducted by a pair of armed men out of the hotel's famous Oak Room and transported to a Long Island estate; there, he is interrogated by a mysterious man (James Mason) who, believing that Roger is George Kaplan, demands to know what he knows about his business and how he has come to acquire this knowledge. Roger, who knows nothing about who any of these people are, can do nothing but deny that he is Kaplan or that he knows what they're talking about. Finally, his captors force a bottle of bourbon into Roger and put him behind the wheel of a car on a dangerous downhill stretch. Through sheer luck and the intervention of a police patrol car and its driver (John Beradino), Roger survives the ride and evades his captors, and is booked for drunk driving. He's unable to persuade the court, the county detectives, or even his own mother (Jesse Royce Landis) of the truth of his story, however -- Thornhill returns with them to the mansion where he was held, only to find any incriminating evidence cleaned up and to learn that the owner of the house is a diplomat, Lester Townsend (Philip Ober), assigned to the United Nations. He backtracks to the hotel to find the room of the real George Kaplan, only to discover that no one at the hotel has ever actually seen the man. With his kidnappers once again pursuing him, Thornhill decides to confront Townsend at the United Nations, only to discover that he knows nothing of the events on Long Island, or his house being occupied -- but before he can learn more, Townsend gets a knife in his back in full view of 50 witnesses who believe that Roger did it. Now on the run from a murder charge, complete with a photograph of him holding the weapon plastered on the front page of every newspaper in the country, Thornhill tries to escape via train -- there he meets the cooly beautiful Eve Kendall (Eva Marie Saint), who twice hides him from the police, once spontaneously and a second time in a more calculated rendezvous in her compartment that gets the two of them together romantically, at least for the night. By the next day, he's off following a clue to a remote rural highway, where he is attacked by an armed crop-dusting plane, one of the most famous scenes in Hitchcock's entire film output. Thornhill barely survives, but he does manage to learn that his mysterious tormentor/interrogator is named Phillip Vandamm, and that he goes under the cover of being an art dealer and importer/exporter, and that Eve is in bed with him in every sense of the phrase -- or is she? ~ Bruce Eder, All Movie Guide

A well-dressed older man drives a car along the winding mountain road adjacent to the Grand Canyon. Another man lies in wait for him where the road ends. They fight, and the car and one of the men plunge into the mile-deep gorge. Thus begins a series of four killings that fall into the lap of newly hired Mojave County deputy Les Martin (Cornel Wilde) and his boss, Sheriff Edwards (Edgar Buchanan). Les is an experienced homicide detective trying to redeem himself and his career after a series of personal tragedies and professional disasters, unsteady in his confidence and uncertain of his ability -- the only people he's especially close to are the sheriff who hired him and Scotty (Mickey Shaughnessy), the big-hearted keeper of the local tavern. And complicating his investigation of the murder case at hand is his constant crossing of paths with the beautiful, wealthy Janice Kendon (Victoria Shaw), who seems to have a knack for turning up around every corner of this case. He has to sort out his feelings about her and work out what the murders have to do with the one clue left behind by one of the victims, about the "dancing bucket" that carries men and material more than 7,000 feet across the mile-high chasm. ~ Bruce Eder, All Movie Guide

A dying Colorado town is caught in the middle of a bloody right-of-way battle between two railroads. A man claiming to be the agent of one of the railroads hires Paladin (Richard Boone) to rid the town of the hired gunfighters who have overrun the area. Soon, however, Paladin finds that he has accepted a job under false pretenses--and in the end, it is up to him to determine who is the real "villain" of the piece. Featured in the cast is Harry Bartell, who also appeared in several episodes of the radio version of Have Gun--Will Travel. ~ Hal Erickson, All Movie Guide

William Faulkner's novel Pylon was optioned by Universal producer Albert Zugsmith, who used it as the source for his 1957 production The Tarnished Angels. Robert Stack is a disillusioned World War One ace eking out a living as a barnstorming pilot/parachutist during the early 1930s. New Orleans newspaperman Rock Hudson runs across Stack at a two-bit carnival. He becomes fascinated with Stack's fall from grace, and latches onto him. As he is drawn into Stack's iconoclastic, individualistic lifestyle, Hudson finds he is also drawn to the pilot's long-suffering wife, Dorothy Malone. Jack Carson is on hand as Stack's chief mechanic, whose anger over the pilot's abusive treatment of Malone explodes into tragedy. ~ Hal Erickson, All Movie Guide