Danny Aiello Movies

Spike Lee's 1989 movie Do The Right Thing was a bombshell when it came out, particularly because of its honest and unapologetic treatment of interracial prejudices in Bedford Stuyvesant. This documentary not only explores the director's filmmaking exploits, but explores the neighborhood and its residents, to discover what effect (if any) the film is having on their lives. ~ Clarke Fountain, All Movie Guide

Also released under the title A Crack in the Mirror, this drama follows the events that befall a well-to-do couple when the husband's loss of a job tempts them into the lucrative drug trade. ~ Iotis Erlewine, All Movie Guide

The film begins in 1965, when disc jockey Adrian Cronauer (Robin Williams) is assigned to take over the AFR's Saigon radio broadcasts. In contrast to the dull, by-rote announcers that have preceded him, Cronauer is a bundle of dynamite, heralding each broadcast with a loud "Goooooood morning, Vietnaaaaam," playing whatever records tickle his fancy (even those not officially sanctioned by his hidebound superiors), and indulging in wild flights of improvisational fancy. Cronauer's immediate superior Lt. Hauk (Bruno Kirby), whose own notions of humor are puerile and pathetic, jealously attempts to dethrone Vietnam's favorite rock jock. Fortunately, Cronauer's popularity is such that he enjoys the full protection of the higher-ups. But when Cronauer, after experiencing the horrors of war first-hand, insists upon telling his listeners the truth instead of the official government line, he is instantly replaced by the unfunny Hauk and must struggle to get back on the air. ~ Hal Erickson, All Movie Guide

Directed by onetime Rookies co-star Georg Stanford Brown, Alone in the Neon Jungle has all the earmarks of a TV pilot film-albeit a better-than-usual example of the genre. Suzanne Pleshette plays a no-nonsense police captain, assigned to the town's most corrupt police district. In attempting to clean things up, She is handicapped by the fact that she can't tell her friends from her enemies. Director Brown costars as a police sergeant who turns out to be a valuable ally to the new captain. Filmed in Pittsburgh, Alone in the Neon Jungle was first telecast January 17, 1988. ~ Hal Erickson, All Movie Guide

When there's a full moon over Brooklyn, anything can happen, and everything happens in the neighborhood where widowed bookkeeper Loretta Castorini (Cher) lives. First, Loretta agrees to marry a man she does not love, Johnny Cammareri (Danny Aiello), simply because he knows how to propose properly. Before the wedding can take place, Cammareri must visit his dying mother in Sicily. In his absence, Loretta is supposed to try to patch up the differences between Johnny and his brother, bakery operator Ronny Cammareri (Nicolas Cage). Having never forgiven Johnny for indirectly causing the accident that crippled him, Ronny flies into a rage whenever his brother's name is mentioned. He does, however, fall for Loretta like a ton of bricks. After a torrid affair, Loretta tries to avoid Ronny out of respect to Johnny, but he's just too fascinating to resist. Meanwhile, Loretta's father (Vincent Gardenia) is fooling around with his mistress Mona (Anita Gillette), while Loretta's mother (Olympia Dukakis) is wooed by a college professor (John Mahoney). These brief flings are forgiven and forgotten, but there's still the delicate situation of Loretta being in love with her future brother-in-law. A now-classic romantic comedy, Moonstruck won Oscars for Cher, Olympia Dukakis, and screenwriter John Patrick Shanley. ~ Hal Erickson, All Movie Guide

Woody Allen blurs the the boundaries between the real and unreal in this unique comic fantasy. The scene is a small town in the mid-1930s. Trapped in a dead-end job and an abusive marriage, Cecelia (Mia Farrow) regularly seeks refuge in the local movie house. She becomes so enraptured by the latest attraction, an RKO screwball comedy called The Purple Rose of Cairo, that she returns to the theatre day after day. During one of these visits, the film's main character Tom Baxter (Jeff Daniels), pauses in his dialogue, turns towards the audience, and says to Cecelia, "My God, how you must love this picture." Then he climbs out of the movie, much to the consternation of the rest of the audience and the other characters on screen. Liberated from his customary black-and-white environs, he accompanies Cecelia on a tour of the town, eventually falling in love with her. Meanwhile, the other Purple Rose characters, unable to proceed with the film, carry on a discussion with themselves. Desperately, the RKO executives seek out Gil Shepherd, the actor who played the hero of Purple Rose. Shepherd (also played by Daniels), is sent to Cecelia's hometown to see if he can repair the damage. ~ Hal Erickson, All Movie Guide

Based on a play by Kevin Wade, this comedy stars Brooke Adams as a television producer who demands commitment from her free-spirited lover (Ben Masters). ~ Jason Ankeny, All Movie Guide

Downbeat, morbid, and dark, this well-wrought suspense drama stars Farley Granger as Doug Andrews, a chief medical investigator with a not-so magnificent obsession. In 1970 the body of a four-year-old boy was found in the woods and his killers were never brought to justice. The examiner joins forces with a local policeman as they try to track down the identity of the boy and his murderer, but they get nowhere and the case is dropped. Spurred on by the need to exorcise his own demons after the drowning death of his own daughter, Andrews carries the deathmask of the four-year old with him and never gives up on the case. This engaging drama is based on a true story. ~ Eleanor Mannikka, All Movie Guide

Though some viewers might be put off by its length, graphic violence, and absence of likable characters, Sergio Leone's final film is also a cinematic masterpiece. Spanning four decades, the film tells the story of David "Noodles" Aaronson (Robert De Niro) and his Jewish pals, chronicling their childhoods on New York's Lower East Side in the 1920s, through their gangster careers in the 1930s, and culminating in Noodles' 1968 return to New York from self-imposed exile, at which time he learns the truth about the fate of his friends and again confronts the nightmare of his past. The acting, the re-creation of the time period, the cinematography, and the music are all superb. However, even more important is Leone's ability to make the film work on so many different levels: it's both a criticism of gangster-film mythology and a continuation of the director's exploration of the issues of time and history. Strange as it may seem, the violence and gore in the first half of the film turn into a sad elegy about wasted lives and lost love. The film's strengths emerge only in its full 229-minute version -- the 139-minute and other edited versions don't make nearly the same impact. ~ Yuri German, All Movie Guide

The film version of The Natural pulls off the neat trick of conveying the spirit of the Bernard Malamud novel upon which it is based, even while changing both the outcome and the meaning of Malamud's closing chapters. In his first film appearance in four years, Robert Redford plays Roy Hobbs, a farm boy with a hankering to be a great baseball player. With his faithful homemade bat "Wonderboy" in hand, Roy heads to the big city. En route, he arouses the fascination of the mysterious Harriet Bird (Barbara Hershey). Luring the boy to a hotel room, Harriet asks Roy what he wants out of life. Roy brashly responds he wants to be "the best there is," whereupon Harriet whips out a gun and shoots Roy down. Sixteen years later, a humbler Roy Hobbs emerges from the bush leagues to become a 35-year-old "rookie" on the 1939 lineup of the New York Knights. He soon becomes the team's star player, and in so doing once more attracts enigmatic woman Memo Paris (Kim Basinger), the glamorous niece of the Knights' manager Pop Fisher (Wilford Brimley) and the mistress of Rothstein-like gambler Gus Sands (a curiously unbilled Darren McGavin). Roy's fascination with Memo compromises his ability to play, but this time he finds salvation in the form the angelic Iris Gaines (Glenn Close), his childhood sweetheart. From this point forward, the script for The Natural bears very little resemblance to the Malamud original. Without giving anything away, it can be said that Roy Hobbs is given a once-in-a-lifetime opportunity to compensate for the mistakes of his youth, despite the demonic intrusion of inexplicably spiteful sports writer Max Mercy (Robert Duvall). The Natural elevates the art of slow-motion photography to new heights; while this technique would become precious and boring in later baseball films, it works beautifully here, as does the decision by director Barry Levinson and cinematographer Caleb Deschanel to convey the symbolism inherent in the story in purely visual rather than blatantly verbal terms. (If the characters told you that the story was a retelling of the Camelot legend in baseball terms, would you have watched?) Another plus is the pastoral theme music by Randy Newman, which has been well utilized on sports broadcasts and "human interest" TV documentaries ever since. The baseball scenes in The Natural were staged at War Memorial Stadium in Buffalo, New York. ~ Hal Erickson, All Movie Guide

Amanda Plummer was preparing to star in the Broadway play Agnes of God (for which she ultimately won a Tony Award) when she was cast in this ABC Afterschool Special. Having never known her "late" father, 15-year-old Angela Dunoway (Plummer) is startled when she meets him by accident. Insisting upon learning the truth about her dad, Angela confronts her mother Karen (Barbara Feldon), who reluctantly reveals that Angela was born out of wedlock. Filmed on location in Long Island, The Unforgivable Secret is based on Hila Colman's novel Tell Me No Lies (in which, incidentally, the heroine is 12 years old, rather than 15). ~ All Movie Guide

The made-for-TV A Question of Honor was based on Point Blank, a novel by former cop Sonny Grosso and Philip Rosenberg. Ben Gazzara plays Joe DeFalco, a 15-year veteran of the NYPD who'd like to end his career in a blaze of glory. This leads him to act upon a tip intended for another officer, which will enable him to arrest a notorious dope dealer named Danzie (Paul Sorvino). Unbeknownst to DeFalco, Danzie is working hand-in-glove with the Feds in an effort to weed out crooked cops. Before he can absorb what's happening, DeFalco is being blackmailed to do Danzie's "dirty work." This is a tale of misguided ambition: DeFalco's lust for fame and fortune, and the Feds' overzealous desire to uncover police corruption-which, at least according to the events depicted herein, has the effect of forcing honest cops into dishonesty. Both the novel and the film were based on an actual incident, which culminated in the 1972 suicide of DeFalco's real-life counterpart. A Question of Honor debuted on April 28, 1982. ~ Hal Erickson, All Movie Guide