George Lloyd Movies

Susan Hayward pulls out all the stops, and then some, in this cinemadaptation of singer Lillian Roth's autobiography I'll Cry Tomorrow. In as harshly realistic a manner as possible in the still censor-dominated Hollywood of 1955, the film recounts Roth's rise to fame, her precipitous fall and her tearful comeback. The fact that Roth loves not wisely but too well is only part of the problem (only two of her eight husbands are portrayed in the film); contributing factors to her self-destruction also included her witchlike "stage mother" (Jo Van Fleet) and the pressures of fame and fortune. The principal reason for Roth's fall from the height of fame to the depths of squalor and despair is booze -- at least until she begins to pull herself together with the help of Alcoholics-Anonymous representative Burt McGuire (Eddie Albert). The story concludes with a testimonial staged in Roth's honor on the TV series This is Your Life (the original of which still exists in kinescope form). Having been personally coached by the real Lillian Roth, Susan Hayward does an excellent job of copying the singer's unique style. Though Hayward did not win an Oscar for her performance, she did cop the "Best Actress" prize at the Cannes Film Festival. ~ Hal Erickson, All Movie Guide

Charles Starrett is back as The Durango Kid in Laramie Mountains. The villains this time are a group of white outlaws who disguise themselves as Indians to stage raids on various U.S. army posts. Their plan is to foment an all-out war for their own profit. Government agent Steve Holden (Starrett) intends to put a stop to the criminal's activities; when all else fails, he adopts the disguise of the Durango Kid to operate outside the Law. Jack (later Jock) Mahoney, who'd been playing supporting roles and performing stunts in previous Durango Kid outings, contributes a strong characterization in Laramie Mountains as Swift Eagle, a white man adopted by Indians. One of the heavies is played by Fred Sears, taking time out from his directorial duties on the Starrett series. ~ Hal Erickson, All Movie Guide

Rancher Randolph Scott rides right into a romantic triangle in this moody western. He is forced to stand by as his mercenary girl friend (Joan Leslie) is lured away by a wealthy neighboring rancher (Alexander Knox). When the neighbor is killed, Scott is accused of the murder, and spends the balance of the film clearing himself. After a blood-spattered fistfight with a gunslinger (John Russell) and several gun battles, Scott consoles himself with schoolteacher Ellen Drew. Based on a novel by Ernest Haycox, Man in the Saddle was the first of the lucrative collaborations between star Randolph Scott and producer Harry Joe Brown. The film's title song is sung over the credits by Tennessee Ernie Ford. ~ Hal Erickson, All Movie Guide

Hot on the heels of such Red Skelton slapstick comedies as The Fuller Brush Man and The Yellow Cab Man came The Fuller Brush Girl, starring Lucille Ball in a fascinating dry run for her wacky "Lucy Ricardo" TV character. Unable to hold a job because of her tendency to get into trouble, Sally Elliot (Ball) hires on at the Fuller Brush company as a door-to-door cosmetics salesman. After several misadventures involving obnoxious children and snooty matrons, Sally finds herself in the middle of a murder scheme. With reluctant boyfriend Humphrey (Eddie Albert) in tow, Sally gets mixed up in one hilariously life-threatening situation after another, culminating in a prolonged chase sequence on board a tramp steamer. Highlights include Ball's outrageous striptease scene (to the tune of Rita Hayworth's "Put the Blame on Mame") and a choice cameo by Red Skelton as an all-too-cooperative customer. Most of the sight gags in Fuller Brush Girl were cooked up by former cartoon director Frank Tashlin, who'd also contributed to Fuller Brush Man. ~ Hal Erickson, All Movie Guide

In this final episode of the Boston Blackie mystery series, our hero and his side-kick find themselves accused of murder after they are seen exiting a Chinese laundry where the proprietor is soon found murdered. Blackie must find the real killers before he gets in real trouble. Action and mystery ensue. ~ Sandra Brennan, All Movie Guide

Republic's well-produced Allan "Rocky" Lane western series was a favorite of fans and critics alike. The series maintained its high batting average with its first 1949 entry, Death Valley Gunfighter. The storyline gets under way when thieves conspire to appropriate a silver mine owned by comedy relief Nugget Clark Eddy Waller. Though he could benefit from some legal help, Nugget doesn't trust lawmen. Thus, do-gooder Lane is forced to protect Nugget without the old man's knowledge. Death Valley Gunfighter culminates in the sort of outsized slugfest for which Republic was justly famous. TV's future "Annie Oakley" Gail Davis co-stars as the love interest. ~ Hal Erickson, All Movie Guide

The rubber-stamp quality of Allan "Rocky" Lane's Republic westerns continued to manifest itself in Bandit King of Texas. Lane plays an honest cowboy who has seemingly fallen in with an outlaw gang. It comes as no surprise when Lane turns out to be working undercover to bring the gang to justice. As with his earlier films, the whole story is wrapped up in a brisk 60 minutes. One of the pleasanter aspects of Allan Lane's vehicles was their depiction of the villains as fairly normal human beings: in this case, Jim Nolan is the wicked but essentially believable heavy. ~ Hal Erickson, All Movie Guide

Marking the screen debut of Rex Allen, the last of the Singing Cowboys, The Arizona Cowboy featured a mildly entertaining though hardly innovative story of a rodeo cowboy who learns that his father (John Elliott) is falsely accused of stealing 50,000 dollars from his employer, the Dusty Acres Irrigation Company. Rex goes undercover as Arizona Jones -- with the assistance of I.Q. Barton (comedy relief Gordon Jones) and the irrepressible "Cactus" Kate (Minerva Urecal) -- and soon unmasks the villain who first framed then kidnapped his dad. In-between rescuing his father and romancing leading lady Teala Loring, Allen found time to sing "Arizona Waltz" and "I Was Born in Arizona," both of which he had written himself. A star performer on the famous National Barn Dance radio program from 1945 to 1949, Arizona-born Rex Allen was Republic Pictures' final musical Western star. Allen, in fact, arrived at a time when B-Westerns in general and Singing Cowboys in particular were becoming a losing proposition due to the competition from television. As Allen himself remembered to writer Samuel M. Sherman: "I came in late. They forgot to tell me the whole thing was over when I started." Despite this handicap, Allen managed to stay afloat until 1954. He later starred in the TV series Frontier Doctor and narrated for Walt Disney. ~ Hans J. Wollstein, All Movie Guide

John Wayne -- showing off a darker side to his screen persona than we'd previously seen -- portrays Thomas Dunson, a frontiersman who, with his longtime partner Nadine Groot (Walter Brennan), leaves abandons a westbound wagon train in 1851 to make his future as a rancher in Texas. Doing so forces him to abandon Fen (Colleen Gray), his fiancee -- and when she is killed in an Indian raid a short time later, it taints any good that Dunson might find in the future he carves out for himself, destroying any joy he might derive from life. The sole survivor of the raid is Matthew Garth (Mickey Kuhn), a young orphan who is unusually handy with a gun for one his age -- and already knows how to channel his grief and horror at what he's seen, as much as Dunson does. Dunson informally adopts Matt as his son, and over the next 14 years he builds up one of the largest ranches in the entire state of Texas. And all of it is worth nothing, a result of the economic ruin wrought on the state in the aftermath of the Civil War. Matthew (Montgomery Clift, now back from the war and doing some of his own adventuring, finds a darker, more taciturn Dunson than he's ever known -- as Groot tells it, he afraid, because he just doesn't know how to fight the threats he now faces. With Matthew now returned, Dunson decides to move his herd, nearly 10,000 head of cattle, to Missouri, where there is a market for beef, over 1000 miles away through territory controlled by border gangs hundreds of men strong that have stopped every cattle drive up to now, and Indians who have picked off what the gangs missed. Dunson drives his men as hard as he does himself, relentlessly, till even some of his best hands break under the strain -- and he's not above killing anyone who challenges his authority on the drive. He's able to hold them in line as long as Matthew backs him up, and he does until Dunson, exhausted and worn down by lack of sleep, finally goes too far. Matthew steps in, backed by laconic, smirking gunman Cherry Valance (John Ireland) and most of the rest of the men and takes the herd from Dunson. Leaving his father and mentor behind, he heads the herd toward Kansas, where -- so the men are told -- there's a new railroad. Along the way, he meets Tess Millay (Joanne Dru), a card-dealer who falls in love with the young man. But he has to finish the drive and leaves her behind, much as Dunson left Fen. And they all know that Dunson is coming after Matthew to kill him. ~ Bruce Eder, All Movie Guide

Monogram's French Leave received an inordinate amount of press coverage because of its teaming of two former child stars. Jackie Cooper and Jackie Coogan play a couple of amorous merchant seamen on the loose in a small French village. Hoping to score with the local mademoiselles, the two Jackies become sidetracked with black market activities. The boys bend a few laws along the way, but everything turns out just fine. It was French Leave that convinced Jackie Cooper to seek out acting lessons rather than coast on his past fame; as for Jackie Coogan, he wouldn't truly make a comeback until losing his hair and re-emerging as a cantankerous character actor on such TV series as The Addams Family. ~ Hal Erickson, All Movie Guide

Also known as A Miracle Can Happen, On Our Merry Way is a multipart comedy linked by inquiring reporter Burgess Meredith. It is Meredith's job to interview several people, asking them what effect children have had on their lives. First he checks with two itinerant musicians (James Stewart and Henry Fonda), who earn extra under-the-counter money by fixing a music contest so the mayor's son will win. Next he meets Hollywood extras Dorothy Lamour and Victor Moore, who are hired to work with a precocious child star. Finally, the old "Ransom of Red Chief" twist is given to the tale of hoboes Fred MacMurray and William Demarest, who find themselves at the mercy of a preteen prankster, whose wealthy uncle (Hugh Herbert) won't take the kid back unless the hoboes pay him. Meredith returns to the newspaper office with a black eye, which earns him the sympathy and affection of coworker Paulette Goddard. Though the direction is credited to Leslie Fenton, portions of On Our Merry Way were actually directed (sans credit) by George Stevens and King Vidor. ~ Hal Erickson, All Movie Guide

One of the better Roy Rogers vehicles of its period, Home in Oklahoma casts Rogers as a crusading frontier newspaper editor. Forsworn to find the murderers of a prominent cattle rancher, Roy teams up with big-city journalist Connie Edwards (Dale Evans) and grizzled ranch foreman Gabby Whittaker (Gabby Hayes). Following the trail of clues like a Sagebrush Sherlock, Rogers exposes a rival rancher (never mind which one-his identity is obvious to seasoned mystery fans) as the culprit. Musical highlights include Roy and Dale's rendition of the novelty tune "Miguelito." Chalk up another winner for the star-director team of Roy Rogers and William Witney. ~ Hal Erickson, All Movie Guide

Bearing traces of such earlier hits as My Favorite Blonde and The Ghost Breakers, Where There's Life is one of the best of Bob Hope's postwar vehicles. The inimitable Mr. Hope is cast as New York radio personality Michael Valentine, who's poised to marry his long-time fiancee Hazel O'Brien (Vera Marshe). But destiny takes a hand when, in the far-off kingdom of Barovia, King Hubertus II (William Edmunds) is felled by an assassin's bullet. To avoid a revolution, the King's cabinet hurriedly searches for Hubertus' sole heir -- who, according to all reliable sources, is one Michael Valentine. Gorgeous General Katrina Grimovich (Signe Hasso) is dispatched to New York to bring Valentine back to Barovia, while a group of insurrectionists, headed by Krivoc (George Coulouris) and Stertorius (George Zucco), conspire to kill Valentine before he can ever leave American soil. When Valentine is apprised of his royal lineage, he assumes that he's the victim of a practical joke perpetrated by his announcer Joe Snyder (George Zucco). Once he's convinced that it's no joke, Valentine and Katrina scurry about the streets of Manhattan, dodging potential assassins at every turn -- not to mention keeping out of the way of Hazel's muscle-bound policeman brother Victor (William Bendix), who assumes that Valentine is merely trying to weasel out of his wedding. Full of bright dialogue and hilarious gag situations, Where There's Life is vintage Bob Hope. ~ Hal Erickson, All Movie Guide