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Christopher Lloyd Movies

Christopher Lloyd is among Hollywood's busiest and best character actors and has created a number of unforgettable roles on television and in film. Lanky, dark-haired, gravel-voiced, hollow-eyed, and possessing almost skeletal facial features that belie their flexibility, he takes after Lon Chaney in his ability to transform himself into a variety of odd personages ranging from malevolent villains to lovable cooks, most of which are comical. Lloyd is also a versatile theatrical actor known for his ability to improvise in inventive, often outrageous ways. This despite the fact that in his personal life he is famously reclusive and shy. Raised in New Canaan and Westport, CT, Lloyd became interested in acting at age 14 and started out in summer stock at age 16. Following high school, he moved to New York to study acting with such noted drama coaches as the Neighborhood Playhouse's Sanford Meisner. Beginning in 1969 with a Broadway appearance in Red, White and Maddox, he went on to appear on and off-Broadway and with several New York Shakespeare Festivals; in one production of A Midsummer Night's Dream, Lloyd starred opposite Meryl Streep. In 1973, he won an Obie and a Drama Desk Award for his work in Kaspar.
He became interested in becoming a film actor after making a memorable debut as the cynical, sadistic mental patient Taber in One Flew Over the Cuckoo's Nest (1975). He moved to Los Angeles in 1976, but did not get his big break until 1978 when he walked into an audition for the innovative comedy Taxi. They were looking for someone to play Reverend Jim Ignatowsky, a burned-out nut case who took one drug too many during the '60s and never recovered. Lloyd shuffled into the audition wearing a faded, funky jean jacket, with his hair all askew, and his eyes bleared: he was instantly cast. His character was only meant for one episode, but proved so popular that he was written in as a regular character. Between 1979 and 1983, Lloyd won two Emmy's for Reverend Jim and the actor remains closely identified with him.
His success on Taxi led Lloyd to larger film roles, but he did not become a big name in pictures until he portrayed the crazy but lovable inventor Doc Emmett L. Brown opposite Michael J. Fox in Back to the Future (1985) and its sequels. He later voiced Doc Brown in the CBS morning cartoon version of the popular trilogy, Back to the Future--The Animated Series, and also appeared in a version of the film made especially for a theme park ride. Some of his other memorable roles from the '80s include that of a Klingon in Star Trek II: The Search for Spock (1984), the sneaky Professor Plum in Clue (1985), and the nefarious Judge Doom in Who Framed Roger Rabbit? (1988). He played his third most recognizable role, that of Uncle Fester opposite Angelica Huston's Morticia and Raul Julia's Gomez in both Addams Family films (1991 and 1993). Occasionally Lloyd plays "normal" people in such films as Eight Men Out (1988). In addition to film and television work, Lloyd is also finding success as a voice artist in such projects as Anastasia (1997), where he played the wicked Rasputin. In regard to his hermit-like tendencies, Lloyd insists on signing a contract for every project that frees him from all promotion duties so he won't have to do interviews and have people pry into his private life. ~ Sandra Brennan, Rovi
1987  
PG  
Add Walk Like a Man to Queue Add Walk Like a Man to top of Queue  
In this lively comedy, an animal behaviorist is out studying wolves and she finds a young man who has been raised by the wild canines. Intrigued, she takes him back to the city to tame him. Later she learns that Bobo, as she calls him, is the long-missing heir to $30 million. His sudden reappearance causes his low-life brother Reggie to have apoplexy and he does everything he can to keep Bobo from becoming civilized and claiming his rightful fortune. ~ Sandra Brennan, Rovi

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Starring:
Howie MandelChristopher Lloyd, (more)
 
1986  
PG  
A doctor (Tom Conti) and his wife (Teri Garr), recently divorced, are kidnapped and brought to South America by an inept jewel thief (Paul Rodriguez), just in time to help cure a tribal chief's daughter of appendicitis. Then, a series of circumstances brings the entire family together. ~ John Bush, Rovi

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Starring:
Tom ContiTeri Garr, (more)
 
1985  
 
An expedition into the fictional land of Karistan brings a geologist (Christopher Lloyd) and his son into contact with the "witch," a white horse with the power to transform into a dragon. ~ Jason Ankeny, Rovi

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1985  
PG  
Add Clue to Queue Add Clue to top of Queue  
In this spoof of McCarthy-era paranoia and 1950s wholesomeness, the characters and plot are drawn from the popular Parker Brothers board game of the same name. On a dark and stormy night in 1954, six individuals with ties to Washington are assembled for a dinner party at the swanky mansion of one Mr. Boddy (Lee Ving). Boddy's butler, Wadsworth (Tim Curry), assigns each guest a colorful name: Mr. Green (Michael McKean), Col. Mustard (Martin Mull), Mrs. Peacock (Eileen Brennan), Professor Plum (Christopher Lloyd), Miss Scarlet (Lesley Ann Warren), and Mrs. White (Madeline Kahn). Two additional servants, the Cook (Kellye Nakahara) and Yvette, the maid (Colleen Camp), assist Wadsworth as he informs the guests that they have been gathered to meet the man who has been blackmailing them: Mr. Boddy. When Boddy turns up dead, however, the guests must try to figure out who killed him so they can protect their own reputations and keep the body count from growing. Three separate endings were filmed for Clue and shown in different theaters; all three are collected for the video edition. Although the film is set in the 1950s, the original Clue game was actually devised by Anthony Pratt, a clerk in Leeds, England, to pass the time during World War II air-raid drills. First released in 1946 under the name Cluedo by British manufacturer Waddington's, Clue was renamed and released in the U.S. in 1949. Today, Clue/Cluedo is marketed in 70 countries around the world and has been adapted into a British game show and an off-Broadway musical. ~ Brian J. Dillard, Rovi

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Starring:
Eileen BrennanTim Curry, (more)
 
1985  
PG  
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Contemporary high schooler Marty McFly (Michael J. Fox) doesn't have the most pleasant of lives. Browbeaten by his principal at school, Marty must also endure the acrimonious relationship between his nerdy father (Crispin Glover) and his lovely mother (Lea Thompson), who in turn suffer the bullying of middle-aged jerk Biff (Thomas F. Wilson), Marty's dad's supervisor. The one balm in Marty's life is his friendship with eccentric scientist Doc (Christopher Lloyd), who at present is working on a time machine. Accidentally zapped back into the 1950s, Marty inadvertently interferes with the budding romance of his now-teenaged parents. Our hero must now reunite his parents-to-be, lest he cease to exist in the 1980s. It won't be easy, especially with the loutish Biff, now also a teenager, complicating matters. Beyond its dazzling special effects, the best element of Back to the Future is the performance of Michael J. Fox, who finds himself in the quagmire of surviving the white-bread 1950s with a hip 1980s mindset. Back to the Future cemented the box-office bankability of both Fox and the film's director, Robert Zemeckis, who went on to helm two equally exhilarating sequels. ~ Hal Erickson, Rovi

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Starring:
Michael J. FoxChristopher Lloyd, (more)
 
1984  
 
Originally made for television, this story concerns a champion rodeo rider (Lee Majors) and his romance with a Russian ballerina (Leslie Wing) who is trying to defect. ~ John Bush, Rovi

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1984  
PG  
Add Star Trek III: The Search for Spock to Queue Add Star Trek III: The Search for Spock to top of Queue  
When last we left the crew of the star ship Enterprise, they were heading home following a skirmish with the despotic Khan. The unpleasant incident had cost the life of Mr. Spock (Leonard Nimoy)--or so it seemed. Admiral Kirk (William Shatner) is informed by Spock's father Sarek (Mark Lenard) that his son is being kept alive in the thoughts of one of the crew members. It now becomes necessary to search for Spock's body, so that flesh and soul can be rejoined on Vulcan. It turns out that Spock's spirit is residing within the mind of the Vulcan's longtime shipmate, "Bones" McCoy (DeForrest Kelley). Finding the body is another matter, since the Enterprise has been consigned to the trash heap and thus is out of Kirk's jurisdiction. ~ Hal Erickson, Rovi

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Starring:
William ShatnerLeonard Nimoy, (more)
 
1984  
R  
The abysmal teen comedy Joy of Sex is stripped down to just sex in every line and in every joke except where other bodily functions come into play. Alan (Cameron Dye) lusts after Leslie (Michelle Meyrink), whose father is a phys ed instructor with the heart of an army drill sargent and no tolerance for Alan -- though Alan is willing to go through almost anything to win Leslie's interest. As this love quest is going on, an undercover agent is out to make a major drug bust at the high school where these teens endure classes -- and some kind of a nut is gluing up odd objects in strange places at school. The bad dialogue is unfortunately matched by continuity gaffs (someone at a motel knocks down the door of room 302 to barge in on a couple in room 319) and other problems, making this a sure loser compared to the book of the same name, which has nothing to do with this movie. ~ Eleanor Mannikka, Rovi

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Starring:
Cameron DyeMichelle Meyrink, (more)
 
1984  
 
This sci-fi police drama is an episode from the short-lived television series and follows the exploits of a black-clad G-man who rides a specially designed gadget filled motorcycle to help him rid the country of crime. This time he and his Street Hawk take on a powerful drug lord. ~ Sandra Brennan, Rovi

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1984  
 
In episode one of Cheers' two-part season two finale, Diane (Shelley Long) is outraged that the public at large still regards Sam (Ted Danson) as being "available." To patch things up with Diane, Sam arranges to have her portrait painted. Unfortunately, the artist, an arrogant poseur named Phillip Semenko (Christopher Lloyd) so enrages Sam that he calls the whole project off -- just as Diane is warming up to the idea. ~ Hal Erickson, Rovi

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1984  
 
In the conclusion of a two-part story, Diane (Shelley Long) defies Sam (Ted Danson) by agreeing to have her portrait painted by arrogant artist Semenko (Christopher Lloyd). Hoping to mend their differences, Diane wants Sam to accept the portrait as a work of art on its own terms. But Sam is so mad about the whole project that he can't see straight -- and it looks as though the romance between Sam and Diane has come to an abrupt and noisy conclusion. This was the final episode of Cheers' second season. ~ Hal Erickson, Rovi

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1984  
PG  
Add The Adventures of Buckaroo Banzai Across the 8th Dimension! to Queue Add The Adventures of Buckaroo Banzai Across the 8th Dimension! to top of Queue  
Despite mixed reviews and a disastrous initial release that dumped the film into theaters for a week in the midst of the 1984 Summer Olympics, The Adventures of Buckaroo Banzai Across the Eight Dimension went on to become one of the major cult films of the 1980s, developing a rabid following after its release on videotape. Drifting between satire and improbable sci-fi adventure, the film stars Peter Weller as Buckaroo Banzai, the son of an American mother and Japanese father who is a combination physicist, neurosurgeon, martial arts master, secret agent, and rock star who travels with his band of assistants/backing musicians, The Hong Kong Cavaliers. As the story opens, Buckaroo is driving his car through a mountain to test his new invention, the Oscillation Overthruster. However, a race of boorish aliens called the Red Lectroids have been waiting for such an item to become a reality, as they need it to return to the distant planet they call home. One of Buckaroo's arch-enemies, Dr. Emilio Lizardo (John Lithgow), who has been possessed by the Red Lectroids, attempted to created a similar device decades before; now escaped from an insane asylum, he is back at work with the Lectroids on a plan to control the world. Throw in Rastafarian aliens, unscheduled travel between dimensions, and the odd inexplicable watermelon, and you get a film that defies conventional synopsis. With its fast pace, quotable dialogue ("No matter where you go, there you are"), and barrage of gags (subtle and otherwise), you won't be bored even when you're not sure what's going on. The supporting cast includes Jeff Goldblum as New Jersey, a Cavalier with a snappy cowboy outfit, and Ellen Barkin as Penny Priddy, the twin sister of Buckaroo's late wife. ~ Mark Deming, Rovi

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Starring:
Peter WellerJohn Lithgow, (more)
 
1983  
PG  
Add Mr. Mom to Queue Add Mr. Mom to top of Queue  
Jack Butler (Michael Keaton) is a Detroit automobile engineer unjustly fired by his boss. Jack's wife Caroline (Teri Garr) is compelled to get a job to make ends meet, and is soon hired on as an advertising executive in a firm run by the shifty Ron Richardson (Martin Mull). This leaves Jack at home doing the housework and taking care of the kids, which he discovers is a lot more complicated than he ever imagined. Moving from breadwinner to househusband doesn't do much for his self-esteem, and he bides his time playing poker for coupons with a gaggle of neighborhood housewifes and pondering infidelity with dedicated homewrecker Joan (Ann Jillian). Among Keaton's fish-out-of-water bits: trying to maneuver a shopping cart with the inevitable wobbly wheels; and imagining a soap opera/film-noir episode in which he gives in to Joan's advances, only to be found out by Caroline. ~ Hal Erickson, Rovi

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Starring:
Michael KeatonTeri Garr, (more)
 
1983  
 
Robert Preston seems to be having the time of his life in the made-for-TV September Gun. The "Music Man" is cast as a long-in-tooth gunfighter who forms an uneasy alliance with Catholic nun Patty Duke Astin. The single-minded sister wants to erect a sanctuary for a group of Apache orphans. Preston picks an ideal spot, right in the center of town--the local saloon and "bawdy house"! Sally Kellerman co-stars as Madame Queen (not the same lady who used to be on Amos N Andy) in this harmless western romp, which first aired October 8, 1983. ~ Hal Erickson, Rovi

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1983  
PG  
Mel Brooks and his real-life wife Anne Bancroft play Frederick and Anna Bronski, musical comedy stars in 1939 Poland. The highlight of the Bronskis' act is Frederick's imitation of Adolf Hitler, but he is forced to eliminate this turn for fear of offending the Nazis. Meanwhile, Anna enters into a harmless flirtation with Polish bomber pilot Andre Sobinski (Tim Matheson). The pilot's nightly signal to visit Anna in her dressing room is "To Be or Not to Be," spoken by Bronski during the Shakespearean portion of his act. When the Germans march into Warsaw, the Bronskis and the rest of their troupe are forced into hiding (notably the homosexual Lupinski, played by Lewis J. Stadlen, who is forced to endure the humiliation of wearing a pink star). Flying for the Polish resistance in England, Sobinski asks kindly Professor Seletzky (Jose Ferrer) to deliver his "To Be or Not to Be" message to Anna. When Seletzky doesn't seem to recognize the name of Anne Bronski, Warsaw's biggest star, Sobinski suspects that something is amiss. Sure enough, Seletzky is a Nazi spy, heading to Warsaw to help Col. "Concentration Camp" Ehrhardt (Oscar-nominated Charles Durning) destroy the underground movement. Parachuting into Poland, Sobinski enlists the aid of the Bronski troupe to foil the Nazis. What follows is an uproarious series of disguises and deceptions, capped by Bronski's impersonation of Der Fuhrer. ~ Hal Erickson, Rovi

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Starring:
Mel BrooksAnne Bancroft, (more)
 
1982  
 
When a Hollywood sex symbol is kidnapped for ransom, the daredevil team, The Fantastic Seven, head to Miami where the filming occurred. ~ Rovi

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1982  
 
Money on the Side is a feminist's worst nightmare. This TV movie proposes that the only recourse a housewife has to the nation's "faltering economy" (to quote the film's press release) is to turn to prostitution. The three suburban housewife hookers in this opus are Jamie Lee Curtis, Linda Purl, and....Karen VALENTINE?!?!?!? Say it ain't so, Joe. Forget this one: even the title of Money on the Side sounds like a dirty joke. ~ Hal Erickson, Rovi

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1982  
 
Add Taxi: Season 05 to Queue Add Taxi: Season 05 to top of Queue  
Although Taxi had earned scores of industry awards and the unflagging loyalty of its fans during its four-year lifespan on ABC, the series had never posted the sort of ratings that would qualify it as a hit. Thus, ABC dropped the show at the end of season four -- but the song wasn't quite over yet. Responding to overwhelming public demand, rival network NBC picked up Taxi for its fifth season, retaining the same Thursday-night time slot the series had occupied the previous year -- or, as the trade ads put it, "Same time, better network." The first NBC episode was "The Shloogel Show," in which all the cabbies embarked upon a "group blind date" that would have long-ranging ramifications. The relationships inaugurated on this episode would be explored and occasionally resolved on three later fifth-season installments, "Louie and the Blind Girl," "Arnie Meets the Kids," and "Tony's Baby." In another development, Carol Kane graduated from recurring to regular status in her Emmy-winning role as Simka, the wife of the Sunshine Cab Company's sweet-tempered immigrant mechanic Latka Gravas (Andy Kaufman); the Latka-Simka marriage and its attendant old-world traditions (many of them bizarre in the extreme) would provide fodder for the two-part episode "Scenskees From a Marriage" and the season finale "Simka's Monthlies." Also providing material for several episodes was a huge inheritance bestowed upon "Reverend" Jim Ignatowski (Christopher Lloyd), the cab company's resident burned-out hippie; in fact, the last episode to be filmed, "A Grand Gesture," was entirely motivated by Jim's unexpected financial windfall. Additionally, we continued to learn more about the past lives of the various cabbies, notably the fact that Alex Rieger (Judd Hirsch) suffered from an addiction to gambling, and that the father of Tony Banta (Tony Danza) had run off to sea years earlier. Had the fans of the series and the stars had their way, Taxi would have run indefinitely on NBC. Alas, the ratings were no better than they'd been on ABC (though, ironically, the show managed to pick up three more Emmy Awards!) compelling the network to cancel the series -- permanently this time -- after its 114th episode. Happily, the series has since prospered in rerun syndication not only in local markets but also on basic cable. ~ Rovi

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1981  
R  
Add National Lampoon's Movie Madness to Queue Add National Lampoon's Movie Madness to top of Queue  
Originally divided into four segments and now cut to three, National Lampoon Goes to the Movies is a story about a man who is determined to get in touch with himself and sends his wife away so she can do the same thing. The next tale features a female business magnate who wreaks appropriate revenge on her arrogant male colleagues, and the last vignette has a virtuously pure policeman (Robby Benson) becoming as cynical as his partner (Richard Widmark). Each skit makes internal references to other movies, movie directors, or classic movie characters, which may enhance the viewing for movie buffs but does not change the generally dull and unfunny material. ~ Eleanor Mannikka, Rovi

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Starring:
Peter RiegertDiane Lane, (more)
 
1981  
PG  
Add The Legend of the Lone Ranger to Queue Add The Legend of the Lone Ranger to top of Queue  
An orphan grows up to become an Old West legend as the story of the Lone Ranger comes to the big screen in this western saga featuring Christopher Lloyd and Jason Robards. Orphaned as a young boy, John Reid struck up a lifelong friendship with a loyal Indian boy named Tonto. Years later, Reid has become a lawyer and returned to the west in order to ensure that vicious murderers such as the Cavendish gang are brought to justice. Having previously murdered Reid's parents, the Cavendish gang proves that they still rule this lawless land when they launch an ambush that leaves the lawyer serious wounded and his Texas Ranger brother dead. Nursed back to health by his old friend Tonto, Reid dons a mask and sets out to pursue justice anonymously atop his faithful horse Silver. His timing couldn't be better, either, because the Cavendish gang is about to carry out their most ambitious misdeed to date by kidnapping President Ulysses S. Grant (Robards). Upon learning that the president has been abducted by the most violent gang in the Wild West, the Lone Ranger sets out to settle an old score while rescuing the man who will steer the fate of a nation. ~ Jason Buchanan, Rovi

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Starring:
Klinton SpilsburyMichael Horse, (more)
 
1981  
 
Add Taxi: Season 04 to Queue Add Taxi: Season 04 to top of Queue  
Taxi remained a succès d'estime for ABC as it entered its fourth season, gathering scores of industry awards and garnering the love of its most loyal fans and the respect of Hollywood insiders, while still continuing to post lukewarm ratings. The series hadn't cracked the "Top 25" shows throughout the 1980-1981 season and failed to do so during 1981-1982 as well. ABC had seriously considered dropping the program after its third season, but the uproar of protest from its devotees moved the network to give the property another chance -- albeit in a new time slot on Thursday evening opposite NBC's Gimme a Break and CBS' Knots Landing. Two major developments marked the progression of events on season four. The first was the defection of Jeff Conaway in the role of part-time cabbie and would-be actor Bobby Wheeler, though Conaway would return for a guest appearance in the episode "Bobby Doesn't Live Here Any More." The second was the marriage between mild-mannered immigrant taxi mechanic Latka Gravas (Andy Kaufman) and his countrywoman Simka Dahblitz (Carol Kane in an Emmy-winning characterization) -- though the nuptials were postponed until Latka was able to divest himself of his slimy, womanizing "alter ego" Vic Ferrari (also played by Kaufman, who insisted that the series' producers sign "Vic Ferrari" to a separate contract!) As in previous seasons, Taxi offered a two-part episode in which the cabbies were forced to put their lives in perspective. On this occasion, the episode was the season finale "The Road Not Taken," wherein Elaine (Marilu Henner) mulled over the opportunity to leave New York for a new out-of-town job, prompting her fellow cabbies to reflect upon the various pivotal moments in their own lives. With the ratings continuing to sag, ABC reluctantly concluded that Taxi was expendable, and the series was canceled. For a while, it looked as if the property would be revived by the cable service HBO; but in the end, it was NBC that came to the rescue, picking up Taxi for its fifth (and as it turned out, its final) season. ~ Rovi

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1981  
R  
Add The Postman Always Rings Twice to Queue Add The Postman Always Rings Twice to top of Queue  
Bob Rafelson's remake of 1946's The Postman Always Rings Twice, with a screenplay by the award-winning playwright David Mamet, stars Jack Nicholson as Frank Chambers, a depression-era drifter who ends up at a diner run by Nick Papadakis (John Colicos), who offers Frank a job. Frank takes him up on the offer, but quickly begins a torrid affair with Nick's wife Cora (Jessica Lange). The adulterous lovers soon hatch a plan to kill Nick and share in the insurance payout. The second big-screen adaptation of the James M. Cain novel, the film garnered a certain degree of notoriety for the explicit sex scenes between Lange and Nicholson. ~ Perry Seibert, Rovi

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Starring:
Jack NicholsonJessica Lange, (more)
 
1980  
 
Elizabeth Huddle plays a Vermont widow suffering from terminal cancer. As hard as it is for Huddle to condition herself to her fate, it is twice as difficult for her brooding lover (Christopher Lloyd), her sister (Leslie Paxton) and her daughter (Laurie Prange). The film studies not only the individual reactions of those around the dying woman, but also how her cancer affects the intertwining relationships. Director Michael Roemer, had previously helmed a similarly-themed documentary, titled simply Dying. Pilgrim Farewell was first presented as the PBS American Playhouse entry of March 23, 1982. ~ Hal Erickson, Rovi

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Starring:
Elizabeth HuddleChristopher Lloyd, (more)
 
1980  
 
Add Taxi: Season 03 to Queue Add Taxi: Season 03 to top of Queue  
Although Taxi had built up a loyal band of followers and accumulated several industry awards during its first two seasons on ABC, the ratings had steadily declined, prompting the network to mark the series' third season by moving the show from Tuesdays at 9:30 to Wednesdays at 9:00, opposite NBC's Diff'rent Strokes and a weekly CBS movie. Developments during season three included another rift in the rocky relationship between Louie DePalma (Danny DeVito), the obnoxiously dictatorial dispatcher of the Sunshine Cab Company, and his erstwhile girlfriend Zena Sherman (played by DeVito's real-life Significant Other Rhea Perlman); an uncomfortable reunion between cabbie Alex Rieger (Judd Hirsch) and his oppressively neurotic ex-wife Phyllis (Louise Lasser); a hilarious romantic triangle involving cabbie Elaine Nardo (Marilu Henner), her co-worker Tony Banta (Tony Danza) and her new boyfriend Kirk (John David Carson) (it so happened that Kirk would rather have linked up with macho Tony than with flustered Elaine!); Tony's decision to retire from the ring (at least temporarily) after enduing one too many KOs; and a few surprising glimpses into the past of zoned-out former hippie "Reverend" Jim Ignatowski (Christopher Lloyd). Undoubtedly the most memorable plot twist involved Sunshine Cab's sweet-natured immigrant mechanic Latka Gravas (Andy Kaufman), who after undergoing a spectacular personality change re-emerged as slimy swinging bachelor-about-town Vic Ferrari! In a related development, Carol Kane made her first appearance as Simka Dahblitz, Latka's countrywoman and eventual sweetheart. Season three's by-now obligatory two-part "retrospection" episode was "On the Job," in which the cab company briefly closed shop, forcing the cabbies to look for "civilian" work. The fact that Taxi's overall ratings continued to decline during its third season was mitigated somewhat when the series took home six Emmy Awards in the spring of 1981. ~ Rovi

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