Suzette Llewellyn Movies

In this drama, a woman tries to balance her personal responsibilities with her budding career as a musician. Anita (Anjela Lauren Smith) wants to make a career as a reggae singer. She has talent, drive, and a solid vocal group with her friends Sharon (Caroline Chikezie) and Yvette (Jocelyn Esien). But Anita also has two kids, and trying to raise her children while following her dreams and struggling to get out of the projects is no easy task. Byron (Wil Johnson), the father of her children, doesn't approve of her musical ambitions, and while mourning the death of her mother, Anita makes the shocking discovery that she wasn't really her mother: Rose (Suzette Llewellyn), the woman she grew up believing was her big sister, was her biological mother all along. Despite her personal crises, Anita refuses to give up on her desire to make it in music, and she meets an agent (Diane Bailey) who wants to help her achieve her goal. Babymother was the feature debut for writer/director Julian Henriques. ~ Mark Deming, Rovi

With a cruel, keen edge, this taut social drama slices deeply into Thatcher's England to expose a grim underbelly of racism, cynicism and despair. Reuben James is a black paratrooper who has spent the last nine years serving in the British army and who finally gets discharged to return to his home in South London. There he discovers that the residents have been ravaged by the poverty of the decade and many have turned to crime to survive, while others do their best in the midst of crushing hopelessness to find order and meaning. He too fights the same battles as he struggles to find work. He is disillusioned to discover that to racist employers, his sterling service record is almost worthless. The poor veteran suffers a final blow when he learns that because he was born on the common-wealth island of St. Lucia, and because the laws have suddenly changed, he is no longer considered a British citizen. Now he must quickly make a decision about the rest of his life. Meanwhile, back in the neighborhood, tempers fray, frustration mounts and violence ensues. ~ Sandra Brennan, Rovi

In this alternately comic and grave reflection on the effects of Thatcherism on polyethnic England, middle-class liberals Rosie (Frances Barber) and Sammy (Ayub Khan Din) engage in an openly adulterous marriage while living in a lower-class neighborhood in London. When they're not hiding their troubled marriage behind a series of "enlightened" affairs, the couple associates with a social circle that ranges from leftist to radical and includes enigmatic street philosopher Victoria (Roland Gift). Sammy's long-lost father, Rafi (Shashi Kapoor), a South Asian politician, arrives for a visit just as rioting erupts in response to the killing of an innocent black woman by British police. Rafi decries not only the social upheaval that has transformed the country where he spent his halcyon university years, but also the lack of propriety on display in his son's marriage. Admitting that he's on the run for allegedly corrupt and violent political activities, the well-mannered yet manipulative Rafi uses his wealth to try to rein in what he sees as Sammy and Rosie's sexual and political excesses. Meanwhile, he tries to court Alice (Claire Bloom), the proper British lady he deserted decades earlier. The messy whirl of desire, resentment, and dogma that alternately throws these characters together and rips them apart ultimately reflects the confused and confusing society in which Sammy and Rosie live; soon even the unassailable Rafi must question his beliefs about life after empire. Sammy and Rosie Get Laid marked the second collaboration between director Stephen Frears and writer Hanif Kureishi; star Ayub Khan Din would go on to write another Anglo-Asian culture-clash comedy, 1998's East Is East. ~ Brian J. Dillard, Rovi