Jack Livesey Movies

When people refer to Doris Day as "the world's oldest professional virgin," they generally have the 1962 comedy That Touch of Mink in mind. It isn't that Cathy Timberlake (Day) is above a bit of hanky-panky; it's just that she wants such tangibles as a marriage license and wedding ring first. Thus, when playboy businessman Philip Shayne (Cary Grant) begins actively pursuing Cathy (they "met cute" when Philip's limo splashed mud on the hapless Cathy), she won't say "I will" until he says "I do." She is of the idealistic opinion that she can bring out the best intentions in him, even when he repeatedly tips off his worst intentions by inviting her to accompany him to Philadelphia, Baltimore, and Bermuda. After not a few complications and misunderstands, Cathy finally finagles a proposal out of Philip. The film is essentially much ado about nothing, but it is so well-acted and attractively photographed that the audiences are willing to go along for the ride. The high-powered supporting cast includes Gig Young as Roger, Philip's moralistic financial advisor; Audrey Meadows as Connie, Cathy's wise-cracking roommate; Alan Hewitt as Dr. Gruber, a confused psychiatrist; John Astin as Beasley, Cathy's slimy would-be beau; Dick Sargent as a neurotic honeymooner; and an unbilled Richard Deacon as an all-around letch. Best scene: the baseball-dugout rhubarb involving New York Yankees Mickey Mantle, Roger Maris, and Yogi Berra. ~ Hal Erickson, Rovi

Third-rate escape artist Joe Ferlini (Keenan Wynn) hopes to make the big time with a particularly dangerous stunt, in which he will be manacled hand and foot and locked into a submerged trunk. Both Joe's wife Wanda (Jan Sterling) and his manager Phil (Dennis Patrick) try to talk Joe out of this stunt, but only Phil is sincere; the faithless Wanda intends to use Joe's big escape as a cover for her plan to murder him. As things turn out, Wanda "wins" -- at least until the day of Joe's funeral, that is. ~ Hal Erickson, Rovi

Seeking emotional and financial security, young Elisa Minden (Antoinette Bower) marries the wealthy, and considerably older, Sir Humphrey J. Orford (Michael Rennie). Before long, however, Elisa has reason to regret her decision -- especially when evidence surfaces indicating that Sir Humphrey, a widower, used torture to keep his first wife from cheating on him. But this is nothing compared to the double-barrelled shock Elisa receives upon meeting an ominously silent woman named Flora (Shirley O'Hara). ~ Hal Erickson, Rovi

After purchasing a riverboat from Scotsman Gillespie MacKenzie (Jack Livesey, Bret finds out that MacKenzie has already sold the same boat to seven other people--including his old nemesis, the combustible Modesty Blaine (Mona Freeman). Rather than fight over the matter, the eight owners decide to take the boat to Memphis for resale. En route, the members of the party are killed off one by one by a mysterious assailant...who seems to be deliberately saving Bret and Modesty for his final victims. ~ Hal Erickson, Rovi

While on a sea voyage with his family, the eminent Sir Richard Musgrave (Eric Portman) is unnerved by the presence of a fellow passenger named Keyser (Oskar Homolka), who looks just like Sir Richard's former prospecting partner. Of course, Keyser could not possibly be whom he appears to be -- especially since Sir Richard left his partner for dead 20 years ago. Indeed, when confronted, Keyser insists he has never met Sir Richard in his life...but enough doubt remains to force Musgrave into taking drastic action! ~ Hal Erickson, Rovi

The tantalizingly titled Mystery at the Burlesque was originally released in England as Murder at the Windmill. It must be explained that, for many years, London's Windmill Theatre was famous for its scantily clad chorus girls and potty-mouthed comedians. Filmed on location at the Windmill, the story gets under way when a corpse is found in the last row of the theater. To reconstruct the crime, the detective inspector (Garry Marsh) insists that the Windmill troupe repeat the same show they'd performed on the night of the murder. The film's high or low point (depending on one's own tastes) occurs when one of the seedy Windmill comedians performs his magnificently unfunny monologue before an audience of one. Featured in the cast as Marsh's assistant is future "Dr. Who" Jon Pertwee. ~ Hal Erickson, Rovi

In this melodrama, a pilot gets amnesia after a plane crash. A good friend helps him to remember by discussing the troop transport plane they built together. While still in the hospital recovering, the pilot asks the friend to marry him. He then learns that they are already married. ~ Sandra Brennan, Rovi

An "answer" to Paul Robeson's Sanders of the River, Old Bones of the River stars comedian Will Hay as Professor Tibbetts, a member of TWIRP ("Teaching and Welfare Institute for the Reform of Pagans"). Not especially suited to his job of bringing English education to native tribes in Africa -- as he arrives, he is still trying to learn the native language through phonograph record lessons -- Tibbetts quickly falls victim to a trick by a duplicitous native prince, involving sneaking a gin still into the country. Tibbetts makes his way to Kombooli High, where his students wear Eton collars with little else. (Tibbetts makes do with a mortarboard and safari shorts.) Things are proceeding reasonably well when the Commissioner takes ill with malaria, and Tibbetts is forced to take over his responsibilities. He travels upriver to begin his tax collecting chores (goats or rubber being perfectly acceptable in lieu of actual money), meeting two old cronies of his in the process and rescuing a baby from an untimely death by sacrifice. Unfortunately, Tibbetts and his pals make rather a mess of things and manage to roil up tensions that result in a native uprising, but things eventually come out alright in the end. ~ Craig Butler, Rovi

In this early film from director Sir Carol Reed, Edmund Gwenn stars as Joe Higgins, a hardworking tugboat captain who is ecstatic when he learns that he has won a lucrative soccer pool. To celebrate, Higgins quits his job and invites all his pals to the local tavern for a wingding. But during the party, the validity of the Liverpudlian captain's win comes into question. Star Gwenn would later be remembered by most movie lovers for his Academy Award-winning portrayal of Kris Kringle in 1947's Miracle on 34th Street. ~ Matthew Tobey, Rovi

In this melodrama, an old fashioned bad guy is determined to have an innocent young maiden for himself. To do so, he frames her beloved fiance and gets him sent to jail. His wicked plot is foiled when the man is freed and the lovers get back together. ~ Sandra Brennan, Rovi

Lightning steadfastly refused to strike twice for the director/actor team of Alexander Korda and Charles Laughton. Though the pair had scored an international success with the 1933 quasi-biopic The Private Life of Henry VIII, they couldn't make the magic happen again with 1936's Rembrandt. Laughton's performance is solid throughout, and Korda's recreation of Rembrandt's Holland is meticulous, but the film suffers from a lack of overall dramatic tension. Except for his artistic achievements and the deaths of his two wives, nothing really "happens" to Rembrandt--at least nothing as colorful as the escapades of Henry VIII. The best element of the film is the successful effort by cinematographer Georges Perinal to recreate the famous "Rembrandt lighting" effect in each scene. Laughton is given fine support by Elsa Lanchester (his real-life wife), and by legendary stage star Gertrude Lawrence in a rare film role. ~ Hal Erickson, Rovi

In this drama, a shyster betrays his law partner by embezzling company money to buy gold shares. He then kills his look-alike, a sanatorium patient, assumes his identity and hides out until the heat is off. Unfortunately, he is not suited to the life of a fugitive and his identity is soon revealed. He then kills himself. ~ Sandra Brennan, Rovi

In this musical, the talented Boyd family try to run their musical hall. Trials, tribulations, and several popular acts ensue. ~ Sandra Brennan, Rovi