Mickey Little Movies

A too-tough Army major gets himself sent to run an ROTC program at a Santa Barbara military school after he calls unwanted attention to the military by mouthing off to a prominent news magazine. When he arrives to his new post, the major is shocked to find it run by nuns and that his new troops are school children. His assignment is to make "men" out of the rambunctious recruits so that the school can keep from losing its ROTC certification. At first the hard-as-nails major treats his young charges with all the tenderness of a old army boot and the boys, tired of his constant barrage of insults and demands, come to hate him. Further complicating matters is the major's disconcerting romantic feelings for the school's lovely doctor. Unfortunately, she isn't about to put up with his ultra-macho guff anymore than the children are and before this romantic comedy is through, the major learns important lessons about the value of humanity in dealing with others. ~ Sandra Brennan, All Movie Guide

An unofficial remake of The Champ, The Clown concerns Dodo Delwyn (Red Skelton), a down-and-out performer with abundant and obvious talent, but also a self-destructive tendency to overindulge his drinking and gambling habits. Once a Ziegfeld headliner, Dodo is now lucky to get jobs playing a clown at cheap amusement parks and even cheaper burlesque. Dodo's addictions cost him his marriage, but he somehow is able to maintain custody of his son Dink (Tim Considine), whose love for and faith in his father knows no bounds. Dink and Dodo's desperate need for each other is threatened when Dink's mother -- married again and capable of providing him with a better life -- reappears and explains that she wants to take care of the boy herself. Dink goes behind his father's back to locate his old agent, and begs him to help Dodo; but the agent cannot do anything. Dink goes away with his mother, but is miserable and runs back to his father. The agent, meanwhile, has managed to wrangle a TV show for Dodo -- and now that his son is back and needs him, Dodo resolves to find the courage to take up this offer and make a success of it. ~ Craig Butler, All Movie Guide

Howard Hawks hoped to capture the screwball comic fervor of his 1938 film Bringing Up Baby with his 1952 comedy Monkey Business. As in the earlier film, Cary Grant stars as an absent-minded professor involved in a research project. This time he's a chemist seeking a "fountain of youth" formula that will revitalize middle-agers both mentally and physically. Though Grant's own laboratory experiments yield little fruit, a lab monkey, let loose from its cage, mixes a few random chemicals and comes up with just the formula Grant is looking for. This mixture is inadvertently dumped in the lab's water supply; the fun begins when staid, uptight Grant drinks some of the "bitter" water, then begins cutting up like a teenager. A harmless afternoon on the town with luscious secretary Marilyn Monroe rouses the ire of Grant's wife Ginger Rogers, but her behavior is even more infantile when she falls under the spell of the youth formula. Everyone remembers the best line in Monkey Business: foxy-grandpa research supervisor Charles Coburn hands the curvacious Monroe a letter and says "Get someone to type this". Even better is his next line: after Monroe sashays out of the room, Coburn turns to Grant and, with eyes atwinkle, murmurs "Anyone can type." Likewise amusing is Monkey Business's pre-credits gag, wherein Cary Grant opens a door and is about to step forward when director Hawks, off-camera, admonishes "Not yet, Cary." Among the co-conspirators on Monkey Business's carefree script are Ben Hecht, Charles Lederer and I.A.L. Diamond, with an original story by Harry Segall (Here Comes Mr. Jordan) as their source. ~ Hal Erickson, All Movie Guide

Darling, How Could You is an amiable adaptation of James M. Barrie's stage perennial Alice-Sit- By-the-Fire. Joan Fontaine and John Lund head the cast as Alice and Robert Grey, who return to London from a five-year sojourn at the Panama canal, where Robert, a doctor, has tended to the sick. Upon arriving home, Mr. and Mrs. Grey must become reacquainted with their ever-growing children, especially precocious teenager Amy (Mona Freeman). Having just seen a play about an errant wife, Amy misinterprets the attentions paid to her mother by young physician Steve Clark (Peter Hanson), leading to a bottomless reserve of whimsically comic complications. Long unavailable to TV due to legal hassles with the Barrie estate, Darling, How Could You has since lapsed into public domain, and is now more available than ever. ~ Hal Erickson, All Movie Guide

Comprised of eight unrelated episodes of inconsistent quality, this anthology piece of American propaganda features some of MGM Studios' best directors, screenwriters and actors; it is narrated by Louis Calhern. Stories are framed by the lecture of a university professor. In one tale a Boston resident becomes angry when the census forgets to record her presence. Another sketch chronicles the achievements of African Americans while still another pays tongue-in-cheek tribute to Texas. ~ Sandra Brennan, All Movie Guide

Daring Cabellero was the third of producer Phil Krasne's Cisco Kid "B" westerns. Duncan Renaldo and Leo Carrillo return as Cisco and Pancho, roles they'd carry over into a popular 1950s TV series. Once more stumbling into a dangerous situation, Cisco and Pancho risk their own necks by saving an innocent man from hanging. Eventually, our heroes learn that a corrupt political machine is behind the killing. Leading lady Kippie Valez is cast as "herself," which must have meant more in 1949 than it does today. Unlike the subsequent TV series, Daring Caballero does not end with the leading actors reciting their standard mantra "Oh, Pancho! Oh, Cisco!" ~ Hal Erickson, All Movie Guide