Edward Little Sky Movies

A murderous car wreaks havoc on a small Western town in this thriller that has gone on to achieve a small degree of cult status in spite of its own silliness. After a pair of bikers and a horn-playing hitchhiker are viciously mowed down, local police realize they have a motoring maniac on their hands. In a show of boldness, the mysterious black automobile kills the sheriff (John Marley) on the town's main street, leaving the post to officer Wade Parent (James Brolin). A supernatural element enters the picture when the car motors through a parade practice, but refuses to enter the hallowed ground of a cemetery. The cops chase the car through the desert, but it takes out several squad cars and disappears after injuring Wade. Things take a personal turn when the car eliminates Wade's girlfriend Lauren (Kathleen Lloyd) in a shocking sequence. Gathering his remaining officers, Wade concocts a plan to stop the horsepower-laden psychopath. ~ Patrick Legare, All Movie Guide

Charles Chioffi plays the title character in the thrill-packed Bonanza installment Shanklin. Hoss Cartwright is shot by a band of ex-rebel soldiers who want Ben Cartwright to finance the formation of a Second Confederacy. Only Shanklin, the man who pulled the trigger, can save Hoss' life-and he refuses to do so unless Ben forks over $25000 immediately. Rance Howard, father of Ronnie, appears as Bogardus. First telecast on February 13, 1972. "Shanklin" was written by William Felley. ~ Hal Erickson, All Movie Guide

A cavalry unit in Colorado is conducting two important cargoes to Fort Reunion, home of the 11th Colorado Volunteers: Cresta Marybelle Lee (Candice Bergen), the fiancée of an officer in the unit until two years ago, when she was taken by the Cheyenne, and who just escaped; and Captain Battles (Dana Elcar), the paymaster, with a strongbox containing gold. The men are tired -- almost asleep in their saddles -- and frustrated, and doubly so by the presence of Cresta, whose beauty and reputation (by virtue of living two years with "savages") is driving them to distraction; all except for Honus Gant (Peter Strauss), a neophyte trooper and wide-eyed innocent. The detachment is ambushed by a Cheyenne war party and the only survivors are Cresta and Honus, who learn to tolerate each other as they struggle across the wilderness and the desert in search of help. An encounter with white trader Isaac Q. Cumber (Donald Pleasence), a profiteer who is running guns to the Indians, nearly results in their deaths, and Honus is seriously wounded.

Cresta goes off in search of help and is picked up by a cavalry scout and brought to the 11th Colorado, whose commanding officer, Col. Iverson (John Anderson), is planning a punitive strike against a peaceful Cheyenne encampment over the massacre of the paymaster's party. Cresta tries to secure help for Honus but Iverson is too busy planning bloodshed, and her fiancé, Lt. McNair (Bob Carraway), is just too eager to pick up where he left off with her to listen to her warnings. She rides out on her own and returns to the village where she'd spent the previous two years, while Honus manages to survive to reach Iverson. He ends up along for the assault on the village, which takes place despite the chieftain Spotted Wolf (Jorge Rivera) flying a flag of truce and an American flag given him at a previous negotiation with the whites. The Native Americans defend themselves when fired upon with artillery and rifles, and all hell breaks lose -- virtually all of the men in the village are killed in the first assault, and then the soldiers spot the women, children, and old men, and there begins an orgy of rape, mutilation, beheadings, dismemberment, and torture before Honus' horrified eyes by joyously shrieking soldiers. Cresta kills a soldier who tries to rape her and intends to die with her Native American family but is pulled out, only to watch the slaughter continue. In the end, Honus is left to be marched back to Fort Reunion as a prisoner for trying to stop the killing, and Iverson expresses pride and satisfaction at what he's done, while Cresta and a tiny handful of survivors -- almost all old men and women -- watch in mute horror and anger. ~ Bruce Eder, All Movie Guide

Savage Run was originally telecast as Run Simon Run (after bearing the working title The Tradition of Simon Zuniga). Burt Reynolds stars in this made-for-TV movie as a Papago Indian, who returns to his people after serving a long sentence for a crime he didn't commit. To clear himself of the murder of his own brother, Reynolds begins a long and bloody search for the actual killer. Inger Stevens made her final film appearance in this 74-minute Aaron Spelling production. Run Simon Run was first shown December 1, 1970. ~ Hal Erickson, All Movie Guide

In this western, a town sheriff contends with his reputation as the "fastest gun in the West." When a young gunslinger calls him out for a showdown, the sheriff is struck by the fellows resemblance to himself when he was young. He therefore, attempts to talk him out of his foolish career choice, but the young man refuses to listen. The saloon hostess attempts to talk the sheriff out of the duel, but the old fellow does not listen. ~ Sandra Brennan, All Movie Guide

In this adventure, a commercial plane crashes in a remote South American jungle. All but one of the passengers survive. Unfortunately, he was the sheriff in charge of taking a dangerous criminal to the executioner. During the excitement of the crash, the prisoner killed the lawman. Among the other survivors is a famous singer, a washed-up funnyman, a mentally ill teacher, and a writer looking for his sister who married a missionary and is now living in the jungle. Amazingly, she is rumored to live fairly close to the crash sight. The survivors manage to make it to the isolated village where she resides. There the writer learns that his sister's husband has gone insane and that she is dead. The megalomaniacal missionary now believes himself king of the natives and is preparing the author and a few others to become human sacrifices when a neighboring tribe intervenes and saves them. The amiable natives then take the survivors back to the wreckage where navy rescue helicopters are preparing to land. ~ Sandra Brennan, All Movie Guide

Frontier scout Jess Remsberg (James Garner) is crossing the desert when he spots a dead army scout and group of Apaches pursuing someone -- it turns out to be a white woman, Ellen Grange (Bibi Andersson); he gets her away from them and returns her to her home and her husband Willard (Dennis Weaver), who seems much more upset that the horse she was riding when she left is dead than he is glad that she is back. Ellen was kidnapped by the Apaches two years before and rescued a year after that, and had fled a town where her husband and everyone else had treated her as an outcast since her return. Apart from preventing her from being raped by some drunken townsmen, however, Remsberg barely has time to worry over what goes on between them, as he has a mission of his own -- tracking down the men who murdered his wife, a Comanche woman. A key clue is in the hands of the town marshal in Fort Conchos and to get there he has to scout for a cavalry unit bringing horses, ammunition, and fresh recruits to the fort, with Grange and his wife -- and the infant son she had by the Indian chieftain who took her as his squaw -- going along, with ex-buffalo soldier-turned-horse wrangler Toler (Sidney Poitier). Their party ends up under siege by Chata (John Hoyt), the Apache Indian chief and grandfather to Ellen Grange's baby, who has jumped the reservation; he wants his grandson back, and the ammunition the troop was carrying, and also intends on killing Ellen for inadvertently causing the death of his son. They all end up trapped in a box canyon while Remsberg tries to survive to get help from Fort Conchos. If this all sounds complicated, it's not, especially as told by director Nelson, in a straightforward, unpretentious, brisk, and decidedly violent fashion that anticipates his own Soldier Blue, made four years later. Every plot element links up neatly in this script, which quite effectively recalls (and weaves together) elements of the book and the movie Hondo as well as any number of revenge westerns of the 1960's. ~ Bruce Eder, All Movie Guide

After a bump on the head, Gilligan (Bob Denver) sees two of everything. The Professor (Russell Johnson) declares that the only cure for Gilligan's double vision is the rare captivora berry, sending the other Castaways on a wild berry hunt. Unfortunately, once he's consumed the "cure", Gilligan sees FOUR of everything--and worse, the Castaways have ventured into Headhunter territory! (Incidentally, one of the "ferocious" headhunters is played by LA Rams football star Roman Gabriel, one of several professional athletes making cameo appearances during Season Three). ~ Hal Erickson, All Movie Guide

In the conclusion of My Favorite Martian's two-part Season Three opener, Martin (Ray Walston) and Tim (Bill Bixby) are still stuck in the West of 1849, still endeavoring to return to the 20th century via their "CCTBS" time machine. Joining a wagon train headed for California, they are victimized by a pair of riverboat thieves who think our heroes know the location of a valuable gold strike. Things get worse when Martin, Tim and the lookalike ancestors of Mrs. Brown (Pamela Britton) and Detective Brennan (Alan Hewitt) are captured by Indians. ~ Hal Erickson, All Movie Guide

Tony Randall has the showcase of a lifetime in the marvelous George Pal production The Seven Faces of Dr. Lao. We first see Randall as Dr. Lao, an enigmatic Chinese medicine-show impresario. The doctor brings his travelling show into the frontier town of Abalone, which is chafing under the oppression of land-hungry Clint Stark (Arthur O'Connell). Newspaper editor Ed Cunningham (John Ericson) is conducting a campaign of words against Stark, but he is no match for the land baron's money, power, and hulking henchmen. Nonetheless, Cunningham continues his crusade, all the while attempting to romance icy young widow Angela Benedict (Barbara Eden). All of this is observed with bemusement by Dr. Lao, who has already established himself as a man of many talents by alternating between pidgin-English and eloquent articulation, depending on the circumstances. Each of the townspeople--including the three already mentioned--learn a great many truths about themselves when they attend Dr. Lao's unusual circus. In the course of straightening out everyone's problems, Lao metamorphoses into (1) Merlin the Magician, (2) Pan, (3) Medusa, (4) The Abominable Snowman, (5) Apollonius of Tyana and (6) a Talking Serpent. The combined talents of Randall, puppeteer Pal and make-up wizard William J. Tuttle (who won two Special Oscars) resulted in this captivatingly unique entertainment experience. Curiously, Tony Randall is not fond of Seven Faces of Dr.Lao, and refuses to be interviewed on the subject. Perhaps he was unhappy that much of the philosophy dispensed in the original Charles G. Finney novel The Circus of Dr. Lao was weeded out of Charles Beaumont's script....or perhaps he just didn't like having his head shaved for the part. ~ Hal Erickson, All Movie Guide

The Oklahoma land rush of 1889 provides the starting point for this western drama, based on a novel by Edna Ferber. Yancey Cravat (Glenn Ford) is an impulsive, short-fused cowboy who has married an immigrant woman, Sabra (Maria Schell). Together, Yancey and Sabra claim a homestead, and Yancey starts a newspaper. While he doesn't have much of a head for business, Sabra does, and when she takes greater control of the paper, it grows into a profitable and influential journal. Eventually, Yancey becomes a well-recognized figure, and it's suggested that he run for public office. However, Yancey finds himself unable to support legislation that would steal more land and mineral rights away from the Native Americans who first settled the land. Cimarron was previously filmed in 1931; this version reduced the role of stereotyped black characters and has Native American actors playing the "Indians," including Eddie and Dawn Little Sky. ~ Mark Deming, All Movie Guide

Hell Bent for Leather is a standard western that features Audie Murphy in the role of Clay, a cowboy hunted by a posse out for blood. Clay deals and trade in horses in an honest way, and he does not suspect that a crooked U.S. Marshal (Stephen McNally) interested in furthering his career, is determined to nab him as a killer though he knows full well Clay is innocent. When first attacked, Clay grabs a hostage (Felicia Farr) who eventually sides with him and helps him in the long chase that follows. Clay's challenge is not only to get away from the Marshal and his posse but to somehow prove his innocence as well. Murphy, the most decorated soldier in World War II was still riding the popularity of his own real-life story in 1955's To Hell and Back when this western was released. ~ Eleanor Mannikka, All Movie Guide

The talents of the cast and director George Cukor (A Star Is Born, My Fair Lady), combine to bring off this otherwise routine Western based on a Louis L'Amour novel. Sophia Loren is Angela Rossini, a woman who seems to create the situations she gets into, and Anthony Quinn is the strong, silent but soft-hearted Tom Healy. Rather than playing it straight, Cukor opts for satire and effective comedy in taking "The Great Healy Dramatic and Concert Co.," with its two-wagon loads of thespians and their gear, and turning it into a fun romp. As the troupe carries on with their performances heading through Wyoming, they are fighting for their economic survival and, as often as not, running like the devil from the law. There is a likeable villain in the piece, Mabry (Steve Forrest), a zany woman who has "sacrificed" her own dubious stage career for that of her daughter (Eileen Heckart), a so-called Shakespearean actor (Edmund Love), a banker with menacing undertones (Ramon Novarro), and a really hysterical Indian attack. ~ Eleanor Mannikka, All Movie Guide