Richard Litt Movies
- 2002
Recent scandals within the rarefied world of Little League baseball provided the inspiration for this episode. The murder of a private eye leads the detectives to unearth a case of fraud involving a youthful ballplayer from South America and a phony birth certificate. A ruthless Little League coach may have been responsible for the scam -- but is he also capable of murder? ~ Hal Erickson, All Movie Guide
- 2000
- R
This historical comedy-drama is based on the true story of Joe Gould, a bohemian eccentric who was a fixture in New York's Greenwich Village from his arrival in 1916 to his death in 1964. Gould, who claimed to be a graduate of Harvard, would cadge drinks and subsist on catsup as he regaled patrons of neighborhood saloons with stories, poems, opinions, and his imitation of a seagull. In a 1942 New Yorker profile by journalist Joseph Mitchell, Gould spoke of his life's work, a book entitled An Oral History of Our Times, which he claimed would be eleven times longer than the Bible, contain a variety of overheard conversations from throughout the years, and document the decline of 20th century culture. Mitchell kept tabs on Gould, and tried to introduce him to publishers who might put his work into print, but nothing ever came of it, and it wasn't until Gould's death that Mitchell discovered the surprising truth about his friend. Directed by Stanley Tucci, Joe Gould's Secret stars Tucci as Mitchell and Ian Holm as Gould; Hope Davis, Steve Martin, Susan Sarandon, and Patricia Clarkson highlight the supporting cast. ~ Mark Deming, All Movie Guide
- Starring:
- Ian Holm, Marc Alan Austen, (more)
- 1997
Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) are visibly shaken by their latest investigation, centering around the murder of a retired cop. When it turns out that the victim trafficked in illicit sex and murder, the trail leads to a pair of interior decorators who "moonlight" as prostitutes. Once the ball is in the D.A.'s court, McCoy (Sam Waterston) and Ross (Carey Lowell) must again deal with feminist lawyer Lanie Stieglitz (Elaine Stritch). ~ Hal Erickson, All Movie Guide
- 1997
In the second of Law & Order's three "crossovers" with the Baltimore-based NBC crime series Homicide: Life on the Street, a teenaged model dies on the streets of New York, apparently the victim of toxic-shock syndrome. An autopsy reveals that the girl had been raped, a crime that would have to have been committed while she was in Baltimore. Thus, detective Lennie Briscoe (Jerry Orbach) calls in his Baltimore counterpart, John Munch (Richard Belzer), to assist in the investigation. Meanwhile, New York assistant DA McCoy (Sam Waterston) finds himself locked in a jurisdictional battle with the Baltimore DA -- a battle complicated by the actions of the dead girl's parents. In addition to Richard Belzer, Homicide regulars Jon Seda (Falsone) and Yaphet Kotto (Giardello) also appear. The first episode of the two-part "Baby, It's You" aired as the November 11, 1997, installment of Law & Order; the conclusion was seen November 14 on Homicide: Life on the Street. ~ Hal Erickson, All Movie Guide
- 1995
When a prostitute is murdered, detectives Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) question deli owner McCracken (Brian Smiar), who has a history of harassing hookers. Another likely suspect is plastic surgeon Dr. Mark Danforth (Jonathan Walker), who may have been a client of the dead woman. At the end of the day, it is Assistant D.A. Kincaid (Jill Hennessy), rather than her more experienced associate McCoy (Sam Waterston), who must decide whether the right person has been accused of the crime. ~ Hal Erickson, All Movie Guide
- 1993
The seven-year-old daughter (Madeline Zima) of prominent Broadway producer Gary Silver (Barry Primus) is kidnapped. As it turns out, the girl's abductor is her own natural mother. But things get even more complex -- and more unsavory -- when charges of sexual molestation enter the picture, leading to the requisite Law & Order surprise ending. ~ Hal Erickson, All Movie Guide
- 1993
After surviving a blast from a double-barrelled shotgun, Henry Jackson (Joe Seneca) is still able and willing to identify his assailant. It turns out that the shooter is an outspoken white supremacist -- and a serial killer who preys upon minorities. This is why Assistant D.A. Stone (Michael Moriarty) is astonished when the accused is defended by a prominent African-American lawyer. ~ Hal Erickson, All Movie Guide
- 1991
A double homicide yields two likely suspects: Melanie Cullen (Shirley Knight), widow of the male victim, and Douglas Phillips (David Lansbury), the obsessive ex-boyfriend of the female victim. The key to the case ultimately rests in the hands of Melanie's son, James (Geoffrey Nauffts). Jerry Orbach, who would later join the series' regular cast as detective Lennie Briscoe, is here seen in the adversarial role of the Cullens' defense attorney, Frank Lehrman. ~ Hal Erickson, All Movie Guide
- 1987
The title Landlord Blues is a lot catchier than the film itself. Mark Boone Jr. plays a slum tenant whose landlord might well be described a scumbucket, except this wouldn't be fair to the other scumbuckets. The more Boone complains, the nastier his landlord becomes. When the last straw is broken, Boone exacts revenge in bloody slasher-flick fashion. Nary a cliché remains unturned in Landlord Blues. ~ Hal Erickson, All Movie Guide
- 1985
The self-aggrandizing world of Madison Avenue advertising is the subject of this clichéd, sexist satire that features a cynical ad executive (Loretta Swit) and her minions who choose three regular Joes to represent the Norbecker Beer company in a new ad campaign. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Loretta Swit, Rip Torn, (more)
Leonard Zelig, the "human chameleon", is profiled in this mock-documentary. Director Woody Allen appears as Zelig in scenes that purport to be vintage newsreel clips of the 1920s and 1930s, but are actually clever recreations, "aged" and scratched-up Citizen Kane-style by special-effects maestros Joel Hynick, Stuart Robinson and R. Greenberg Associates. An appropriately pompous narrator details the life and times of Leonard Zelig, whose overwhelming desire for conformity is manifested in his ability to take on the facial and vocal characteristics of whomever he happens to be around at the moment. He shows up at batting practice with Babe Ruth, among William Randolph Hearst's guests as San Simeon, side by side with Pope Pius at the Vatican, and peering anxiously over the shoulder of Adolf Hitler at the Nuremberg Rally. Becoming a celebrity in his own right, Zelig inspires a song, a dance craze, and a Warner Bros. biopic. Mia Farrow plays Dr. Eudora Fletcher , a psychiatrist who tries to "reach" Zelig and ultimately falls in love with him (all of Farrow's scenes are in black-and-white and allegedly culled from archive footage; Ellen Garrison, whose resemblance to Farrow is uncanny, plays the older Dr. Fletcher in the interview sequences). In the manner of Reds, the influence of the fictional Leonard Zelig on popular culture is discussed by such real-life notables as Susan Sontag, Irving Howe, Saul Bellow and Dr. Bruno Bettenheim. ~ Hal Erickson, All Movie Guide
- Starring:
- Woody Allen, Mia Farrow, (more)
