Leon Lissek Movies

Josh Appignanesi's dark drama Song of Songs opens with Ruth (Nathalie Press), a young Orthodox Jewish woman, returning home to the London suburb of Hendon after a long stay in Israel, to tend to her dying mother (Julia Swift). Though initially ultra devout and behaviorally guarded, Ruth harbors a dark and disturbing past that includes erogenous interaction with her brother David (Joel Chalfen). It isn't long before the siblings' paths intersect, and what begins suggestively - with the two reading sensual passages from the Song of Solomon to one another in Hebrew and English - soon turns to full-blown eroticism. In time, David's openly hedonistic attitudes and Ruth's long-latent urges re-open the door to a renewed incestuous affair. Leon Lissek and Felicite du Jeu co-star; Appignanesi and Jay Basu co-authored the script. ~ Nathan Southern, All Movie Guide

Ann-Margret stars in the made-for-cable movie Nobody's Children, filmed on-location in Bucharest, Romania, and based on a true story. Ann-Margret and Jay O. Sanders star as the real-life Carol and Joe Stevens, a married couple from Detroit who are unable to conceive a child of their own. They travel to Bucharest in 1990, just following the end of Ceausescu's regime, where a secret police controls the populace and state institutions are filled with abandoned children. The Stevenses bear witness to the deplorable conditions under which the unwanted babies must live as well as the extreme poverty and illness of the other Romanian children. French doctor Stephanie Vaugier (Dominique Sanda) helps Carol wade through the bureaucracy so she is able to adopt two children and return to the States. Originally aired on the USA television network in March of 1994. ~ Andrea LeVasseur, All Movie Guide

Franz Kafka's classic tale of Josef K., a bank clerk who is placed on trial for an unnamed, unknowable crime, is given a faithful, if not overly literal, treatment in this drama. Knowing only that he has been charged, Josef naturally sets out to defend himself, but soon finds himself deeply mired in a battle against an incomprehensible government bureaucracy. Following Orson Welles's adaptation of the book by some three decades, director David Jones chooses to avoid the earlier film's expressionistic approach. Instead, he sets Josef's travails against a realistic background that specifically recalls Eastern Europe during the early 20th century, the time of the book's writing. Similarly, the screenplay by famed British playwright Harold Pinter, whose own darkly absurd vision owes much to Kafka, hews closely to the original text. This faithful approach helps ground the story in historical reality, and allows for a good use of brooding Prague locations. However, many critics have found this approach less effective than the low-budget abstraction of Welles' version, which is more successful at highlighting the universality and symbolic nature of the tale. ~ Judd Blaise, All Movie Guide

The four-part British miniseries Pursuit, based upon Robert L. Fish's novel of the same name, was first telecast in the United States as the two-part "movie special" Twist of Fate. Bruce Greenwood essayed the leading role of Helmut Von Schraeder, an ex-S.S. officer on the run after conspiring to assassinate Adolf Hitler in 1944. Undergoing plastic surgery, Von Schraeder assumed the new identity of Jewish concentration camp survivor Daniel Grossman. And as if that wasn't unbelievable enough, "Grossman" went on to a colorful career as an Israeli freedom fighter. The huge multinational cast included British film and TV stalwart Ben Cross and American leading lady Sarah Jessica Parker. Though made for British television, Pursuit did not air in that country until 1990, a full year after its American debut. ~ Hal Erickson, All Movie Guide

This biographical costume drama from director Franco Zeffirelli covers the early life of Arturo Toscanini and stars C. Thomas Howell as the famous composer. When Arturo lands a job with the orchestra of Claudio Rossi (John Rhys-Davies), he soon finds himself bound for a tour of South America and lands in idyllic Rio. Arturo is given the task of convincing the famed prima donna diva Nadina Bulichoff (Elizabeth Taylor) to rehearse for an upcoming show with the orchestra, but in the process, Toscanini attempts to change the minds of both Nadina and her lover, Brazilian Emperor Don Pedro II (Philippe Noiret) on the issue of slavery. ~ Matthew Tobey, All Movie Guide

Tipping the scales on the Monty Python-esque side of broad comedy, this outrageous and classically British farce is a series of episodes involving the U.S., a small Caribbean nation, the British government, and the military. The American president is a former clown who dies after asking someone to punch him in the stomach to prove how strong he is. The vice-president (Loretta Swit) takes over and heads for trouble right away. A British island has been invaded by a Caribbean dictatorship and the gay British admiral sent to command naval operations takes a warm-hearted, 1940s-style leave of his "spouse." A Princess working as a nurse overdoes it when asked to shave a sailor for an operation. The British Prime Minister decides that if the unemployment situation could be easily solves if the employed would only jump off a cliff. And so it goes on and on, with some of the skits delving into more violent and sacrilegious themes. ~ Eleanor Mannikka, All Movie Guide

Saint and the Brave Goose was culled from the revived Saint TV series of the late 1970s. Ian Ogilvy takes over from Roger Moore in the role of international adventurer Simon Templar, aka "The Saint." In this one, Templar comes to the aid of an imperiled young widow, played by Gale Hunnicutt. Stratford Johns is also in the cast, but you'll have to see for yourself which side he's on. Released theatrically in US, The Saint and the Brave Goose found its true home on the Late, Late Show. ~ Hal Erickson, All Movie Guide

Based on the epic novel by James Clavell, Shogun originated as an epic five-part television miniseries, filmed on location in Japan. Richard Chamberlain stars as John Blackthorne, a 17th century British sea pilot in charge of a Dutch vessel. Shipwrecked off the coast of Japan, Blackthorne is in danger of being executed by the suspicious, reclusive Japanese hierarchy, but before long he has been accepted into the local culture. Accordingly, he begins to think of himself as Japanese, adopting the nation's customs and, while wearing the robes of a Samurai warrior, helping to defend the land against its enemies. The arrival of Blackthorne unfortunately arouses the interest of European empire-builders, who hope to add Japan to their holdings. Toshiro Mifune costars as Toranaga, a warlord who befriends Blackthorne, and Yoko Shimada appears as Mariko, the interpreter who eventually falls in love with the Englishman. When it first aired in September of 1980, Shogun caused eyebrows to raise with its seemingly reckless disregard of certain TV taboos: for example, one man is beheaded in full view of the audience, while another relieves himself on the body of an enemy. Most of the early dialogue sequence are in Japanese, which resulted in complaints from many monolingual viewers. As a result, the 1983 rebroadcast of Shogun included English narration by Orson Welles. The 125-minute feature version of Shogun, prepared for home video, includes English subtitles--as well as several originally excised scenes of nudity and excessive violence. ~ Hal Erickson, All Movie Guide

The Australian Eliza Fraser tries for the wig-and-bodice bawdiness of Tom Jones. The title character, played by Susannah York, is an 18th century lass who is shipwrecked together with Trevor Howard on a remote Australian island. Her lively exploits among the refugees help to make Eliza famous--or rather, notorious--throughout the British empire. Once rescued, Eliza earns her keep at county fairs by regaling audiences with her own tales of her adventures. Tim Burstall both wrote and directed Eliza Fraser from an original screenplay by David Williamson. ~ Hal Erickson, All Movie Guide

Essentially a reworking of their earlier omnibus Asylum, this is another anthology of pulp horror tales from Amicus, this one helmed by the ever-reliable Freddie Francis. It features a quartet of eerie vignettes involving four patients in the care of psychiatrist Dr. Tremayne (Donald Pleasence), who is attempting to justify his strange theories to a colleague (Jack Hawkins, who died shortly after his scenes were filmed) by explaining the horrific events that drove the patients to their current state. The first tale centers on a young boy (Russell Lewis), whose parents' constant squabbling prompts him to conjure an imaginary tiger to devour them. The second involves a Victorian-era bicycle which allows its finder (Peter McEnery) to travel back in time and live as his own ancestor. The goofy third chapter pits a jealous wife (Joan Collins) against a strange rival for her husband's attention: a tree possessed by a human soul. The final segment stars Kim Novak (a last-minute replacement for Rita Hayworth) as a literary agent who must sacrifice her own daughter (Mary Tamm) to appease the restless spirit of her client's mother. Although certainly not the studio's best effort, this is still an amusing diversion, featuring the standard twist ending and a flamboyant approach suggestive of EC horror comics. ~ Cavett Binion, All Movie Guide

Noted novelist and sometime film director James Clavell, wrote, directed, and produced this adaptation of J.B. Pick's novel, set during the Thirty Years' War of 1618-1648. During the chaotic confrontations and shifting alliances of the war, a hidden valley protected from the outside world becomes an oasis of peace. Vogel (Omar Sharif), a one-time school teacher now on the run, travels into the peaceful valley. Following Vogel a short time later is a rag-tag and exhausted army, led by The Captain (Michael Caine). Utilizing Vogel as a mediator, the Captain arranges a truce with the valley population -- pledging to protect the people of the valley from invasion in return for food and shelter during the cold winter months. At the end of the season, the army leaves to fight another battle, Vogel is asked to depart from the hidden valley, and the valley and its population continues on and endures. ~ Paul Brenner, All Movie Guide

Director John Frankenheimer, extrapolating from his earlier films The Gypsy Moths and Grand Prix, examines machismo and how men test themselves to the limits of endurance in The Horsemen. The film takes place in modern day Afghanistan. Uraz (Omar Sharif), the son of Tursen (Jack Palance), the stable master for a feudal lord, is a master horseman who lives by a primitive code of honor. Uruz's family honor is damaged when he breaks his leg playing the game which is the Afghani equivalent of polo. His father, who lost a lot of money betting on his son, will barely speak to him. To regain the family honor (and wealth) he must somehow re-learn how to ride -- after his injuries cost him his leg below the knee. In the face of great obstacles, and despite the derision and treachery of others, he gains the chance to play in the games given by the king of Afghanistan. The footage of the horsemanship in these dangerous and anarchic games is one of the real highlights of this film. ~ Clarke Fountain, All Movie Guide

Jack Sheppard (Tommy Steele) is the locksmith's apprentice who is forced into highway robbery when he is betrayed by Jonathan Wild (Stanley Baker). Jack runs for his life and takes to a life of crime. He is captured but breaks out of jail, quickly becoming the subject of lore, legend and song. The arrogant and popular Jack ends up heading for the gallows after taunting the King, the Lord Chancellor and a harridan aristocratic dowager. Wild tries to track down the elusive robber and collect on the reward like he has done so many times before in this dramatic adventure biography. ~ Dan Pavlides, All Movie Guide