Therese Liotard Movies

An older man and a younger woman find love, with his time in jail the unlikely catalyst, in this witty drama from France. Gregoire (Fabrice Luchini) is a formerly prominent French industrialist whose financial misdealings resulted in a term behind bars, which was especially embarrassing for his brother Louis (Vincent Lindon), a talk show host specializing in hard-hitting investigative interviews. When Gregoire is released from prison, he returns home to the apartment he shared with his wife Agnes (Isabelle Huppert) and their children. But everyone keeps telling Gregoire that he doesn't seem the same; he seems confused, he has a hard time making himself understood, and he freezes up during a television interview conducted after his release. A puzzled Gregoire stops by the beauty parlor where his wife gets her hair done and, to his surprise, he discovers someone he can talk to: Stephanie (Vahina Giocante), one of the hair stylists. Stephanie's boyfriend was in the same jail as Gregoire, and was released the same day, so they have some common conversational ground; Stephanie finds that she likes talking with Gregoire, and in time she finds herself falling for him. Pas de Scandale was shown in competition at the 1999 Venice Film Festival and also at the 1999 Toronto Film Festival. ~ Mark Deming, All Movie Guide

In this miniature drama, Antoine (Antoine Hubert) is a fifteen-year old boy who is so bored by school that, due to poor performance, he has been set back a year. His only interest is noodling around on his homemade electric guitar. At school, he meets Olivia (Olivia Munoz) a really distant but lovely girl. It turns out that she is from an aristocratic background, and chances are slim that he will ever actually meet her outside of class. One day he has an accident and breaks both his legs - and falls even further behind in his studies. For some reason, Olivia takes it upon herself to tutor him in literature, and he discovers for the first time the glories of the high culture. At the same time, he also discovers that he is falling in love with his stern and high-minded young tutor. ~ Clarke Fountain, All Movie Guide

This 1990 French film presents idyllic episodes from the childhood of novelist and filmmaker Marcel Pagnol (1895-1974). Together, the episodes present a portrait of an ordinary family with an extraordinary ability to love. Set in Provencal in the late 19th and early 20th centuries, the film first introduces members of the family, including Marcel (Julien Ciamaca). When he is still a preschooler, his father Joseph, a teacher, takes him to classes to watch over him. Marcel, however, learns along with the other children and starts to read out loud in class. Astonished, Joseph (Philippe Caubère) writes a sentence on the blackboard and asks, "What does that say?" Marcel, reading the words, says, "The father is proud of his little boy." This little scene establishes the tone and meaning of the film. Flashing ahead seven years, the camera then follows the Pagnols after they leave Marseilles for a summer vacation in the Provencal countryside, there to bask in the simplicity of rural life. From then on, it is not what happens to the family that engages audiences; it is how it happens -- with a quiet exuberance and joie de vivre. Besides Marcel and his father, the vacationers include his mother, Augustine (Nathalie Roussel), a beautiful and kindly homemaker; Marcel's little brother Paul (Victorien Delamare); and his Uncle Jules (Didier Pain) and Aunt Rose (Thérèse Liotard). After they arrive at their cottage, 11-year-old Marcel wastes no time wading into the greenery in search of adventure. What he finds is another adventuresome boy, Lili de Bellons (Joris Molinas), a native of the region. They become friends and fellow explorers, capturing cicadas, climbing rocks, and even invading an eagle's cave. Sometimes they just have fun shouting to hear an echo boomeranging back. At meal times -- often outdoors -- fresh fruit and good-natured repartee satisfy appetites. For spectator sport, the diners listen to the occasional religious arguments between Uncle Jules, a God-fearing Catholic, and Joseph, a God-doubting agnostic. Augustine and Aunt Rose avoid the polemics, for they have more important matters on their minds: keeping house, watching children, and planning the next day's menu. And then the film takes a turn toward real drama. Uncle Jules, full of tales about his prowess as a hunter, persuades Joseph, full of ignorance about guns and hunting, to go on a bird hunt. Woe is Papa, Marcel thinks. When the day of the great hunt arrives, Marcel secretly follows Joseph and Uncle Jules into the woods, setting the stage for the film's climactic moment. ~ Mike Cummings, All Movie Guide

This charming motion picture relives the beautiful childhood memories of noted film director and writer Marcel Pagnol. While attending school in Marseilles, Marcel Julien Ciamaca daydreams about the nearby hills where he and his family spend vacations at a cottage. It is not enough to sojourn there over Christmas, Easter, and summer holidays; Marcel wants to be there all the time, to roam the fields, climb the rock faces, and enjoy other simple pleasures with his mother, father, and siblings. And then something marvelous happens. His mother Augustine (Nathalie Roussel) persuades his father Joseph (Philippe Caubere), a schoolteacher, to allow the family to spend each weekend at the cottage. Because they have no car, they must ride public transport part of the way, then walk the remaining five miles. However, a former pupil of Joseph's shows them a shortcut that crosses private estates and reduces the distance to only one mile. So the family enjoys weekend after wonderful weekend in the hills. Marcel plays with a country boy, picks thyme for the family's alfresco dinners, and meets a girl whom he rescues from spiders. Though she is an imperious little lass, Marcel is quite taken with her and even performs feats of derring-do to impress her. These carefree weekend outings continue until one day a heartless watchman charges the Pagnols with trespassing on an estate on their way to the cottage. Woe is Joseph. He believes his very proper school will fire him. But when the school officials call him in, they promote him! They know nothing of his trespassing, for Joseph's former pupil has tricked the watchman into dropping the charge. Then more good news comes; Marcel has won an academic prize. The film has a bittersweet ending in which Marcel, as an adult, reviews what has happened to the family members since those wonderful days when life was good and all was right with the world. ~ Mike Cummings, All Movie Guide

Cloud Waltzing was the second of the Showtime Cable service's "Harlequin Romance" films. Kathleen Beller stars as the daughter of a prominent financier who supports herself as a journalist. While working on an investigative report about the top financial wheeler-dealers in Europe, she falls in love with a handsome but reclusive French vintner, played by Francois Eric-Gendron. The film's title refers to hot-air ballooning, the sport that brings hero and heroine together. Not rated, this film contains a brief nude scene. Based on a novel by Harlequin stalwart Tony Cates, Cloud Waltzing was first telecast February 14, 1987. ~ Hal Erickson, All Movie Guide

Based on a successful cabaret theater play, Come to my Place, I'm Living with my Girlfriend features Guy (Michel Blanc) as a carefree and morally challenged gas station attendant suddenly in need of a place to live. It seems his boss caught him trying to cheat his customers, and Guy was thrown out on his ear. He saves the day for himself by wheedling his way into the good graces of two friends, Daniel (Bernard Girardeau) and Francoise (Therese Liotard), a young couple who are easy-going and willing to share their apartment with him "for a few days." The "few days" turn into week after week, as Guy connives to stretch out his good fortune as far as he can. Acting as though his welcome will never wear out, he further strains the relationship with Francoise and Daniel by entertaining a series of girlfriends - for whom he has an undying passion. His antics begin to short-circuit the happy relationship that Daniel and Francoise have always enjoyed, and sooner or later, the problem of "Guy" will have to be resolved before fuses are blown for good. ~ Eleanor Mannikka, All Movie Guide

Charlotte is better known by its original French title, La Jeune Fille Assassinee. The film combines Roger Vadim's overriding twin fascinations: eroticism and death. Charlotte (Sirpa Lane) dreams of dying violently while in the throes of an orgasm. This curious desire is the principal motivation for her entering into a life of crime. In addition to directing Charlotte, Vadim also produced, scripted, and played a major on-screen role. ~ Hal Erickson, All Movie Guide