Larry Linville Movies

The launching pad for the long-running ABC medical series Marcus Welby, M.D. was this feature-length pilot film, first aired March 26, 1969. Robert Young of course stars as Dr. Welby, a crusty but golden-hearted general practitioner forced by a mild coronary to take on a partner. At first, Welby and his new assistant, long-haired, doggedly independent motorcycle fancier Dr. Steven Kiley (James Brolin), are about as compatible as oil and water, but the two quickly become friends and confidants during an unexpected medical crisis. Originally, Anne Baxter as Welby's erstwhile lady friend, Myra Sherwood, and Sheila Larkin as the doctor's daughter, Sandy, were supposed to have been regulars, along with Penny Santon as Welby and Kiley's no-nonsense nurse/secretary Consuelo. But by the time the project graduated to series status, only Consuelo remained, played by Elena Verdugo. In syndication, Marcus Welby, M.D. was retitled A Matter of Humanities. ~ Hal Erickson, All Movie Guide

The Civil War is over, but mine owner Sam Masters (John Anderson) will never be able to forget his tenure as commander of a brutal Confederate prison where 500 POW's died. Now, ex-union officer Colonel Hudson, backed up by a small but vicious group of followers, has arrived to wreak vengeance against Masters. Swept up in the crisis are Sam's daughter Ellen (Verna Bloom, his friend Ben Cartwright (who has doubts concerning Sam's guilt), and Ben's son Hoss, who is being held prisoner by Hudson. MASH fans will appreciate the performance of Larry Linville as Will Tyler, Hudson's most fervent-and prejudiced-follower. Also on hand is flat-nosed crime-film "regular" Charles Dierkop as Sawyer, who may not be as psychotic as he seems. Written by Ward Hawkins, Milton S. Gelman and Alf Harris, "The Fence" first aired on April 27, 1969, then was rebroadcast during the series' eleventh season on December 28, 1969. ~ Hal Erickson, All Movie Guide

East European resistance leader Anton Reisner (Richard Garland) is being held in a prison cage surrounded by escape-proof glass. The cage can only be opened automatically via a newly created security device. The IMF agents hope to trick Reisner's captor Major Zelinko (Lloyd Bochner) into activating the release mechanism before the prisoner can be broken by torture. Watch for future MASH star Larry Linville as Captain Gulka. Scripted by Paul Playdon from a story by Alf Harris, "The Cage" was first telecast on February 2, 1969. ~ Hal Erickson, All Movie Guide

Vanished earned a niche in video history as the first two-part TV movie. Based on Fletcher Knebel's novel, the story concerns the sudden disappearance of a top Presidential adviser. Grilled by the media, the President's press secretary (James Farentino) reveals very little, simply because he knows very little. But the chief executive himself (Richard Widmark) has more information than he's willing to make public; the FBI has proof that the vanished adviser was homosexual, and subject to blackmail. Based in part on the Lyndon Johnson/Walter Jenkins imbroglio of 1964, Vanished is given an aura of credibility via cameo appearances by Washington newscaster/journalists Chet Huntley, Herbert Kaplow and Martin Agronsky. The film was first telecast on two consecutive evenings: March 8 and 9 of 1971. ~ Hal Erickson, All Movie Guide

For his only directorial effort, Jack Lemmon selected his old friend and habitual co-star Walter Matthau to play the central character. Joseph P. "Kotch" Kotcher (Walter Matthau) is an irksome 72-year-old who lives with his son (Charles Aidman) and daughter-in-law (played by Lemmon's wife Felicia Farr). Kotch is far from senile, but there are times that his family wishes he was a little more docile and doddering; he insists upon expressing his unwarranted opinions on all matters, both large and small, forever challenging his daughter-in-law's authority. When it is suggested that Kotch find himself a nice retirement home, the rebellious old man decides instead to take a long bus ride, hoping that his family will have cooled off by the time he returns. Before leaving, he tries to make amends with the family's former baby-sitter Erica (Deborah Winters), whose dismissal he has brought about. Upon learning that Erica is pregnant, Kotch loans her some money; and when she moves away to Palm Springs, he moves in with her, hoping to be of some help. As they get to know one another, Kotch and Erica discover that they're very much alike: both have been cast aside by their relatives due to their independent airs. Kotch was adapted by John Paxton from a novel by Katharine Topkins. Watch for director Jack Lemmon in a bit as a bus passenger. ~ Hal Erickson, All Movie Guide

One of the most famous and successful sitcoms of all time, M*A*S*H was based on the 1970 Robert Altman theatrical film of the same name--which, in turn, was inspired by an autobiographical novel by a former Army doctor, writing pseudonymously as Richard Hooker. Although set during the Korean War of 1950-1953, the staunch antiwar trappings of M*A*S*H, coupled with its relentlessly irreverent treatment of the military "big brass", were very much in tune with the sentiments of the Vietnam War era, during which both the film and the TV series were spawned. The action took place within the 4077th Mobile Army Surgical Hospital (hence the anagrammatic title), a unit stationed behind the lines in South Korea. Most of the characters on the CBS television series had been introduced in the novel and film, but only one of the film's actors was carried over to the TV version. The main players were two surgeons, Captain Benjamin Franklin "Hawkeye" Pierce (Alan Alda) and Captain "Trapper" John McIntyre (Wayne Rogers), who though dedicated to their work were determined to has as much fun as possible during their off-hours, to break as many rules and regulations as traffic would allow, and to dally with as many pretty nurses as time permitted. The 4077th's commanding officer during the series' first three seasons was easygoing Lt. Col. Henry Blake (Maclean Stevenson, who though he regarded the operating room as his main priority, would sooner go fishing or goof off than anything else. The laid-back demeanor of Hawkeye, Trapper and Blake was not shared by uptight, arrogant, anal-retentive, xenophobic and generally inept surgeon Major Frank Burns (Larry Linville), whose strict adherence to Rules and Regulations usually ended up backfiring on him, or resulted in practical jokes at his expense. Also putting a damper on the fun-and-games was "regular Army" head nurse Major Margaret Houlihan (Loretta Swit), who would have liked nothing better than to see Hawkeye and Trapper. court-martialed. But though Margaret was more competent at her job than Frank Burns, she too became an object of ridicule, principally because she and the very married Burns were carrying on a torrid clandestine romance--which was why she was saddled with the demeaning nickname "Hot Lips." Rounding out the series' first-season regulars was the 4077th's timid, bespectacled, uncannily clairvoyant and endlessly resourceful company clerk, Cpl. Walter "Radar" O'Reilly--played by the same actor who essayed the role in the movie version of M*A*S*H, Gary Burghoff. In additon to the above-mentioned regulars, there were any number of recurring characters who wove in and out of the proceedings during season one, notably the 4077th's mild-mannered chaplain Father John Mulcahy, played in the pilot episode by George Morgan and thereafter by William Christopher); African American surgeon Spearchucker Jones (Timothy Brown); the well-named orderly Ugly John (John Orchard); sexy nurses Maggie Dish (Karen Phillip) and Leslie Scorch (Linda Meikeljohn), Ginger Ballis (Odessa Cleveland) and Maggie Cutler (Marcia Strassman); and the officer's Korean houseboy Ho-John (Patrick Adiarte). Another peripheral character, intended as one-shot "gag" appearance, was Corporal Maxwell Klinger (Jamie Farr), a doctor's aide who was so determined to get discharged from the Army on a "Section 8" that he always dressed in women's clothing. After his first fleeting appearance on M*A*S*H's seventh episode, Klinger proved so popular that he became a recurring character--and, like Father Mulcahy, ultimately a full-fledged regular. The first-season episodes of M*A*S*H are easily distinguishable from later installments in the series in several respects: there was more background music and a louder laughtrack (except during the operating-room scenes, in which canned laughter was never, ever heard); the practical jokes were crueler; the higher-ranking officers were almost invariably buffoons; and Hawkeye and Trapper were more hedonistic in their behavior towards the opposite sex. Opening to lukewarm reviews and mediocre ratings, M*A*S*H slowly but surely built up a following thanks to that old reliable known as "word of mouth". This came as something of a surprise to its parent network CBS, which had been none too enthusiastic about the project in the first place, and had accordingly scheduled the program as a "throwaway" opposite NBC's Sunday-night blockbuster The Wonderful World of Disney. But CBS eventually got the message, and moved M*A*S*H to a more desirable Saturday-night slot for its second season. ~ Hal Erickson, All Movie Guide

Much to the embarrassment of Officers Jim Reed (Kent McCord) and Pete Malloy (Martin Milner), their stakeout of a savings and loan comes a-cropper when the place is robbed right under their noses. Worse still, the thieves manage to smuggle in tear gas and make their escape without interference. Eddie Quillan appears in this episode as the ubiquitous snitch TeeJay, a role previously essayed by Robert Donner, while future M*A*S*H costar Larry Linville plays Reed and Malloy's exasperated superior officer. ~ Hal Erickson, All Movie Guide

With an ever-increasing viewership and three Emmy awards to its credit, M*A*S*H had no trouble easing into a third successful season in the fall of 1974. Not wishing to tinker with the success, the series' producers retained all of the regular characters from previous years--Hawkeye (Alan Alda), Trapper John (Wayne Rogers), Frank Burns (Larry Linville), Margaret "Hot Lips" Houlihan (Loretta Swit), Henry Blake (Maclean Stevenson) and Radar O'Reilly (Gary Burghoff)--while steadily beefing up the roles of the series two most popular recurring characters, Father Mulcahy (William Christopher) and Cpl. Klinger (Jamie Farr). And in a piquant bit of guest-star casting, the third season opener "The General Flipped at Dawn", Harry Morgan was cast as a crackpot General named Bartford Hamilton Steele, whose adherence to regulations was matched only by the length and breadth of his certifiable insanity. Although General Steele would not be seen past this episode, Harry Morgan would of course return the following year in a radically different--and far more enduring--characterization. One person who would not be returning for a fourth season was Maclean Stevenson, who in a career move that has become legendary in its short-sightedness, opted to leave M*A*S*H to star in a new series of his own. The departure of Stevenson's character, the 4077th's beloved commanding officer Henry Blake, occurred during the third season's final episode, "Abyssinia, Henry", the conclusion of which was one of the best-kept--and most shocking--secrets in TV sitcom history. Having ended the 1973-74 season as the fourth most popular series on American television, M*A*S*H slipped ever so slightly to fifth place during 1974-75, a decline attributable to CBS' decision to move the program from its winning Saturday-night slot to a less desirable Tuesday-evening berth. Even so, M*A*S*H remained one of the jewels in CBS' crown, if for no other reason than the series copped its fourth Emmy during its fourth season: the winner was series co-creator Larry Gelbart, for his direction of the episode titled "O.R.", the first (but hardly the last) of the season's installments to completely dispense with a laugh track. ~ Hal Erickson, All Movie Guide

Although M*A*S*H entered its fifth season with the cast from season four intact--including relative newcomers Mike Farrell as B.J. Hunnicut and Harry Morgan as Col. Sherman Potter--the production roster was short one significant name. Producer and co-creator Larry Gelbart had exited the series at the end of the 1974-75, declaring that he had contributed all he could to the project and was now prepared to move on. This left the lion's share of the creative decisions in the hands of series star Alan Alda, aka Hawkeye Pierce, who had already written and/or directed a number of episodes. Another M*A*S*H stalwart was indicating that he, too, was feeling creatively confined by the series. Larry Linville, who since the beginning of the program in 1972 had functioned as the 4077th's resident nemesis in the role of xenophobic, incompetent surgeon Maj. Frank Burns, had been issuing public complaints that his character had not been allowed to grow and mature as had the other M*A*S*H regulars. Also, since the decision had been made to marry off Burns' mistress Margaret "Hot Lips" Houlihan (Loretta Swit) to dashing officer Donald Penobscott, Frank was becoming gratuitous and redundant. By the end of season five, Larry Linville followed the lead of such former regulars as Maclean Stevenson and Wayne Rogers) by leaving the series to pursue more artistically satisfying projects. Linville's discomfiture did not, however, extend to the other M*A*S*H cast members. In particular, William Christopher had every reason to welcome the beginning of the fifth season with open arms. Having long been consigned to the "featured players" roster in the closing cast of each episode, Christopher had finally graduated to series-regular status--with commensurate billing at the beginning of the program--in his role as the 4077th's mild-mannered but strong-willed chaplain, Father John Mulcahy. Having been toppled from the "Top Ten" by CBS's reckless decision to schedule the series opposite NBC's Friday-night blockbuster Chico and the Man during season five, M*A*S*H had begun regaining lost ground in December of 1975, when the network shifted the program to Tuesday evenings. It remained a solid Tuesday hit throughout the 1976-77 season, climbing back to fourth place in the ratings. The series also picked up two more Emmy Awards, for Gary Burghoff (aka Cpl. Radar O'Reilly) as best supporting player in a continuing series and for Alan Alda as best director (for the episode "Dear Sigmund"). ~ Hal Erickson, All Movie Guide

In this pilot episode for the Marla Gibbs sitcom Checking In, George Jefferson (Sherman Hemsley) tries to land a lucrative hotel dry-cleaning contract by appealing directly to the hotel's owner, Mr. Claymore (John Anderson). But Claymore is far more interested in George's sassy housekeeper, Florence Johnston (Marla Gibbs). In fact, he is so impressed that he offers Florence a job as his hotel's executive housekeeper. Originally telecast as single 60-minute episode on March 29, 1981, "Florence's New Job" has since been divided into two half-hour installments for syndication. ~ Hal Erickson, All Movie Guide

California wives band together to form a tough neighborhood watch in this crime drama that is a failed television pilot. ~ Sandra Brennan, All Movie Guide

In this teen-sex laugher, a high-school Romeo is killed in a car accident but is able to return to life for a 24-hour period. During this time he chases after his dreamboat only to find she's not interested. So, he turns invisible at the most opportune times (for him) such as in the girls' shower room, etc. He's out to have as good a time as he can in the little time that he has. ~ All Movie Guide

Two enterprising young fools decide to try a new business venture--porn flicks. This light sex comedy contains nudity and profanity. ~ Kristie Hassen, All Movie Guide