Sisse Graum Jorgensen Movies

Two brothers unwittingly exchange roles under the fog of war in this powerful drama. Michael (Ulrich Thomsen) and Jannick (Nikolaj Lie Kaas) are two brothers who have always meshed as well as oil and water. Michael is a caring husband and father who risen to the rank of major in the Danish Army, while Jannick is an alcoholic with a violent streak who has been in and out of prison much of his life. Jannick has just been released after serving time for armed robbery when Michael learns he's being sent to Afghanistan; Jannick quarrels with both Michael and his parents at a going-away dinner, which does nothing to endear him to Michael's wife, Sarah (Connie Nielsen). However, when Sarah receives word that Michael's helicopter has been shot down and the crew has gone missing, Jannick tries to assume some degree of familial responsibility, helping Sarah with the children and helping to keep the house in repair. As the months roll on, Jannick finds that family life agrees with him; he cuts back on his drinking, gets a job, and grows increasingly fond of Sarah, who also takes a liking to her brother-in-law's new style. However, as Jannick finally grows into a responsible adult, he and Sarah learn that Michael has been released from an Afghan military prison and is being sent home. As Sarah and Jannick come to terms with their feelings for one another, they are disturbed by Michael's new presence; after several hellish months in captivity, he's become an angry and emotionally broken man, who is haunted by ugly memories and suspects his wife and brother of betrayal. ~ Mark Deming, Rovi

The contradictions of America's simultaneous love and fear of violence go under the microscope in this drama from Danish filmmaker Thomas Vinterberg. Dick (Jamie Bell) is a timid young man growing up in a mining town where he's been deemed to frail to work with the other men. Dick is given a toy gun by a girl who works in a dime store, and he becomes fascinated with the weapon -- especially when it becomes clear that the gun isn't a toy after all. Dick and a handful of other local misfits who are also interested in guns form a gang called "the Dandies," a band of self-styled pacifists who make it their policy to never use their weapons as they lead the town's young people by example. However, as their obsession with firearms grows, Dick and his fellow Dandies are approached by local police chief Krugsby (Bill Pullman), who asks them to look after Sebastian (Danso Gordon), the violent son of Dick's maid Clarabelle (Novella Nelson). At first, the Dandies see this as a challenge to bring Sebastian over to the cause of nonviolence, but soon his influence begins to impact Dick and his compatriots, with devastating results. Scripted by Lars von Trier, Dear Wendy received its North American premiere at the 2005 Sundance Film Festival. ~ Mark Deming, Rovi

A multi-millionaire wants to know how much his money can really buy in this drama from Danish filmmaker Susanne Bier. Though born and raised in Denmark, Jacob Peterson (Mads Mikkelsen) has made a life for himself in India, where he runs an orphanage for homeless children. While Jacob cares little for money, raising funds is part of the responsibilities of his position, and when he learns that Jørgan (Rolf Lassgård), a wealthy Danish businessman, is willing to donate four million dollars under the condition that he meet with him in person, Jacob grudgingly hops a flight back home. Once in Denmark, Jørgan insists that Jacob attend the wedding of his daughter the next day; at the celebration he meets Jørgan's wife, Helene (Sidse Babett Knudsen), whom he recognizes as someone he knew many years ago. As Jacob finds himself revisiting a past he would prefer to forget, he discovers that Jørgan has an ulterior motive for bringing him to Denmark -- the wealthy man is in poor health, and while the donation will help ease some of his guilt over a life of avarice, he's also looking for someone to take over as Helene's husband after he dies. Efter Brylluppet (aka After the Wedding) received its North American premiere at the 2006 Toronto Film Festival. ~ Mark Deming, Rovi

Director Kristian Levring examines middle-class disenfranchisement in contemporary Copenhagen with this chilling psychological drama about a family man who just can't help but suspect that he's not as happy as he should be. Mikael (Ulrich Thomsen) is a workaholic husband and father who's recently taken some time off work to move his family into his wife's childhood home in the suburbs. He wants to learn how to relax, and it seems like this latest move is a step in the right direction. His wife, Sigrid (Paprika Steen), is a successful executive, their teenage daughter, Selma, seems content with their decision to relocate, and the family is surround by a great support system that includes kindly Frederik (Lars Brygmann) and his girlfriend, Ellen (Stine Stengade) -- so why is it that Mikael is still feeling so strained all of the time? Unable to sleep and constantly wound up, Mikael seizes the opportunity to take part in a drug test for a new antidepressant that Frederik is helping to market. At first the drug seems to have a considerably positive effect on Mikael's outlook, though before long he's isolating himself from family and friends while growing more detached than ever before. ~ Jason Buchanan, Rovi

Two Danish schoolchildren -- one meek and unassertive, the other angry and vengeance-prone -- forge a friendship with ugly consequences in this cautionary tale from director Susanne Bier. The story opens with physician Anton (Mikael Persbrandt, working abroad in a Kenyan hospital, where he's routinely treating female victims of a psychotic thug known as Big Man (Evans Muthini). Anton himself suffers from a dysfunctional home life, given his emotional estrangement from his wife (Trine Dyrholm), and his desire to set a positive example for son Elias (Markus Rygaard) -- the physician longs to mend both relationships but finds this difficult given his frequent absenteeism. Meanwhile, another family suffers from equally grave issues: Claus (Ulrich Thomsen) and his son, Christian (William Jøhnk Juels Nielsen), move from London back to their home country of Denmark; Claus is still reeling from his late wife's recent death from cancer, and father and son find it more and more difficult to connect with another. But Christian has much deeper issues than simple filial alienation -- an almost pathological addiction to retribution that manifests itself in a knife-wielding attempt to protect new friend Elias from a local bully. Elias and Christian become fast companions, but as they do, it draws out a level of rage in both boys that threatens to culminate in shocking, terroristic levels of violence. ~ Nathan Southern, Rovi

Mads Mikkelsen and Alicia Vikander headline director Nikolaj Arcel's historical drama set in the 18th century, which details the tense love triangle between Queen Caroline Matilda (Vikander), her enlightened royal physician Struensee (Mikkelsen), and her increasingly deranged husband, Danish King Christian VII (Mikkel Boe Følsgaard). ~ Jason Buchanan, Rovi