Stuart Lindsell Movies

Some good performances and a fun chase scene, but there is little else to commend this movie. It's a pretty hackneyed plot wherein the editor of a magazine falls in love with the boss' daughter but the relationship is complicated by the boss' wife, who is also putting the moves on the hapless editor. Then, to make things even worse, he's accused of embezzlement. ~ Tana Hobart, All Movie Guide

Impoverished British bank clerk John Ross (Jack Watling) is hopelessly in love with drop-dead gorgeous Irene James (Pat Kirkwood). Ross will do anything to win Irene's affections -- including embezzlement. She ends up marrying him, but she can't give up her true love, slimy counterfeiter Jimmy Smart (Sydney Tafler). By the time Ross realizes that his former fiancee Vera Lamb (Joy Shelton) was the right girl all along, it's a shade too late. The magnificent Thora Bird steals the show in Once a Sinner as the fickle Irene's slatternly mother. ~ Hal Erickson, All Movie Guide

Lilli Marlene was inspired by the popular wartime German ballad. Lisa Daniely plays a French songstress who achieves radio fame during the Nazi occupation. She is spirited out of France by an American radio broadcaster (Hugh McDermott), but is recaptured by the Nazis and forced to make "Axis Sally" style pro-German propaganda speeches. After the war, the girl is tried for treason, but is cleared by the American who'd earlier gotten her out of France. Distressingly shoddy, Lilli Marlene was nonetheless a hit, thanks to the built-in popularity of the title song. It was followed by a less successful sequel, The Wedding of Lilli Marlene. ~ Hal Erickson, All Movie Guide

A man recently gone AWOL from the Army (Derek Farr) is arrested in a store robbery that occurred while he was shopping. With help from a beautiful lawyer (Joan Hopkins), he must prove his innocence. ~ John Bush, All Movie Guide

In this drama, a young Englishman wants to become a surgeon, but after medical school, his father dies, leaving him the responsibility of supporting his mother and paying for his brother's education. He becomes a partner in a small practice and watches the woman he wanted to marry go off with his brother. The brother is killed in WWI, after which his illegitimate son is born. The doctor marries the woman, but she dies in childbirth, leaving him to raise his brother's child. Eventually, he finds a new wife. ~ Steve Huey, All Movie Guide

Passport to Pimlico is one of the most charmingly whimsical Ealing Studios comedies of the late 1940s-early 1950s. As a result of wartime bombing, an ancient parchment is uncovered, proving that the Pimlico section of London belongs to Burgundy, France. Long taken for granted by other Londoners, the tiny Pimlico populace decides to take advantage of its "foreign" status. Affable oaf Stanley Holloway is made head of the new government, whereupon he merrily begins erecting borders and imposing customs duties. The sweetly satirical script of Passport to Pimlico was written by director Henry Cornelius and Ealing stalwart T.E.B. Clarke. ~ Hal Erickson, All Movie Guide

In one of his rare visits to his home turf, British actor David Niven essayed the title role in Bonnie Prince Charlie. The film's principal challenge was to transform 18th-century Scottish Prince Charles into a sympathetic character, which, patriotism aside, he most decidedly was not in real life. The court-intrigue scenes are the weakest aspect of the film; the strongest moments take place on the battlefield, where Charles "the pretender" and his followers face down the battalions of King George II (Martin Miller). Even in defeat, Charles is the victor, successfully eluding his British pursuers and escaping to France. Filmed in Technicolor at a cost of $4 million, Bonnie Prince Charlie fell with a thud when it premiered at a kidney-busting 140 minutes. Subsequent reissues were cut by as many as 40 minutes, and some were economically reprocessed in black-and-white. Thanks to constant exposure on American television, this notorious flop finally posted a profit in the late 1950s. ~ Hal Erickson, All Movie Guide

Released in Britain in 1944, Man from Morocco made it to American shores the following year. Anton Walbrook plays the title character, the head of an intrepid band of WW2 freedom fighters. The film's heavy is a Nazi-sympathizing French officer of unbounded cruelty. Margaretta Scott portrays Manuela, a patriotic Frenchwoman who poses as a Red Cross nurse to insinuate herself into the villain's lair. In true "Judith of Bethulia" fashion, Manuela romances the fiend, thereby affording her the opportunity to murder him and thus save the lives of 2000 French hostages. It's a good thing that Man From Morocco was a British film; otherwise, the Hollywood production code would have obliged Manuela to be punished for her murder, justified or no. ~ Hal Erickson, All Movie Guide

In this period drama from England, Fanny Hopwood (Phyllis Calvert), upon graduating from finishing school, returns to her family's home in London. However, bad luck awaits her at nearly every turn. After her father is killed in a fist fight by the aristocratic but dastardly Lord Manderstoke (James Mason), whose social standing saves him from prosecution, Fanny learns that he was not in fact her real father, and that she is actually the bastard daughter of a member of Parliament. Shortly after this revelation, Fanny's mother dies, and Fanny receives yet another shock when she learns that her parents supported themselves by running a brothel. Now an orphan, Fanny is sent to live with her biological father, an uncomfortable situation made even more difficult thanks to the resentment of his wife and the couple's friendship with Lord Manderstoke, who has romantic designs on young Fanny. Fanny is able to take comfort in a budding romance with Harry Somerford (Stewart Granger), her father's secretary, and a warm friendship with Chunks (Wilfred Lawson), the family butler. However, Fanny's happiness with Harry may be short-lived, as her stepmother threatens to reveal the tragedy and scandal of her past. Based on the novel by Michael Sadleir, Fanny by Gaslight was released in the U. S. under the title Man of Evil. ~ Mark Deming, All Movie Guide

Released worldwide by 20th Century Fox, Carol Reed's The Young Mr. Pitt is a static but sincere filmed biography of 19th century British prime minister William Pitt Jr., here played by Robert Donat. Appointed to his office at the tender age of 24, Mr. Pitt spends most of his time in Parliament alerting his countrymen of the dangers posed by France's Emperor Napoleon (Herbert Lom, in his first English-speaking role). The Frank Launder-Sidney Gilliat screenplay works overtime drawing parallels between the Pitt-Napoleon conflict and the present crisis involving Great Britain and Nazi Germany. Various historical personages are impersonated by the likes of Phyllis Calvert, John Mills, and Robert Morley, with Morley stealing the show hands down. Like its thematic "twin" Penn of Pennsylvania, Young Mr. Pitt is lavishly produced, but suffers from pedantic speechifying and substandard special effects. ~ Hal Erickson, All Movie Guide

Paramount Pictures' British division was responsible for this adaptation of A.J. Cronin's novel Hatter's Castle. Robert Newton is appropriately mean-spirited as an 1890s hatter, James Brodie, who is anxious to claw his way up from poverty. Desperate to make himself socially acceptable as his income increases, Brodie proceeds to make life miserable for those closest to him: his wife (Beatrice Varley) and daughter (Deborah Kerr). For all his blinkered social climbing, Brodie can never truly escape his true station in life -- a moral better suited to the class-conscious British audiences than the equal-opportunity Americans. Hatter's Castle was well distributed in the U.S. through Paramount's intimidatingly efficient studio-owned theater circuit. ~ Hal Erickson, All Movie Guide