Robert Lindsay Movies

Long before Grease was even thought of, the British came out with That'll Be The Day, the story of a young man (David Essex) growing up in the dreary working-class world of Britain who comes of age and finds his proper outlet in the first outgrowths of the rock-and-roll world in Britain. This film and its accompanying album were extremely successful in Britain. Along with an excellent (and nostalgic) soundtrack, it features acting performances by rockers David Essex, Billy Fury, Keith Moon and Ringo Starr. ~ Clarke Fountain, All Movie Guide

Joe Spinell, who appeared in Taxi Driver, stars in this unsavory horror film as Frank Zito, a character reminiscent of an even more disturbed Travis Bickle. Frank is an embittered loser who talks to himself and his dead mother, stalks a pretty model (Caroline Munro), and spends his spare time brutally murdering women. He then scalps his victims and puts the trophies on mannequins which he takes to bed with him at night. An unpleasant film with a relentlessly downbeat tone, Maniac! features graphic, bloody special-effects makeup by cult favorite Tom Savini, who meets a gruesome end in a cameo as "Disco Boy." Highlights include a realistic scalping by Exacto knife and an exploding head. The ending takes an interesting twist as Spinell hallucinates his victims returning to life and tearing him limb from limb. Spinell and Munro reteamed in 1982 for The Last Horror Film. Adult film star Sharon Mitchell (whom director William Lustig discovered in The Violation of Claudia) appears briefly as a nurse. ~ Robert Firsching, All Movie Guide

This play gets its title from the name of a British holiday called Midsummer Day, the feast of John the Baptist, celebrated on June 24 with merrymaking. On Midsummer Night, witches, goblins, and fairies materialized to hold a festival of their own. Shakespeare's play capitalizes on the magic of the occasion. Set in Athens, it begins when Duke Theseus orders gala ceremonies for his coming marriage to Hippolyta, Queen of the Amazons. But domestic strife intrudes upon the gay atmosphere when one of the duke's subjects, Hermia, chooses Lysander as her future husband over her father Egeus' choice, Demetrius. Theseus reminds Hermia of a law requiring her to obey her father or face death or banishment. Hermia and Lysander then escape to the woods. There, tradesmen are rehearsing a play for the duke's wedding. Demetrius, the rejected suitor, searches the woods for Hermia, while another young lady, Helena, follows him, praying that he will bestow his love on her instead of Hermia. Also in the woods are fairies gathered to bless the duke's wedding. Oberon, the fairy king, argues violently with his queen, Titania, after she refuses to give him a boy he wants as a servant. In retaliation, Oberon orders a fairy named Puck to concoct a potion of flower juice, which, when squeezed on Titania's eyelids, will enamor her of the first creature she sees -- whether animal or man. Witnessing the love problems of Helena and Demetrius, Oberon decides a dose of flower juice will do them good. But because of mischief and mixups, Puck's potion anoints indiscriminately, and everyone temporarily falls in love with the wrong person. Titania ends up with bumpkin Bottom, a tradesman wearing the head of an ass. Eventually, remedial magic rights the wrongs and a triple wedding takes place. ~ Mike Cummings, All Movie Guide

Keith Carradine, Valentina Yakunina, and Anthony Quayle star in this drama about a former member of the Irish Republican Army who finds himself working with a musician from Russia in order to stop an attempt on the life of the pope. ~ Mark Deming, All Movie Guide

Ian Bertram (Robert Lindsay) is a mathematical genius who works as an accountant for a multinational firm based in England. When he meets Cary Porter (Molly Ringwald), who recently started working for the same company, Ian immediately falls in love and quickly proposes marriage. Cary accepts, and they plan a modest wedding, but when Ian's accounting skills earn him the admiration of company head Herbert Dreuther (John Geilgud), Herbert offers to pay for a honeymoon in Monte Carlo and give them a ride back on his yacht. But while Mr. Dreuther means well, he has problems with his memory, and once Ian and Cary get to Monte Carlo, Herbert has forgotten all about them. Stuck at the hotel with a large bill that he can't afford, Ian works out a plan to win at roulette; his scheme works, and he earns enough to pay their bill, get them home, and have plenty left over. But his sudden success at the gambling tables makes Ian drunk with power, and Cary discovers that her new husband has turned into a power-hungry tyrant. Strike It Rich was adapted from the novel Loser Takes All by Graham Greene; it has been shown under the novel's title, as well as under the title Money Talks. ~ Mark Deming, All Movie Guide

Many years before, police commissioner Otto Schatz (Robert Lindsay) was an ardent participant in the Nazi experience, and he still cherishes a profound (and secret) affection for Hitler. Now it is 1958, and all that is over and done with. He just does his job in a small Bavarian town in an ordinary way. Lately, however, he has been having some strange experiences. In fact, he's getting quite a taste for such classic kosher dishes as chopped liver and gefilte fish. It seems that he is being haunted by the ghost of a Jewish ventriloquist named Genghis Cohn (Anthony Sher) whose anti-Nazi routines earned him an early visit to the gas chambers. Together, this unlikely pair sets out to solve a serial killing. This odd comedy is based on the novel The Dance of Genghis Cohn by Romain Gary. One highlight of the film is lively performance by Diana Rigg as a man-hungry matron with lofty cultural pretensions. ~ Clarke Fountain, All Movie Guide

The starring cast of the hit A Fish Called Wanda reunited for this farcical comedy, which star and co-screenwriter John Cleese described as "not a sequel, but an equal." When London's Marwood Zoo is purchased by Octopus, Inc., the multi-national holding company run by New Zealand publishing tycoon Rod McCain (Kevin Kline), the staff is given a firm order: if the zoo is not turning at least a 20% profit soon, it will be shut down. Willa Weston (Jamie Lee Curtis), who was recently hired by McCain to oversee another firm that bit the dust, is assigned to keep a watchful eye over zoo director Rollo Lee (Cleese), who gets the idea that since people seem to enjoy aggressive, violent entertainment at the movies, the zoo should round up and execute all the cute, benign animals and replace them with more vicious specimens to boost attendance. Needless to say, talkative zookeeper Adrian "Bugsy" Malone (Michael Palin) is appalled at this suggestion and attempts to disguise the more timid beasts with fake fangs and daubings of artificial blood. Meanwhile, Rod and his son Vince (also played by Kevin Kline) want the animal displays to be more spectacular, and they hope to boost income by introducing corporate sponsorship with logos pasted on the cages, the staff uniforms, and even the animals themselves. An already complex situation is further tangled by the efforts of Vince, Rod, and Rolo to seduce Willa, whose obsession with the bottom line is compromised by her fondness for the gorillas. Fierce Creatures was originally shot in 1995, but when the original version tested poorly, producers John Cleese and Michael Shamberg opted to reshoot part of the film (most notably the ending), with director Fred Schepisi replacing Robert Young for the revised sequences. ~ Mark Deming, All Movie Guide

On the eve of near-future Northern Ireland's first general election, well-marketed reformer Michael Brinn (Robert Lindsay), a shoo-in for prime minister, has newspaper columnist Dan Starkey's dander up. Working the election beat alongside visiting Boston Globe writer Charles Parker (Richard Gant), Starkey (David Thewlis) watches his pointed barbs slide off Brinn's Teflon-coated backside. Drowning his troubles in drink in a Belfast park, Starkey invites beautiful art student Margaret (Laura Fraser) to a friend's party, unaware of her ties to both the IRA and to Brinn's political party. When Starkey's wife (Laine Megaw) catches him canoodling with Margaret, she kicks Starkey out and he ends up in Margaret's bed. When the girl turns up mortally wounded a mere day later, mouthing the words "divorcing Jack" just before her death rattle, Starkey finds himself a suspect in the murder. Donning a ridiculous wig and going on the lam, he must fend off a nationwide manhunt while tracing the connection between Margaret's death and the upcoming election. Shown at the 1998 Cannes Film Festival, this British/French co-production marked director David Caffrey's feature debut. Irish writer Colin Bateman adapted his own novel, one of several to feature Starkey as a protagonist. ~ Brian J. Dillard, All Movie Guide

This 2000 television adaptation of Charles Dickens' Victorian classic was originally released as a six-hour, three-part miniseries on PBS. Adapted by Alan Bleasdale, this version of Oliver Twist gives viewers a new look at an old story, waiting 90 minutes to even introduce its eponymous hero (played by Sam Smith), and taking pains to establish the background of Oliver's parents, good-hearted Agnes Fleming (Sophia Myles) and all-around coward Edwin Leeford (Tim Dutton). All of the resolutely Dickensian touches are here, from greedy relatives to secret wills, to stolen lockets containing valuable information, and all are ably brought to life by a talented cast that includes Julie Walters as Mrs. Mann, Michael Kitchen as Mr. Brownlow, Lindsay Duncan as Elizabeth Leeford, Marc Warren as Monks, and Robert Lindsay as Fagin. As an added bonus, the miniseries' score, by Paul Pritchard, contains additional music by none other than Elvis Costello. ~ Rebecca Flint Marx, All Movie Guide

Two of the world's mightiest warships are explored in the historical documentary The Battle of Hood and Bismarck. In 2001, American explorer David Means guided an international expedition that led to the discovery of these great ships. Narrated by Robert Lindsay, this feature-length PBS documentary examines the rich history of the opposing ships during the some of the greatest sea battles of WWII. In May of 1941, the Hood and the Bismarck engaged in a fierce battle resulting in the destruction of both ships and over 3,500 casualties. Using archival footage, computer effects, and interviews with survivors, director Gary Johnstone explores the demise of the HMS Hood, once considered the best ship in Britain's fleet, as well as the mysterious sinking of Germany's battleship, the Bismarck. ~ Andrea LeVasseur, All Movie Guide