Seth Barrish Movies

Campbell Scott is both star and co-director of this elaborate (albeit economically produced) four-hour TV version of Shakespeare's immortal tragedy Hamlet, Prince of Denmark. The film is based on Scott's earlier theatrical production of the same play, with several of the same actors repeating their same roles. Updated to 1900 New York, the text remains substantially the same as it has always been: Hamlet (Scott), the "melancholy" Danish prince, discovers to his horror that his late father, the King, was murdered by his brother (and Hamlet's uncle) Claudius (Jamey Sheridan), who upon ascending to the throne, added insult to injury by wedding Hamlet's mother, Gertrude (Blair Brown). Though his desire for revenge is strong, Hamlet does not want any more bloodshed, and concocts an elaborate scheme to "catch the conscience" of Claudius and force him into a confession. Part of this scheme involves Hamlet's feigned descent into madness -- which, as interpreted by Scott, may not be as "feigned" as he thinks it is. Caught in the middle of this intrigue is Hamlet's lady love, Ophelia (Lisa Gay Hamilton), daughter of Claudius' chief consul, Polonius (played in the manner of a protocol-conscious Victorian diplomat by Roscoe Lee Browne). Some of the choices made by Scott in adapting Hamlet to the screen -- the turn-of-the-century setting; the utilization of black actors in the roles of Polonius, Ophelia, and Laertes (who is played by Roger Guenveur Smith); the casting of Byron Jennings to play both the Ghost of Hamlet's father and the Player King, who pretends to be the father -- were applauded by the critics. Other innovations, notably the use of slow jazz music throughout the action, and Hamlet's violent treatment of poor Ophelia during the "Get thee to a nunnery" scene, were not so enthusiastically received. Whatever the case, Scott does a remarkable job with a tiny budget and a slim 29-day shooting schedule. In addition to the actors' lilting interpretation of the Shakespearean dialogue and soliloquies, the film boasts a truly exciting climactic duel, shot in long takes without the use of stunt doubles. Initially produced for a theatrical release, this Hamlet made its American debut as a cable TV miniseries on the Odyssey Channel, beginning December 10, 2000. ~ Hal Erickson, All Movie Guide

A midtown auto accident leaves two people dead. The subsequent investigation reveals that one of the "victims," a woman, was placed in the driver's seat after the accident -- and that she was raped before she died. Ultimately, city councilman Spencer Talbot (Anthony Heald) is charged with the crime. He manages to beat the rap, but tireless Assistant D.A. Jack McCoy (Sam Waterston) has another ace -- and another charge -- up his sleeve. This episode represents a reunion between former I'll Fly Away co-stars Sam Waterston and Regina Taylor. ~ Hal Erickson, All Movie Guide

The independently produced Home Remedy is virtually a textbook example of "Quirky." Seth Barrish plays a young New Jerseyite, displeased with the hustle-bustle of the world around him. He squirrels himself away in his huge suburban home, seeking only peace, quiet, and virtual non-movement. His solitude is shattered by his voluptuous next-door neighbor Maxine Albert, who seeks out sexual satisfaction with the passive Barrish. Alas, Albert has a violently jealous husband. A jet-black exercise in Woody Allenesque angst, Home Remedy is unrated, but hardly children's fare. ~ Hal Erickson, All Movie Guide