Jennie Linden Movies

The "endless game" is espionage, which goes on and on despite government upheavals and changing international attitudes. Albert Finney plays a retired secret agent called back to active duty. Finney is entrusted with the task of finding out why his fellow retirees are being killed off. One of the victims is a woman who'd once been Finney's lover. Anthony Quayle makes his final screen appearance in this made-for-cable suspenser. Endless Game was written and directed by Bryan Forbes--surprisingly, his first foray into the spy-film genre. ~ Hal Erickson, All Movie Guide

David Hemmings plays Charlie Muffin, a working-class British secret agent who suffers fools and aristocrats not at all well, and as such is in constant conflict with his superiors. Unlike James Bond, Charlie bleeds when you prick him...and he cares, deeply. Britain's M16 unit reluctantly assigns Charlie the task of protecting Valery Kalenin (Pinkas Braun), head of the KGB. Kalenin is ostensibly defecting, but Charlie gloms onto the truth of the whole affair early on. He also figures out that those unseen assassins taking potshots at him are not only in the employ of the KGB, but also the M16. Originally released in 1979, Charlie Muffin did not receive widespread American exposure until its October 1983 telecast on PBS. ~ Hal Erickson, All Movie Guide

Hedda is a tasteful, literate cinematic translation of the Royal Shakespeare Company's production of Henrik Ibsen's Hedda Gabler. Glenda Jackson plays Hedda, the restless, free-spirited daughter of a Norwegian military officer. Hedda is married to George Tesman (Timothy West), a dull professor whom she does not love. Bored with her lot, Hedda begins playing with the life of the trusting Thea Elvstead (Jennie Linden) and pushes her former love, the poetic Eilert Lovborg (Patrick Stewart), into attempting suicide. Hedda's machinations come to naught when she is threatened with exposure by the lascivious Judge Brack (Peter Eyre); the judge agrees to keep mum if Hedda will become his mistress. ~ Hal Erickson, All Movie Guide

This sophisticated black comedy sex romp is based on the novel by Iris Murdoch, which she also turned into a stage play (with J.B. Priestley). Ian Holm, is hapless wine-taster Martin Lynch-Gibbon who has both a mistress (Jennie Linden) and a nymphomaniac wife, Antonia Lynch-Gibbon (Lee Remick). His best friend, psychiatrist Palmer Anderson (Richard Attenborough), is having an affair with Antonia. Palmer's half-sister Honor Klein (Clair Bloom) is having sexual relations with him also, which he is slightly apologetic about. The wine taster has had a lifelong antagonism for his friend's half-sister, but after his wife and mistress leave him, he takes up with Honor. ~ Clarke Fountain, All Movie Guide

Dr. Who was/is the longest-running entertainment series ever to run on the BBC, and for a variety of reasons, including its sassy humor, delightfully idiotic sets and special effects, and some first-class star-turns by a series of usually underrated actors in the title role, it generated a fanatic and devoted following in the U.K. One of the earliest "Doctors" in the movies was the great horror favorite Peter Cushing, and in this movie he saves the universe and, not incidentally, our dear old earth, from domination by the mostly robot and decidedly anti-biological Daleks (predecessors of the Borg, no doubt), a group of endearingly awfully designed (and made) A-frame shaped robots which, when massed together, appear to be engaged in a bumper-car race. No matter, the story races along at a furious and improbable pace, punctuated by wisecracks and gags, most of them from the almost-wise Doctor himself as he races about in his infinitely large (on the inside) antique London telephone booth known as "the Tardis" (Time And Relative Dimensions In Space), protecting the innocent. Fans of the series will be delighted with the film, but as is so often the case, newcomers to the series will wonder what all the fuss is about. The cumulative cheesiness of the whole Dr. Who concept does take quite a bit of getting used to, and any attempt to take the series or this movie seriously is doomed to failure. ~ Clarke Fountain, All Movie Guide

Legendary cinematographer (Freddie Francis) directed this Hammer horror film of madness and murder. The story concerns young Janet (Jennie Linden), a student at finishing school who is suffering from a series of recurring nightmares, having witnessed her mother stabbing her father to death. When her nightmares intensify, Janet is brought to the home of her guardian, Henry Baxter (David Knight). Henry is not home, but Janet is put into the care of his live-in nurse, Grace (Moira Redmond). Janet's nightmares continue, in which she sees a woman in white beckoning her into her parents' bedroom. Following the apparition, Janet sees the woman lying in bed, with a knife sticking from her chest. When Henry returns home, he is told by the doctors that Janet should be confined to a mental institution. Henry refuses, but the arrival of Henry's wife changes all that -- when Janet sees Henry's wife, who resembles the woman from her dreams, she grabs a knife and stabs her to death. Janet is committed to an institution for the criminally insane. However, it turns out that Grace had deliberately disguised herself as the woman in white to drive Janet over the brink and kill Henry's wife, so that they could be married. Henry and Grace get married, but Grace then receives reports that Janet has escaped from the institution and is returning to Henry's estate, bent on revenge. ~ Paul Brenner, All Movie Guide