Yvonne Lime Movies

This undistinguished teen melodrama features Brett Halsey as Nick, a lowlife who is hiding out from the law because he killed a man in a mugging. He escapes to another town and starts working as a mechanic in an auto repair shop. Not one to keep a low profile for long, Nick alienates just about everyone by beating out the competition in sports-car races, beating his own drum as loudly as he can, and just plain beating up on other men. He complements those activities by hitting on any attractive female, regardless of her status. Both Nick and the viewers are clearly being set up for his ultimate just desserts. ~ Eleanor Mannikka, All Movie Guide

Veteran funnyman Morey Amsterdam eschews his usual "Buddy Sorrell" cheekiness to essay a serious role in this episode. Amsterdam is cast as disgruntled lockpicker Marty Dreen, who assists Friday (Jack Webb) and Smith Ben Alexander in their search for a payroll-check forger. This is the episode in which dedicated police detective Frank Smith is promoted to Sergeant--placing him, albeit briefly, on the same level as his partner Joe Friday. ~ Hal Erickson, All Movie Guide

Loving You was the most autobiographical of all Elvis Presley's movies, and, not coincidentally, features the most naturalistic, easygoing performance of his early career. He plays Deke Rivers, a truck driver with a penchant for singing and a raw animal magnetism where women are concerned. He attracts the business interest of publicity agent Glenda Markle (Lizabeth Scott), who sees a potential gold mine in Deke. She hires him to appear with a band that she handles, fronted by aging country & western singer Tex Warner (Wendell Corey), who used to be romantically involved with Glenda and is now a client. Pretty soon he's pulling in bigger crowds and generating more excitement than Tex did during his best days (which drives the older singer to start drinking again), but also a lot more controversy, too. Deke is so provocatively sexual a presence on-stage that some citizens in the southern and border states where the band is working think that what he does is immoral. Girls can't keep away from him, their boyfriends despise what he symbolizes, and their parents are aghast, even as concert promoter Carl Meade (James Gleason) smells a fortune to be made from this boy. Glenda parlays these disputes and a ban on one of Deke's performances into a national television event. Amid all of this, Deke reveals the private, vulnerable side that no one ever knew -- that he's not even Deke Rivers (it was a name he took off a gravestone), but an orphan named Jimmy Tompkins, and that he's never had a home. He also reveals that he's attracted to Glenda, mistaking (with her encouragement) her interest in his talent with a personal involvement, but he's also drawn the the band's female singer, Susan Jessup (Dolores Hart), who could genuinely love him, and offers him a caring family of her own that would accept him. Deke and Glenda's conflicts are eventually straightened out, and Deke gets to say his piece and sing his music on network television. ~ Bruce Eder, All Movie Guide

I Was a Teenage Werewolf is a B-level cheapie that can most easily be summed up as a cross between The Wolf Man and Rebel Without a Cause. Michael Landon stars as Tony, a hot-headed teenager whose lightning-quick temper has led to social troubles and created concern from his father, his girlfriend Arlene (Yvonne Lime), and local lawman Detective Donovan (Barney Phillips). After belting his buddy Vic (Ken Miller) for no reason, Tony agrees to see Dr. Brandon (Whit Bissell), a psychologist who uses hypnosis to help his patients. In reality, Brandon is a mad scientist who has designs on regressing Tony to his most primal state using drugs and hypnosis. Not long after Tony's first session, a teen is killed by what the police believe is some kind of animal, but when Tony transforms in front of Arlene at their school, the truth comes to light: Tony is a werewolf. With the townsfolk paralyzed by fear, the police organize a manhunt, which the werewolf manages to evade. After returning to his human state, Tony heads back to the treacherous Dr. Brandon. The shrink's desire to witness Tony in his primal "werewolf" condition goes awry when the frothing Tony goes mad, leading to a violent conclusion. ~ Patrick Legare, All Movie Guide