Robert Lieb Movies

Cliff Robertson plays Tolly Devlin, an embittered ex-convict who has spent a lifetime tracking down the men who murdered his father. Desirous of handling matters on his own, Devlin pretends to be loyal to both the Mob and the Government, playing one against the other in hopes of flushing out the killers. He learns that the three surviving assassins are employed by a supposedly charitable "cover" operation known as National Projects. To get what he wants, Devlin ingratiates himself with mob boss (and outwardly solid citizen) Conners (Robert Emhardt). What Robertson didn't count on was falling in love with "Cuddles" (Dolores Dorn), which leads to his own downfall -- but not before justice is served. Producer/director/writer Fuller based Underworld USA on a series of "exposé" articles in The Saturday Evening Post; the film's release fortuitously occurred shortly after that infamous mob convention in Appalachin, New York. ~ Hal Erickson, All Movie Guide

Twilight Zone's Yuletide offering for the 1960-61 season was this videotaped episode. Art Carney stars as Henry Corwin, a philosophical, booze-guzzling department store Santa Claus. Dismissed from his job, the disgruntled Corwin stumbles across a strange-looking bag, one that profoundly changes not only his life but the lives of everyone with whom he comes in contact. Reliable TV actors John Fiedler and Burt Mustin spice up the proceedings in this irresistably charming exercise. Written by Rod Serling, "Night of the Meek" first aired December 23, 1960. ~ Hal Erickson, All Movie Guide

In a most unusual episode, Perry Mason's client is his friend and business associate, private detective Paul Drake (William Hopper). After confronting Frank Thatcher (Bruce Gordon) for concealing evidence in a hit-and-run case, Paul knocks the man down--and is promptly rendered unconscious himself. When he awakens, Paul finds Thatcher dead and himself charged with murder. DA Burger (William Talman) is reluctant to prosecute, but does so anyway, making Perry's job even more emotionally draining than usual. Key players in the proceedings include singer Donna Kress (Vanessa Brown), with whom the very married Thatcher had been carrying on an affair, and the dead man's extremely wealthy father-in-law Henry Dameron (Basil Ruysdael). ~ Hal Erickson, All Movie Guide

Once you get past the fact that handsome Paul Newman could never pass for plug-ugly boxer Rocky Graziano in real life, you will be able to accept Somebody Up Their Likes Me as one of the more accomplished movie biopics of the 1950s. Based on Graziano's autobiography (co-written with Rowland Barber), the film accurately depicts the teen-aged Rocky as an unregenerate punk, evidently doomed by his slum environment, and his own lousy attitude, to a life of petty crime. Determining that the only way he'll make a living is with his fists, Rocky becomes a boxer, at first willing to participate in a series of fixed fights. Eventually, Rocky develops a conscience and sense of self-respect, no small thanks to his sweetheart (and later wife) Norma (Pier Angeli). The film ends on an optimistic note after Rocky wins a "clean" bout with Tony Zale (playing himself). Training extensively with Graziano prior to and during production, Newman is quite impressive in his first worthwhile film role (this was only his third film, following the execrable The Silver Chalice and the forgettable outing The Rack). The title song in Somebody Up There Likes Me was written by Bronislau Kaper and Sammy Cahn, and performed by Perry Como. ~ Hal Erickson, All Movie Guide