Richard Libertini Movies

Richard Libertini, best known as the daffy dictator ("Talk to the hand!") in the 1977 film The In-Laws, appears in this episode as an oil-rich Arab named Ben. Sweeping into Mel's Diner, Ben entrances Flo (Polly Holliday) and asks her to be his wife. What he fails to mention is that he merely wants to add Flo to his harem--which is already occupied by three other brides! ~ Hal Erickson, Rovi

In this family-fun type of film, two brothers who have apparently inherited their recently deceased father's inventor-type genes decide to finish their pop's robot invention, sell it for big bucks, and keep mom out of the poorhouse. They put together the metal man named Newman who somehow has absorbed the dead dad's spirit and can talk. The boys are wowed to find that Dad's back! But then the bad guys arrive (of course) in the form of an electronics company wanting in on the Newman-robot invention and by an abrupt gal reporter who wants the big scoop. Looming out in the troubled fringes too, are the dopes responsible for the kids' dad's demise. These kids are up to all of this and, along with the robot, they're out to rack up one for the 'good guys.' ~ Rovi

Based on a true story as related by neurologist Oliver Sacks, Awakenings stars Robin Williams as the Sacks counterpart, here named Dr. Malcolm Sayer. Something of a klutz and naif, Dr. Sayer takes a job at a Bronx psychiatric hospital in 1969. Here he's put in charge of several seemingly catatonic patients who, under Sayer's painstaking guidance, begin responding to certain stimulati. Apprised of the efficacy of a new drug called L-DOPA in treating degenerative-disease victims, Sayer is given permission to test the drug on one of his patients: Leonard Lowe (Robert De Niro), who has not communicated with anyone since lapsing into catatonia as a child. Gradually, Lowe comes out of his shell, encouraging Sayers to administer L-DOPA to the other patients under his care. Julie Kavner and John Heard also star. ~ Hal Erickson, Rovi

Set in Iowa, Betrayed stars Debra Winger as an FBI agent who infiltrates a Klanlike white supremacist organization. Allegedly a woman of intelligence and perception, Winger throws caution and logic to the winds when she falls in love with local farmer Tom Berenger. Much to her surprise Berenger turns out to be the most rabid racist of all. ~ Hal Erickson, Rovi

Director Mike Nichols and writer-actor Buck Henry followed their enormous hit The Graduate (1967) with this timely adaptation of Joseph Heller's satiric antiwar novel. Haunted by the death of a young gunner, all-too-sane Capt. Yossarian (Alan Arkin) wants out of the rest of his WW II bombing missions, but publicity-obsessed commander Colonel Cathcart (Martin Balsam) and his yes man, Colonel Korn (Henry), keep raising the number of missions that Yossarian and his comrades are required to fly. After Doc Daneeka (Jack Gilford) tells Yossarian that he cannot declare him insane if Yossarian knows that it's insane to keep flying, Yossarian tries to play crazy by, among other things, showing up nude in front of despotic General Dreedle (Orson Welles). As all of Yossarian's initially even-keeled friends, such as Nately (Art Garfunkel) and Dobbs (Martin Sheen), genuinely lose their heads, and the troop's supplies are bartered away for profit by the ultra-entrepreneurial Milo Minderbinder (Jon Voight), Yossarian realizes that the whole system has lost it, and he can either play along or jump ship. Though not about Vietnam, Catch-22's ludicrous military machinations directly evoked its contemporary context in the Vietnam era. Cathcart and Dreedle care more about the appearance of power than about victory, and Milo cares for money above all, as the complex narrative structure of Yossarian's flashbacks renders the escalating events appropriately surreal. Confident that the combination of a hot director and a popular, culturally relevant novel would spell blockbuster, Paramount spent a great deal of money on Catch-22, but it wound up getting trumped by another 1970 antiwar farce: Robert Altman's MASH. With audiences opting for Altman's casual Korean War iconoclasm over Nichols' more polished symbolism, the highly anticipated Catch-22 flopped, although the New York Film Critics Circle did acknowledge Arkin and Nichols. Despite this reception, Catch-22's ensemble cast and pungent sensibility effectively underline the insanity of war, Vietnam and otherwise. ~ Lucia Bozzola, Rovi

Though this film is billed as a comedy, it does contain some violent moments as it follows a young man's journey across the U.S. in search of himself. Our hero is vegetarian Charles Thundertrunk whose father owns the fabulously successful fast-food chain Burger World. At his father's request Charlie reluctantly goes on a tour to promote the restaurants. His journey turns inward after he witnesses a violent shootout at a Burger World outlet. Upon his new journey he re-encounters his childhood hero, Glosser. Glosser is a spaced New Ager who believes everything happens for the best. He bases his philosophy upon a near-death experience. Glosser's journal was stolen by an evil arsonist. Charlie and Glosser decide to search for it together which leads them to the films fiery climax. ~ Sandra Brennan, Rovi

The humor in this Chevy Chase comedy lies solely in the eyes of the beholder. The comic plays Eddie Muntz, an arms dealer looking to make a big sale of war planes to a South American dictator. In order to do so, his girlfriend (Sigourney Weaver) has to sleep with the dictator and his friend (Gregory Hines) has to be convinced to do one more killing. Eddie's archenemy is Stryker (Vince Edwards) who wants to make that deal himself and will stop at nothing to obtain his ends. ~ Eleanor Mannikka, Rovi

Don't Drink The Water is taken from a play by Woody Allen. Walter Hollander (Jackie Gleason) is a middle-aged caterer from Newark, New Jersey who takes his wife Marion (Estelle Parsons) and his teenage daughter Susan (Joan Delaney) on a tour of Europe. When their plane is high-jacked to Vulgaria, Walter is mistaken for an international spy when he takes some photographs. Secret agent Krojack (Michael Constantine) is dispatched to capture the alleged spy. The family takes refuge in the American embassy where Axel Magee (Ted Bessell) is the son of the ambassador. Axel arranges for the family to stay there, but leaving then becomes the problem. Susan's problems are solved when she and Axel are married, providing her with diplomatic immunity. Walter and Marion are forced to disguise themselves as part of an Arab delegation to escape from Vulgaria. ~ Dan Pavlides, Rovi

A lovelorn urbanite who has spent nearly a decade trying to win back his ex-girlfriend gets involved in a romantic case of mistaken ethnicity in director Jason Todd Ipson's warmhearted relationship comedy. It's been eight years since Jake's girlfriend left him, and despite the fact that she's now married with three children, he refuses to move on. Fed up with their depressive pal's unwillingness to let go of the past, Jake's friends set him up on a blind date with a beautiful Italian woman from Boston's North End. Though Jake is convinced that such a woman would never even consider dating a non-Italian, a quick crash course in how to fake it may prove just the trick to helping him learn to love once again. ~ Jason Buchanan, Rovi

Based on the beloved fairy tale, this installment of Shelley Duvall's "Faerie Tale Theatre" tells the well-known tale of a beautiful princess (Bernadette Peters) who is enchanted by an evil fairy and doomed to an eternal sleep unless she receives the kiss of a prince (Christopher Reeve). ~ Iotis Erlewine, Rovi

Chevy Chase added a classic comic hero to the film landscape with Fletch, one of his few truly popular star vehicles in a famously misguided post-Saturday Night Live career. Chase plays Irwin M. Fletcher, known to everyone as Fletch, a Los Angeles Lakers-loving investigative reporter with a gleeful disdain for deadlines and a knack for pushing the buttons of his frustrated editor (Richard Libertini). He's also known for donning numerous disguises and assuming zany false identities to help gain information. While pursuing an ongoing story about a powerful drug dealer who operates from Venice Beach, he comes across an intriguing offshoot in which he becomes intimately involved. Aviation executive Alan Stanwyk (Tim Matheson) has an unusual proposition for Fletch: If Fletch agrees to an elaborate plan to kill him, for reasons Stanwyk refuses to divulge beyond explaining that he has bone cancer, Fletch will walk away with a healthy sum of money and a plane ticket to Brazil. Curious yet suspicious by profession, Fletch begins investigating Stanwyk's true motives, which leads him through numerous misadventures. Among them are a visit to a stuffy country club; a high-speed car chase with an unwitting passenger; repeat encounters with Stanwyk's wife (Dana Wheeler-Nicholson), although she may not be his only one; and a trip to Provo -- that's Utah, not Spain. Inspired by a novel of the same name by Gregory McDonald, Fletch went from thriller to comedy as it was adapted into a vehicle for Chase. ~ Derek Armstrong, Rovi

In this comedy, a stuffy congressman is dismayed when he discovers that his beloved daughter intends to marry limousine driver John Bourgignon (John Candy). While intending to put on a good show for his father-in-law to be, John is captured by some political opponents of the congressman. His capturers attempt to brainwash him into assassinating the congressmen, but things don't go exactly as planned. ~ Iotis Erlewine, Rovi

Two down-on-their-luck meat salesmen struggling to make a buck find that sometimes you have to grill your clients to secure the sale in this rib-tickling comedy that teams King of Queens star Kevin James with Everybody Loves Raymond star Ray Romano. Maurice (Romano) and Dave (James) have been issued an ultimatum by their frustrated boss: move some meat or hit the street. Now forced to make the sale of a lifetime or face a grim fate working behind the counter of the local butcher, the two hapless meat-slingers set their sights on a foolproof prospect that promises to provide just the funds needed to keep them afloat. Unfortunately for Maurice and Dave, their perfect plan leads them into the company of some very bad men, and now with their jobs on the line and their lives hanging in the balance, these two scheming salesmen must finalize the big deal and get the money back to the boss before they end up in the freezer with the rest of the dead meat. ~ Jason Buchanan, Rovi