Gong Li

Curious filmgoers looking to get better acquainted with the silver screen's most notorious cannibalistic serial killer are sure to get their fair share of shocks and thrills as director Peter Webber teams with author Thomas Harris to explore the early life of well-read psychopath Hannibal Lecter. Based on author Harris' gruesome novel of the same name, Hannibal Rising travels back in time to World War II-era Lithuania, where an impressionable, well-to-do young boy named Hannibal (Gaspard Ulliel) was forced to watch helplessly as his family was massacred and his young sister suffered a terrifying fate at the hands of desperate, famished soldiers. After seeking temporary shelter at the Soviet orphanage that was once his family's home, Hannibal later flees to Paris in search of his long-lost uncle. Though his uncle has passed away, his uncle's beautiful Japanese widow, Lady Murasaki (Gong Li), warmly accepts the frightened orphan into her home. But even the love and kindness of this generous stranger isn't enough to calm the raging storm that is brewing inside this troubled young boy. Plagued by nightmares and determined to seek vengeance on the murderous war criminals who brutalized his family, the profoundly disturbed but academically gifted Hannibal enrolls in medical school in order to hone the skills that will allow him to exact horrific justice. ~ Jason Buchanan, All Movie Guide

Writer and director Michael Mann updates the groundbreaking television crime series he created in the 1980s with this stylish thriller. Ricardo Tubbs (Jamie Foxx) and Sonny Crockett (Colin Farrell) are two police detectives working undercover in Florida; Tubbs is smart, cool, and resourceful, while Crockett has his own way of doing things, though he stays close enough to the rules to stay out of trouble. Their latest assignment is to get the goods on Arcangel de Jesus Montoya (Luis Tosar), a local drug kingpin whose men are believed to be responsible for a handful of recent murders. In order to infiltrate Montoya's operation, Tubbs and Crockett pose as powerboat racers willing to use their talents to pilot drug-smuggling ships for the right price. The detectives' ruse works, but as they dig deeper into Montoya's inner circle, they become involved in a dangerous operation that will take them to Haiti and Cuba, where neither the Miami Police Force nor the United States government can help them if things go wrong. Crockett also begins walking a risky path when he begins an affair with Isabella (Gong Li), a woman high up in Montoya's organization. Miami Vice marked Michael Mann's third consecutive directorial effort with Jamie Foxx after Ali and Collateral. ~ Mark Deming, All Movie Guide

Three of the world's most gifted filmmakers offer their own unique perspectives on love and lust in this omnibus film. The initial episode, "The Hand," was directed by Wong Kar-Wai, and tells the story of Zhang (Chang Chen), a young, virginal dressmaker's assistant who finds it difficult to control his desire when he is sent to the home of Hua (Gong Li), a beautiful and refined prostitute, for a fitting. Steven Soderbergh directed the film's second story, "Equilibrium," in which Nick Penrose (Robert Downey Jr.) spends a session with his analyst (Alan Arkin) discussing a recurring dream of a beautiful naked woman in his apartment, but he keeps wandering off on tangents about alarm clocks and hair loss. Finally, Italian virtuoso Michelangelo Antonioni brings his short story The Dangerous Thread of Things to the screen, a story of a jaded couple, Christopher (Christopher Buchholz) and Chloë (Regina Nemni), whose relationship comes to a crossroads when both husband and wife become infatuated with the same woman, Linda (Luisa Ranieri). ~ Mark Deming, All Movie Guide

Sun Zhou's stylized Zhou Yu de Huoche (Zhou Yu's Train) is the story of a woman in love. Zhou Yu (Gong Li) and teacher Chen Ching (Tony Leung Kar-Fai) fall in love. After Ching gives Zhou a poem he wrote for her, she begins taking a train ride twice a week to his home in order to have sex with him. During her time on the train, she strikes up a relationship with a veterinarian (Sun Honglei), but she ends their time together when she learns that he spied on her during one of her visits with Ching. Gong Li has a second role as a another woman obsessed with Chen who is trying to ascertain the nature of his relationship with Zhou. This film was shown out of competition at the Berlin Film Festival. ~ Perry Seibert, All Movie Guide

A lavishly produced historical drama from China, Jing Ke Ci Qin Wang/The Emperor and the Assassin tells the complex, multi-facetted story of the man who became the first Emperor of a unified China, another man who has sworn to kill him, and a woman who is loved by both men. Late in the Third Century B.C., when China was comprised of seven rival kingdoms, Ying Zheng (Li Xuejian) was the leader of Qin. Ying Zheng had a dream in which he joined together the seven kingdoms into a single utopian state, and taking this as a mandate from God, he invaded the nearby state of Han as the first step toward this goal. However, not everyone in the neighboring states was happy with Ying Zheng's crusade, which seemed to indicate a lengthy war with many casualties. Lady Zhao (Gong Li), Ying's lover, devised a scheme to help Ying Zheng take over the nearby and uncooperative state of Yan; she fabricated a fake assassination plot against him, and framed the leader of Yan, once Ying Zheng's childhood friend, as the man behind the murderous plot. However, Lady Zhao did not choose the would-be assassin wisely; while Jing Ke (Zhang Fengyi) loved her and was willing to do her bidding, Jing Ke's previous assassination assignment caused the unintended death of an innocent blind girl, which left him full of regret and a bit unstable. When Jing Ke learned a closely guarded secret about Ying Zheng's past, he became blindly determined to kill the would-be emperor, whatever the cost. Produced on a lavish budget by Chinese standards ($15 million), Jing Ke Ci Qin Wang/The Emperor and the Assassin was directed by Chen Kaige, best known to Western audiences for the international success Farewell My Concubine. ~ Mark Deming, All Movie Guide

Chen Kaige, the director of the international smash Farewell My Concubine, reunited that film's stars, Gong Li and Leslie Cheung, for this complexly layered, visually spectacular historical epic. Opening in 1911, shortly before the collapse of the Imperial government, Temptress Moon follows the wealthy and powerful Pang Family, whose patriarch is hopelessly addicted to opium, which he calls "the source of all inspiration." Zhengda (Zhou Yemang), Old Master Pang's oldest son, has married a woman named Xiuyi (He Saifei), and her younger brother Zhongliang is brought to live with the Pangs, where he earns his keep as a servant. Zhengda shares his father's dependence on opium, and Zhongliang's responsibilities include minding their pipes; Zhengda also forces Zhongliang to kiss Xiuyi in a shadowy incident that suggests an incestuous relationship. In time, Zhongliang grows to adulthood (now played by Leslie Cheung) and flees the Pang estate; he travels to Shanghai, where he becomes a gigolo, seducing women and stealing their valuables. After Old Master Pang dies and Zhengda's addiction to drugs renders him brain damaged, his sister Ruyi (Gong Li), who had been Zhongliang's playmate in childhood, is proclaimed the head of the household. Knowing of his connection to the Pang Family and long-ago friendship with Ruyi, Zhongliang is ordered by his bosses in the Shanghai underworld to return to the Pang estate, where he is to seduce her, gain control of the family's fortune, and then steal it from her. Like Farewell My Concubine, Temptress Moon proved to be controversial in its native China, due to its frank but unsensational depiction of sex and drug use. ~ Mark Deming, All Movie Guide

Hong Kong filmmaker Andy Chin directed this colorfully gaudy and delightfully satirical fantasy based -- very loosely -- on the classic novel Demi-Gods and Semi-Devils by Jin Yong. Popular Asian pin-up queen Brigitte Lin stars in dual roles as Li Chou-shui, an outcast member of the San sect, and her twin sister, Chong-hoi. Chou-shui is engaged in a vicious and ongoing magical duel for power with another exiled San sect member, Mo Han-wen, played by the popular Chinese actress Gong Li (Raise the Red Lantern). Han-wen's magical mastery is somewhat undermined by her sexual attraction to Chong-hoi, which Chou-shui exploits to hurt Han-wen's pride and sap her will at every opportunity so that she can gain the upper hand in their ever-more fierce confrontations. These battles attract the interest of the powerful leader of the Sing Suk sect, Ting Chun-chou (Norman Tsui), who believes that he will take over in the wake of the women's mutually assured supernatural destruction. Ting starts slaughtering all of his rivals, but runs into trouble when an opportunistic lackey named Purple (Sharla Cheung) steals a scroll containing the Yi-ken sutra, capable of bestowing incredible powers, and gets a Shaolin monk who can interpret it for her own particular ends. Funny, visually spectacular, and paced slightly this side of light-speed, the film is marvelously entertaining, if a bit challenging to follow for newcomers to the world of Hong Kong fantasy. Frankie Lam co-stars with Liu Kai-chi and James Pak. ~ Robert Firsching, All Movie Guide

Zhang Yimou, often regarded as China's leading contemporary filmmaker, directed this drama chronicling the ebb and flow of one family's fortunes, set against the backdrop of China's tumultuous history between the 1940s and the 1970s. Fugui (Ge You) is the father of a once-wealthy family whose addiction to gambling and chronic bad luck causes him to lose his home in a game of dice with Long'er (Ni Dabong). Fugui's wife Jiazhen (Gong Li) abandons him, and he finds himself working as a peddler, until the man who now owns his home gives him a pair of shadow puppets. Fugui learns the art of puppetry and travels as a performer; while on the road, he is arrested by Nationalist forces, until he is liberated by advancing Red Army factions, and he comes him home to his wife and children as they adapt to the nation's new leadership. While once a lazy spendthrift, Fugui vows to change his ways, and he struggles to become a better worker and citizen. But Fugui and his family soon realize that there is adversity waiting for them around every corner, and the onset of the Cultural Revolution makes it clear that China's new regime can be as corrupt and callous as the old order. While a Grand Prize winner at the 1994 Cannes Film Festival and recipient of the Best Foreign Language Film award at the 1995 BAFTA Awards, Huozhe did not fare well in its homeland. Chinese censors objected to the film's commentary about political abuses in China's past, as well as Zhang Yimou's attempts to present the film at several international festivals. As punishment, he was forced to write a formal apology and was not allowed to make another film for two years. ~ Mark Deming, All Movie Guide

The true story of a major turning point in ancient Chinese history is presented in this epic drama covering the destruction of the Qin Dynasty in the late third century B.C. Most specifically the film focuses upon the battle between the Qin and Chu forces in the first half, and in the second it focuses upon the personal competition between the Chu leaders as they fight for control of the territory. ~ Sandra Brennan, All Movie Guide

With The Story of Qiu Ju, internationally acclaimed Chinese director Zhang Yimou shifts his attention from powerful historical dramas (Raise the Red Lantern and Ju Dou) to contemporary life. Gong Li plays the titular heroine, an average woman in a rural village whose life is unexceptional until her husband is physically attacked by the village elder. When the elder refuses to apologize, Qiu Ju decides to seek legal action with the help of a local magistrate. Soon, her quest for simple justice balloons into a series of frustrating battles with a complicated and unproductive bureaucracy. In contrast to the rich, painterly look of his previous films, Zhang adopts an unadorned, realistic style that allows the film's increasingly absurd situations to speak for themselves. Indeed, while the look at government gone wrong has serious underpinnings, the overall tone remains one of understated satire. As might be expected, The Story of Qiu Ju was received with greater appreciation by international critics than in its home country. ~ Judd Blaise, All Movie Guide

The phenomenal success and international acclaim of Raise the Red Lantern, cemented Zhang Yimou's status as a leading figure in world cinema and reaffirmed the vibrancy of Chinese cinema. Though the film was the topic of great political controversy in China upon its release, it received armfuls of awards from Belgium, Italy, the United Kingdom and a nomination for an Academy Award.

This sumptuously photographed drama, set in Northern China in the 1920s and based on the novel Wives and Concubines by Su Tong, stars Gong Li as Songlian, the fourth wife of an elderly landlord. Songlian is a college student who has been married off by her stepmother, so it is with tremendous frustration that this woman, who had hopes of using her education to broaden her horizons, now finds herself reduced to a small enclosure at the beck and call of her husband. Despite being given a maid (Kong Lin) and luxurious surroundings, she feels trapped inside the cheerless walls. Upon her arrival, Songlian realizes that she must keep one step ahead of her rivals, the three other wives. She also learns of her husband's tradition of lighting a lantern outside of the house of the wife with whom he intends to spend the night. During the first night together with her husband, she finds he is called away to tend to his spoiled third wife (He Caifei). Songlian then becomes acquainted with his other wives -- his first wife (Jin Shuyuan), an elderly woman who ignores Songlian; the third wife, an ex-opera singer; and the second wife (Cao Cuifeng), who offers Songlian friendship and helpful advice. But it turns out that the second wife's motives are not exactly innocent--she is conspiring with Songlian's maid to undermine both the third wife and Songlian. Raise the Red Lantern is a moving exploration of power in a suffocating world of ossified tradition and naked ambition-a masterpiece of 1990s world cinema. ~ Paul Brenner, All Movie Guide

Director Zhang Yimou and his frequent onscreen muse Gong Li star in this affable romantic fantasy. Mong Tienfong (Zhang) is a Qin dynasty server who has the misfortune to fall in love with beautiful imperial concubine Snow (Li). For their illicit affair, Snow is forced to commit suicide and Mong turned into a terracotta warrior and sealed in the royal tomb. Fast-forward 3,000 years to 1930 when Mong comes to and miraculously happens upon Lily, an actress -- the spitting image of his former love -- who is starring in a Chinese adaptation of Gone With the Wind. Mong tries to not only adapt to the speed and noise of the 20th century, but also win the dubious lass' hand. Meanwhile, Mong's rival, Burt (Yu Rongguang), plots to sell off the terracotta warriors to the highest bidder. ~ Jonathan Crow, All Movie Guide