Edward Lexy Movies

The Man Who Wouldn't Talk was coproduced by husband-and-wife Herbert Wilcox and Anna Neagle, with Ms. Neagle filling the role of Queen's Council representative Mary Randall. The title character is American scientist Frank Smith, played by Anthony Quayle, who is honeymooning in London with his new bride Eve Trent (Zsa Zsa Gabor). What the authorities don't know is that Frank and Eve are secret agents, bound and determined to pick up germ-warfare information from Hungarian scientist Horvad (Leonard Sachs). By prearranged agreeement, Smith will relay this information, and the purpose of his mission, to one man and one man only. His self-enforced silence proves to be a severe handicap when Eve is murdered and Smith is unable to provide an alibi for himself. It is up to lady lawyer Mary Randall to defend the close-mouthed Smith in court. ~ Hal Erickson, All Movie Guide

To make the Rising of the Moon, American filmmaker John Ford returned to his Irish roots. An obscure and highly personal film for Ford, it is comprised of three episodes--each offering insight into Irish culture and values. All are introduced by Tyrone Power. In "The Majesty of the Law," a police officer is assigned to arrest an Irish curmudgeon who hit the neighbor who sold him a lousy batch of homemade whiskey. But this is no ordinary arrest as the old man is a traditionalist who loathes the new directions his beloved Eire is going. Out of respect, the cop eschews his car and walks to his cottage. The two have a conversation and the old man mourns the loss of the old ways and expresses his frustration over the encroachment of modern amenities that are destroying the Irish heritage. The sympathetic cop offers to free him if the old man will pay a small fine, but though the codger has more than enough to pay it, he refuses on principal. Even when the man who filed the charges offers to pay the fine, the coot refuses to give in and stoically heads off to serve his time. As he walks with the officer to the jail, the whole town comes out to honor the old man. Set at a train station "A Minute's Wait" offers a humorous look at Irish conceptions of time as train's brief scheduled stop to pick up some lobsters for an important dinner stretches out into a long, leisurely pause. The final vignette, "1921" features members of Dublin's Abbey Theatre and tells the story of how they engineer an elaborate rescue of an Irish patriot from prison. ~ Sandra Brennan, All Movie Guide

In this corny British comedy, a Cockney family inherits a rundown Devon farm. Not everyone is pleased by the prospect of leaving the city, but the father insists and off they go. With the help of a savvy housekeeper, the family puts the ramshackle farm in order. ~ Sandra Brennan, All Movie Guide

The Golden Link gets off to a spectacularly violent start when a woman's body plummets into the hallway of an apartment building. It looks like a suicide, but police superintendent Blake (Andre Morrell) suspects murder. Blake is officially "off" the case before long; unofficially, he calmly putters around, asking questions, searching for clues. The chief murder suspects are the victim's husband (Patrick Holt) and daughter (Thea Gregory), both of whom had ample opportunity and motive. It turns out that Blake's instincts were correct, but his initial choice of perpetrators was way off. ~ Hal Erickson, All Movie Guide

Mr. Henry Lord (Stanley Holloway) and his wife Lilian (Kathleen Byron) have been asked to move from their home to make room for the 1950 Festival of Britain. But Mr. Lord, as the title makes clear, has no intention of doing so. The government tries all sorts of persuasion and coercion, but ends up stumbling over its own feet. What starts out as a minor legal skirmish snowballs into a nationwide cause celebre, as often happens in whimsical British comedies like Mr. Lord Says No. Based on Michale Clayton Hutton's The Happy Family, the film also features such delightful British supporting players as Naunton Wayne, Dandy Nichols, George Cole, Miles Malleson and the ubiquitous Laurence Naismith. ~ Hal Erickson, All Movie Guide

In this whimsical fantasy, a mild-mannered writer of wild adventure novels for young girls finds himself presented with an intriguing proposition from an elderly fan. She suggests that they conspire together to steal the whiskey formula from the distillers who took it from her family many years ago. They do so, and with the recipe find themselves receiving many partnership offers from distillery's. The writer's partner then insures that he has plenty of young fans to inspire him to keep on writing. ~ Sandra Brennan, All Movie Guide

British film-favorite Anna Neagle, having previously played such great historical personages as Queen Victoria and Edith Cavell, tackles the role of Florence Nightingale in Lady with the Lamp. Based on a play by Reginald Berkeley, the film traces the indefatigable Nightingale's efforts to minister to the thousands of casualties of the Crimean War. Opposed in the uppermost circles of British government because she is "merely" a woman, Nightingale is championed by the Hon. Sidney Herbert (Michael Wilding), minister of war. Herbert pulls strings to allow Nightingale and her nursing staff access to battlefield hospitals, and in so doing changes the course of medical history. Lady with the Lamp was, as usual, produced and directed by Anna Neagle's husband Herbert Wilcox. ~ Hal Erickson, All Movie Guide

Teeny-tiny Hammer pictures built its reputation on second-feature melodramas before graduating to gore-encrusted horror epics. Cloudburst is a low-key thriller starring American actor Robert Preston, whose casting assured a certain degree of business in the States. Preston plays a code expert, resettled in England after the war and working at the British Foreign Office. One morning, Preston's wife is struck down and killed by a car driven by escaping criminals. Preston bypasses the efforts of Scotland Yard and pursues the criminals himself, using his codebreaking skills to track down the "big boys" in charge. ~ Hal Erickson, All Movie Guide

Based on the infamous Archer-Shee case of 1912, The Winslow Boy features Neil North as the 14-year-old title character. Accused of a petty theft, North is expelled from Naval College. His father, retired bank official Sir Cedric Hardwycke, is prevented by existing British law to clear his son's name. He engages attorney Robert Donat, who successfully petitions for the right to sue the Admiralty and make this august organization prove its charges in court. Public opinion, however, is strongly against Hardwycke and his family: particularly effected is Hardwycke's daughter Margaret Leighton, whose fiance breaks off their engagement. For dramatic purposes, Margaret finds solace in a romantic relationship with barrister Donat. Terrence Rattigan worked on the cinemadaptation of his own play, which was later restaged on American television. ~ Hal Erickson, All Movie Guide

In this drama, a frustrated upper-class writer decides that he will find real inspiration by examining his subjects first-hand. This leads him to begin wandering about the seamiest side of town where he witnesses a murder. When an innocent man is arrested, the writer refuses to assist him as the knowledge that he has been "slumming" could destroy his career. The young man is sentenced to 15 years in prison. Upon his release, he hears his own story in a radio drama written by the author. This enables the ex-con to get the necessary evidence to clear his name. ~ Sandra Brennan, All Movie Guide

Good Time Girl, directed by David MacDonald and based on a story by Arthur La Bern (It Always Rains On Sunday) starts off unpromisingly, as juvenile justice official Flora Robson tries to keep a would-be female felon on the straight-and-narrow, telling the cautionary tale of Gwen Rawlings (Jean Kent). A victim of an unhappy home and her own stupidity, Rawlings leaves home and, with help from her sleazy new neighbor Jimmy Rosso (Peter Glenville, the future director), gets a job as a hat-check girl at a club run by Max Vine (erbert Lom). But Jimmy's jealousy soon gets him fired, and leaves him aiming for revenge on Max and Gwen. Despite the best efforts of Michael Farrell (Dennis Price), the one truly decent man she's ever met, Jimmy achieves his goal and Gwen is sent to a reformatory. It is there that she's truly corrupted by being locked up with more seasoned juvenile (and not so juvenile) felons, who know how to game the system -- whem she escapes, she's a professional criminal, and, taking on a new alias, falls in with a pair of loose-living gents. She manages to commit a vehicular homicide, and then falls in with a pair of American military deserters (Bonar Colleano, Hugh McDermott) who aren't above committing pre-meditated murder. ~ Bruce Eder, All Movie Guide

Blanche Fury combined two elements that were surefire moneymakers in postwar Britain: a brooding, Gothic-novel storyline and the dazzlingly handsome Stewart Granger. Heroine Blanche Fury (Valerie Hobson) is an impoverished governess who marries into wealth and sets herself up as the mistress of a vast estate. Enter Heathcliffe-like stable boy Philip Thorn (Granger), who intends to run the estate and eventually claim Blanche as his own. After a torrid, bodice-ripping romance between Blanche and Philip, the story segues into a no-names-please reenactment of the infamous 19th-century "Rush Murder." To "explain" the motives of the characters, the screenwriters deviate from the original Joseph Shearing novel by imposing all sorts of 20th-century "psychological disturbances" upon hero and heroine, with an abruptness and lack of logic that takes the viewer's breath away. Up until the end, however, Blanche Fury is a prime example of high-budget postwar British melodrama. Oddly, despite its $1.5 million price tag, con brio performances and superb Technicolor cinematography, Blanche Fury was a box-office disappointment, bringing an end to the "Gothic cycle" that had begun so promisingly with 1943's The Man in Grey. ~ Hal Erickson, All Movie Guide

Set in early 19th-century Ireland, this fact-based drama chronicles the peasant uprising of peasants who finally tire of the brutality of Captain Boycott, the rent collector for the Earl of Erne. The impoverished farmers conspire to banish him from the area. When Boycott learns of this, he tries to change his image by spending his entire fortune launching a newspaper promotion of his good points. It doesn't work and in desperation, he squanders the rest of his fortune on buying a race horse. He enters it in a big race and bets the rest of his fortune upon it. Unfortunately, just before it wins, the peasants spring to action, start a riot and successfully oust the cruel captain from their lands. It is from this situation that the English word "boycott" is derived. ~ Sandra Brennan, All Movie Guide