Vera Lewis Movies

In this boxing drama, champion fighter Johnny Rocket decides to leave the ring to please his new bride. Unfortunately, his greedy manager, unwilling to get off the gravy train engineers things so that the fighter cannot find work and must return to the squared circle to make a living. His ploy works, and the fighter resumes his career. He also begins falling in love with a sexy female sports writer. This causes his marriage to disintegrate. The avaricious manager decides to make a lot of money fast and so sets his fighter up to take a dive and betting against him. The doped up fighter loses the fight. He also loses the sportswriter. Fortunately his true love is around to pick him up and help him start anew. ~ Sandra Brennan, All Movie Guide

Though history is distorted almost beyond recognition in Warner Bros.' They Died With Their Boots On, audiences in 1941 ate it up like cotton candy. In the gospel according to Warners, General George Armstrong Custer (Errol Flynn) is neither an arrogant fool nor a rabid Indian hater. Instead, he is a flamboyant but brilliant cavalry officer, who during the Civil War defies his superiors' orders and becomes a hero as a result. After a period of forced retirement in the postwar years, Custer is put in charge of the 7th Cavalry in the Dakota Territory. Here he whips this ragtag group into spit-and-polish shape, and also does his best to extend a neighborly hand to the local Indian tribes. Custer even goes so far as to promise Chief Crazy Horse (Anthony Quinn) that the white man will never set foot in the sacred Black Hills. Alas, Custer is betrayed by greedy gold prospectors, whipped into a frenzy by scheming (and fictional) land speculator Ned Sharp (Arthur Kennedy). Forced by circumstances to do battle against Crazy Horse to prevent tribal retaliation, Custer and his command ride towards a rendezvous with destiny at the Little Big Horn on June 25, 1876. Though some of the historical inaccuracies in the film are real howlers, blame cannot be laid solely at the feet of Warner Bros.; the Custer legend had previously been perpetrated by the general's loyal widow Elizabeth Bacon (played herein by Olivia de Havilland), then eagerly elaborated upon by Eastern news journalists and dime novels. This film represented the final screen pairing of Errol Flynn and Olivia de Havilland, a fact that lends poignancy to their classic parting scene. Though an extremely long film, They Died With Their Boots On is never dull, especially during the spectacular Custer's Last Stand finale. ~ Hal Erickson, All Movie Guide

Musical comedy favorite Elsie Janis, who gained renown in WW1 as "The Sweetheart of the AEF", returned to the screen after a long absence in Republic's Women in War. The story is the old chestnut about two volunteer Red Cross nurses, Pamela (Wendy Barrie) and Gail (Mae Clarke), both in love with dashing aviator Larry (Patric Knowles). The producers brought the storyline up-to-date by plunking it in the middle of the London Blitz, German air raids and all. As a result, Women in War was one of the first Hollywood productions to recreate the Nazi bombing of London, which it did with commendable credibility. Top-billed Elsie Janis plays O'Neill, "den mother" of the volunteer nurses; surprisingly, she is afforded no singing opportunities, but manages to light up the screen all the same. ~ Hal Erickson, All Movie Guide

British army pilot Stephen (George Brent) falls in love with jewel-thief Felice (Isa Miranda), tricking her out of some stolen diamonds. Stephen and South African Police Commissioner Lansfield (Nigel Bruce) set a trap for her partner Barclay (John Loder), but Felice falls for it instead. She's given parole in order to help Stephen and Lansfield trap a new, murderous ring of thieves, and she and Stephen start to fall in love. ~ Bill Warren, All Movie Guide

Father is a Prince is a scaled-down remake of the 1934 comedy-drama Big Hearted Herbert, itself based on a play by Sophie Kerr Underwood. Grant Mitchell plays tyrannical paterfamilias Mr. Bower, who runs his home like he runs his carpet-sweeper factory: pinching pennies, turning off lights, and interfering in every aspect of his loved ones' private lives. What with trying to manage things at home and attempting to hoodwink the IRS at the factory, Bower is on the verge of a nervous breakdown. The limit comes when he humiliates his daughter Connie (Jan Clayton) at the home of his prospective in-laws with his obnoxious behavior. But Bowers' essential decency and humanity finally surfaces when his wife (Dora Bryant) is forced to undergo emergency surgery. The nominal leading man is future Superman star George Reeves, though perhaps the role should have gone to John Ridgely, who makes a meal of his bit part as a door-to-door vacuum cleaner salesman. ~ Hal Erickson, All Movie Guide

This slightly laundered remake of the 1932 courtroom classic The Mouthpiece stars George Brent as brilliant but unprincipled DA Steve Forbes, a character based on legendary lawyer William Fallon. After railroading an innocent boy into the electric chair, Forbes goes on a bender, then cynically builds up a new practice as a criminal attorney. His underhanded legal tactics cause a rift between Forbes and his idealistic younger brother Johnny (William Lundigan), despite the fact that it was Steve's income that enabled Johnny to finish law school. Angered that his brother has enabled big-time gangster J.B. Roscoe (Richard Barthelmess) to continually elude the law, Johnny turns in damning evidence to the FBI. On Roscoe's orders, Steve frames Johnny on a murder charge, but reforms his ways in the nick of time. Based on a play by Frank J. Collins, The Man Who Talked too Much was remade in 1955 as Illegal, with Edward G. Robinson in the lead. ~ Hal Erickson, All Movie Guide

For the purposes of this inconsequential 61-minute musical, Paramount Pictures shelled out a great deal of money to film on location at showman Earl Carroll's Hollywood cabaret, and to highlight several of the performers appearing therein on a nightly basis. Since Carroll claimed to have "The Most Beautiful Girls in the World" in his chorus line, audiences could be forgiven if they didn't remember the particulars of the film's plotline. For the record, the story hinges on the kidnapping of Carroll and his star players so that the show won't go on. But retired showgirl Ramona Lisa (Rose Hobart) and press agent Barney Nelson (Ken Murray) save the day by slapping together an "instant" floor show featuring an entourage of veteran vaudevillians. Heavy doses of politically incorrect humor are provided by comic drunk Jack Norton and by Blanche Stewart and Elvia Allman in their radio characterizations of man-hungry spinsters Brenda and Cobina. ~ Hal Erickson, All Movie Guide

Frank Capra's classic comedy-drama established James Stewart as a lead actor in one of his finest (and most archetypal) roles. The film opens as a succession of reporters shout into telephones announcing the death of Senator Samuel Foley. Senator Joseph Paine (Claude Rains), the state's senior senator, puts in a call to Governor Hubert "Happy" Hopper (Guy Kibbee) reporting the news. Hopper then calls powerful media magnate Jim Taylor (Edward Arnold), who controls the state -- along with the lawmakers. Taylor orders Hopper to appoint an interim senator to fill out Foley's term; Taylor has proposed a pork barrel bill to finance an unneeded dam at Willet Creek, so he warns Hopper he wants a senator who "can't ask any questions or talk out of turn." After having a number of his appointees rejected, at the suggestion of his children Hopper nominates local hero Jefferson Smith (James Stewart), leader of the state's Boy Rangers group. Smith is an innocent, wide-eyed idealist who quotes Jefferson and Lincoln and idolizes Paine, who had known his crusading editor father. In Washington, after a humiliating introduction to the press corps, Smith threatens to resign, but Paine encourages him to stay and work on a bill for a national boy's camp. With the help of his cynical secretary Clarissa Sanders (Jean Arthur), Smith prepares to introduce his boy's camp bill to the Senate. But when he proposes to build the camp on the Willets Creek site, Taylor and Paine force him to drop the measure. Smith discovers Taylor and Paine want the Willets Creek site for graft and he attempts to expose them, but Paine deflects Smith's charges by accusing Smith of stealing money from the boy rangers. Defeated, Smith is ready to depart Washington, but Saunders, whose patriotic zeal has been renewed by Smith, exhorts him to stay and fight. Smith returns to the Senate chamber and, while Taylor musters the media forces in his state to destroy him, Smith engages in a climactic filibuster to speak his piece: "I've got a few things I want to say to this body. I tried to say them once before and I got stopped colder than a mackerel. Well, I'd like to get them said this time, sir. And as a matter of fact, I'm not gonna leave this body until I do get them said." ~ Paul Brenner, All Movie Guide

Kay Francis was anxious to complete her Warner Bros. contract when she agreed to appear in this lower-berth drama. Francis plays a financially strapped aviatrix who enters an air race to pay for her brother's operation. Friendly mechanic William Gargan offers to lend Francis his plane, but Gargan's ex-wife Sheila Bromley is also competing in the race. Finally securing an aircraft of her own, Francis goes off into the Wild Blue and wins the prize. The otherwise pedestrian Women in the Wind is given a lift by the sensitive direction of John Farrow, on loan from RKO. ~ Hal Erickson, All Movie Guide

This gangster film is based upon fact as it tells the tale of a determined reporter who has decided to make sure a certain notorious gangster gets his just desserts. It takes a long time, but eventually the reporter succeeds and the gangster is sent up river. Unfortunately, once there, he becomes the leader of the prisoners and, though incarcerated, is soon up to his old tricks of trying to corrupt local politicians and the warden. The obsessed journalist is infuriated and so gets himself sent to prison to stop the gangster once and for all. ~ Sandra Brennan, All Movie Guide

In this entry in the long-running series, the Dead End Kids are freshly out of reform school when they find themselves victimized by the tough, corrupt head of the Hell's Kitchen Shelter. A reformed racketeer tries to help out, but he winds up violating his parole and getting sent back to prison. As he goes, he gets some satisfaction out of seeing the crooked superintendent sent up the river too. ~ Sandra Brennan, All Movie Guide

In this comedy, a young waitress is given $1,000 from her grandfather. She desires to buy a race horse and so trustingly gives the money to a man at the track. The trouble begins when he loses the money. To make up for his mistake, he gives her a ticket for the Irish sweepstakes and then sells her a broken-down horse. Not surprisingly, both end up winners and happiness ensues. ~ Sandra Brennan, All Movie Guide