Greg Lewis Movies

The original "honor student by day, hooker by night" melodrama, Angel stars Donna Wilkes in the title role. During the daylight hours, the 15-year-old Angel is known as Molly, a model prep school student. Devoid of parents, Molly must find some way to keep up the cash flow, so she hits the Hollywood mean streets as a prostitute. While we thankfully don't see Angel "in action", as it were, the film makes up in violence what it lacks in raw sex. Psycho John Diehl is on the loose murdering prostitutes; detective Cliff Gorman tries to stem the murder spree, but soon the hooker ranks are sorely diminished, leaving Angel the next likely target. With the help of such friends as ex-cowboy star Rory Calhoun and transvestite Dick Shawn, Angel manages to avoid becoming a statistic. We're not giving anything away here: after all, there was a 1986 sequel, Avenging Angel. ~ Hal Erickson, Rovi

Terrence McNally's stage play Frankie and Johnny in the Clair de Lune was a two-character piece, which starred Kathy Bates and F. Murray Abraham on Broadway. Garry Marshall's film version of the McNally play streamlines the title to Frankie and Johnny, expands the dramatis personae to include at least a dozen fascinating characters, and "glamorizes" the decidedly unglamorous Frankie and Johnny in the forms of Michelle Pfeiffer and Al Pacino (their first co-starring stint since Scarface). Purists carped at the changes, but overall the film is likeable enough to transcend these carps. While serving an 18-month sentence on a forgery charge, Johnny (Al Pacino) discovers the joys of cooking and classical literature. Upon his release, he is hired by gruff but good-hearted New York diner owner Nick (played by Garry Marshall "regular" Hector Elizondo). Also working for Nick is a waitress named Frankie (Michelle Pfeiffer). When Johnny expresses interest in Frankie, she keeps him at arm's length, her mistrust of men stemming from an unmentioned but obviously traumatic experience in her past. Eventually, however, Frankie and Johnny do get together, their curious relationship setting the stage for a dramatic denouement wherein both lovers bare their souls. The bulk of the original McNally play is concentrated in the film's final 20 minutes; the rest of the picture is a kaleidoscope of comic and poignant vignettes and quick-sketch character studies. Of the newly minted characters, the standout is Nathan Lane in the traditional "gay best friend/severest critic" role: he plays the character so effectively that one forgets he's essentially a cliché. As for the stars, Al Pacino is ideally cast as Johnny, but Michelle Pfeiffer, superb though she is, seems a bit ill at ease as the emotionally tattered Frankie; she totally wins the audience's hearts, however, in the film's memorable bowling-alley sequence. Smoothing over the rough spots in Frankie and Johnny is the evocative musical score by Marvin Hamlisch. ~ Hal Erickson, Rovi

Rocker Carmen Santa Maria, of the band Blue Renegade, wrote, produced and directed this tuneful comedy about two look-alikes, a long-haired, suburban slacker who wants to be a musician and a burned-out rocker, who change places for a while. Along the way, the two get entangled with a variety of stereotypical foreign villains. ~ Sandra Brennan, Rovi

In a hermetically sealed post-apocalyptic urban environment several centuries hence, Logan 5 (Michael York) and his friend Francis 7 (Richard Jordan) lead unquestioning lives of hedonism. Entertainment comes in the form of casual sexual liaisons and gladiatorial games in which those who do not wish to undergo euthanasia at the age of 30 vie for the illusory chance of continued life. As "sandmen," Logan and Francis are charged with tracking down and killing "runners" -- those citizens who will submit to neither "renewal" (a peaceful death) nor "carousel" (a gladiatorial battle) when their time comes. When Logan grows intrigued by a beautiful young woman, Jessica 6 (Jenny Agutter), who plans to become a runner, he is forced to question the fundamental principles of his society. And when his superiors force him to pose as a runner himself to weed out Jessica's guerilla underground, Logan finds himself fleeing the city in search of a mythical place called Sanctuary, where people are allowed to live out their natural spans. ~ Brian J. Dillard, Rovi

A retired soldier (Gerald McRaney) is driving his family from Texas to California. As they cross the desert, they are terrorized by a gang of heroin-dealing bikers who kidnap his teenage daughter and take her across the Mexican border. He follows them to their hideout and devises a plan to rescue his daughter. ~ Brian Gusse, Rovi

A metal sculpture created by artist Kim Mitchell (Loretta Swit) proves quite versatile when it used as a murder weapon. The victim is Philip Jovi (Edward Hibbert), an art gallery owner with whom Kim did not see eye-to-eye. Fortunately for Kim, her friend Jessica (Angela Lansbury) is on hand to help her beat a murder rap...maybe. ~ Hal Erickson, Rovi

As the Big Day approaches, Murphy (Scott Bakula) and Peter (Scott Bakula) continue postponing their wedding plans--each telling the other that it's because of professional pressures (a story that neither party truly believes). Things come to head when Frank (Joe Regalbuto) throws a bachelor party for Party, complete with strippers...and an unexpected gatecrasher. Meanwhile, the triangular relationship involving Miles (Grant Shaud), Corky (Faith Ford) and Miller (Christopher Rich) arrives at its own peculiar climax. This is the final episode of Murphy Brown's seventh season. ~ Hal Erickson, Rovi

This is almost a follow-up to its relative The Exorcist, since it stars Linda Blair, also the leading lady in the '70s head-spinner tale. In Repossessed, a grown-up Blair plays a housewife who becomes possessed by the Devil while watching TV. Leslie Nielsen plays Father Mayii, who gets called to exorcise the intrusive being. ~ Rovi

Volunteering his services, Bob heads to the local slammer to counsel five men about to be paroled. His efforts to reach out to these lost souls is stymied by the most outspoken of the cons, who refers to Bob as a "suit that's fat-mouthin'." Trouble is, Bob is in complete agreement. Taurean Blacque, Allen Case, Ric Mancini, Wyatt Johnson, and Bert Rosario are cast respectively as Arthur Tatum, Steve Kopelson, Al Brolio, Richard Hawkins, and Reubin Ortiz, while H.B. Haggerty makes an appearance as "The Hammer." Written by Ziggy Steinberg, "Ex-Con Job" first aired on October 1, 1977; it was followed in January of 1978 by a sequel of sorts, "Son of Ex-Con Job." ~ Hal Erickson, Rovi

Directed by former Starsky and Hutch TV star Paul Michael Glaser, this post-apocalyptic science fiction yarn satirized American entertainment, mocking pro wrestling, game shows, and law-and-order reality programming. Arnold Schwarzenegger stars as Ben Richards, a cop in the totalitarian America of 2019, framed for massacring rioting civilians during a famine. After escaping from jail, Richards tries to prove his innocence, but his efforts are thwarted at every turn by a regime in need of a scapegoat. Richards is captured along with an innocent civilian, Amber Mendez (Maria Conchita Alonso), and they are forced to participate in a violent game show called "The Running Man," hosted by the unctuous Damon Killian (Richard Dawson). The object of the game for Richards and Mendez: obtain freedom by staying alive against a gauntlet of skillful assassins like "Subzero" (Prof. Toru Tanaka) and "Captain Freedom" (Jesse Ventura), each armed with unique weapons like razor-sharp hockey sticks and chainsaws. With the help of some fellow "contestants," Richards is able to tap into government computers and prove his innocence. The Running Man was very loosely based on a short story by Stephen King, who wrote it under the name Richard Bachman. ~ Karl Williams, Rovi