Barbara Barrie Movies

The formal title for this TV mini-series was Harold Robbins' 79 Park Avenue, just in case you might mistake it for William Makepeace Thackeray's 79 Park Avenue. Originally presented in three parts, this adaptation of the Robbins best-seller stars Lesley Ann Warren as Marja Fludjicki, a Depression-era tenement girl who is accused of murdering her drunken stepfather. Part One details how Marja's "crime" was justifiable; she'd been raped by the bounder. Parts Two and Three would trace Marja's progress from teenaged prostitute to elegant, high-priced Park Avenue Madam--and mob mistress. Forced by circumstance into a life of prostitution, Marja marries Las Vegas high-roller Ross Savitch (Marc Singer). Ross is bumped off by the Syndicate, leaving Marja in the lurch. Marja rebounds from tragedy to become a federal witness against the Mob. 79 Park Avenue was first telecast on October 16, 17, and 18, 1977. Though all the names are changed, it isn't hard to discern the Bugsy Siegel story in this video equivalent to eating a whole box of chocolates in one sitting. ~ Hal Erickson, All Movie Guide

Based on the best-selling memoirs of Lillian Rogers Parks, the NBC miniseries Backstairs at the White House traces over five decades of American political history as witnessed from the vantage point of the servants' quarters. Played by Tania Johnson as a teenager and by Leslie Uggams as an adult, Lillian Rogers Parks served for 52 years as a maidservant at the White House. Though crippled early on with polio, Lillian diligently and loyally stuck to her duties -- and her own rock-solid set of principles and ideals -- through eight highly different Presidential administrations, often (and occasionally reluctantly) acting as friend and confidante to the First Lady of the moment. The large and stellar cast included a number of top-rank film and TV actors, obviously having the time of their lives impersonating such presidents as William Howard Taft, Woodrow Wilson, Warren G. Harding, Calvin Coolidge, Herbert Hoover, Franklin Roosevelt, Harry S. Truman, and Dwight D. Eisenhower, and their respective wives. Also in the cast were several African-American veterans from the landmark TV miniseries Roots. Earning 11 Emmy Award nominations, the nine-hour Backstairs at the White House was seen in five installments from January 29 to February 19, 1979. ~ Hal Erickson, All Movie Guide

Based upon a novel by Richard Peck, Child of Glass was updated to the present when it was created for Disney's TV series in 1978. Alexander Armsworth and his family move into a spooky old Dixie mansion that was once the home of a notorious river pirate. Before long, Alexander catches sight of a mysterious little girl and her dog, both of whom turn out to be ghosts. The little girl ghost tells Alexander that her name is Inez, and appeals to him for help in finding a child of glass. With the aid of his new friend, Blossom, Alexander finds out that Inez was a victim of the river pirate whose house his family now inhabits. The pirate killed the young girl when she refused to divulge the location of the treasure he sought; for good measure, he placed a curse upon her that has caused her to roam the plantation after death. With only a few days left before the curse becomes permanent, Alexander and Blossom rush to find the child of glass and free Inez's spirit. ~ Craig Butler, All Movie Guide

George Stevens' sprawling adaptation of Edna Ferber's best-selling novel successfully walks a fine line between potboiler and serious drama for its 210-minute running time, making it one of the few epics of its era that continues to hold up as engrossing entertainment across the decades. Giant opens circa 1922 in Maryland, where Texas rancher Jordan "Bick" Benedict (Rock Hudson) has arrived to buy a stallion called War Winds from its owner, Dr. Horace Lynnton (Paul Fix). But much as Bick loves and knows horses, he finds himself even more transfixed by the doctor's daughter, Leslie Lynnton (Elizabeth Taylor), and after some awkward moments, she has to admit that she's equally drawn to the shy, laconic Texan. They get married and Leslie spends her honeymoon traveling with Jordan to his ranch, Reata, which covers nearly a million acres of Texas. Once there, however, she finds that she has to push her way into her rightful role as mistress of the house, past Bick's sister, Luz (Mercedes McCambridge), who can't accept her brother's marriage or the changes it means in the home they share. Also working around Reata is the laconic ranch hand Jett Rink (James Dean) -- from a family as rooted in Texas as the Benedicts but not nearly as lucky (or "foxy"), Jett is dirt-poor and barely educated at all, and he fairly oozes resentment at Bick for his arrogance, although Luz likes him and for that reason alone Bick is obliged to keep him on. One thing Jett does have in common with his employer is that he is in awe of Leslie's beauty; another is his nearly total contempt for the Mexican-Americans who work for them -- Jett and Bick may have contempt for each other, but either one is just as likely to dismiss the Mexican-Americans around them as a bunch of shiftless "wetbacks." Luz feels so threatened with a loss of power and control that she decides to assert herself with War Winds, yet another "prize" that Bick brought back from Maryland that resists her authority -- then decides to ride the stallion despite being warned that no one but Leslie is wholly safe on him, and spurs him brutally in an effort to break him, which ends up destroying them both in the battle of wills she starts.

After Luz's death, Jett learns that she left him a tiny piece of land for his own, on Reata, which he refuses to sell back to Bick, preferring to keep it for his own and maybe prospect for oil on it. Meanwhile, Leslie and Bick have their own problems -- Leslie can't abide the wretched conditions in which the Mexican families who work on Reata are allowed to live, taking a special interest in Mr. and Mrs. Obregon and their baby, Angel; but Bick doesn't want his wife, or any member of his family, concerning themselves with "those people." Leslie's humanity and her independence push their marriage to the limit, but Bick comes to accept this in his wife, and in four years of marriage they have three handsome children, a boy and two girls, and a loving if occasionally awkward home life. Meanwhile, Jett strikes oil on his land -- which he's named Little Reata -- and in a couple of years he's on his way to becoming the richest man in Texas, getting drilling contracts on all of the land in the area (except Reata) and making more money than the Benedicts ever saw from raising cattle. Bick is almost oblivious to the way Jett grows in power and influence across the years and the state, mostly because he's got his own family to worry about, including a son, Jordan III (Dennis Hopper), who doesn't want to take over the ranch from him, but wants instead to be a doctor; an older daughter, Judy (Fran Bennett), who wants to study animal husbandry and marry a local rancher (Earl Holliman) and start a tiny spread of her own; and a younger daughter, Luz (Carroll Baker), who's just a bit man-crazy and star-struck by the movies.

The American entry into the Second World War and the resulting need for oil forces Bick to go into business with Jett and allow him to drill on Reata, and suddenly the Benedicts are wealthy enough to be part of Jett Rink's circle, which includes the governor of the state and at least one United States senator at his beck and call -- and Luz develops a serious crush on Jett, who likes his women young and is especially attracted to her, as Bick's and Leslie's daughter. Young Jordan marries Juana, a Mexican-American nursing student (Elsa Cardenas), and his father accepts it begrudgingly, with help from Leslie. The war kills Angel Obregon (Sal Mineo), a death that even affects Bick, but the Benedict family gets through it wealthier than ever and grows some more with the birth of Jordan IV to Jordie and Juana. When the family attends a gala opening of Jett Rink Airport, which concludes with a dinner honoring Jett's success, however, young Jordan's wife is humiliated by Jett's racist edicts, and he is beaten up by Jett's men after punching the oil baron. Seeing this, Bick challenges his old rival to the fight that's been brewing for a quarter of a century and wins by default, Jett being too drunk to defend himself or to hit; he's also too drunk to make the grand speech that was to climax the celebration, and he ends up alone in the ballroom. The Benedicts have it out with each other, young Jordan accusing his father of being as much a racist as Jett, and Leslie caught in the middle between her husband and her son. It looks like the Benedicts may lose each other, until an encounter with a racist diner owner forces Bick to stand up and get knocked down (more than once) defending his daughter-in-law and his grandson.

Seen today, Giant seems the least dated of any of James Dean's three starring films, in part because it addresses issues that remain relevant more than 50 years later, and also because it has the best all-around acting and the best script of any of the three. Taken in broader terms, it's even better, with two of the best performances that Elizabeth Taylor and Rock Hudson ever gave, and perhaps the second best of Hudson's whole career (after Seconds) -- the only unfortunate element at modern theatrical screenings is the tendency of younger viewers, who only know him in terms of the revelations late in his life of his being gay, to laugh and snicker at elements of Hudson's characterization; but his work is so good that the titters usually fade after the first 30 minutes or so. ~ Bruce Eder, All Movie Guide

Disney's animation team dipped into the rich well of ancient mythology for this musical comedy. The son of Greek gods Zeus (voice of Rip Torn) and Hera (Samantha Eggar), Hercules (voice of Josh Keaton) is stolen as a boy by the minions of Hades (voice of James Woods), lord of the underworld. Forced to live among humans, Hercules is turned into a half-god and half-mortal after drinking a forbidden potion brewed by Hades' right hand men, Pain (voice of Bob Goldthwait) and Panic (voice of Matt Frewer). Now Hercules has the remarkable strength of a god, but is trapped in the body of a human, and before he learns how to use his power properly he goes through a typically adolescent awkward period. In order to become a god and return to his home on Mount Olympus, Hercules must prove himself a true hero on Earth. With the assistance of Philotes (voice of Danny De Vito), a plucky satyr known as "Phil," the grown-up Hercules (voice of Tate Donovan) learns to use his strength to his advantage and becomes a famous and benevolent protector of those around him, successfully battling a variety of gods and monsters. However, Hades, wanting to cut Hercules down to size, sends his secret weapon after him -- Megara (voice of Susan Egan), a seductively beautiful woman under Hades' control, who is to win Hercules' heart and render him helpless against the forces of the underworld. Acclaimed British cartoonist Gerald Scarfe served as production designer for this project, while Alan Menken wrote the musical score. Incidentally, for the Spanish language version of the film, Latin pop singer Ricky Martin provided the singing voice of Hercules, two years before he became a chart-topping sensation in America with his hit single "Livin' la Vida Loca." ~ Mark Deming, All Movie Guide

Judy Berlin allows the audience to take a glimpse of a day at once strange and ordinary with the residents of Babylon, Long Island. Judy (Edie Falco) is an aspiring actress who is quitting her job as a "pilgrim" in a local historical museum's display to take her chances in Los Angeles. Her mother is a gifted but bitter schoolteacher (Barbara Barrie) who has long loved principal Arthur Gold (Bob Dishy) from afar. However, Arthur has a wife, Alice (Madeline Kahn), who's more than a bit eccentric and has driven him to distraction. Arthur and Alice have a son, David (Aaron Harnick), who like Judy has showbiz aspirations (he wants to be a filmmaker), though unlike Judy he has no idea of what to do about it; when Judy and David meet, could romance be lurking around the corner? First-time director Eric Mendelsohn has equipped this offbeat comic drama an outstanding cast, which also includes Julie Kavner, Anne Meara, and Novella Nelson. ~ Mark Deming, All Movie Guide

Koska. ..and His Family was an unsold 60-minute pilot, originally telecast on the last day of 1973. Koska (Herb Edelman), an unemployed aerospace engineer, decides to become an inventor. He sets up a lab in his own home, where he is constantly driven bonkers by his physical education teacher wife (Barbara Barrie), his voting-age kids (Jack David Warner and Ellen Sherman) and his aphasiatic grandpa (Liam Dunn). Only Koska's unquenchable optimism enables him to persevere. Though obviously inspired by the success of All in the Family, Koska...and His Family takes pains not to imitate any of the trademarks or characterizations of its role model. ~ Hal Erickson, All Movie Guide

Based on the story of real breast-cancer survivor Joyce Wadler, this drama follows the noted journalist on her quest to stay alive and rebuild her life after she receives news of her potentially fatal condition. ~ Sandra Brennan, All Movie Guide

In this romantic comedy, an attorney finds himself frustrated when his lovely fiance, a marine biologist insists on remaining celibate until her wedding night. The film is also known as Perfect Affair. ~ Sandra Brennan, All Movie Guide

When she becomes pregnant, Annie May Bonner (Alexandra Paul) is kicked out of the house by her wealthy, intolerant father Matthew (Ned Beatty) in this Depression-era melodrama. Annie May marries Jesse (Dee Law), the father of her baby and the son of Matthew's lumber foreman Byron Monroe (Brian Keith), but Annie May's father considers Jesse an undesirable. Even when Matthew's wife Rachel (Barbara Barrie) dies of heartbreak, the stubborn father refuses to allow Annie May and Jesse into the family. The happy couple soon produce four children who may never know their grandfather. ~ Dan Pavlides, All Movie Guide

A CIA agent recruits a meek family man for a secret mission involving interstellar communication and copious violence in this tongue-in-cheek buddy flick from the writer/producer of The Golden Child. Insurance salesman Bob Wilson (John Ritter) is the kind of guy who stands by while suburban punks steal his kid's bike. Nick Pirandello (James Belushi) is the exact opposite -- a brash, womanizing alpha male revered within the CIA for his many successful secret missions. When a fellow agent who looks exactly like Bob gets killed just days before he's due to head up a very delicate mission, Nick recruits the reluctant Bob to help out. As Bob gets drawn deeper into a world of Russian hit men, transsexual beauties, and secret-agent hijinks, he slowly gains the self-confidence that's always escaped him. Meanwhile, he's constantly at the mercy of Nick's tongue-in-cheek humor, so he's a little skeptical when Nick reveals that the big meeting is with a group of aliens who want to share their advanced technology with humans. As it turns out, there may be something to Nick's outrageous story -- if only Bob can survive long enough to find out. The lone directorial credit for screenwriter/producer Dennis Feldman, Real Men features Barney Miller vet Barbara Barrie in a supporting role as Nick's placid, accommodating mother. ~ Brian J. Dillard, All Movie Guide