George Lewis Movies
Born in Mexico, George J. Lewis gained prominence in the mid-1920s as a an athletic all-American boy in Universal's popular Collegiates 2-reeler series. He remained with Collegiates into the talkie era before forsaking leading roles for character parts. Sporting a mustache in most of his talkie appearances, Lewis played a steady stream of society villains, weaklings, "other men" and cads, at both Republic Studios and the Columbia short-subjects unit. His best-known serial role was as the erudite gangster who plays "Moonlight Sonata" on his piano while planning the demise of the hero in the 1945 Republic serial Federal Operator 99. Uncharacteristically, Lewis was cast as the good guy in the 1944 chapter play Zorro's Black Whip. Thirteen years later, a much grayer George J. Lewis returned to the same territory by playing the father of the "Mexican Robin Hood" on the Disney TV series Zorro. In the mid 1960s, Lewis swapped his acting career for a long, successful stint in real estate. ~ Hal Erickson, All Movie Guide- 1969
In the conclusion of a three-part story, Buffy (Anissa Jones) and Jody (Johnnie Whitaker) have managed to get lost while on a sightseeing tour of Spain. As Bill (Brian Keith) Cissy (Kathy Garver), Mr. French (Sebastian Cabot) and several members of the local Civil Guard conduct a frantic search, the twins are given shelter by a kindly peasant couple named Carlos (Nacho Galindo) and Maria (Rosa Turich), who are worried that they'll be arrested should they reveal the kids' whereabouts. With all this going on, there's hardly time for the romance between Bill and Ana (Anna Navarro, to say nothing of the one between Cissy and Ricardo (John Aladdin). ~ Hal Erickson, All Movie Guide
- 1966
Jungle Gold is the 100-minute cutdown version of the 12-episode Republic serial The Tiger Woman. Linda Stirling makes her serial debut as the Tiger Woman, an athletic young lady who aids hero Allan Lane in his efforts to track down criminals in the jungle town of Alta Vista. Lane is a representative of an oil firm whose fields are being sabotaged by persons unknown. The Tiger Woman is blamed for the sabotage, but she is able to expose the real criminals and their motives, and also to discover her own true identity. The thrilling "cliff hanger" climaxes are somewhat blunted by repetition in this reedited feature, but Perils of the Darkest Jungle still proves beyond doubt that Republic was head and shoulders above everyone else in the chapter-play business. ~ Hal Erickson, All Movie Guide
- 1964
After rescuing a horse from thieves, a Native American teen befriends the animal, and together they share a number of adventures. ~ Jason Ankeny, All Movie Guide
This musical boxing drama finds Walter (Elvis Presley) as a recently discharged soldier looking forwork in New York's Catskill Mountains. He happens across Grogan's Gym, a boxing emporium that helps perfect the "gentle art." Proprioter Willie Grogan (Gig Young) and trainer Lew (Charles Bronson) run the camp for aspiring pugilists. Walter saves Grogan's long suffering girlfriend Rose (Joan Blackman) from an assault by a gangster when he knocks out the goon. He earns the nickname "Kid Galahad" and a chance to show off his talents in the boxing ring. While Walter trains for the big fight, Lew is approached by unsavory gamblers, who want Lew to be lax in repairing any cuts Walter sustains in the ring for a slice of the economic pie. Lew refuses and has his hands broken by the gambling goons. Although Walter knows the fix is on, he battles his way to victory against overwhelming odds and an intimidating opponent. Walter exacts revenge on the men who broke Lew's hands, which may be the first and only time in cinematic history that Charles Bronson needs any outside help. Presley delivers seven songs, the most memorable being "I Got Lucky." United Artists got lucky with the release of Kid Galahad, which drew legions of loyal Presley fans at the box office. ~ Dan Pavlides, All Movie Guide
- Starring:
- Elvis Presley, Gig Young, (more)
- 1961
This one-hour spin-off of Walt Disney's popular Zorro series was reportedly concocted as a birthday present for Disney contractee Annette Funicello, who had long idolized handsome Zorro leading man Guy Williams. After several years away from Los Angeles, 17-year-old Constancia de la Torre (Annette Funicello) returns to the pueblo, bearing a suitcase full of valuable jewels. It turns out that the gems are a dowry to be paid to Constancia's handsome fiancé, Miguel Serrano (Mark Damon). But an old family friend of the de la Torres, Don Diego (Guy Williams), suspects that Miguel is just another fortune hunter -- and, donning his customary disguise as the masked do-gooder Zorro, Diego intends to save Constancia from making a huge mistake. "The Postponed Wedding" originally aired as part of the Walt Disney Presents anthology. ~ Hal Erickson, All Movie Guide
- 1961
In this one-hour spin-off of Walt Disney's popular TV series Zorro, the tiny pueblo of Los Angeles is again targeted for plunder by a bandido. This time, the villain is Ramón Castillo (Ricardo Montalban), an old enemy of leading citizen Don Diego (Guy Williams). Stumbling onto the fact that Diego and the dashing masked do-gooder Zorro are one and the same, Castillo plans to use this knowledge to keep Zorro away while he steals an Army payroll from the fat and fatuous Sergeant García (Henry Calvin). "Auld Acquaintance" originally aired as part of the Walt Disney Presents anthology. ~ Hal Erickson, All Movie Guide
Michael Curtiz's The Comancheros was a deceptively complex movie -- so enjoyable, that it masked some of the best character development seen in a John Wayne vehicle that was not directed by John Ford or Howard Hawks, and so well made that it got by with some of the most violent action seen in a major studio release of the era. It also bridged the gap between Ford's The Searchers and the upbeat buddy movies of the late '60s and '70s (The Sting, Butch Cassidy and the Sundance Kid, etc.). It's 1843 in the Republic of Texas, and Jake Cutter (John Wayne) is a two-fisted Texas Ranger who runs across a gang of white renegades, called the Comancheros, who are trading guns and other contraband with marauding Comanches from a secret hideout in Mexico. Substituting for a repentant gun-runner, he goes undercover as a partner with Crow (Lee Marvin), a vicious half-breed who is a contact man with the Comancheros and knows the whereabouts of their hideout in Mexico. But Crow manages to get himself killed, and Cutter is forced to throw in with Paul Regret (Stuart Whitman), a bystander who also happens to be an itinerant gambler wanted for killing a man in a duel in New Orleans, to complete his mission. It turns out that Regret is a more decent man than most, and he and Cutter, despite some different outlooks on right and wrong, take a liking to each other. Their quest eventually takes them south of the border, where they find the Comancheros and their leader, Graile (Nehemiah Persoff), a bitter, brilliant cripple -- think of The Sea Wolf's Wolf Larsen in a wheelchair -- who has established a landlocked pirate society, and his daughter Pilar (Ina Balin). The only thing that keeps Cutter and Regret alive when they enter the camp is that Pilar and Regret have a history, and she still has feelings for him, enough so that she won't tell what she knows about Cutter and who he is. The two men must play on Graile's greed and Pilar's love in the explosive surroundings of the Comancheros' camp, while figuring out a way to stay alive long enough to get word to the rangers about where they are -- and to survive the attack that must inevitably follow.
Director Michael Curtiz was ill for part of the shoot, and Wayne took up the slack, but The Comancheros displays some of the same freewheeling charm and deep passions that informed classic films of his such as Captain Blood, The Adventures of Robin Hood, and The Sea Hawk. Wayne and Whitman between them manage to evoke some of the rambunctiousness of Errol Flynn, and when Balin (one of the sexiest leading ladies ever to grace a John Wayne movie) arrives onscreen, the testosterone level shoots up even higher and the sexual sparks fly. The film's 105 minutes go by very fast, and this is a movie whose ending comes almost too soon. Curtiz's final film is one that leaves audiences with a smile, but also wanting more, which was a pretty good way to go out. John Wayne's daughter, Aissa Wayne (who subsequently went into a law career) appears in a small role. ~ Bruce Eder, All Movie Guide
Director Michael Curtiz was ill for part of the shoot, and Wayne took up the slack, but The Comancheros displays some of the same freewheeling charm and deep passions that informed classic films of his such as Captain Blood, The Adventures of Robin Hood, and The Sea Hawk. Wayne and Whitman between them manage to evoke some of the rambunctiousness of Errol Flynn, and when Balin (one of the sexiest leading ladies ever to grace a John Wayne movie) arrives onscreen, the testosterone level shoots up even higher and the sexual sparks fly. The film's 105 minutes go by very fast, and this is a movie whose ending comes almost too soon. Curtiz's final film is one that leaves audiences with a smile, but also wanting more, which was a pretty good way to go out. John Wayne's daughter, Aissa Wayne (who subsequently went into a law career) appears in a small role. ~ Bruce Eder, All Movie Guide
- Starring:
- John Wayne, Stuart Whitman, (more)
- 1960
In the first episode of a two-part Zorro adventure, dashing Mexican bandit leader El Cuchillo (Gilbert Roland) and his gang are diverted from robbing a stagecoach by alluring señorita Chulita (Rita Moreno). Changing his plans, El Cuchillo decides to hide out in the pueblo of Los Angeles to steal a valuable cache of silver from the local warehouse. But that dauntless masked do-gooder Zorro (Guy Williams) (aka Don Diego de la Vega), is not about to let that happen. Originally telecast as part of the Walt Disney Presents anthology, "El Bandido" was a one-hour spin-off of Disney's popular weekly series Zorro, which ran from 1957 to 1959. ~ Hal Erickson, All Movie Guide
- 1960
In the concluding episode of a two-part Zorro adventure, bandit leader El Cuhillo (Gilbert Roland) has been thwarted in his plans to rob Los Angeles' warehouse by dashing masked do-gooder Zorro (Guy Williams). Somewhat playfully, Zorro's alter ego, Don Diego, keeps tabs on the incognito El Cuhillo by looking out for the bandit's coat, upon which Zorro had previously carved a "z" with his sword. But it is no laughing matter when El Cuhillo and Zorro have their final showdown. Originally telecast as part of the Walt Disney Presents anthology, "Adios El Cuhillo" was a one-hour spin-off of Disney's popular weekly series Zorro, which ran from 1957 to 1959. ~ Hal Erickson, All Movie Guide
- 1960
Taken from the Walt Disney "Zorro" television series, this film was created from a number of episodes starring the popular masked hero (Guy Williams). ~ Iotis Erlewine, All Movie Guide
- 1959
Released on June 4, 1959, Sappy Bull Fighters ended the Three Stooges' 20-year-plus association with the Columbia short subject department. Consisting mainly of stock footage from the earlier What's the Matador? (1942), the two-reeler incorporated footage, filmed in 1957, featuring Joe Besser and the statuesque Greta Thyssen. Sappy Bull Fighters actually competed with the enormously successful television re-release of the earlier Stooges comedies. The surprising TV following gave new life to the team and the Stooges would go on to a fairly successful feature-film career. But not with Joe Besser, who left the partnership in 1958. He was replaced by veteran vaudeville and short subject comic Joe DeRita (nicknamed "Curly Joe"), who joined the team for their feature comedies: Have Rocket Will Travel (1959), Snow White and the Three Stooges (1961), Three Stooges Meet Hercules (1962), The Three Stooges in Orbit (1962), The Three Stooges Go Around the World in a Daze (1963), It's a Mad, Mad, Mad, Mad World (1963), and The Outlaws Is Coming (1965). Although several later prospects were discussed (with veteran Stooges foil Emil Sitka replacing Larry Fine, who had suffered a stroke), none came to fruition. ~ Hans J. Wollstein, All Movie Guide
- 1959
Inger Stevens guest-stars as Emily Pennington, the frail and sickly fiancée of itinerant miner Black McCall. Arriving on the Ponderosa, McCall asks that Emily be allowed to stay until her health improves. Hoss grows fond of the girl, but can't shake his fundamental mistrust of McCall's motives. Featured in the cast is Bob Knapp as Emily's brother John. Written by Thomas Thompson,"The Newcomers" originally aired on September 26, 1959. ~ Hal Erickson, All Movie Guide
- Starring:
- Lorne Greene, Pernell Roberts, (more)
- 1957
Joel McCrea essays the title role in this moody little western. McCrea is a Union officer wounded in battle, who joins up with a wagon train heading westward. He is ostracized by those passengers who'd fought on the Confederate side, though leading lady Virginia Mayo welcomes his presence. McCrea redeems himself in the eyes of the ex-Confederate homesteaders when he acts as mediator in a range dispute with a land baron (Barry Kelly)--who happens to be McCrea's own half brother. Tall Stranger is based on a novel by the prolific Louis L'Amour. ~ Hal Erickson, All Movie Guide
- Starring:
- Joel McCrea, Virginia Mayo, (more)
- 1957
Produced by Alan Ladd's own Jaguar company, The Big Land stars Ladd as Texas cattleman Morgan. As a means to expedite shipment of his stock to Missouri, Morgan convinces several Kansas farmers to build a small town as a railroad link between the Rio Grande and Kansas City. He is opposed in this by crooked cattle buyer Brog (Anthony Caruso), who realizes that any speed-up of Morgan's shipments will increase livestock prices. Surprisingly, Alan Ladd seems tired and listless throughout the proceedings; in fact, Virginia Mayo, cast as a saloon hall gal, delivers the film's liveliest performance. Still, the Ladd name brought in plenty of business, encouraging the star to stick with westerns well into the next decade. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Ladd, Virginia Mayo, (more)
- 1957
Kim Novak is clearly out of her depth as legendary Broadway actress Jeanne Eagels, but one can't fault her for trying very hard. As this filmed biography gets under way, wide-eyed Eagels finds herself stranded in a tank town by a smooth-talking traveling salesman. Carnival operator Sal Satori hires Eagels as a kootch dancer, but her ambition is to become a serious dramatic actress. When she and Sal reach New York, she signs up for acting lessons under the tutelage of a Mme. Neilson (Agnes Moorehead). Before long, Jeanne is understudying on Broadway, and in 1922 she takes audiences and critics by storm with her unforgettable portrayal of Sadie Thompson in Rain, a role she landed by ruthlessly double-crossing the actress originally slated for the part (Virginia Grey). When her rival commits suicide, the chastened Jeanne turns to booze and drugs to assuage her conscience. The real-life Jeanne Eagels died of narcotics addiction in 1929, a fact that the Hollywood version skims over. Eagels' family sued Columbia Pictures over the "distortions" offered in Jeanne Eagels. ~ Hal Erickson, All Movie Guide
- Starring:
- Kim Novak, Jeff Chandler, (more)
- 1957
The Rico brothers are mobsters in the employ of syndicate head Sid Kubick. Richard Conte plays the one Rico brother who has forsaken crime. But the other Ricos (James Darren and Paul Picerni) haven't yet seen the light, causing a deep rift in the brothers' family bonds. Conte gets word that his brothers have been marked for murder, and tries to warn them. What he doesn't know, at least until the last sweat-inducing moments of the film, is that the syndicate boss himself is the man who has ordered the Rico boys wiped out. The Brothers Rico, adapted from a novel by French detective-story specialist George Simenon, is an interesting thriller deeply rooted in the post-noir style of police thrillers like The Line-Up, with its overt emphasis on crude violence and a dull, almost flat visual style. The strong performance by Richard Conte, as a man out of step with the rest of society, is lost in this film which is in essence a simple thriller, lacking any real noir ambience. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Conte, Dianne Foster, (more)
- 1956
Like its predecessor Davy Crockett, King of the Wild Frontier, Walt Disney's Davy Crockett and the River Pirates was cobbled together from two episodes of the weekly TV anthology Disneyland. Though it wasn't so labelled at the time, River Pirates is actually a "prequel" to the earlier film, detailing events that allegedly occured in Crockett's life before his rendezvous with destiny at the Alamo. Set in 1810, the first half of the story deals with a river race to New Orleans between Davy (Fess Parker) and his friendly enemy Mike Fink (Jeff York). Once this plot strand has run its course, the film segues into Davy and Mike's attempts to prevent an Indian war which is being fomented by a renegade white man. Linking these two episodes are the spirited ballads of Davy's pal George Russel (Buddy Ebsen). Like the first "Davy Crockett" venture, Davy Crockett and the River Pirates cleaned up at the box-office and increased department-store sales of those coonskin caps (remember?) ~ Hal Erickson, All Movie Guide
- Starring:
- Fess Parker, Buddy Ebsen, (more)
- 1956
Natalie Wood plays what was touted as her first "grown up" role in the tense melodrama A Cry in the Night. Based loosely on the Caryl Chessman case, the film showcases Raymond Burr as a psycho who stalks and attacks young couples on Lover's Lane. Overpowering Wood's boyfriend, Burr kidnaps the girl and locks her up in a seedy one-room apartment. Though he barely lays a hand on her, Wood has every reason to be terrified of her captor, who has a disturbing habit of brutally killing small animals. Meanwhile, Wood's police-captain father Edmond O'Brien brusquely ignores all manner of civil liberties as he and fellow officer Brian Donlevy turn the town inside out in search of the girl and her abductor. Carol Veazie appears as Burr's blowsy, dominating mother, while Mary Lawrence offers an interesting characterization as Wood's plain-Jane sister, who is jealous of all the attention showered on her missing sibling. Cry in the Night is a surprisingly lively offering from the normally uninspired director Frank Tuttle. ~ Hal Erickson, All Movie Guide
- Starring:
- Edmond O'Brien, Brian Donlevy, (more)
- 1956
Containing a wealth of stock footage from the earlier Malice in the Palace (1949), this Three Stooges two-reel comedy featured the boys attempting to save their girlfriends (Harriette Tarler, Diana Darrin, and Suzanne Ridgeway) from the evil Sultan of Pish Posh (Vernon Dent). ~ Hans J. Wollstein, All Movie Guide
- 1956
Set during Cuba's struggle to free itself from colonialist Spain, this exciting adventure chronicles the exploits of a tough, mercenary gun runner who learns about honor, sacrifice and caring for others when he ends up forced to smuggle his latest weapon's cache aboard a beat up stern wheeler bound for Cuba. There he meets a beautiful freedom fighter who has been in the States trying to rally her expatriot colleagues into returning to join in the battle. It is she, with her passionate idealism and unwavering courage, who turns the gunrunner's life around. ~ Sandra Brennan, All Movie Guide
- Starring:
- Alan Ladd, Rossana Podestà, (more)
One critic has noted that The Prodigal was aptly titled, inasmuch as it was all too prodigal with the funds of the then-flagging MGM studios. In its retelling of the 22-verse Biblical story of the Prodigal Son, the film helpfully fills in the story details inconsiderately left out of the Old Testament. Edmond Purdon plays Micah, the wastrel son of Eli (Walter Hampden) who takes his share of his father's fortune and blows it all in wicked old Damascus. Micah's one redeeming feature is his unserving faithful in the Lord God Jehovah. Pagan princess Samarra (Lana Turner at her most giddily exotic) intends to seduce Micah into renouncing his faith, only to get stoned to death for her troubles. Nearly two hours pass before Micah returns home and the fatted calf is killed in his honor. If for nothing else, The Prodigal would be memorable for Lana Turner's pagan-ritual costume, which is little more than a glorified bikini. ~ Hal Erickson, All Movie Guide
- Starring:
- Lana Turner, Edmund Purdom, (more)
- 1955
Hell on Frisco Bay is a slam-bang return to the sort of gangster fare turned out by the yard at Warner Bros. in the 1930s. Alan Ladd plays ex-cop Steve Rollins, who serves five years on a manslaughter rap. Upon his release, Rollins dedicates himself to finding the real killer. He soon learns that the man responsible for the frame-up was Victor Amato (Edward G. Robinson), the crime kingpin who rules the roost on the docks of San Francisco. Hoping to keep the heat off his operation, Amato "invites" Rollins to join his gang. Had Rollins accepted at this point, the film would have been over; instead, he doggedly pursues the gang boss with the help of such allies as cast-off gangster moll Kay Stanley (Fay Wray) and police lieutenant Dan Bianco (William Demarest). Amato is so desperate at one point that he orders the murder of his own nephew; surely a man with this sort of temperament is doomed to a horrible demise, and that's just what happens. Joanne Dru costars as Rollins' estranged wife Marcia, who believes in her husband but doesn't relish the notion of his being shot full of holes by Amato's goons. At the time of the film's release, the critics went overboard in their approval of Edward G. Robinson's full-blooded reprisal of the sort of role which made him famous (Robinson himself hated the part, but needed the work). ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Ladd, Edward G. Robinson, (more)
- 1954
Though heavily advertised as Delmar Daves' Drum Beat, this film owed its existence to producer-star Alan Ladd. The star is cast as a veteran Indian fighter Johnny MacKay, who because of his close relationship with the Medoc tribe is sent out to negotiate a peace treaty. Once he has arrived in Medoc territory, Johnny (Ladd) must contend with the misspent emotions of his childhood sweetheart Toby (Marisa Pavan), the sister of Indian chief Manok (Anthony Caruso). Jealous over Johnny's relationship with pretty Nancy Meek (Audrey Dalton), Toby has cast her lot with renegade warrior Captain Jack (Charles Bronson), who honors no treaties. Though the film has a Native American villain, Drum Beat is largely sympathetic to the plight of the Indian. Based on a true story, the film is distinguished by J. Peverell Marley's breathtaking exterior photography, and by Victor Young's ballad-like musical score. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Ladd, Audrey Dalton, (more)
