Geoffrey Lewis Movies

Bucolic American actor Geoffrey Lewis is a stalwart member of the Clint Eastwood stock company. First appearing opposite Eastwood in Thunderbolt and Lightfoot (1974) Lewis has gone on to substantial roles in such Eastwood vehicles as Broncho Billy (1980) Any Which Way You Can (1981) and Pink Cadillac (1988). Outside the Eastwood orbit, Lewis has kept busy in films ranging from The Great Waldo Pepper (1973) to Lust in the Dust (1985). If you remember the 1980 sitcom Flo, you'll remember Geoffrey Lewis as bartender Earl Tucker. ~ Hal Erickson, All Movie Guide
1974  
 
No, nobody steals a skating rink in The Great Ice Rip-Off. The "ice" referred to in the title of this TV movie is a cache of diamonds, stolen by aging thief Gig Young and his entourage. Most of the story transpires during a bus ride from Seattle to San Diego, during which Young's various gang members come aboard with their share of the stolen booty. Lee J. Cobb plays one of the bus passengers, who happens to be an ex-cop with a suspicious nature. The climactic chase sequence in The Great Ice Rip-Off is handled con brio by director Dan Curtis--far removed from his earlier work on Dark Shadows. ~ Hal Erickson, All Movie Guide

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1974  
 
Honky Tonk represented an attempt by writer/director Douglas Heyes to create a TV series based on the 1941 Clark Gable-Lana Turner film of the same name. In Heyes' version of Honky Tonk, the role of gambler Candy Johnson, originally essayed by Gable, is filled by Richard Crenna, while Margot Kidder portrays Turner's character Lucy Cotton. A romantic triangle forms between Johnson, Lucy and dance-hall chanteuse Gold Dust (Claire Trevor in 1941, Stella Stevens in 1974). Meanwhile, Johnson and Lucy's old reprobate father (Will Geer) try to take advantage of every boom-town prospector within shouting range. Wisely running some 15 minutes shorter than the original, the TV-movie Honky Tonk was originally telecast April 1, 1974. ~ Hal Erickson, All Movie Guide

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1974  
 
When it seems as if nobody understands his grief over the death of the schoolroom guinea pig that had been left in his care, Jim-Bob (David W. Harper) runs away from home. Although he may be forced to miss a long-awaited public appearance by a prominent author, John-Boy (Richard Thomas) agrees to conduct a search for his missing brother. Ultimately, John-Boy catches up with Jim-Bob--and, much to his surprise, with the author! ~ Hal Erickson, All Movie Guide

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1973  
R  
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John Milius's first directorial effort in its own small way set the stage in the 1970s for a subgenre of action films that depict a nostalgia for historical figures tinged with a hard-edged skepticism. Warren Oates stars as John Dillinger, whose short-lived career as Public Enemy No.1 was, at least according to Milius, promoted by Dillinger with a self-absorbed boosterism, comforting his victims by telling them, "Someday you'll tell your grandchildren about this." The film captures the highlights of Dillinger's criminal career, as seen through the eyes of Melvin Purvis (Ben Johnson), the FBI agent whose obsession with capturing Dillinger led to Dillinger's death in the back alley of Chicago's Biograph Theater. ~ Paul Brenner, All Movie Guide

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Starring:
Warren OatesBen Johnson, (more)
1973  
R  
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"Who are you?" the dwarf Mordecai (Billy Curtis) asks Clint Eastwood's Stranger at the end of Eastwood's 1973 western High Plains Drifter. "You know," he replies, before vanishing into the desert heat waves near California's Mono Lake. Adapting the amorally enigmatic and violent Man With No Name persona from his films with Sergio Leone, Eastwood's second film as director begins as his drifter emerges from that heat haze and rides into the odd lakefront settlement of Lago. Lago's residents are not particularly friendly, but once the Stranger shows his skills as a gunfighter, they beg him to defend them against a group of outlaws (led by Eastwood regular Geoffrey Lewis) who have a score to settle with the town. He agrees to train them in self-defense, but Mordecai and innkeeper's wife Sarah Belding (Verna Bloom) soon suspect that the Stranger has another, more personal agenda. By the time the Stranger makes the corrupt community paint their town red and re-name it "Hell," it is clear that he is not just another gunslinger. With its fragmented flashbacks and bizarre, austere locations, High Plains Drifter's stylistic eccentricity lends an air of unsettling eeriness to its revenge story, adding an uncanny slant to Eastwood's antiheroic westerner. Seminal western hero John Wayne was so offended by Eastwood's harshly revisionist view of a frontier town that he wrote to Eastwood, objecting that this was not what the spirit of the West was all about. Eastwood's audience, however, was not so put off, and an exhibitors' poll named Eastwood a top box-office draw for 1973. ~ Lucia Bozzola, All Movie Guide

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Starring:
Clint EastwoodVerna Bloom, (more)
1972  
PG  
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Gary Grimes stars in this revisionist western as Ben Mockridge, a 16-year-old boy who has long dreamed of living the life of a cowboy. Wanting adventure, he persuades Frank Culpepper (Billy Green Bush) to take him along on a cattle drive, and Ben learns the hard way just how lonesome, exhausting, and violent the life of a cowhand can be. As one of the men on the drive puts it, "Being a cowboy is what you do when you can't do anything else." Hal Needham, who would later direct a string of successful films starring Burt Reynolds, can be spotted in a small role as Burgess, one of the cowboys. ~ Mark Deming, All Movie Guide

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Starring:
Gary GrimesBilly Green Bush, (more)
1972  
 
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Set during the Civil War, Bad Company stars Barry Brown as a Northern boy, Drew Dixon, who heads West to avoid getting drafted. He falls under the spell of Jake Rumsey (Jeff Bridges), an easygoing young con artist. Drew joins Jake's gang of boy bandits, who live by their wits and try to avoid confrontation with adult criminals like Big Joe (David Huddleston). It is Drew who must eventually save Jake from hanging, even though he realizes that his intervention could lead to his own execution. ~ Hal Erickson, All Movie Guide

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1972  
 
This departure from the usual Mission:Impossible formula is a neat twist on the series' first-season episode "The Ransom." It all begins when IMF agent Jim Phelps is kidnapped by Syndicate boss Andrew Metzger (John Ireland). If his fellow agents ever want to see Phelps again, they must break into a Federal safety deposit box and steal an incriminating letter that would otherwise send Metzger to the Big House. Series regular Peter Graves (Phelps) also directed this episode. First telecast on December 2, 1972, "Kidnap" was written by Sam Roeca and James L. Henderson. ~ Hal Erickson, All Movie Guide

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Starring:
Peter GravesGreg Morris, (more)
1972  
 
"Committed" was first telecast on January 22, 1972, the same day that the latest cast of Mission:Impossible appeared on the cover of TV Guide. Bert Freed guest stars as Syndicate chieftan Leon Chandler, whose trial for murder may end in acquittal thanks to the actions of a corrupt lieutenant governor. The key witness against Chandler, Nora Dawson (Susan Howard), is slowly being driven insane in a mob-controlled mental hospital. The IMF's mission: To infiltrate the hospital, rescue Nora, and expose Chandler's political stooge. Series regular Lynda Day George steals the show with her impersonation of a deranged woman. "Committed" was scripted by Arthur Weiss, from a story by Laurence Heath. ~ Hal Erickson, All Movie Guide

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Starring:
Peter GravesGreg Morris, (more)
1972  
R  
This anti-war drama centers on four Vietnam veterans who are driving cross country to California. By the time they hit New Mexico, they are down to $69. They started out with over $9,000 between them. To get some quick cash, they rob a gas station. The irate owner begins shooting at them and they in turn show him that they are carrying a veritable ammunitions dump in their trunk. Donning their Green Beret uniforms, they get revenge upon the town and then begin waiting for the authorities to show up so they can have a showdown with them too. ~ Sandra Brennan, All Movie Guide

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1972  
 
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Filmed for television, this story concerns a series of killings in the Louisiana bayou. The sheriff on the case believes that a werewolf is behind the murders. The film was adapted from a book by Leslie H. Whitten. ~ John Bush, All Movie Guide

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1970  
 
Originally telecast September 20, 1970, "A Matter of Faith" served to introduce new Bonanza regular Mitch Vogel in the role of Jamie Hunter. The son of an itinerant rainmaker, Jamie is unofficially adopted after his dad's death by Ponderosa hand Dusty Rhodes (Lou Frizzell. Despite the skepticism and outright hostility of the townspeople, Jamie is determined to fulfill his father's promise to bring rain to drought-stricken Virginia City. "A Matter of Faith" was written by Jack B. Sowards, John Hawkins, and former Star Trek scrivener D.C. Fontana. ~ Hal Erickson, All Movie Guide

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Starring:
Lorne GreeneMichael Landon, (more)
1958  
 
While the train he is riding on is temporarily stalled by a blizzard, effusive old rancher Mr. Kilmer (Chill Wills) regales the other passengers with one of his tall tales. Throughout Kilmer's monologue, he is constantly interrupted by an obnoxious eight-year-old boy named Johnny (Peter Lazer). Finally, Kilmer offers Johnny a silver dollar if he can remain quiet for ten minutes. Dutifully, Johnny shuts up -- while outside, the blizzard rages on, and the search for an escaped mental patient continues. ~ Hal Erickson, All Movie Guide

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