Geoffrey Lewis Movies

In this drama, a divorced and irresponsible motocross racer grows up as he prepares to run the Big Race. ~ Sandra Brennan, All Movie Guide

In the middle of Murdock's regular therapy session, his psychiatrist Dr. Richter (Richard Anderson) is kidnapped. Immediately, Murdock (Dwight Schultz) alerts his A-Team colleagues, who launch a search for Richter in the treacherous jungles of "Curaguay." The rest of the episode is an extended lampoon of Apocalypse Now, replete with a megalomanic rogue army officer named Mack Stoddard (Geoffrey Lewis). And let us not forget the Team's attractive travelling companion (Jeannetta Arnette), a woman named Betty (or is it Sarah?) who claims to be Richter's daughter--as well as several other people. ~ Hal Erickson, All Movie Guide

In this satirical sci-fi comedy, Samantha (Kelli Maroney) and Regina (Catherine Mary Stewart) are two sisters whose father was a hard-bitten Green Beret, but who've grown into typical Valley Girls. They end up spending the night in a steel-lined room just as a comet passes close to the earth, vaporizing the people in its wake. When Samantha and Regina emerge, they discover that they have the city to themselves, and they begin the shopping spree to end all shopping sprees. En route to the mall, they discover Hector (Robert Beltran), the only survivor they've found so far, and they argue over who gets the last boyfriend on Earth. However, the mall holds an unpleasant surprise -- a small army of zombified stockboys who the gals must battle using an arsenal they shoplifted along the way (while lamenting that "Daddy would have gotten us Uzis!" after a MAC-10 fails to fire). Meanwhile, a cadre of soldiers from a special military experiment have come out of hiding, but it seems that they need fresh blood to survive, and Samantha and Regina look like just the refreshment they need. Cult figure Mary Woronov also appears in a supporting role as a scientist. ~ Mark Deming, All Movie Guide

A controversial spoof on the Spaghetti western (some love it, some hate it), Lust in the Dust features the 300-pound Divine as the inimitable Rosie Velez, riding into view in full drag on a poor donkey as solemn commentary muddles on about the passions that enslave men and women -- and then Rosie, who weighs more than the donkey, is gang-raped by Hard Case Williams' (Geoffrey Lewis) outlaws. Eventually Rosie is rescued by the tough, taciturn cowboy Abel Wood (Tab Hunter), and together they reach the miserable town of Chili Verde where the entire population, not many after all, can always be found at a saloon run by Marguerita Ventura (Lainie Kazan) and her nit-wit bouncer/gunslinger, Bernardo (Henry Silva). Abel soon discovers that the reason why the population is so interested in Marguerita's saloon has nothing to do with hard liquor -- Marguerita and Rosie each have one half of a map of buried treasure tattooed on their backsides, and everyone wants a look at the whole map. That situation introduces rather absurd bedroom farce. Viewers with a very broad if not bawdy sense of humor will most enjoy this earthy exercise in parody. ~ Eleanor Mannikka, All Movie Guide

In Highway to Heaven's first holiday episode, angels Jonathan (Michael Landon) and Mark (Victor French) try to bring redemption to a miserly, flint-hearted used-car dealer named "Honest" Eddie (Geoffrey Lewis). Staging an elaborate Yuletide charade, the two angels show Eddie how his miserable attitude has hurt those around him -- and also advise him to change his ways before it is too late. Without giving away any more of the plot, suffice to say that Eddie is given a "Dickens" of a time before he sees the light. ~ All Movie Guide

In this detective drama, ultra-macho investigator Travis McGee, based on a character by author John D. MacDonald, looks into the case of a seemingly drowned land developer. Along the way he meets a boozy old sailor, a high-strung pianist, and the dead developer's sister. ~ Sandra Brennan, All Movie Guide

Charles Bronson at 63 or so, continues his vigilante persona in this run-of-the-mill crime drama about a Richard Speck-style killer who knifes young nurses to death. There is no doubt that the film exploits both the heinous, 1966 Speck murder of eight nurses in Chicago and an audience's willingness to go along with the Bronson character, Leo Kessler, when he uses illegal means to entrap criminals. The captured killer, Warren Stacey (Gene Davis) manages to go free because of red tape and the need to wait for the outcome of his insanity plea. When he returns to his murderous predilection, Kessler takes action to permanently stop him. ~ Eleanor Mannikka, All Movie Guide

Larry Cohen wrote the screenplay to this updating of Mickey Spillane's notorious 1947 novel. Cohen was originally engaged to direct the film as well but was pulled from the director's chair after a week's worth of shooting because he had already run up the budget by $100,000; he was replaced by television director Richard T. Heffron. In this 1982 I, the Jury, Mike Hammer (Armand Assante) is a Vietnam veteran who wears hip duds and drives around in a bronze Trans Am in much the same way as Robert Mitchum's Philip Marlowe was refurbished for Michael Winner's re-make of The Big Sleep. After a cheesy rip-off of a James Bond-style credit sequence, the story kicks in. One-armed detective Jack Williams (Frederick Downs) is murdered. Jack was Hammer's best friend, and Hammer decides that he will become a one-man vigilante squad and seek vengeance on the person responsible for his death. He enlists the aid of his vivacious secretary Velda (Laurene Landon) and is also helped and hindered by police-chief Pat Chambers (Paul Sorvino). Hammer latches on to the killer's trail, then the film veers in a radically different direction from the book, introducing government conspiracies and mind-control techniques by the CIA and the Mafia. Also introduced is Hammer's love interest Charlotte Bennett (Barbara Carrera), an administrator of a kinky sex clinic (depicted as a psychiatrist in the original novel). ~ Paul Brenner, All Movie Guide

A notorious artistic and financial failure, Michael Cimino's Heaven's Gate was blamed for critically wounding the movie Western and definitively ushering out the 1970s Hollywood New Wave of young, brash, independent filmmakers. Taking a revisionist, post-Vietnam view of American imperialism, Cimino used the historical Johnson County War incident in Wyoming to create an impressionistic tapestry of Western conflict between poor immigrant settlers and rich cattle barons led by Canton (Sam Waterston) and his hired gun Nate Champion (Christopher Walken). Attempting to mediate is idealistic Harvard graduate and county marshal Averill (Kris Kristofferson), who is both Nate's friend and his romantic rival for the affections of Ella Watson (Isabelle Huppert). However, war erupts, at great cost to all involved. Flush from his success with the Oscar-winning The Deer Hunter (1978), Cimino demanded creative control, and his insistence on shooting on location and building historically accurate sets and props multiplied the film's original budget to a then-astronomical $36 million. When United Artists premiered the original 219-minute version (sight unseen), they discovered that Cimino had produced an elliptical epic, compounding the box-office difficulties of making a Western without any major stars. Critics howled about Cimino's incomprehensible self-indulgence, and United Artists pulled the film after several days. Re-released five months later, 70 minutes shorter, Heaven's Gate bombed again, and MGM bought out the financially crippled United Artists. The ailing Western genre virtually vanished during the 1980s, Cimino's career never recovered, and Hollywood studios had had enough of bankrolling financially risky ventures by "auteur" directors. Heaven's Gate's reputation recovered somewhat after its video release, as it garnered praise from some viewers for such visually remarkable sequences as the Harvard dance and the final battle, as well as for David Mansfield's haunting score. Steven Bach's book Final Cut provides a full production history. ~ Lucia Bozzola, All Movie Guide

Steve McQueen's penultimate film deals with a fascinating western legend, founded on an insightful script by Thomas McGuane and Bud Shrake. Unfortunately, the film was done in by the five directors --Don Siegel, Elliot Silverstein, James Guercio, William Wiard, and McQueen himself-- that were, at one point or another, attached to the project. The film deals with the infamous Texas gunslinger Tom Horn. Horn gained fame for a variety of exploits; he served with Teddy Roosevelt's Rough Riders and was the Pinkerton detective who captured the notorious outlaw Peg Leg Watson. But as Tom Horn begins, something in Horn (Steve McQueen) has snapped. Tom quits the Pinkertons and hires himself out to rancher John Coble (Richard Farnsworth) to assist him in putting an end to his problems with the local homesteaders and rustlers. But Horn performers his job with a chilling intensity, killing so many people with such bloodthirsty rage that it is even too much for Coble and the ranchers to take. When Horn's violence cannot be stopped, Coble has to take the law into his own hands to put a halt to Horn's bloodbath. ~ Paul Brenner, All Movie Guide

Bronco Billy stars Clint Eastwood (who also directed) as the impresario of a seedy wild west show. Going along for the ride is spoiled socialite Sondra Locke, who is "initiated" by being pressed into service as the wrong end of a knife-throwing act. The rest of the troupe, like Eastwood himself, are losers in life who yearn for the freedom and opportunity of the long-gone Old West. Despite its raucous ad campaign, Bronco Billy is at base a wistful character study, avoiding the usual trappings of car chases and redneck villains and offering quiet chuckles instead of belly laughs. Unfortunately it failed to click with the public, compelling Eastwood to temporarily return to his old crash-bang-pow formula in his next few films. ~ Hal Erickson, All Movie Guide

Lee Cantrell (Joe Penny) is a half-Asian, half-Anglo assistant district attorney in San Francisco. By day he helps to prosecute criminals through the justice system, but at night he straps on his samurai sword and does battle with the underworld in his own way. His main enemy is a power-crazed businessman who has built an "earthquake machine" with which he intends to destroy San Francisco. ~ Brian Gusse, All Movie Guide