Fiona Lewis Movies

In this subtly humorous, alien-invasion film by Michael Laughlin, who co-wrote the screenplay with William Condon, the aliens infiltrate a small Midwestern town in 1958 and beam the "spirits" of several of the townspeople up to their spacecraft in little blue bubbles, while they settle into the bodies of their new farm personae. But Margaret (Diana Scarwid), one of their number, leaves for life and marriage in New York and has a daughter Elizabeth by her earthling husband Charles Bigelow (Paul LeMat), a professor. After two decades or so go by, the aliens opt for returning to their home planet, but they have to first go to the city dressed as farmers and round up Margaret and her daughter. Soon Charles figures out what is going on with the help of the tough, optimistic Betty Walker (Nancy Allen), a reporter for a tabloid paper, and the two head to the town where it all started.The light contrast between the bucolic '50s and the street-wise '80s gives way to a few shocking scenes of repugnant aliens in transformation with formidable special effects. ~ Eleanor Mannikka, All Movie Guide

Comedy falls as flat as a blowout in this film by Joseph Sargent about a down-to-earth trucker (Robert Blake) and the rich and looney witch (Dyan Cannon) he is forced to take on a haul from New York to L.A. Madie (Cannon) is running away from her money-grubbing husband who is conniving to get the most inexpensive divorce he can. Charlie (Blake) the trucker is under pressure from a ruthless creditor and is in desperate need of cash. As the mismatched duo continues in a stressful journey across country, sparks fly but fail to ignite much of anything along the way. ~ Eleanor Mannikka, All Movie Guide

When tough gambler Beaudray Demerille (Peter Fonda) wins young Wanda Nevada (Brooke Shields) in a poker game, he discovers that his new possession might be more of a hindrance than a help. Setting off to search for gold in the Grand Canyon, Beaudray and Wanda must work together to avoid falling into the hands of a group of criminals who are also after their treasure. ~ Iotis Erlewine, All Movie Guide

Robert Forster delivers a well-turned performance as a professional stuntman in this Hawksian murder mystery. Forster is Glen Wilson, an ace stuntman who travels from movie set to movie set, performing dangerous professional work. Fiona Lewis is B.J. Parswell, a journalist whose presence creates dissension within the ranks of this all-male group. She turns into an admirer of Glen's skill and then, later, his lover. Pressure increases when Glen's brother, also a stuntman, is killed on an oceanfront movie set in San Luis Obispo. The producer, Blake (James Luisi) thinks it is an accident, but Glen suspects foul play. Glen wants to take the place of his brother, telling the producer that he wants to finish his deceased brother's stuntwork. Actually, he wants to more fully investigate his brother's death by snooping around the movie set. The producer is reluctant, but Glen's old stuntmen pals -- Paul (Ray Sharkey), Chuck (Bruce Glover), and Patti (Joanna Cassidy) -- insist on Glen being hired. Glen proves his mettle, performing a series of dangerous stunts. Along the way he discovers that his brother had been sleeping with Judy (Candice Rialson), Blake's nymphomaniac wife. Glen then suspects Blake might be responsible for his brother's death. After more unexplained "accidents" on the set, Glen is sure that the killer is after him and determines to find him and stop him before he kills again. ~ Paul Brenner, All Movie Guide

It is hard to get more deliriously fever-pitched than the ending of Mandingo -- in which a plantation master is shot and his main slave gets boiled in oil -- but Drum (Mandingo's mangy sequel) certainly tries. Hammond Maxwell (Warren Oates), the late slave-owner's son (from Mandingo), is trying to follow in his father's footsteps and purchases Drum (Ken Norton) and Blaise (Yaphet Kotto) from bordello hostess Marianna (Isela Vega). Marianna is actually Drum's mother, although her lesbian lover Rachel (Paula Kelly) in fact brought up the boy. Thrown into the package to Hammond is Drum's girlfriend Regine (Pam Grier), who was purchased to satisfy the carnal urges of Mr. Hammond. However, Augusta Chauvet (Fiona Lewis), setting her sites on Hammond, has other plans. Drum is such a perfect specimen of slave that neither men nor women can keep their hands off of him. Drum looks stoic until a climactic slave revolt breaks out, guaranteeing more blood and carnage than Mandingo could ever hope to provide. ~ Paul Brenner, All Movie Guide

This TV-movie adaptation of Bram Stoker's novel of the "undead" was adapted by Richard Matheson and photographed by Oswald Morris. As the titular count, Jack Palance is a reluctant victim of an unwelcome fate, rather than a grinning bloodsucker. Nigel Davenport co-stars as Van Helsing, vampire-hunter deluxe, who pursues the count with his bagful of hammers and stakes. Much of the Stoker novel that had been eliminated in earlier versions has been restored by Matheson. Originally slated for telecast in October of 1973, Dracula was reshuffled to February 8, 1974, due to the late-breaking vice-presidential nomination of Gerald Ford. ~ Hal Erickson, All Movie Guide

This sequel to the stylish 1971 melodrama The Abominable Dr. Phibes once more stars Vincent Price in the title role. Long believed dead, Phibes arises from a state of suspended animation, in search of the means to bring his deceased wife back to the land of the living. Phibes also wears a rubber mask to disguise his own horribly disfigured countenance. (The giveaway: he never moves his mouth when speaking, and eats by applying his fork to his neck!) With the aid of the enigmatic, never-speaking Vulnavia (Valli Kemp), Phibes follows an Egyptian expedition, seeking out an ancient elixir of life and killing everyone who gets in his way. In the original film, all of the doctor's grisly but ingenious murders were motivated, and all were linked by a Seven Deadly Plagues throughline. In the sequel, Phibes kills whenever he feels like it, and utilizes an impressive array of death-dealing contraptions (one victim literally has his skin blown off his body by a high-powered electric fan). This marks one of the only films ever made to wrap with Vincent Price singing "Somewhere, Over the Rainbow." ~ Hal Erickson, All Movie Guide

Roman Polanski wrote the screenplay for this decidedly offbeat drama. Bernie (Mark Burns) plays a rootless wanderer with a fondness for alcohol and no clear goals in life. Bernie stumbles into a seaside resort community with Winnie (Beatrice Edney), a young girl in leg braces, in tow. As Bernie starts hitting the bottle, his physical and emotional stability starts to crumble, and Winnie begins to worry for his safety, until he finally collapses and Winnie panics, with no one left to look after her. Peter Sellers makes a brief cameo appearance as a gay shopkeeper who sets up a booth to take advantage of the beach traffic. While Polanski originally intended to direct A Day At The Beach, he later turned over the reigns to filmmaker Simon Hesera; it was his first dramatic feature, and his last. ~ Mark Deming, All Movie Guide

Jack Sheppard (Tommy Steele) is the locksmith's apprentice who is forced into highway robbery when he is betrayed by Jonathan Wild (Stanley Baker). Jack runs for his life and takes to a life of crime. He is captured but breaks out of jail, quickly becoming the subject of lore, legend and song. The arrogant and popular Jack ends up heading for the gallows after taunting the King, the Lord Chancellor and a harridan aristocratic dowager. Wild tries to track down the elusive robber and collect on the reward like he has done so many times before in this dramatic adventure biography. ~ Dan Pavlides, All Movie Guide

A pair of bumbling vampire-hunters attempts to destroy an undead nobleman and his cronies and rescue a buxom maiden in actor/director Roman Polanski's playful update of the venerable vampire genre. Bat expert and vampire obsessive Professor Abronsius (Jack MacGowran) barely survives his journey through the Alps into snowy Slovenia to continue his oft-maligned research into the undead. Thawed out by his hapless assistant, Alfred (Polanski), and the frisky local innkeeper, Shagal (Alfie Bass), Abronsius quickly notices the overabundance of raw garlic as a decorating motif in the inn and its environs. Too ineffectual to save Shagal from having his blood sucked, the professor and Alfred miss the boat again when the mysterious Count Von Krolock (Ferdinand Mayne) kidnaps Shagal's built, beautiful daughter, Sarah (Sharon Tate). The itinerant vampire hunters must travel through the icy wilderness to Von Krolock's abode and evade his manservant and his effete son Herbert (Iain Quarrier) before Sarah joins the ranks of the ghouls. They soon learn, however, that the luxury-starved lass actually enjoys her captors' lavish attentions. The action climaxes during a costume ball attended by a phalanx of blood-suckers, although the laughs and surprises continue until the very end. Sixteen minutes of unauthorized cuts have been restored in some video editions of The Fearless Vampire Hunters, although the animated credits sequence that replaced them is also retained. The film marks the feature debut of Tate, who replaced Polanski's original choice, Jill St. John, on the advice of producer Martin Ransohoff. ~ Brian J. Dillard, All Movie Guide

Children who want to use an old hotel room for a clubhouse stumble across evidence of a sunken Nazi treasure in this watered-down adventure. Michele Morgan and Paul Hubschmidt co-star and provide the more memorable performances in this tepid thriller. ~ Dan Pavlides, All Movie Guide