Robert Levine Movies

History's most renowned ladies' man finally meets his match in this historical romance laced with comedy and adventure. In Venice in 1753, Giacomo Casanova (Heath Ledger) is a notorious playboy whose way with women goes too far when he's caught leaving the bedroom of a novice nun, and one of the leading prosecutors of the Inquisition, Pucci (Jeremy Irons), puts him on trial. The Doge (Tim McInnerny), Venice's political point man, is a friend of Casanova's and pulls strings to get him off the hook and allow him to stay in the city, but under one condition -- he must take a wife and remain faithful to her. Casanova sets his sights on Victoria (Natalie Dormer), a lovely young maiden who is obviously taken with the handsome ladykiller, but he's not the only one who wants her hand. Giovanni Bruni (Charlie Cox) is a young man who is very much in love with Victoria, and in order to move him out of the picture, Casanova challenges him to a duel. However, when Casanova is bested in swords in the challenge, he discovers he's actually been parrying with Giovanni's sister, Francesca (Sienna Miller). As Casanova gets to know Francesca, he discovers she's a gifted writer and a bright and independent woman as well as a good hand with a sword, and he comes to the realization that she's the woman he wants to take to the altar. However, Francesca has already been promised to the vain and chubby Papprizzio (Oliver Platt), a man she's never met, and she doesn't seem at all interested in the notorious Casanova. Casanova also stars Lena Olin, and Omid Djalili. ~ Mark Deming, All Movie Guide

Larry (Garry Shandling) was already skating on thin ice with the network following his departure from the show, and now the suits upstairs are quickly tiring of Larry's constant on-air barbs made at their expense. Despite Artie's (Rip Torn) persistent pleas for him to let up, Larry's venom only becomes more potent. When Hank (Jeffrey Tambor) is injured during a skit, the network bigwigs finally decide to draw a line in the sand. With Artie's job and the future of the show on the line, Larry finally relents and offers an on-air apology...though Hank's subsequent threat to sue the network brings about an even more troublesome dilemma. ~ Jason Buchanan, All Movie Guide

A doomed interracial relationship provides the focus of this tragedy. White paralegal Lonny, wants to write a political novel that rails against the system, but he can't seem to start it. His writer's block has cost him emotionally, and he is bored with his job, his conversations with his father, and with his girlfriend. He looks for something different. He finds it with black teenager, Denise as she prepares for her SATs. He is attracted by her intelligence and the eagerness with which she learns and offers to tutor her. She accepts and soon they have transcended the teacher student relationship and become closer. They face resistance at every turn, but they do not heed the warnings. Tragedy ensues. ~ Sandra Brennan, All Movie Guide

Developed by Tina Sinatra and approved by Frank himself, Sinatra is a made-for-television mini-series following the life and times of Frank Sinatra, one of the most popular and acclaimed singers of the 20th century. Opening with his childhood in Hoboken, New Jersey, the film follows Sinatra's (Philip Casnoff) rise to the top in the '40s, through the dark days of the early '50s and his triumphant re-emergence in the mid-'50s, to his status as pop culture icon in the '60s, '70s and '80s. In between, the film hits all of the main events, including his three marriages, his connections with the Mafia and his notorious friendship with the Rat Pack. Even with the presence of Tina Sinatra as executive producer, Sinatra doesn't gloss over the more unsavory portions of Frank's life, which makes it all the more impressive. With the exception of a couple of early songs, all the music in the movie is taken from the original Sinatra recordings. ~ Stephen Thomas Erlewine, All Movie Guide

Mr. and Mrs. Bridge (played by real-life "Mr. and Mrs." Paul Newman and Joanne Woodward) are well-to-do residents of Kansas City in the 1940s. So far as the Bridges are concerned, however, it's the 1920s, with Mr. Bridge treating his wife like property, regarding his grown children as if they're still adolescents, and habitually voting against that upstart Roosevelt. Though the underlying painfulness of such an archaic arrangement is never ignored, Mr. Bridges' obstinancy is for the most part amusing. The scene that seemed to please the audience most was the one in which Mr. Bridge orders Mrs. Bridge not to leave their table at their country club despite tornado warnings (they sit quietly in the deserted dining room while the building shakes and shudders). As for Mrs. Bridge, her "life" is totally defined by those around her--which in any other film would be a tragedy, but which here seems a logical extension of all that's gone before. Based on two separate novels by Evan S. Connell, Mr. & Mrs. Bridge is a rare excursion into Americana by the Ismail Merchant-James Ivory team. ~ Hal Erickson, All Movie Guide

In this sequel to the 1981 hit comedy Arthur, the story picks up where it left off with the bibulous millionaire hero (Dudley Moore) marrying poverty-stricken Linda Marolla (Liza Minnelli) instead of going through with a prearranged wealthy marriage. The vengeful father (Stephen Elliott) of the justifiably jilted bride begins pulling a few crooked strings, and before long, Arthur is broke. Worse still, Linda is pregnant. Will Arthur crawl back into a bottle, or will he save the day? John Gielgud makes a cameo appearance as the ghost of the family-retainer character he played in the first Arthur, while Dudley Moore's real-life wife Brogan Lane shows up in a minor role. ~ Hal Erickson, All Movie Guide

Audiences loved him as a Berber sheik in the historical saga The Wind and the Lion, so who better to play a Saudi Arabian minister of state who wants to make peace with Israel during the Arab oil embargo of 1976 than Sean Connery? Connery plays Khalil Abdull-Muhsen, a peace-mongering diplomat who wants to sign a mutual assistance pact with Israel and sell Saudi oil to needy nations at cost. The object of his pipe-dream plan is to free those needy nations from the East-West conflict. Unfortunately, the world is not ready for such starry-eyed idealism, and before you can say "Tiger in your tank," Khalil finds himself the victim of choice for a network of Arab terrorist groups. The terrorists clearly have the pick of the litter at the casting office, for Khalil finds himself pursued by the frisky and beautiful Bryn Mawr graduate and cool-as-a-cucumber terrorist Nicole Scott (Cornelia Sharpe). ~ Paul Brenner, All Movie Guide

A serious social drama film of the type that flourished in the 1960's, Up the Down Staircase seems somewhat dated and preachy when viewed by modern audiences. The subject matter is laudable, of course: an ambitious, spirited and concerned young teacher determined to make a difference in a troubled inner city school. And there are quite a few memorable moments, including a very well-directed juxtaposition of Sylvia Barrett triumphing by getting her class excited about A Tale of Two Cities as the lovelorn and dejected Alice Blake quietly and calmly examines the classroom of the teacher she loves before jumping from a window. Director Robert Mulligan also provides appropriate tension to a scene in which another troubled student forcefully comes on to the young teacher, and throughout he does a commendable job of using a hand held camera and a very busy, overlapping soundtrack to convey the tumult, confusion and chaos of the high school. He is less successful in overcoming the script's tendency to excessive earnestness and dialogue that often sacrifices subtlety and nuance to make its points. The film also suffers from a bit of hollowness at its core. Some of this is due to Sandy Dennis's performance - her peculiar brand of acting, while effective in conveying much about the character, also tends to isolate her from the other cast members. However, the decision to present the character solely in terms of the school and its immediate environs and never in her home life also contributes to the hollowness. The supporting cast is marvelous, with a mixture of seasoned pros and novices, although one wishes Eileen Heckart had been given more to do. Despite its flaws, Staircase remains involving. ~ Craig Butler, All Movie Guide